2024’s Best Dynamic Microphone Recommendations – For Live & Recording

Cardioid Polar Pattern

Polar Patterns describe the way a mic rejects or listens to sound. The Cardioid polar pattern is the most popular for dynamic mics because it blocks sound waves that come from the back and sides (monitors, stage noise, instruments etc), while accepting the sounds directly in front of the capsule. Other variations include the Cardioid polar pattern, super cardioid, and hyper-cardioid polar pattern, all of which have a more front-focused reception for even more noise rejection, the downside of which is restricted positioning.

Frequency Response

Think of frequency response as a default non-adjustable EQ that’s built into a microphone. Ideally, the best dynamic mic should be as transparent and flat frequency response as it gets, but this is never the case, given the various hardware components that mics have. Engineers and musicians take advantage of these frequency response variances by pairing mics with the right vocal timber or instrument tone.

For example, you don’t want to pair a high-pitched voice with a mic that emphasizes the highs; rather, you want a mic with a bit more low end to complement the sound source. If you are unsure, the best course of action is to look at the mics used by your favorite singers and instrumentalists and start from there. This is why professionals invest in having different mic types, including ribbon mics, lapel mics, and more. Ribbon microphones, in particular, are important for venues that have multiple vocal performers, like choirs and ensembles.

Remembering mic placement is important if you want to have consistent frequency response every time you set up the mic. So you ought to have a variety of mic stands and mic clip sets in your mic locker.

Applications

Generally speaking, most dynamic mics come in the familiar handheld form factor and are meant for singers and the speaking voice. They also don’t need phantom power to operate.

And since dynamic mics have capsules that can handle high SPL (sound pressure level), they can be used to mic virtually any sound source, with the right mic position. This means that a good dynamic mic works well with different sound sources.

Dynamic mics are popularly used on loud instruments like guitar speaker cabinets, kick drum, and other percussion instruments. Still, there are more specialized mics that can do better, but it is nice to know that dynamic mics are flexible when needed, albeit with some compromise on sound quality. A good dynamic microphone will also work great with an audio interface for recording.

Condenser mics are preferred for the details they capture. This is why USB mics are the go-to type of mic for studio settings.

When it comes to vocal applications, it is good to know the discussions surrounding the Dynamic vs Condenser Mic topic.

Proximity Effect

The proximity effect describes the increase in low frequencies when you get close to a microphone. Ideally, we don’t want any increase in frequencies, but there are some who have put the proximity effect to good use, more notably rock singers and rappers who are looking to add more low-end oomph to their voices. These days, some mics are built with minimal proximity effect, while others are well-loved for their proximity effect. This has prompted some manufacturers to clearly supply tone variation lines in their frequency charts when close to the mic so that users will have an idea of what to expect.

Max SPL (Sound Pressure Level)

This specification points to the maximum volume in dB (Decibels) that a microphone can handle without introducing distortion. And since volume varies per frequency (example: louder at lower frequencies or vice versa), this specification usually has an @ frequency label, so it can get complicated.

Thankfully, you don’t have to worry much about this because most dynamic XLR mics don’t have built-in electronics to overload, they are limited by the mechanical movement of the diaphragm. This allows them to handle anywhere from 150dB to 180dB, which are extreme levels (loud volumes) you will not encounter in normal conditions. If you do encounter distortion, the problem could be that the mic is clipping the preamp that you are plugged into, and the solution is simple: up the levels of the preamp, get a better mic preamp, or move further a way to lower the volume levels.

Some vocal mics have a hum compensating coil which helps reduce electrical hum and electromagnetic interference.

This ability to handle high SPL, along with their good noise reduction are big reasons why dynamic mics are sought after for live performances, compared to the typical condenser microphone. Most Wireless Microphones are actually dynamic capsule mics.

On/Off Switch

Many professional handheld microphones don’t have an On/Off switch to prevent accidental turn-offs. This way, mics are muted at the PA System mixer. Still, there are some who prefer to have this extra control, which can be useful for smaller events where you have to leave the mic often.

Conclusion

Selecting the right dynamic microphone depends on your specific needs, whether for live performances or studio recordings. Each of the microphones reviewed here offers unique features and benefits, catering to different applications and budgets. Investing in a quality microphone can significantly enhance your sound, making it a worthwhile addition to your audio setup.