The Best Dynamic Microphones - Now over 47,800 Ratings!

The Highest Rated Dynamic Microphones

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Compared to their more sensitive siblings, dynamic microphones are usually capable of recording higher SPL sources with less distortion. This is partly due to to the mechanism behind dynamic mics; unlike condensers where the signal is generated between two conductive plates and amplified internally with the help of phantom power, dynamic mic capsules are designed to move a magnet in and out of a fixed coil to generate an electrical signal. They differ with condensers in that they require no external power source to operate. Being less sensitive also means they are better than condenser designs at rejecting background noise, making them ideal for picking up sound from a specific source or angle while rejecting sound from other directions..

In this June 2020 update, we have seen major changes in the lineup with the classic Shure SM58 actually dropping out of the main selection. We have decided to give it a special mention because of its legendary status. In its place however, are a few microphones that, according to reviews from users like you, have performed exceedingly well since our last update. Is the Shure SM58 experiencing a decline in popularity after decades of dominance or are the new mics on the block simply outperforming it?

Without further ado, we present the Best Dynamic Microphones, ranked from gathering over 47,800 review and rating sources!.

The Best Dynamic Microphones

Shure SM57

95
GEARANK

95 out of 100. Incorporating 5100+ ratings and reviews.

Street Price: 

$99
Shure SM57 Instrument Microphone

The Shure SM57 is easily one of the most popular instrument-friendly mics on the market today.

Decades after it was first introduced, it is still among the most widely used mics for instruments, which include acoustic guitars, guitar amp cabinets, percussion instruments and many more. From its release in the '60s up to now, there's no escaping the SM57 in the many recordings it has been used, be it on guitar cabinets, snare drums, or on presidential speeches!

It continues to be especially popular in rock music, where it is used to mic almost everything, sometimes even vocals. And this widespread use in rock is ironic in the sense that the designer of this mic was not a fan of rock music.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 40Hz-15kHz
  • Impedance: 150 ohms (300 ohms actual)
  • Applications: Live and recorded guitars, guitar amps, vocals, drums & more

Pros

The Shure SM57 is often described as great workhorse microphone that you can truly rely on. It also gets a lot of commendation for its sound quality and flexibility, from professionals who make the most out of the mic, to home recording musicians.

Cons

It's not easy finding commonly reported issues, especially with the continued improvement of its production process. Still there are a few who do not like its sound coloration.

Overall

If you're looking for no less than something worthy of the title "industry standard", then the Shure SM57 will definitely impress you.

Shure SM57 Frequency Response Chart:

Shure SM58 Frequency Response Chart

Shure SM57 Polar Pattern Chart:

Shure SM58 Polar Pattern Chart

Sennheiser e845

95
GEARANK

95 out of 100. Incorporating 175+ ratings and reviews.

Street Price: 

$120
Sennheiser e845 Dynamic Super Cardioid Handheld Microphone

The Sennheiser e845 is a dynamic mic that's specifically tweaked for live vocal performance.

It has a supercardioid polar pattern that allows it to focus on the main sound source more, while rejecting stage noise. In addition, the frequency response of the mic is tweaked to better work with vocals.

Sennheiser also equipped its capsule with a special internal shockmount, which reduces handling noise as singers move around.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Supercardioid
  • Frequency Response: 40Hz-18kHz
  • Impedance: 350 ohms
  • Applications: Live vocals & acoustic guitar

Pros

Market response to the Sennheiser e845 is overwhelmingly positive, with users appreciating its solid overall performance and build quality. Many appreciate how natural the resulting sound is, while others are happy with its feedback free and overall quiet operation. Off-axis noise rejection is also well received, along with its reduced proximity effect which results in less low end when using the mic up close. Value for money also comes up quite often among those who rate this mic highly.

Cons

Not many complaints to write about, other than a few who rated the e845 a tad bit lower due to preferences, like the lack of low end due to its reduced proximity effect.

Overall

With its stage friendly design and really high ratings, the Sennheiser e845 should be one of the first mics to consider if you're looking for a vocal microphone.

Sennheiser e845 Frequency Response Chart:

Sennheiser e845 Frequency Response Chart

Sennheiser e845 Polar Pattern Chart:

Sennheiser e845 Polar Pattern Chart

Shure Beta 57A

95
GEARANK

95 out of 100. Incorporating 650+ ratings and reviews.

Street Price: 

$139
Shure Beta 57A Dynamic Instrument Microphone

While it shares the same number as the fabled Shure SM57, the Beta 57A is an entirely different microphone but shares some traits with both the SM57 and the SM58.

Unlike the SM57, the Beta 57A has a grille. Shure notes that the material of the grille is made of a tougher and more durable material than their SM series. While the SM58's grille adds space from the capsule and the sound source, the Beta 57A's grille is shorter and therefore shares more with the SM57 with regards to pickup distance.

It also sports a Supercardioid pattern versus the SM57's cardioid. Lastly, a Neodymium magnet provides a more hi-fi frequency response as well as higher output: perfect for driving mic preamps for that extra grit.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Supercardioid
  • Frequency Response: 50Hz-16kHz
  • Impedance: 150 ohms
  • Applications: Live and recorded guitars, guitar amps, vocals, drums & more

Pros

Users are satisfied with the mic's response, saying that it is a definite upgrade over the SM57. It retains some of the characteristics of its lower-priced sibling but adds punch, clarity, consistency (thanks to it's polar pattern). The mic itself is noted by several users to be solid and durable, with some reviewers mentioning they've owned one or several for years without a single breakdown. Baritone vocals shine on the mic.

Cons

May be harsh on female vocals as a few have reported. Highs may be too harsh for some voices.

Overall

While it was tailor made for instruments, vocals definitely shine on the Beta 57A especially for deep-voiced singers like Baritones. It may be too bright for some voices and may not be the best pick for a bright snare mic but for balancing out dull or deep sounding sources, it's a great performer at this price range with durability to boot.

Shure Beta 57A Frequency Response Chart:

Shure Beta 57A Frequency Response Chart

Shure Beta 57A Polar Pattern Chart:

Shure Beta 57A Polar Pattern Chart

Shure Beta 58A

96
GEARANK

96 out of 100. Incorporating 3350+ ratings and reviews.

Street Price: 

$159
Shure Beta 58A

The Beta 58A is a handheld dynamic microphone specifically tailored by Shure for vocals, based on the iconic SM58.

It sacrifices some of the versatility of the popular Shure mic to focus on capturing vocals better. To achieve this, Shure added more emphasis on the higher frequencies at 4kHz and 9kHz, resulting in a clearer sound that befits singers.

Proximity effect is also reduced via bass roll off, so there's no sudden increase in the lower frequencies as you get closer to the mic.

Finally, the Beta 58A has a narrower Super Cardioid polar pattern for better noise rejection, and it comes with an internal shock mount for preventing handling noise.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Super Cardioid
  • Frequency Response: 50Hz-16kHz
  • Impedance: 150 ohms
  • Applications: Live and recorded vocals & acoustic guitar

Pros

As expected from a Shure branded mic, the Beta 58A gets a lot of thumbs up for its solid build. But more than that, most of the positive reviews point to its good sound quality as its best trait. Even experienced users describe this mic as the best that they've ever used, so much so that some even prefer using the Beta 58A in the studio over condenser microphones. Many describe this mic as brighter sounding, when compared to the SM58.

Cons

Speaking of bright, some users are not too fond of the mic's brighter tonality, and prefer cheaper mics with the added bass due to proximity effect. This is more of a preference issue than an actual problem with the mic.

Overall

If you're looking for a quality vocal mic that will last you a lifetime, then go get the Shure Beta 58A.

Shure Beta 58A Frequency Response Chart:

Shure Beta 58A frequency response chart

Shure Beta 58A Polar Pattern Chart:

Shure Beta 58A polar pattern chart

Sennheiser e935

97
GEARANK

97 out of 100. Incorporating 950+ ratings and reviews.

Street Price: 

$180
Sennheiser e 935 Vocal Dynamic Microphone

At publication time this was 1 of 3 Equal Highest Rated Dynamic Microphones along with the Sennheiser e906 and Sennheiser e945.

The e935 is part of Sennheiser's flagship 900 series Evolution mics, described by the company as a professional stage mic that's better tuned for vocal clarity, with improved transients.

It is equipped with a premium internal shock-mounted capsule that is ready for the noise of bigger stages.

Its cardioid polar pattern gives singers standard proximity and positioning, to reduce the need for technique adjustments when switching from a different mic.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 40Hz-18kHz
  • Impedance: 350 ohms
  • Applications: Designed for Live Vocals, Can be used for Recording, Acoustic Guitars, and Guitar Amps.

Pros

Amazing is a good one-word adjective that summarizes market sentiment for the Sennheiser e935. Those who have switched from other brands report big improvements in sound clarity, with many specifically mentioning the reduction of unwanted low-end, which in turn allows you to better hear nuances and articulation in the upper middle frequencies. Many are also happy with its reliability, having used it extensively on the road.

Cons

Interestingly, vocal clarity is not always a good thing, especially if you are a rock, blues or folk singer who needs the extra low end. But aside from these preference issues, the Sennhesier e935 continues to do well in the market.

Overall

If you're looking for a stage ready mic with emphasis on voice clarity, then do check this one out.

Sennheiser e935 Frequency Response Chart:

Sennheiser e935 Frequency Response Chart:

Sennheiser e935 Polar Pattern Chart:

Sennheiser e935 Polar Pattern Chart:

Sennheiser e906

97
GEARANK

97 out of 100. Incorporating 1650+ ratings and reviews.

Street Price: 

$190

At publication time this was 1 of 3 Equal Highest Rated Dynamic Microphones along with the Sennheiser e935 and Sennheiser e945.

The Sennheiser e906 has gained popularity over the years as an alternative to using a mic on a stand. It was designed to lay flat on the grille cloth of guitar amps.

While a bad practice when using top-address microphones, the e906's side address design makes for more consistent placement both live and in the studio.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Supercardioid
  • Frequency Response: 40Hz-18kHz
  • Impedance: 350 ohms
  • Applications: Live and recorded guitar amps, vocals, drums and other high-SPL sound sources

Pros

While excellent on guitar amps, many users also found them to be great with high SPL and spiky transient sounds like drum shells. All around praise for the build quality and durability can also be seen on numerous reviews. Some have compared the sound signature to be close to the Shure SM57. While not exact, some audio comparisons I listened to do have some similarities.

Cons

No consistent negatives that we could find other than the odd damaged packaging complaint.

Overall

For miking up guitar cabs and drum shells, the e906 deserves a spot on your microphone cabinet. It's a consistent performer that will definitely last you for years.

Sennheiser e906 Frequency Response and Polar Pattern Chart:

Sennheiser e906 Frequency Response and Polar Pattern Chart

Electro-Voice ND96

95
GEARANK

95 out of 100. Incorporating 60+ ratings and reviews.

Street Price: 

$199
Electro-Voice ND96 Supercardioid Dynamic Handheld Vocal Microphone

While Electro-Voice isn't as much of a household name as Shure or Sennheiser, they have been designing and manufacturing microphones since the 1930s.

They designed microphones for use in wartime bombers and tanks; mics that could cancel out the loud background noise. Since then, they have been known to produce microphones with excellent noise suppression.

The ND96 is a modern microphone that offers great background noise and feedback suppression for live vocal use.

Designed with a large diaphraghm element, presence switch and humbucking voice coils with an internal shockmount, the ND96s was built for lively singers and loud stages.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Supercardioid
  • Frequency Response: 140Hz-15kHz
  • Impedance: 350 ohms
  • Applications: Live vocals, some instruments.

Pros

"No feedback" is what most reviews mention first. It's design enables surprisingly high input gain without feedback from monitors. The modern EQ curve also sets it apart from the usual SM58 and according to some users, fit better with modern production.

Cons

There were no consistently reported negatives that we could find.

Overall

With stellar overall reviews and comments, the ND96 is a great pick for loud and energetic performances that demand absolute feedback suppression.

Electro-Voice ND96 Frequency Response Chart:

Electro-Voice ND96 Frequency Response Chart

Electro-Voice ND96 Polar Pattern Chart:

Electro-Voice ND96 Polar Pattern Chart

Sennheiser e945

97
GEARANK

97 out of 100. Incorporating 900+ ratings and reviews.

Street Price: 

$220
Sennheiser e945 Dynamic Supercardioid Handheld Microphone

At publication time this was 1 of 3 Equal Highest Rated Dynamic Microphones along with the Sennheiser e906 and Sennheiser e935.

The e945 is Sennheiser's flagship handheld dynamic microphone, which means that it gives you the best of what the company has to offer.

At its core is a premium dynamic mic capsule with super cardioid polar pattern, fine tuned to capture vocal nuances even in a busy and loud stage.

The capsule is shock mounted inside the mic to prevent handling and impact noises.

All of these features are further complemented by hum-compensating coils which prevent electrical interference.

Sennheiser mentions that this mic features Neodymium ferrous magnet with boron, which is not easily affected by environmental changes.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Super Cardioid
  • Frequency Response: 40Hz-18kHz
  • Impedance: 350 ohms
  • Applications: Live and recorded vocals

Pros

Users, including experienced ones, are definitely impressed, using words like wow, incredible and great to describe the mic. But what struck the most is how many simply "love" the mic for what the improvements that it brought to their sound, be it in terms of sound quality or in terms of noise and feedback suppression. There are also reports from many long-time users who attest to the Sennheiser e945's reliability.

Cons

Of the few negative comments, most of them point to singing style preference. What's interesting is how some perceive this mic to be to thin sounding, while others feel that it adds a bit more low end than they wanted.

Overall

Being the flagship of Sennheiser's best selling dynamic microphone line, the e945 gets an easy recommendation.

Sennheiser e945 Frequency Response Chart:

Sennheiser e945 frequency response chart

Sennheiser e945 Polar Pattern Chart:

Sennheiser e945 polar pattern chart

Beyerdynamic M 201 TG

95
GEARANK

95 out of 100. Incorporating 250+ ratings and reviews.

Street Price: 

$299
Beyerdynamic M 201 TG Hypercardioid Dynamic Instrument Microphone

At first glance, it's easy to mistake the M 201 TG for a small-diaphraghm condenser microphone. It is, in fact, a compact dynamic microphone with hum-cancelling coils.

Its size means it can be easily placed around a drumkit with little compromise on sound quality.

Aside from hum-cancelling, it was also designed to pick up as much sound from in front of the capsule while rejecting bleed from the back.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Hypercardioid
  • Frequency Response: 40Hz-18kHz
  • Impedance: 200 ohms
  • Applications: Live and recorded guitars, guitar amps, vocals, drums & more

Pros

The M 201 TG is noted to be an excellent snare mic by several users. Its compact size and bleed rejection gives more leeway for turning snare drums higher up in in the mix. Some engineers report great sound on guitar cabs as well.

Cons

A bit pricey for some.

Overall

If budget allows, the M 201 TG is one of the best Snare Mics on the market today. It's a community favorite and is regarded with high praise in forums and groups and definitely makes a fine addition to any studio.

Beyerdynamic M 201 TG Frequency Response Chart:

Beyerdynamic M 201 TG Frequency Response Chart

Beyerdynamic M 201 TG Polar Pattern Chart:

Beyerdynamic M 201 TG Polar Pattern Chart

Electro Voice RE20

96
GEARANK

96 out of 100. Incorporating 500+ ratings and reviews.

Street Price: 

$449
Electro Voice RE-20 Dynamic Cardioid Microphone

Proximity effect is the phenomenon where the bass and treble get boosted the closer a sound source is to the microphone capsule. The RE20 was developed for broadcast situations so that the speaker can sound consistent whether they're up against the grille or sitting back on a chair.

Electro Voice calls the technology Variable-D and it's meant to stop the bass from becoming overly boosted when the source is up close.

The RE20 also gets used as an instrument mic or for miking up guitar cabs. To help attenuate excess bass, there is a bass tilt down switch which makes the RE-20 viable for miking louder sources like bass amps as well as kick drums.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 45Hz-18kHz
  • Impedance: 150 ohms
  • Applications: Studio Vocals and Voice overs, Electric Guitar

Pros

Many users note that despite its status as a broadcast mic, the RE20 is incredibly versatile. One even experimented with using it as a room mic (which is usually reserved for large diaphraghm condensers) to great success. Podcasters and voice over artists also often note that their voices sound best on the RE20 and often request it from the studios they go to.

Cons

The only significant con we've seen is the price being a barrier to entry.

Overall

If your productions or vocal style needs you to be right up close to the mic, there's no better mic than the RE20. It works great as an instrument mic as well, adding to its versatility.

Electro Voice RE20 Frequency Response Chart:

Electro Voice RE20 Frequency Response Chart

Electro Voice RE20 Polar Pattern Chart:

Electro Voice RE20 Frequency Response Chart

Budget Option

Shure PGA58

94
GEARANK

94 out of 100. Incorporating 500+ ratings and reviews.

Street Price: 

$54
Shure PGA58 Cardioid Dynamic Handheld Vocal Microphone

Despite the similar numbering, the PG58 shares very little with Shure's classic SM58.

This doesn't mean the PGA58 is a slouch. It still shares the same rugged build quality of its more expensive brother (albeit in a slightly different form factor).

Specifications:

  • Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 50Hz-16kHz
  • Impedance: 150 ohms (300 ohms actual)
  • Applications: Live and recorded vocals, guitar cabinets.

Pros

Many users bought the PGA58 expecting it to sound similar to the SM58. While they found that it doesnt, a few mentioned it sounds good in its own right. The PGA58 is slightly brighter and has a more modern sound signature which works great with modern pop music. The "SM58 notch" in the upper mids is absent in the PGA58 which gives it a sound with a bit more bite and presence.

Cons

Not as refined as more expensive microphones. Upper frequencies may sound shrill with female vocals.

Overall

The PGA58 is a great value microphone for those looking for a mic (or multiple) to use live without worrying about durability and sound quality.

Shure PGA58 Polar Pattern Chart:

Shure PGA58 Polar Pattern Chart

Frequency Response Chart:

Shure PGA58 Frequency Response Chart

Author's Pick

While updating this guide for 2020, I was surprised to see that the Shure SM58's Gearank rating caused it to be excluded from the main recommended list. While the process takes user reviews and ratings into account, it felt odd to not to mention the SM58. With a rating of 93 as processed by the Gearank Algorithm, It has been overtaken by several newer microphones. I sought to investigate why and found a couple of things that may have affected its score. Including it in this update was a bit of a stretch but I wanted to pay tribute to the microphone that many of us started on.

Shure SM58

93
GEARANK

93 out of 100. Incorporating 7550+ ratings and reviews.

Street Price: 

$99
Shure SM58 LC Handheld Vocal Dynamic Microphone

The SM58 was launched in 1966 and is still produced today with the same design principles and engineering. Some parts may have been updated and replaced over time but in essence it is still the same mic that was designed over 50 years ago.

While it has now achieved legendary status, many audio engineers who work with modern production seem to be exploring newer options. With all the advances in microphone design over the last 50+ years, the SM58 remains popular, but it has been steadily declining.

The first major reason for the SM58s popularity was its tonality: it was designed with live performance in mind though back then, the kind of music that was being played is vastly different to the genres more prevalent today. For rock and older pop music, the frequency notch between 7 and 8 kHz kept high tenor vocals from being too strident. Lower crooning baritones also had some benefits from the high frequency notch which emphasized the depth of their vocals.

Modern mics rarely have this notch; people now tend to favor mics with flat or slightly treble boosted sound signatures. Modern pop and rock production styles have more upfront sounding vocals and most popular singers have a richer, less strident timbre to their voices. Mixing an SM58 with modern instrumentals is still possible, but modern mics have been tailored specifically to fit in better with these styles.

Still, I believe everyone should at least have an SM58 tucked in their mic locker or in their venue.

In case you get confused over 3 different versions of the SM58, the SM58-LC doesn't have an on/off switch, SM58S which does have a switch, and the SM58-CN which has no switch but comes bundled with a 25" XLR mic cable.

Specifications:

  • Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 50Hz to 15kHz
  • Impedance: 300 Ohms
  • Applications: Live vocals, also good for live instruments and amps

Pros

The SM58 still retains its industry standard status until today and no mic locker is complete without one. The number one positive reviews mention is its durability and build quality. Next often mentioned plus is its versatility. Aside from vocals, the signature notch helps alleviate excessively shrill guitar amps during recording.

Cons

There were no consistent negatives. The only ones that popped up were from users who had unwittingly bought a counterfeit SM58 To avoid this problem always check if you are purchasing from an authorized Shure dealer. It may not be the best for modern pop vocals that actually demand more presence to the sound where the SM58 has a notch.

Overall

To reiterate, no mic collection is complete without an SM58, which is why we decided to include it on this list despite having a lower Gearank Score over the years. Almost everyone has had it as their first mic and most preferences down the line stem from experiences with it.

Shure SM58 Frequency Response Chart:

Shure SM58 Frequency Response Chart

Shure SM58 Polar Pattern Chart:

Shure SM58 Frequency Response Chart

Things to Consider When Buying a Dynamic Microphone

  • Cardioid Polar Pattern

    Polar patterns describe the way a mic rejects or listens in to sound. The Cardioid polar pattern is the most popular for dynamic mics because it blocks sound that come from the back and sides (monitors, stage noise, instruments etc), while accepting the ones directly in front of the capsule. Other variations of the Cardioid polar pattern include the super cardioid and hyper cardioid, both of which have a more front focused pattern, for even more noise rejection, the downside of which is restricted positioning.

  • Frequency Response

    Think of frequency response as a default non-adjustable EQ that's built into a microphone. Ideally, we want it to as transparent and flat as it gets, but this is never the case, given the various hardware components that mics have. Engineers and musicians take advantage of these frequency response variances by pairing mics with the right vocal timber or instrument tone. For example, you don't want to pair a high pitched voice with a mic that emphasizes the highs, rather, you want a mic with a bit more low end to complement the sound source. If you are unsure, the best course of action is to look at the mics used by your favorite singers and instrumentalists and start from there.

  • Applications

    Most dynamic mics come in the familiar handheld form factor and are meant for singers and the speaking voice. But since dynamic mics have capsules that can handle high SPL (sound pressure level), they can be used to mic virtually any sound source, with the right positioning. Dynamic mics are popularly used on loud instruments like guitar speaker cabinets, drums and other percussion instruments. Still, there are more specialized mics that can do better, but it is nice to know that dynamic mics are flexible when needed, albeit with some compromise on sound quality.

  • Proximity Effect

    The proximity effect describes the increase in low frequencies when you get close to a microphone. Ideally, we don't want any increase in frequencies, but there are some who have put the proximity effect to good use, more notably rock singers and rappers who are looking to add more low-end oomph to their voice. These days, some mics are built with less of it, while others are well loved for its proximity effect. This has prompted some manufacturers to clearly supply tone variation when close to the mic, so the users will have an idea what to expect.

  • Max SPL (Sound Pressure Level)

    This specification points to the maximum volume in dB (Decibels) that a microphone can handle without introducing distortion. And since volume varies per frequency (example: louder at lower frequencies or vice versa), this specification usually has an @ frequency label, so it can get complicated.

    Thankfully, you don't have to worry much about this because dynamic microphones don't have built-in electronics to overload, they are limited by the mechanical movement of the diaphragm. This allows them to handle anywhere from 150dB to 180dB, which are extreme levels you will not encounter in normal conditions. If you do encounter distortion, the problem could be that the mic is clipping the preamp which you are plugged into, and the solution is simple, up the levels of the preamp, or get a better mic preamp, or move further a way to lower the volume levels.

  • On/Off Switch

    Many professional handheld microphones don't have an On/Off switch to prevent accidental turn offs. Still there are some who prefer to have this extra control, which can be useful for smaller events where you have to leave the mic often.

Dynamic Microphone Selection Methodology

The first edition was published in July 2018 written by Alexander Briones and the latest edition was published on June 13, 2020 written by Raphael Pulgar.

Our main criteria for this guide includes dynamic microphones that are meant for music, be it for singing or for miking instruments and are readily available from major US music equipment retailers. Even with these limitations, we ended up with a shortlist of 85 dynamic microphones, along with relevant reviews and ratings that totaled to over 47,800 sources. All of these were then fed to the Gearank algorithm, which in turn gave us scores that reflect actual market sentiment. These are the scores that we used to rank the mics, the highest rated of which are featured above. For more information about our methods see How Gearank Works.

Comments

Is there an SPL rating in the

Is there an SPL rating in the e945? Many manufactures offer this, but I cant find it on the sennheiser and I need something that wont clip.

It's a dynamic microphone, so

It's a dynamic microphone, so clipping should never be an issue. Hasn't ever been on my Senn.

I need a microphone to use to

I need a microphone to use to give a speech and then pass on to others who might want to say something. I would like one with a 5 start rating, but not too expensive. The room might have 75 people in it and instead of talking loudly, I would like to use a microphone. It is for a Salute to Reuben, my husband who recently died. This is for a get together of friends, relatives, etc. After eating, is when the speaking will take place. It might only last a few minutes if no one wants to speak. Can you help me?

There aren't any good

There aren't any good microphones with a perfect 5 star rating, however the GLS Audio ES-58-S will to the job nicely.

If you a hiring a PA System (sound mixer & speakers) or if the venue is providing one, suitable microphones are usually included so you might not need to buy one.

need recommendation for

Need a recommendation for microphone for a high-harmony singer w/ occasional lead parts...does not like to "eat" the mic and voice is not loud (aka...doesn't project if that's the correct term)

Hi Tracy,

Hi Tracy,

My pick would be the Shure Beta 58A for its tight pickup pattern and clarity in the 5khz range. I do however suggest practicing proper mic technique since singing too far away from any microphone will introduce problems with mixing as the engineer will have to increase the input gain to get a stronger signal. Higher input gain will also make the microphone more sensitive to ambient sounds and eventually, feedback. Take advantage of the proximity effect (bass increase when singing closer to the mic) to thicken a voice from a singer with less than optimal projection. "Eating" the mic is also a sign of bad technique and I'm glad your singer doesn't do that but they shouldn't be afraid of getting up close. The Beta 58A doesn't get boomy from using the mic closer to the mouth so they can be confident with their tonality through the FOH.

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