The Best DI Boxes & Reamp Boxes

Author & Contributors
Raphael Pulgar
I've been an audio engineer for 20 years specializing in rock and metal recordings, and also I play guitar and produce original music for my band and other content creators.
Best Active DI Boxes - Mono
Active DI Boxes first came to the scene to better capture the sound of electric basses, especially since old bass guitars had weak passive single-coil pickups. These days, Active DIs are widely available, and they are generally considered as better sounding because of their higher headroom and extra features.
Rupert Neve Designs RNDI
Started back in the '70s, the brand Neve and their preamps and consoles continue to hold prominent status when it comes to music equipment.
So it is not surprising that their DI Box would rank high in this list, thanks to its impressively high Gearank Rating score which includes many experts recommending it.
Interestingly, what makes this unit special is not necessarily its straightforward DI Box functionality, but its amplifier section which features the same Class-A discrete FET amplifier as found on popular Neve consoles.
Features
- 48V phantom powered active circuitry
- Ground Lift switches for both speaker and instruments
- 1/4" Input and Thru-put jacks, gold-plated XLR output
- Steel chassis
- Weight: 1.5lbs
Pros
Reviewers are consistent in saying that Neve RNDI "improved" their sound so much that it has become a critical tone element, rather than just being a mere bridge to the mixer. Reviewers report how this unit works well with bass, acoustic guitars, keyboards, amplifiers, and more. And many of them testify that it makes all these instruments sound warm and big, with little tweaking.
Cons
The simplicity of this DI Box wasn't enough for some looking for more control. It may also not be ideal if you're looking for something transparent, because the amplifier section warms up the sound. Interestingly, even those who wanted something "transparent" ended up loving the warmer and bigger sound that they got after plugging into the RNDI. Finally, you must invest a considerable amount of money for this straightforward DI Box, but based on the positive response it has been getting, it is well worth the price.
Overall
We highly recommend the Rupert Neve RNDI for bass, but it can also work well with any instrument. If you are looking to add more juice to your FOH sound then you should check this one out.
A Designs REDDI Tube
While most DI Boxes are meant to be transparent, the A Designs REDDI Tube DI is a different beast because it colors the sound.
It is designed to reproduce the sound of the classic Ampeg B15 bass amplifier, and it does so with the help of a genuine 6NI-P tube at its core.
Being a DI Box, it does all this without the bulk of an actual tube bass amplifier, and with the convenience of going straight to PA systems or recording consoles.
While it works well with bass guitars, REDDI is also equally viable for use with synths, keyboards, electric guitars, and other instruments - it's especially good for adding analog touch to home studios / venues that have mostly digital equipment.
Features
- Combo 1/4" XLR Input, XLR Output, 1/4" Thru
- 16dB gain
- Metal enclosure
- Genuine 6NI-P Tube
- Custom wound Output Transformer
Pros
The REDDI Tube DI Box continues to get high ratings from users and experts, be it for live performances in housed of worship and bars, or recordings at home or in the studio. Many commend it for its warm tube tone, which improves the sound of instruments that is paired with the box. It also helps that the unit looks nice and feels solidly built, from its Neutrik connectors to the heavy-duty switches and knobs, to its metal exterior.
Cons
Most users like the way it colors the resulting sound, but there are a few who did not like its tonal character. And because of its ability to change the overall sonic character of your instrument, it is not recommended if you prefer transparency. Some wish for a lower-priced version of the Reddi, but most are more than happy with its cost.
Overall
If you're looking to add old school warmth to your instrument, be it for recording or live performance, then check out the A Designs REDDI Tube Active DI Box.
Best Budget Active DI Box
Samson MDA1
The Samson MDA1 is a simple active D.I. Box that can be powered by phantom 48V or by a 9V battery.
The MDA1 is able to reproduce frequencies as low as 18Hz, making it ideal for recording bass D.I. tracks
The solid metal enclosure ensures long term durability.
Features
- In: 1 x 1/4" (instrument), Out: 1 x 1/4" (thru), 1 x XLR (balanced out)
- Powered by 48V Phantom Power / 9V battery
- Metal enclosure
- -15dB pad and ground lift
Pros
Many users who have the MDA1 have had them for several years. The MDA1 is noted to be built like a tank. True to the specs, the MDA1 is able to preserve deep sub frequencies with good detail without being too overwhelming.
Cons
Despite the solid enclosure, the first thing to fail for some users are the jacks. Luckily, these are easily serviceable/replaceable by a technician.
Overall
If you're looking for an active D.I. box that is able to reproduce sub low frequencies with ease and is built to last, the Samson MDA1 is a great budget pick.
Best Active DI Boxes - Stereo
Active Stereo DI Boxes add life to backing tracks and playback from sources like mobile phones, laptops, or tablets. The signal from these sources may suffer a loss in quality over long cable runs from the stage to the mixer and back out the FOH or monitors.
Radial USB-Pro
The Radial USB-Pro is a specialized DI box from Radial Engineering.
It is not your standard DI box in that it's primary purpose is to allow you to connect your laptop to a mixer, p.a. system, or recorder with a strong signal and minimal noise.
Despite requiring a USB connection, it is not meant to be an audio interface -- rather, it becomes an extension of your playback device.
Features
- 24bit/96k stereo direct box
- Balanced stereo Lo-Z output
- Connects to your laptop via USB
- 2 x XLR, 1 x headphone out, output level
- Mono sum switch, ground lift
- Weight: 1.5 lbs
Pros
Reviewers use the USB-Pro to get pristine audio signal to a mixing console via XLR. Some performers noted in music forums that it is a compact way to perform with backing tracks since clicks can be panned one side and the backing track to the other. Others found it useful as a DAC (Digital to Analog Converter) for their home audiophile setups.
Cons
For its specific purpose, no reports of negatives for performance although one user wanted an included USB cable which it doesn't come with.
Overall
Being a specialty product, it was engineered to do one thing well: convert laptop audio into a balanced stereo signal to XLR. Some may wonder why not just use a small adapter to plug into the mixer but anyone who's ever performed knows how much could go wrong in that setup. Having a secure means of sending audio from your laptop in stereo is essential for great performances on stage or consistent program material during events.
Rupert Neve Designs RNDI-S
Expanding on the RNDI (also covered in this guide), The Rupert Neve Designs RNDI-S is the stereo version of the RNDI.
Features
- 48-Volt phantom powered direct box
- High rail voltage design to avoid clipping
- 80Hz highpass roll-off filter for reducing mud and increases headroom
- Input 1/4", Outputs XLR, 1/4" thru
- Weight: 1.55 lbs
Pros
For stereo DI boxes, stereo coherence is important especially during recording from stereo sources like effects, keyboards, and loops and samples. The better the phase coherence between channels, the better stereo tracks fit into the mix. Several pro engineers consistently write about how the circuitry adds certain dynamics that recording without one didn't bring to their sessions. One user even used 7 for his touring band just for the consistency and sound.
Cons
No reported negatives for the unit itself. Price has been an issue with the RNDI-S simply being out of reach for most project studios.
Overall
Despite being at the more expensive end of our list, many users praise the RNDI-S for its sonic enhancements, phase coherence, and build quality. If you're looking to upgrade your already stacked studio, get it; it might just be that last small improvement your workflow/signal chain needs.
Best Passive DI Boxes - Mono
Passive DI Boxes provide the most convenient, easy to use, and practical straight-to-console solution for musicians and engineers alike. Note that when used with guitars and basses that have passive pickups, there may be a noticeable level drop. This can be addressed by increasing the gain on the console a bit.
Radial ProDI
At just half the price of the JDI model, the Radial ProDI brings the company's famed sound quality and reliability to a more accessible price point.
Because of its reasonable price tag, venues that house multiple instruments like churches have been getting these in buckets.
And looking at its impressive Gearank Rating, the quality does not stray too far from more expensive units, some even comment that differences are practically unnoticeable in most musical applications.
Features
- Passive direct box design with isolation transformer
- Isolated and balanced XLR output connector to prevent chassis to ground noise
- Radial 14-gauge steel welded I-beam housing
- -15dB pad
- 1/4" input and 1/4" thru-put
- Ground lift switch
- Weight: 1.2 lbs
Pros
While it is reassuring that professionals like Terry Lawless (who plays keyboards for the band U2) endorse this unit, it still pays to heed the advice of regular users, and they have many good things to say about the Radial ProDI. Almost everyone is satisfied with its clear audio and solid construction, it also helps that it is compact and readily portable. From keyboards to laptops, and even instruments, the ProDI will get you sounding good with little hassle.
Cons
There was one who warned that the rubber footing will eventually fall off so that maybe something to look into and prevent. Other than that, there are not that many complaints, even some of those that ranked this DI Box lower reported that they are very happy with it.
Overall
If you are looking for an all-round DI box for your keyboards and other electronic instruments, that's relatively easy on the pocket, then check this one out.
Radial JDI
It is impressive how the Radial JDI has kept its high Gearank Rating through multiple versions of this guide for 2016, 2017, 2018, 2019, 2020 and now in 2021.
Besides many positive reviews, keyboard virtuoso Chick Corea and artists like Adrian Belew use and recommend the unit, adding to its already superb credibility.
Features
- Passive DI Box design with Jensen Transformers.
- -15dB input pad.
- Merge Function
- Single 1/4" input, single XLR and one TS Thru output
- Welded I-beam construction.
- Weight: 2.2 lbs
Pros
There aren't any extra features to speak of, but the Radial JDI does what it does excellently - removes ground hum and noise and allows your instrument or amplifier signal to get to the PA with the cleanest and clearest sound. And since it is passive, it works well with active pickup equipped guitars and bases, amplifiers, and other electronic instruments which include keyboards, laptops.
Cons
No reported major problems. Some wished the price was a bit lower.
Overall
More than just a great DI Box, the Radial JDI is arguably the best all-around DI Box in the market today. If you're not sure what to get, if you are a multi-instrumentalist, or if you are a sound engineer who deals with various sound sources, get this one.
Best Budget Passive DI Box
For those with limited budgets, we've included the Pyle-Pro PDC21 as a good low-cost option.
Pyle-Pro PDC21
Although more known for their stage gear like their mic stands, Pyle-Pro's PDC21 D.I. box is one of, if not, the most affordable passive D.I. box in the market today.
Featuring a rugged all-steel chassis, switchable input pads and ground lift, it has more features than you would expect from a D.I. box at this price point.
Features
- Passive DI Box
- Switchable (0db, -20db,-40db) input pad, and ground lift
- In: 1/4'' Phone Jack, unbalanced. Out: 1/4'' Phone Jack, unbalanced and XLR Connector, balanced
- All - Steel Chassis.
- Weight:1.05 lbs.
Pros
Users were mostly amazed at the quality for price. Many users were able to buy multiple units for their studios and stage setups.
Cons
Noted high and low frequency roll-off. Others experienced bad switches although most can be remedied by spraying contact cleaner.
Overall
If you're on a tight budget and need one or more D.I. boxes for your studio, the Pyle-Pro PDC21 is a very affordable and decent performing pick.
Best Passive DI Boxes - Stereo
Passive Stereo DI Boxes don't have the lively tonality of Active DI boxes but because no other electrical source melds with the signal, a soft high-frequency roll-off and hard transient suppression can be expected, though most designs have achieved relative transparency without the need for external power.
Mackie MDB-2P
The Mackie MDB series was designed to be a no-frills, premium component DI solution with various models rounding out the lineup.
The MBB-2P is a 2 Channel Passive DI box.
Each channel is independent of the other which means it can be used as a Stereo DI box for instruments, laptop outs, or other stereo sound sources; or as a dual mono DI box for 2 different sound sources.
High-quality components and circuit layout ensure no crosstalk (leakage) between channels for a transparent sound.
Features
- Dual independent channels for stereo or dual-mono applications
- -15dB pads
- Ground Lift switch
- Inputs 2 x 1/4", Outputs 2 x 1/4" (thru), 2 x XLR (balanced line out)
- Weight: 0.8 lbs
Pros
Users note that the unit's transparency rivals even more expensive DI boxes. For the price, the convenience and transparency without crosstalk make it a great value according to several positive reviews.
Cons
One user reported that you lose a little high end, but that's to be expected of passive designs.
Overall
"It just works", says one review we encountered during our research. With no consistently reported negatives in both product reviews and community discussions, the Mackie MDB-2P is a reliable piece of kit that you wouldn't be afraid of taking on the road. Built-like-a-tank™ (yes, it's trademarked) construction by Mackie has failed no one (not that we know of at least!).
Radial ProD2
There's no question that Radial Engineering dominates the DI box market with their range of offerings for almost any situation.
The ProD2 is their transparent, 2-channel DI box solution for keyboards, program material, and other high output sound sources.
The box was designed to smooth out extreme transients while keeping most of the input intact. This prevents overloading your mixer or audio interface's preamp.
Features
- Full range passive direct box with Eclipse ET-DB2 transformers
- Very low harmonic and phase distortion
- 14-gauge steel welded I-beam construction
- -15dB pad
- Input 2 x 1/4", Outputs 2 x XLR, 2 x 1/4" thru
- Weight: 1.95 lbs
Pros
Users praise its transparent sound while smoothing out harsher transients and background noise. Where other DI boxes color the sound in obvious ways, the ProD2 is consistently praised by reviewers and users to maintain more true to the input while rounding any excess digital "harshness".
Cons
An isolated report of signal loss. The community figured that the jacks need to be cleaned or cables checked as this is a rare case.
Overall
Radial Engineering puts a winner in the lineup again with the ProD2. It ticks all the boxes of what a good stereo DI box should be while bringing out the best of your instruments.
Best Reamp Boxes
Reamping is a practice commonly done in modern recording studios where clean DI guitar recording gets fed through a Reamp box to convert it into a signal ideal for feeding into a guitar amplifier as if it were played from an instrument. This preserves the response of the amplifier and enables the re-recording of guitar parts with different equipment, microphones, and mic placement even without the original session musician.
Radial ProRMP
The ProRMP is Radial's most affordable reamp box.
Being affordable doesn't mean they skimped out on quality and features.
Featuring a modified version of the JCR circuit and transformer, the ProRMP feeds your amp with a strong and harmonically rich signal for sweeter cleans and fatter overdrive tones.
Features
- Passive design re-amping box with custom transformer
- 14-Gauge steel welded I-beam construction
- On-board level control
- Input 1 x XLR , Outputs 1 x 1/4" TS
- Weight: 1.2 lbs.
Pros
Many happy users have noted that "it does what it says on the box" which is to enable you to feed a DI signal from your computer to an amp. The signal itself sounds close to how the recorded tone would sound from a guitar without too much fuss.
Cons
The level adjustment requires a flat head screwdriver to adjust. This made it inconvenient for a few users who need to make adjustments on the fly.
Overall
As the "little brother" of Radial's Reamp box line, you might expect some compromises with sound and build quality but the ProRMP delivers with a lot of convenience, reliability, and value.
Radial Reamp JCR Studio Reamper
The Radial JCR is a passive reamp box.
Engineered by the inventor of the Reamping process John Cuniberti, the Radial JCR is THE reamp box if you're looking for absolute simplicity.
Features
- Passive design re-amping box with custom transformer
- 14-Gauge steel welded I-beam construction
- Ground lift switch, Phase inverter, Mute switch, Tone Control
- Input 1 x XLR, 1 x TRS, Outputs 1 x 1/4" TS
- Weight: 2.2 lbs.
Pros
The Radial JCR gets universal praise from studio engineers for being the best at what it does: reamping studio-recorded guitars. Many users call it an essential studio tool and there are no substitutes. Compared to other reamp boxes, many found the JCR to add musical harmonics over the original guitar tone much like using a boutique buffer or clean boost in the signal chain.
Cons
Not everyone liked their sound being colored on the way to the amplifier.
Overall
The JCR reigns as the definitive single-channel reamp box. If you're looking to reamp to a stereo signal chain like reverbs and delays, the Radial X-amp might be more for you.
Things to Consider when Buying a DI Box
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The main job of a DI Box is to convert your instrument lead (1/4" TS) signal 'directly' into the microphone inputs (balanced 3-pin XLR) that a mixing console typically has. Unlike a simple headphone adapter (1/4" to 1/8") it doesn't just need to change the size or shape of the connectors, it has to convert the differences in impedance and voltage between the two sides of the connection. The details of how it does this are beyond the scope of this guide but if you want to delve further into the topic then look at this DI article on Wikipedia. The main thing to consider is that due to electrical designs this conversion process can influence the tone of your instrument (in a good or a bad way) and that's why getting the right DI Box is important.
Apart from just "getting the signal to the desk" a DI Box (also called Direct Box, Direct Input, or Direct Injection Box) can also have several other advantages. Firstly the balanced XLR connection is much better for running cables over long distances without picking up noise and interference. Guitar leads, for example, can lose some sound quality at around 20 feet (6m) so if you want to cover more distance than a balanced XLR cable from the Direct box is better. Secondly, many DI boxes (especially passive ones) isolate the input and the output circuit which can help prevent ground loop hums and other electrical noise from creeping into the sound system.
- There are two types of DI boxes - Passive and Active. Passive DI boxes work with no external power source, while active direct boxes require either phantom power, a battery, or a separate power supply. Active DI boxes offer more functionality and improved sound quality, while Passive Direct Boxes offer straightforward functionality without having to worry about the power supply. The general rule is to use an Active DI Box for instruments with passive pickups and use a Passive DI Box for instruments with active pickups and electronics. If you're wondering whether your instrument is passive or active it's simple - if you have to supply power or put a battery in then it's active, otherwise, it's passive.
- The most basic form of a DI Box usually has one input and one output that goes straight to the mixer. As the price goes up, they offer more options that include a separate output for amp or monitoring, while some even have multiple input/output options for complex rigs and multiple instruments. You'll want to have a DI Box with the right amount and type of inputs for your needs. If you're using a single instrument like electric bass, or acoustic guitar then a compact straightforward DI Box would be more than enough.
- The more music equipment you manage, the more voltage differences there may be between them, and these differences are perceived by the mixer as hum and noise. Since Passive DI boxes are transformers, they provide automatic ground lift for instant noise and hum reduction, making them important in keeping stages and studios quiet and clean sounding. Active DI Boxes also provide this feature, with some of them having a ground lift switch that isolates the signal ground from the unit's chassis ground.
- As mentioned above, more features and connectivity options require space, which increases the size of the box. It is important to find one that has just the right connectivity and features packed inside a unit with a size that's comfortable for you to use or carry around.
- Because of the different purposes with both devices, it is best to choose a box specific to your needs. DI boxes are for feeding signals into a recording interface or mixer while Reamping DI Boxes convert pre-recorded signals for going into amplifiers or effects processors - these require a different impedance level to mixing consoles.
So what is a DI Box for anyway?
Passive vs Active
Input/Output Ports
Ground Lift
Size
Are Regular DI Boxes and Reamp DI Boxes Interchangeable?
Best DI Box Selection Methodology
The first edition was published in 2016 and the current edition was published on November 16, 2021.
For this 2021 edition, we took the time to look at the most current ratings and reviews for 42 promising DI Boxes, along with recommendations of artists and experts. We ended up with over 13,800 comment, rating, and review sources, all of which were fed into the Gearank Algorithm. This resulted in rating scores out of 100 that numerically represent market sentiment, which we used to come up with a list of the best DI boxes, divided into five categories: Active Mono, Active Stereo, and Passive Mono, Passive Stereo, and Reamping DI Boxes. Finally, we added budget-friendly DI Box sections for both passive and active models, that have reasonable ratings, to make sure you know of cheaper alternatives. For more information about our methods see How Gearank Works.
About the Author and Contributors
Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Raphael Pulgar
I've been an audio engineer for 20 years specializing in rock and metal recordings, and also I play guitar and produce original music for my band and other content creators.
Some of the recording gear I use in my studio includes the Focusrite Scarlett 18i20, Focusrite Scarlett Solo, Samson QH4 Headphone Amp and Cloudlifter CL-1. My mics include Aston Origin, Aston Element, Shure SM57, Rode NT1, Rode PodMic and MXL V67G.
Contributors
Alexander Briones: Supplemental writing.
Jason Horton: Supplemental research, Editing and Illustrating.
Media
Main/Top Image: By Gearank.com using photographs of the Radial JDI, Rupert Neve Designs RNDI and Radial Reamp JCR Studio Reamper.
The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers.
Comments
Publication of our November
Submitted by Jason Horton on
Publication of our November 2021 Edition resulted in the following DI's coming off the recommended list above:
Our November 2020 update
Submitted by Jason Horton on
Our November 2020 update resulted in the following boxes coming off the recommended list above, but you can still see our analysis of them:
I'm surprised to not see the
Submitted by Daniel Sartorius (not verified) on
I'm surprised to not see the Countryman Type 85 get a mention for active mono DI boxes. It's a personal favorite of mine. Great neutral sound, roadworthy construction, and flexibility in use with its ability to accept speaker-level signals.
The Countryman Type 85 was on
Submitted by Jason Horton on
The Countryman Type 85 was on our recommended list from the time we first published this guide back in 2016 until November 2019, but times move on and although it's still a good active DI, there are now more highly rated options available which we chose to recommend instead.
As a result of our November
Submitted by Jason Horton on
As a result of our November 2019 update the following DIs came off our recommended list above but you can still read our analysis of them:
Hi, I have a Scarllet 2i4
Submitted by Pedro Martins (not verified) on
Hi, I have a Scarllet 2i4 interface and when I record electric guitars I get some noise coming from the Pickups. My question is: would a DI Box solve that problem or the actual interface has already its own DI inside? If a new DI solve that problem wich one would be better? active or passive? Thank you
Hi Pedro,
Submitted by Raphael Pulgar on
Hi Pedro,
Noise during recording is usually compounded from multiple sources and factors. Unshielded cavities on your guitar + single coils is instantly a recipe for buzzing/hum. A bad cable can also be the cause. Some pickups, even humbuckers, are wound in a way that the two coils dont completely cancel out hum. There is also the question of how clean the power in your area is. Some establishments and houses have poorly planned electronics which contributes to noise especially when using pedals.
Your Focusrite is probably fine since the signal is converted from unbalanced to balanced internally. A d.i. usually solves the problem of Ground Noise and if you want to use a d.i. make sure it has a ground lift switch. What d.i.'s don't solve is accumulated noise from the sources I listed above. If you notice, the hum may lessen or disappear when facing a specific direction. This may be because you are near an electric device like a CPU or an electric fan. Putting your guitar close to a stepdown/stepup transformer can also contribute to that.
My advice is to test everything one by one. Are you using single coils? Try a humbucker guitar. Are the cavities of your guitar shielded? Check to see with a guitar that you know is shielded. Is your cable working right? try different cables. Is the power in your house/studio clean and conditioned? Turn your appliances off or on and see if it makes popping noises when you have your guitar turned up with some distortion.
A d.i. is handy to keep around for its utility in being able to use an amplifier and your entire rig for recording while having a dry signal go to your computer for recording. Using an ordinary splitter can affect the strength of your signal going into your rig and into the interface. A d.i. box solves this by passing your signal through one end while the other is converted into a balanced signal.
Hope this helps.
-Raph
Hi Raph,
Submitted by Pedro Martins (not verified) on
Hi Raph,
Thank you so much for your detailed insights! My guitar is HSH and I believe is shielded (At least on the back side I see a wire solded to the tremolo. I know that single coils can cause some issues, so I avoid to use them. With the bridge pick-up I don´t have any problem at all but when I´m using the neck humbucker there´s almost always some hum that get´s worse if I switch on a desk lamp for instance. So, as you said, has maybe something to do with the electric devices around. I read above that passive DI are better than active ones on these hum problems but on the other hand active ones should be used with passive pick-ups (my case). What would be your advice in this situation? Thank you
Hi Pedro,
Submitted by Raphael Pulgar on
Hi Pedro,
Since there might be some issues with the power filtering in your area, I would advise using a good Passive D.i. instead of an active d.i. While pairing a guitar with passive pickups with an active d.i. would result in a slightly stronger signal to the interface, it would come at the risk of adding noise because of the power conditions in your area especially with less than optimal circuit designs.
I see no disadvantage of owning both if they are within budget.
-Raph
Ok, Thank so much Ralph!
Submitted by Pedro Martins (not verified) on
Ok, Thank so much Raph! Appreciated.
As a result of our December
Submitted by Jason Horton on
As a result of our December 2018 update the following DI Boxes came off our recommended list above but you can still read our analysis of them:
It seems like the best
Submitted by Randy (not verified) on
It seems like the best sounding DI for guitars has either been overlooked or simply avoided. The SANSAMP has yet to meet it's match in price/versatility/durability/reliability!!! I have the GT2, Para Driver DI, and the TRI A.C. and one of them is always in my gig bag. Para Driver is the only one I have with XLR outs, but the other two can 1/4" directly into DAW or console. Can't beat THAT with a stick!!!
What, no L.R. Baggs products?
Submitted by BuddyGtr (not verified) on
What, no L.R. Baggs products?? Their Para Acoustic DI (PADI) is still the best sounding DI I have ever used! I have several as I play several instruments (some have multiple pickups in them).
I have not tried their newer Session DI yet, but by reputation it should do nicely also.
You really should add Baggs to the list. The PADI is however (in my opinion) the gold standard for a DI for Acoustic Guitars (also works great on Bass)! I've used it on my electric too with good results (I prefer a clean sound with little to no effects, so it still works in my case, those who like many effects may understandably not agree)!
Its Parametric EQ is quite effective and the sound I get when running my instruments through it (Guitar and Banjo) is regularly complimented on by sound techs at the venues I play at.
If you haven't done so yet, I challenge any Acoustic guitarist to try the PADI! They are very well built for a reasonably good price-point.
The LR Baggs Para DI, LR
Submitted by Jason Horton on
Our research agrees with you - we just have those products classified a bit differently:
The LR Baggs Para DI, LR Baggs Session DI and LR Baggs Venue DI are all featured in our guide to Acoustic Preamps.
People are happy paying 750
Submitted by Anonymous (not verified) on
People are happy paying 750.00 for a reddi direct box? nonsense.
They clearly dont run sound and have never had a di stolen or lost. lose one or two of these and the price becomes an issue. in a live situation, you wont hear the difference between a 100 or 1000 di.