
You donโt need deep pockets to capture professional-grade audio. Our best microphone under 100 USD roundup features top-rated budget friendly mics that can give you clarity and warmth that rival pricier options.
XLR Connection | XLR Connection Product Image | Product Title | *GEARANK | **Sources | Check Prices |
95 | 250+ | ||||
94 | 3700+ | ||||
94 | 16900+ | ||||
93 | 3200+ |
USB Connection | USB Connection Product Image | Product Title | *GEARANK | **Sources | Check Prices |
94 | 36200+ | ||||
94 | 750+ |
*Gearank = Rating score out of 100.
**Sources = Number of gear owner and user opinions analyzed for these product Gearank Ratings.
Research Process: How Gearank Works
Notable producers like Finneas have demonstrated that hit songs can be crafted with affordable condenser microphones, marking a significant shift in the music industry. In recent years, home recording and music production have become increasingly viable, opening doors for aspiring artists.
Surprisingly, condenser mics under $100 now often rival their more expensive counterparts in performance. Billie Eilishโs chart-topping track โBad Guyโ was, came from audio recorded with an Audio Technica AT2020 in a home studio setup. Musicians such as Matt Heafy from Trivium have embraced streaming platforms like Twitch to engage with their fans, offering live performances, lessons, and Q&A sessions.
A noticeable trend is the growing popularity of USB microphones, especially among those opting not to invest in audio interfaces or iPad audio interfaces. These mics cater to those who prefer a streamlined and minimalistic recording setup. USB condenser microphones have emerged as a credible alternative to traditional XLR condenser mics, providing a straightforward and efficient solution.
With tech advancements trickling down from flagship models, todayโs sub-$100 condenser microphones pack impressive clarity and features. USB mics, once dismissed as entry-level tools, now deliver high-quality audio with plug-and-play simplicity, making them ideal for creators who want a hassle-free setup.
Meanwhile, traditional XLR condensers remain the gold standard for those who prefer maximum control over their recordings. No matter your needs, weโve rounded up the best budget microphones that let you sound like a proโwithout spending like one.
The Best Microphone Under $100 โ XLR Condenser Mics
In the world of microphones, versatility is a coveted trait. The Shure PGA181, a side-address cardioid condenser microphone, embodies this adaptability.
Unlike the standard top-address microphones like the popular SM57, the PGA181 challenges convention by accommodating even unconventional placements. This microphone dares to dangle in front of a guitar cabinet, a feat rarely recommended by experts in the field.
A significant highlight of the PGA181 is its remarkable maximum SPL of 138dB, allowing it to tackle even the most ear-shattering sound sources without breaking a sweat.
Frequently referred to as the “desert island microphone” in forums and reviews, the PGA181 earns its reputation. Its frequency response is not just clear and even but versatile enough to excel in many scenarios, from capturing captivating vocals to delicately handling orchestral percussion.
However, like any versatile generalist, it can’t be a master of all trades. Some reviews label it as a “Jack-of-all-trades, master of none.”
Additionally, its relatively weighty build may pose a challenge for certain microphone stands, as users have reported difficulties with their boom arms adequately supporting the microphone. This minor setback can be readily resolved using a sturdy and reliable microphone stand.
The Shure PGA181 is a reliable and versatile microphone, ideal for anyone embarking on music production projects. If you’re seeking your first microphone to kickstart your musical journey, the PGA181 is a fantastic choice to get the ball rolling.
- Frequency Response: 50Hz-20kHz
- Polar Pattern: Cardioid
- Max SPL: 138dB
- Power Requirements: Phantom Power 48V (+/- 4V)
- Best For: Vocal recording, Instruments, Percussion, Amplifiers
For the best budget condenser mic, the AKG P120 Large-diaphragm condenser microphone is the youngest brother AKG line. Itโs made of solid metal and is a bit on the heavier side at 1 lbs, almost shy of Neumann U87โs 1.1 lbs. It feels well-constructed for a $99 price point.
You get a bass roll-off, so you can cut the low frequencies starting at 300Hz. For really loud sound sources, you have a 20dB pad switch.
If thereโs one line to describe how it sounds, โItโs a mic that can cut through the mix with a decent warm tone and crisp highs.โ
Vocal recordings fit like a glove with this mic because it captures the body quite well. Mid frequencies arenโt too overpowering, delivering you a good tonal balance that fits both sung and spoken word audio recordings.
I find chesty, belted vocals shine with this mic. Mid-heavy but crisp voiceovers sound smooth. However, people with soft and sultry voices can also benefit as well.
This XLR condenser microphone also captures acoustic guitars in full spectrum, and it doesnโt sound as if some frequencies are missing in the lows. Recording cabs is also a treat, and you can drive your amp loud without clipping. You could always turn it down to 20dB and capture the sweet spot of your cab.
Its cardioid polar pattern is a bit more isolating. It still sounds good when producing gang vocals at different distances, about 1-3 feet away, where the proximity effect is needed to create a sense of space.
Even though it has a fixed cardioid polar pattern, the back rejection might need some improvement. Itโs best to put this mic in an acoustically treated studio to benefit from it.
For music production and VO, the AKG p120 certainly delivers. Itโs a the top of our list for a reason. It’s the best microphone for under 100 when you want roll-off options and a built-in 20dB pad. With these versatile features, you are getting more than what you’re paying for with this mic.
- Type: Condenser
- Polar Pattern: Cardioid
- Frequency Response: 20Hz-20kHz
- Impedance: 200 ohms
- Max SPL: 130dB, 150dB w/Pad
- Applications: Recording instruments, Singing, Voiceovers, Podcasts
- Power Requirements: +48V phantom power
“Often imitated, never duplicated” is an adage that applies to the Audio Technica AT2020. It is Audio-Technica’s offering for the lower-priced segment. But it still offers much of Audio-Technica’s excellent sound quality, build, and reliability.
It has a smaller 16mm-diameter back-electret capsule. This gives it a subtly bright sound that complements female vocals, although it works fine on male vocals, too. Truly, it makes it one of the best microphone for recording vocals out there at an affordable price.
It’s also a solid entry-level mic for recording acoustic guitars. It’s good at reproducing the high-frequency zing of spruce top acoustics.
The Audio Technica AT2020 is the best budget XLR microphone for singing. It does well with delicate-sounding female vocals thanks to its smooth response and great transient handling. With belted or distorted vocals, I noticed that this best cheap condenser mic does add a degree of presence and brilliance.
It is a great entry point to the Audio-Technica “sound”. This cheap condenser microphone is also a great value, delivering a very usable and professional sound on vocals and instruments. I can attest to this mic’s solid build and reliability. These alone make it a top contending best microphone for under 100.
This mic might not include a cable or stand extension. We found that some retailers may use photos that show the mic on a stand with a cable. It is best to check the specifications to see if you are buying a bundle or just the microphone. Performance-wise, it has some self-noise and is not the quietest microphone. Also, it can be sensitive to plosives and sound a bit sibilant on some sound sources. Production-wise, I do find myself tamping down the high end just a bit so that it doesn’t sound too harsh.
Due to its popularity, the AT2020 is often the target of counterfeiting. To avoid this, order only from reputable sellers/distributors.
The Audio Technica AT2020 is one of the best condenser mics on a budget. It’s also one of the best XLR mic for streaming. Some bigger Youtube content creators like penguinz0 use it to record their voiceovers.
The Audio Technica AT2020 is also capable of handling many scenarios, from vocals to percussion to streaming. It’s no fluke that top hits can be made with its good sound quality. Just be sure to get one from a major retailer to ensure you get the real thing!
- Frequency Response: 20Hz-20kHz
- Diaphragm Size: 0.63″ / 16mm
- Polar Pattern: Cardioid
- Max SPL: 144dB
- Power Requirements: Phantom Power 48V (+/- 4V)
- Best For: Voiceovers / Vocal recording, Instruments, Podcast / Streaming
The MXL 770 is a well-loved budget condenser mic that offers a solid balance of warmth and clarity. Its FET preamp and transformerless output deliver a crisp, detailed sound with a slightly bright character, making it ideal for vocals, acoustic instruments, and even rap. Despite its affordability, it has a professional feel, with a rugged build and a shock mount included.
While the MXL 770 does a great job capturing detail, its brightness may be too much for some voices, especially those prone to sibilance. The bass roll-off switch helps control boominess, but without an advanced EQ, some recordings may require post-processing. It also has a slightly higher self-noise than premium mics, which may be noticeable in very quiet recording environments.
For beginners and budget-conscious musicians, the MXL 770 is a solid choice that delivers a studio-like sound without breaking the bank. With a quality boom arm, you can even use this for drum overheads with good results. Its warm midrange and bright highs make it great for vocals and instruments, but some fine-tuning might be needed for optimal results.
Overall, itโs a fantastic entry-level mic that has found its place in many home studios.
- Polar Pattern: Cardioid
- Frequency Response: 30Hz-20kHz
- Impedance:150 ohms
- Max SPL:137 dB
- Power Requirements: +48V
The Best Microphone Under $100 – USB Condenser Mics
The HyperX QuadCast is a visually striking USB microphone designed for gamers, streamers, and podcasters. It comes with a built-in shock mount and pop filter, making it an easy plug-and-play solution for high-quality voice capture. The four selectable polar patterns (cardioid, omnidirectional, bidirectional, and stereo) give it great versatility for different recording situations.
Sound-wise, the QuadCast offers clear and crisp voice reproduction, making it ideal for streaming and online content creation. The touch-sensitive mute button is a great feature, allowing for silent muting without audible clicks. However, while it excels in spoken word applications, it lacks some of the warmth and depth found in traditional XLR condenser mics, making it less ideal for instrument recording.
For streamers, podcasters, and content creators, the HyperX QuadCast is an excellent choice that combines convenience with solid performance. Its striking LED design, intuitive controls, and flexible pickup patterns make it a great all-in-one solution for digital content. Just keep in mind that itโs more suited for voice applications than high-fidelity instrument / music production.
- Type: Condenser
- Polar Pattern: Stereo, Omnidirectional, Cardioid, Bidirectional
- Frequency Response: 20 Hz to 20 kHz
- Sampling Rate: 48 kHz
- Bit Depth: 16 bits
- Maximum SPL: Not specified
- Power Requirements: 5V 125mA USB
- Applications: Best used for recording vocals/singing, podcasting, and voice-over.
If you didn’t see the price right away, you would think the Pyle PDMIKT100 would be a higher end microphone with its included accessories and case. Here’s why it’s the best mic under 100 with accessories.
The PDMIKT100 is an affordable USB Microphone packaged with a stand, windscreen, shock mount, and pop filter.
It includes a handy carrying case for those who need a secure way to bring their recording setup anywhere.
I highly praise the package for all the contents included, like the mini mic stand and pop filter. The aluminum hard carrying case was also a welcome addition.
Audio quality-wise, I give the PDMIKT100 high points for its clarity and crispness. It’s easy for condenser mics at this price to sound brittle or harsh. The PDMIKT100 manages to avoid that problem.
I found the mic a bit too sensitive as it picks up background noises, off-axis rejection is not this mic’s strong suit especially when compared to a dynamic mic. But this is to be expected from cheap mics. Still, it has all the right attributes to be considered by many as the best budget microphone for PC.
This affordable USB mic is a perfect head-start for those who are seeking to start their own podcasts or video streaming.
When it comes to music production, its efficacy will be much more dependent on the sound source. As mentioned, the Pyle PDMIKT100 tilts on the brighter side with a slightly noticeable bump on the mid-range. It adds presence to vocal tones with a darker timbre.
If you need a great-sounding USB mic with all the accessories and a case included, the Pyle PDMINKT100 fits the bill at a competitive price. It’s the best microphone for cheap and comes with everything you need to get started aside from an audio interface.
- Frequency Response:18-21kHz
- Polar Pattern: Cardioid
- Max SPL: 96dB
- Power Requirements: 5V USB power
- Device / Operating System compatibility: Class – Compliant USB, Windows XP, Vista, 7, 8, 10, Mac OS X, Linux
- Sampling Rate: up to 48KHz
- Bit Depth: 24-bit
- Best For: Home Vocal Recording, Podcasts, Content Creation, and Streaming
Things to Consider When Buying a Budget Condenser Mic
If you’re not overly familiar with budget condenser microphones, then have a read below to help you decide which mic to get.
Diaphragm Size and Sound Pressure Handling
Condenser mics often come with large diaphragms and capture more detail from the sound source. They also work well with different instruments.
Dynamic mics are more capable of handling high SPL (Sound Pressure Level) applications like miking drum kits, wind instruments, or guitar amplifiers. But small diaphragm condenser mics can also do a good job. Small diaphragm cardioid mics are ideal for high SPL applications because they can withstand loud volumes. Large-diaphragm mics reproduce more detail but may also capture unwanted reflections and distort when the diaphragm is overloaded with levels beyond the mic’s rated maximum SPL.
Recently, “Medium diaphragm mics” have been getting more popular. These are usually found on compact designs or USB Condenser mics. They usually have less low-frequency extension than large diaphragm condensers but offer a more compact silhouette. This is useful for screen visibility during streaming or for reading scripts and lyric sheets.
In most microphone literature, large diaphragms are 1″ or more in diameter, while Small diaphragms are 0.5″ or less. It’s a good rule of thumb, but this usually varies depending on the manufacturer. There are Large Diaphragm Condensers with capsules measuring less than 1″. Some manufacturers base their measurements on the entire capsule, which in most cases means that some are listed at above 1″.
If that feels too confusing, often diaphragm size is usually determined by how the mic is constructed. Small Diaphragm Condensers are usually slim and are end-addressed, while most Large Diaphragm Condensers are, as the name suggests, larger and are usually side-addressed.
Note that while the headset microphone types are also popular, we didn’t consider them for this guide. A USB mic is generally expected to perform better than a headset mic. This is the reason why many consider USB mics when getting a gaming microphone.
Polar Pattern and Background Noise Reduction
For single instrument and vocal recording, the Cardioid polar pattern is ideal because of its noise reduction capability. This pattern captures everything in front of the capsule and rejects background noise from the back and sides. Omnidirectional and Figure-8 patterns are useful for capturing multiple instruments and sound sources.
This also means that background noise can seep in, so consider proper placement and the acoustics of the location first. Some budget microphones come with polar pattern switching, allowing you to switch between Cardioid, Omnidirectional, Figure-8, and more. These versatile mics give you more value for your money, but because of the moving parts required, they are more fragile.
For more detailed information, along with diagrams to help your understanding, take a look at this.
XLR vs USB
The biggest considerations between going for XLR vs USB are convenience and upgrading. Having a USB condenser is more convenient since you won’t need XLR cables and an audio interface to get started. This is great for those who are on the go or those who want a minimal setup. The downside is that in order to upgrade, you will need to buy a new USB mic. You won’t be able to use hardware processors / vocal effects with a USB mic.
Though XLR mics inevitably require an interface and XLR Cables, they are more flexible with regard to routing and upgrade paths. Most XLR condenser mics outperform similarly priced USB mics as well. If you have plans to upgrade your studio in the future, there are no barriers to that when you use an XLR mic. Just make sure you pair your mic with the best xlr cable.
USB mics draw their power from your computer or tablet. This can sometimes cause problems if your device can’t supply enough power (a common issue on the iPad). USB ports on the front of many computers have less voltage and current than ports directly connected to the motherboard. Insufficient or inconsistent power may cause malfunctions or damage. This can also cause your device’s battery to be drained. If this happens, you’ll need a powered USB hub.
XLR condenser mics take their electricity from phantom power, usually supplied by mixing desks, audio interfaces, or standalone mic preamps and channel strips.
So, in the USB mic vs XLR debate, it’s down to how mobile you want your setup to be. The best microphone under 100 bucks would be one that properly suits your setup.
Dynamic vs Condenser Mic is another important discussion when looking for good mics for vocals.
Phantom Power
Beginners may think that mics are simple audio equipment, but there are plenty of differences to know about to make them work.
One main difference between dynamic microphones and condenser mics is the use of phantom power. Condenser Mics that operate via XLR require a power source which is usually from a standalone preamp, mixing console, or audio interface. In our research, we have encountered users who mistakenly thought an XLR-to-USB cable was sufficient to power these microphones. Condenser mics require up to 48V of power, while a USB port is only capable of outputting around 5V. If you’re planning on using two or more mics, you’ll also have to consider your setup, if it’s viable for stereo connectivity.
USB condenser mics have different circuitry, such as a charge pump, to increase the voltage running through the microphone. If you purchase a condenser mic with an XLR connection, make sure you have a preamp or input with a switch for phantom power. If you don’t have an audio interface, we have made a guide for choosing The Best USB Audio Interfaces.
iPad USB Power Issues
As of the time of writing this gear guide, iOS limits the current that can be used to power USB devices. This can cause a USB mic not to work at all on the iPad, or more commonly, the mic will work, but as soon as you plug headphones in, it will draw too much current, and the iPad will cut the power completely. You may need to provide additional power via a Powered USB Hub to solve these problems. Keep in mind that the best condenser microphones will draw considerable power from the source.
Best Budget Condenser Microphone Selection Methodology
The first edition was published in 2015. The current edition was published in 2025.
We looked at popular and highly rated condenser microphones in the sub $100 price range. To ensure that you can readily buy the mics recommended in this guide, we only considered those widely available from major US-based retailers.
For this edition, we gathered over 87,900 relevant review and rating sources and came up with a shortlist of 14 condenser mics. You can see them all in the Music Gear Database. These rating sources were then processed by the Gearank Algorithm to provide the rating scores out of 100 we used to rank the mics according to their XLR or USB connection type. For more information about our methods, please read How Gearank Works.
About the Author and Contributors
Here are the key people and sources involved in this guide’s production – click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Contributors
Allen Articulo: Supplemental writing.
Jerome Borillo: Product Research.
Alexander Briones: Editing and Supplemental Writing.
Jason Horton: Editing and Illustrating.
Media / Image Credit
Main/Top Image: Created by Gearank.com using photographs of the MXL V67G, AKG P120, Audio-Technica AT2020, and MXL 770.
The individual product images were sourced from their respective manufacturers’ websites, promotional materials, or supporting documentation.
The video has been embedded in accordance with YouTube’s Terms of Service.
More Best Microphone Under 100 USD | USB & XLR Condenser Mics Related Posts
Best Condenser Mic for Studio: Small to Large Diaphragm 2025
Best Mic for Acoustic Guitar – Small & Large Diaphragm 2025
Best Microphone Under 50 Dollars – USB and XLR – 2025
The Best Microphone for Recording Vocals
Best Large Diaphragm Condenser Microphone for Studio & Live
Best USB Microphone for Vocals and Musical Instruments 2025
Comments:
13 responses
-
We have removed the AKG P120 from the recommended list above due to a price increase that made it ineligible.
-
Our August 2022 Edition removed the Rode NT-USB Mini from the recommended list due to a decline in ratings.
-
Publication of our March 2022 Edition resulted in the following mics coming off the recommended list above, but you can still see our analysis of them:
-
The March 2021 edition resulted in the following mics coming off the recommended list above, but you can still see our analysis of them:
-
Our September 2020 Update resulted in the following mics coming off the recommended list above, but you can still see our analysis of them:
-
As a result of our October 2019 update the following mics came off our recommended list above, but you can still read our analysis of them:
-
What’s interesting is that 6 months later, the MXG is no longer made and those that do stock it want considerably more than $100 (you’re looking more like $200)
How come the AT2020 fell off the list? it’s still regarded as the “Go To” but I’m looking for a mic with a bit more warmth (I have a fairly high-pitched thin voice for a bloke).
-
-
Love that for once the lower-end mics are getting their due somewhere. Be nice to see an update on this article…also I suggest (to the author and others) to check out the Behringer C1 and MXL 67, both in the $50-60 range.
-
Thanks for that – when I saw your post I also wondered why we didn’t have the MXL V67G recommended above and when I looked into it I found there was a glitch in our database which I’ve now fixed. There is a good chance that one or both these mics will make it onto our recommended list when we next update this guide.
-
-
Here’s a really, REALLY, good microphone to start with. Neewer NW700
-
do i need to buy the power supply? can you tell me if the mic is still good with no power supply?
-
-
A great list! thank you! I used Blue Microphones Snowball and was satisfied a lot! Has anybody tried M-Audio Nova? My friend advised me to buy it because of its benefits.
-
There’s nothing wrong with the M-Audio Nova but it’s out of production and no longer sold by most of the major online music gear retailers – M-Audio removed it from their own website store back in 2015.
-
More Microphones
About the Author and Contributors
Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Raphael Pulgar
I've been an audio engineer for 20 years specializing in rock and metal recordings. I also play guitar and produce original music for my band and other content creators.
Some of the recording gear I use in my studio include the Focusrite Scarlett 18i20, Focusrite Scarlett Solo, Samson QH4 Headphone Amp and Cloudlifter CL-1. My mics include Aston Origin, Aston Element, Shure SM57, Rode NT1, Rode PodMic and MXL V67G.
Contributors
Allen Articulo: Supplemental writing.
Jerome Borillo: Product Research.
Alexander Briones: Editing and Supplemental writing.
Jason Horton: Editing and Illustrating.
Media
Main/Top Image: Created by Gearank.com using photographs of the MXL V67G, AKG P120, Audio-Technica AT2020 and MXL 770.
The individual product images were sourced from their respective manufacturers' websites, promotional materials or supporting documentation, except for the additional photo of the MXL V67G which was taken in the Author's recording studio.
The video has been embedded in accordance with YouTube's Terms of Service.
Leave a Reply