The Best Electronic Drum Amps / Drum Monitors

The Highest Rated Drum Amps

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So you've got this new e-drum kit and you want a speaker to go with it?

The drum amp strikes the perfect balance between volume and convenience for those times you just want to be untethered from your headphones and play in your space.

In fact, playing e-drums through loudspeakers is part of the complete experience with them, you just haven't gotten the most joy out of your drums if you've never given it a shot.

Let's take a look at the highest rated electronic drum monitors in the market today based on the careful research we've compiled and processed with the Gearank algorithm.

The Highest Rated Electronic Drum Amps - 2022.04

Author & Contributors

Alden Acosta Alden Acosta

I'm a drummer and former lead guitarist of the band Callalily, a platinum selling multi-awarded band from the Philippines. I also studied music for 6 years majoring in percussion and jazz studies with a minor in classical piano.

Donner DA-35

91
GEARANK

91 out of 100. Incorporating 300+ ratings and reviews.

Street Price: 

$180
Donner DA-35 35-Watt Electronic Drum Amplifier With Bluetooth

Cons

  • Limited volume
  • Low end is not as deep

Pros

  • Good value e-drum amp
  • Compact and portable
  • Bluetooth convenience
  • 2-Channel amp section

Donner has had their share of highly rated affordable gear making it into our lists over here at Gearank and its easy to see why. They often pack a lot of value into their products to make up for being a relatively lesser known brand and are steadily gaining a good reputation for that.

Case in point is the Donner DA-35 coming in at 35 watts, the lowest watt amp currently on our recommended list. This has been receiving a lot of favorable feedback regarding its convenient size, weight, and versatility. This drum amp might not be loud enough for most gigs but it should be enough for intimate ones such as an informal jam-along in the living room. This is geared more towards practice and home use.

It has a flat balanced sound, that you can shape via its built-in 3-band EQ, but given its small woofer, low-end is not as deep.

A small well-appreciated touch for beginners is the included cable to connect to your e-drums, while most drum amps will only come with the power cord, Donner chooses to give you one less thing to worry about. This amp is big on the flexibility with its Bluetooth mode for audio playback and DI out for connecting to external active speakers or PA systems.

Despite it being the cheapest choice currently on our list, it packs a lot of features and can even be a small all-rounder PA system for occasional small get-togethers.

If you want a practice amp that's packed full of features but is light in both weight and price, this one should be your pick of the lot. Just manage your volume expectations and you should be alright.

Specifications

  • Inputs & Outputs: x1 mic/line, x1 line, x1 aux, x1 headphone out, D.I. out.
  • Bluetooth Capability: Music playback from external device
  • Output Power: 35 Watts
  • Weight and Size: 17.6 lbs, 13.78" x 11.02" x 11.02"
  • Driver and Speaker Size: 2" Tweeter, 8" Woofer

Donner DA35 Control Panel

Rating Source Highlight

Website Source *Rating Value
YouTube Mark Chance 90/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Carlsbro EDA 50

92
GEARANK

92 out of 100. Incorporating 70+ ratings and reviews.

Street Price: 

$200
Carlsbro EDA 50 Electronic Drum Amp

Cons

  • Bulky and heavy for a 50W amp
  • Can get muddy when cranked too hard

Pros

  • Enough volume for stage monitor use
  • Uncolored sound
  • Solid build quality
  • Responsive EQ controls

The Carlsbro EDA-50 has been a mainstay in this guide for 3 editions now, and rightly so given its consistently high ratings across retailers.

With its 50W rating and 10" bass driver, volume is enough for use on stage as an e-drum monitor. It has an uncolored sound that accurately represents what a drummer would hear when using headphones. And this transparency also means that you get to hear the nuances of the different drum kits and sounds that you have on your kit.

It does get muddy when cranked to hard, so make sure to manage the volume. And speaking of volume, it will have a harder time when other musicians set their bigger amps loud though.

Its tonal options are quite versatile for the price, sporting a responsive 3-band equalizer great for tweakers and most will find 3 knobs more than enough to find the right sound especially when you do most of the fine-tuning inside your e-drum brain. Bass has good definition but is not as deep, still it is more than enough for home practice.

Availability might be a factor since It seems to be more available from UK based sites which is not too surprising considering Carlsbro is a British brand. Because of its solid build quality, the amp is a bit on the heavy side, but still reasonably portable.

Editor's Note: there may be some available at Sam Ash when Amazon is sold out.

The Donner edges it out in versatility with its dedicated mic/line switch, Bluetooth and separate volume knobs for each channel allowing it to double up as a simple PA system for singing and other instruments in a pinch. But the extra 15 watts of the EDA-50 might make all the difference when it comes to being loud enough for your specific application.

If you're going more for sound and build quality over bells-and-whistles on a budget, the Carlsbro EDA-50 is worth considering especially if you can find it for a good deal...or find it at all.

Specifications

  • Inputs & Outputs: x2 Drum input (left/mono, right), x1 aux , x1 line, x1 headphone out
  • Bluetooth Capability: None
  • Output Power: 50 Watts
  • Weight and Size: 34 lbs, 15” x 14” x 16”
  • Driver and Speaker Size: 1 x 10" Woofer, 1 x 2" Tweeter

Carlsbro EDA 50 Control Panel

Rating Source Highlight

Website Source *Rating Value
YouTube Sutton Music Centre 90/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Alesis Strike Amp 8

92
GEARANK

92 out of 100. Incorporating 375+ ratings and reviews.

Street Price: 

$249
Alesis Strike Amp 8 Drum Amplifier

Cons

  • Not meant for loud stages
  • No EQ controls
  • Lacks bottom end

Pros

  • Fairly loud for small stage and practice
  • Good clarity and sonic details
  • Portable and accessibly priced
  • Solid build quality

Alesis is one of the market leaders in electronic drums and related amplification, and the Strike 8 is one of their powerhouse offerings. Its 2000 watts peak and 1000 watts continuous is a significant jump from the amps that come before it on this list. This translates into louder volume entering stage use territory where it's getting to a level where I would comfortably use this in a gigging situation.

This has more input options sporting 2 XLR/TRS combo jacks with independent volume controls and a clip indicator to ensure you are within a safe volume range. This amp also comes with a nifty contour switch that gives you the option of a flat sound or an exciting "V" shaped sound accentuating the lows and highs for maximum impact. Though some might prefer the more traditional 3-band EQ, this is a welcome addition.

It might be hampered by its 8" woofer that might not be big enough to reproduce the very low frequencies of some drum modules, but is good enough for basic rehearsal and monitoring duties. If this is a major deal breaker for you, skip straight to the Strike 12.

Its cabinet design allows it to be positioned in multiple ways: as a wedge for personal monitoring, vertically to shoot the sound at band members and even on a pole for projection to an audience during show time. I especially appreciate the ability to pole mount it because having the tweeters at ear level is to me a much better sound experience and yet the option to use it as a wedge is also good to have depending on your space situation.

Still, with only a small bump in price compared to our prior products you get a whole lot of amp with its high wattage and a big step up in perceived quality and fit and finish. Being positioned squarely at the mid-point in terms of price on our recommended list, you're getting a great balance of power, price, portability and quality.

Possibly being due to it being geared towards more professional use cases, I am missing the Bluetooth capability found in the much cheaper Donner DA-35. Also, a more customizable EQ setup would be more useful in gigging situations where the room response tends to vary between venues.

The Strike 8 is a great option for practice and some light gig use if you don't need that much low end.

Specifications

  • Inputs & Outputs: 2 x XLR/TRS 1/4-inch combo inputs, 1 x XLR line out
  • Bluetooth Capability: None
  • Output Power: 2000 Watts Peak / 1000 Watts Continuous
  • Weight and Size: 20.2 lbs, 17.1” x 10.1” x 9.6”
  • Driver and Speaker Size: 8" Woofer, 1 x 1.4" Tweeter

Alesis Strike Amp 8 Control Panel

Rating Source Highlight

Website Source *Rating Value
YouTube 65 Drums 92/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Roland PM-100

93
GEARANK

93 out of 100. Incorporating 325+ ratings and reviews.

Street Price: 

$370
Roland PM-100

Cons

  • Limited 2-band EQ
  • No extra features like Bluetooth connectivity

Pros

  • Good low end depth
  • Plenty of volume for practice and jams
  • Simple and reliable operation
  • Top notch build quality and durability

Roland and Alesis are perennial competitors in the electronic drum market and it's no surprise that both companies occupy multiple spots on our recommended list.

While Roland remains to be the brand to beat when it comes to most things electronic drums, Alesis has one-upped it in the drum amp department with its Strike 12 garnering the highest Gearank Rating of this edition. Still, the PM-100 is no slouch with its lower price point and its combination of reliable performance and build quality.

Although only pumping out 80 watts, this drum monitor has respectable bass due to its relatively big 10" woofer especially compared to the Strike 8. It can go loud when needed, and provides great response notably in the bass region. It has good transparency that allows authentic reproduction of your e-drum sound and dynamic nuances. Still, if you're jonesing for more watts, the PM-200 might be better suited for you.

The PM-100 sports a more spartan tone shaping configuration with just 2 knobs that control the treble and the bass, but along with its separate inputs for your e-drums and 2 sizes of line input jacks for play-along, this is enough for most people's practice set up. Those who need more control might be put off with this limitation though.

The construction overall is high grade and durable as expected from Roland. And this, together with its sound quality, make this amp easy to recommend, who doesn't want an easy to use amp that sounds good, has good volume, and will reliably work for a long time?

Although lacking some fancy features such as Bluetooth and is not exactly stylish, this does the job and it does it well. This is a choice definitely worthy of the Roland name.

Specifications

  • Inputs & Outputs: 1/4-inch Stereo phone type V-Drums INPUT, 1/4-inch Line-in Stereo phone type, 1/8-inch Stereo miniature phone type
  • Bluetooth Capability: None
  • Output Power: 80 Watts
  • Weight and Size: 29 lbs, 20.2 lbs, 15-5/16" x 16-1/16" x 13-15/16"
  • Driver and Speaker Size: 1 x 10" Woofer, 1 x 2" Tweeter

Roland PM-100 Control Panel

Rating Source Highlight

Website Source *Rating Value
YouTube Kevys RC & Music 80/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Alesis Strike Amp 12

94
GEARANK

94 out of 100. Incorporating 500+ ratings and reviews.

Street Price: 

$349
Alesis Strike Amp 12 Drum Amplifier
At publication time this was the Highest Rated Drum Amplifier - For the third Edition in a row!

Cons

  • Controls aren't easy to access
  • Limited EQ options

Pros

  • Deep bass courtesy of 12" woofer
  • Good midrange clarity and crisp highs
  • Enough projection for stage use
  • Versatile positioning and good build quality

Now we come to the Alesis Strike 12, this year's highest rated drum amplifier…again. Sharing a lot of what's good with the Strike 8, the Strike 12's larger woofer size serves as the breakaway feature that helped it edge out the Strike 8 by 2 whole Gearank Rating points with many recommending this over the Strike 8 just for the bigger speaker alone.

Although Alesis chose to promote the amp's peak power rating instead of the more common continuous rating for pro gear, it is loud enough for use as a stage monitor with a band and has enough projection to be the main drum amp for small venues.

And it's not just about volume, because it does a good job of providing the low end punch needed for kick sounds while still producing crisp highs on cymbals.

This features the same great build quality of the Strike 8, XLR output for chaining with a second drum amp or external mixer and clip indicator that lets you know when things are about to get distorted. Like the Strike 8, this can be positioned and many different ways and will serve multiple needs from the house, to rehearsal space, to stage.

Note that controls are on the back of the amp, so you'll have to stand up and move to the back to make adjustments. Also, this shares the limited EQ options of the Strike 8 with only a contour switch.

The Strike 12 just might be the best choice for the discerning e-drum player of 2022, it would be hard to go wrong with this amplifier.

Specifications

  • Inputs & Outputs: 2 x XLR/TRS 1/4-inch combo inputs, 1 x XLR line out
  • Bluetooth Capability: None
  • Output Power: 2000 Watts Peak / 1000 Watts Continuous
  • Weight and Size: 35.12 lbs , 23.76" x 13.68" x 13.92"
  • Driver and Speaker Size: 1 x 12" Woofer, 1 x 1" Tweeter

Alesis Strike Amp 12 Control Panel

Rating Source Highlight

Website Source *Rating Value
bonedo Alexander Berger 80/100
*Displayed values are prior to adjustments made by the Gearank Algorithm when evaluating the source.

Roland PM-200

92
GEARANK

92 out of 100. Incorporating 100+ ratings and reviews.

Street Price: 

$600
Roland PM-200 Drum Amp / Personal Monitor

Cons

  • Limited 2-band EQ controls
  • Quite bulky and heavy

Pros

  • Deeper bass with plenty of headroom
  • Impressive clarity even at high volume levels
  • Stage ready XLR outputs
  • Reliable operation and long term durability

Now we come to our last and highest priced contender, the behemoth Roland PM-200, sporting a 12" woofer for deep lows.

Given its bigger profile, low frequency response is good, and thanks to its great headroom, the deep kicks sound does not drown out the mids and higher frequencies. It retains clarity across the spectrum with no problems, and it does so at loud volumes. The sound it produces is also punchy, something that you can also feel and not just hear.

Note that this amp features the same simple configuration as the PM-100 with a basic 2-band EQ but with a much higher power rating of 180 watts instead of 80.

It's pricier than the Strike 12 again possibly due to the brand cache that Roland has. But still this is an excellent alternative with a lot of power and low end. The Strike 12 has more features and flexibility which might explain the slightly higher Gearank score. But the Roland PM-200 advantage is its reliability and high headroom.

Given its bigger woofer, the PM-200 is quite bulky and heavy, but all these are justified by how well it handles drums and even bass guitars. It has enough juice to handle a jam session with a bass player plugged into the line input while you are going through the "V-Drums" input demonstrated here:

Just make sure that your bass player has a way to convert his instrument level output into a line output (more on this here), a Bass Preamp will do the trick if needed.

With its 2 XLR direct outputs you can go straight to house or into a audio interface while monitoring with the PM-200 in all its glory. This makes it a true stage ready amplifier.

All in all, this is a premium choice that works especially well if you have a set of Roland V-Drums as this was specifically optimized to that sound profile. If you want the beefiest Roland drum monitor out there, you're going with the PM-200.

Specifications

  • Inputs & Outputs: 1/4-inch Stereo phone type V-Drums INPUT, 1/4-inch Line-in Stereo phone type, 1/8-inch Stereo miniature phone type
  • Bluetooth Capability: None
  • Output Power: 80 Watts
  • Weight and Size: 46 lbs 5 oz, 18-1/16" W x 18-1/2" D x 16-9/16" H
  • Driver and Speaker Size: 12" Driver, 1" Tweeter Horn

Roland PM-200 Control Panel

Rating Source Highlight

Website Source *Rating Value
YouTube Ben Minal 96/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Quiet Practice Option - Headphones

Audio-Technica ATH-M50x

94
GEARANK

94 out of 100. Incorporating 25550+ ratings and reviews.

Street Price: 

$169
Audio-Technica ATH-M50x Professional Monitor Headphones

Cons

  • Faux leather will peel-off after some time

Pros

  • Foldable and easy to store
  • Good sound isolation
  • Good enough quality for practice and tracking

My drum monitors of choice for practice are the Audio Technica M50x headphones.

Although I'd love to have an amplifier at home for my e-drums (The Strike 12 is my personal recommendation), restrictions in sound, space and budget has relegated that dream a bit further out into the future for me (I use an older DDA50 in the rehearsal studio).

Good thing I have my Audio Technica M50x, a multi-purpose pair of headphones that excel in non-critical monitoring situations such as tracking and playing my Yamaha DTXpress E-kit.

What's good about this pair of cans is that they are foldable, easy to store, and have relatively good sound isolation due to them being a closed-back, and they come with lots of detachable wire options and a storage pouch.

Alden's M50x - Gearank
The faux leather on the earcups has started to peel off which is not uncommon (I have a pair of Sennheiser HD 569's that are suffering the same fate) possibly due to the humid, tropical climate of where I live.

For those who can't afford a drum amp or have extra sensitive neighbors, the M50x is a decent, quiet option.

Specifications

  • Driver Size: 45 mm
  • Frequency Response: 5 Hz to 35 kHz
  • Impedance: 80 Ohms
  • Sensitivity: 96 dB
  • Max Input Power: 100 mW
  • Weight: 270g without cable (0.55 lbs)
  • Connectivity: 3m coiled cable with a gold plated 1/8" plug and 1/4" adapter.

For other suitable headphones, do check out our guide to Closed Back Headphones.

Rating Source Highlights

Website Source *Rating Value
Gearank Alden Acosta 92/100
Sound On Sound Sam Inglis 85/100
Pocket-lint Mike Lowe 100/100
Mixdown Editor 90/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Things To Consider When Buying A Drum Amp

Number & Type of Inputs & Outputs

This determines the flexibility of your setups. XLR or Balanced Inputs are better for electronic drums and keyboards. Another common input is the AUX input where you can send your play-along music to. Having lots of different inputs and outputs allows you to plug different sound sources into your amp and send out that audio into mixers, audio interfaces and sometimes other, bigger speakers for performance use.

Bluetooth Capability

This is a feature I'd like to see more often. Bluetooth is often relegated to playback duties and not for playing completely wirelessly. I'd like to see more truly wireless options but drumming requires a very low latency connection to feel even barely decent and we might not be there yet tech wise.

Output Power (watts)

This can determine how loud it gets. But it's not always that simple.

More technical people would explain that Watts are more the measurement of electrical power that gets converted to sound power depending on efficiency (some energy is wasted, turning into heat). Unfortunately manufacturers can be less than transparent when stating the output power of their amps. There is a difference between peak power and continuous power that they sometimes don't specify - Peak can only be used for a short time, while the lower rated continuous is the actual power level you can play at consistently without overheating or distortion. But still generally, anything below 100 watts is meant for personal monitoring and anything above that should give you the power for bigger spaces and louder bandmates! Sometimes a low watt amp can go loud but it will start to sound distorted at a lower volume. Great for electric guitar, nasty for e-drums and keyboards.

Weight and Size

There is usually a tradeoff in weight and size to power and volume. Loud and light is not usually a combination that goes together, but other things can factor in on this such as build quality and materials used.

Driver and Speaker Size

The woofer size determines the bass response, how low your amp can "sing" the low frequncies, while the tweeter size is less relevant as they're generally sized correctly for the high frequencies. It's good to have both a woofer and a tweeter with electronic drums being full-range instruments capable of both the very high for the cymbals and snare overtones and the very low for bass drum and floor tom.

Best Drum Amplifier Selection Methodology

The first Edition was published in 2017 and the current Edition was published on April 12, 2022.

We started by looking at all of the drum amps listed by music gear retailers in the USA. And for this April 2022 Edition, we ended up short-listing 19 of the most promising options for detailed analysis - see the list in the Music Gear Database. We then gathered and analyzed over 2,650 customer and expert reviews as well as forum discussions, and all these data were fed into the Gearank Algorithm to produce rating scores out of 100 for each one in order to select the highest rated amps to recommend above. Like what we normally do, we've also included summaries of what the market considers as the pros and cons for each of the top rated drum amps. For more information about our methods see How Gearank Works.

About the Author and Contributors

Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.

Lead Author & Researcher

Alden Acosta Alden Acosta

I'm a drummer and former lead guitarist of the band Callalily, a platinum selling multi-awarded band from the Philippines. I also studied music for 6 years majoring in percussion and jazz studies with a minor in classical piano.

The drumming gear I use includes Zildjian Cymbals, Gretsch Drums (acoustic), Yamaha electronic drum set, Evans Heads, Pearl Hardware and Vic Firth Sticks and Earplugs.

Contributors

Alexander Briones: Supplemental writing.
Denise Azucena: Supplemental writing.
Jason Horton: Editing and Illustrating.

Media

Main/Top Image: Created by Gearank.com using a photographs of the Roland PM-100, Alesis Strike Amp 12 and Donner DA-35.

The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers, except for the additional Audio-Technica ATH-M50x photograph which was taken by the author.

The video has been embedded in accordance with YouTube's Terms of Service.

Comments

Hi. In late 2019 you removed

Hi. In late 2019 you removed the ddrums and kat amps, but I still see them in the list above. Does this mean they were added back to the list? Thanks!

We currently don't have any

We currently don't have any amps from Ddrums in the recommended list above.

The KAT Percussion KA2 was removed from the recommended list also - it's a different model to the KAT Percussion KA1 that we currently recommend.

Hi all, has anybody on this

Hi all, has anybody on this forum tried either the Alesis Strike amp 12-2000 or the Traynor DW10 drum amps? If so, what is your opinion on their respective sounds and features? THANKYOU!!!

The Alesis Strike Amp 12 is

The Alesis Strike Amp 12 is currently the highest rated option on the market, so that's the one I'd recommend you go with.

Unfortunately, although we did look at the Traynor DW10 for the update we published today, we weren't able to gather enough information about it to publish a rating or provide any useful advice about it. The little bit of feedback I've seen is very positive and it's on our short-list to be looked at again when we next update this guide.

Update: We have now published

Update: We have now published a rating for the Traynor DW10 - you can see it here.

It's not quite rated high enough for us to recommend it right now, but if the reviews continue to be positive it has a reasonable chance of receiving our recommendation in the future.

I'm looking to replace my

I'm looking to replace my Alesis Transactive Drummer with the Roland PM-200. The Alesis has the headphone jack input while the Roland does not. The headphone sound is great when plugged directly into the Alesis as opposed to the Roland TD-17 Module. How can I get that great sound via headphones directly from the PM-200

Many drum amps, including the

Many drum amps, including the PM-200, don't have a headphone out presumably because electronic drum modules do.

If you really wanted to, you could use the DI outs (XLR connectors), put them into a mixer, and take the headphone out from the mixer.

What is going on with the kat

What is going on with the kat 400 hd 2.1 percussion sound system i can't hardly find one to purchase and if I do find one is it a good choice for electronic drums,maybe it is not being made any more,would like to know the history,who makes it and where , I need help in making a decision on what to do please educate me

Read your comment from 2019.

Read your comment from 2019. I have the 400 watt Kat amp with satellites speakers. It is a great system for e drums, plenty loud and the system has plenty of controls to custom tailor your sound. In fact, with a mixer you can use it on acoustic drums and play cd's to play with, and it sounds like a live band. The only problem is that not shortly after I purchased mine, I believe they discontinued it, and only make the 200 watt version without satellites. It was expensive I guess, that is the only reason I can see. Keep checking around to find one, you won't be disappointed if you do

Hi!

Hi!

First of all, thanks for all the info - really interesting!

I have come accross the Roland CM-220, with a pair of satelite speakers.

Do you know this one? Do you have any opinions on it, please?

I want to use for small gigs with friends and the speakers do appeal to me since I can have more than one source of sound out of the speakers, in a way I can possibly direct them to me if needed.

Thank you so much!

Roland discontinued the CM

Roland discontinued the CM-220 Cube Monitor System a few years back so we haven't analyzed them for Gearank.

You can still get information about them from the Roland website.

Is it recommended to use

Is it recommended to use cross Brands for electronic drums and amplifiers? Say like the Roland TD-17KVX set with maybe a KAT 2 amplifier?

That's perfectly fine - you

That's perfectly fine - you don't need to use the same brand of amplifier and drum kit.

This is the worst list I've

This is the worst list I've ever seen. No mention about Simmons DA350, it smokes all of them. Although it's nothing to "write home to mom about". Drum amps are the most disappointing pieces of equipment in technology. In comparison to headphones the sounds through an amp sound laid-back in a background (very flat and muffled. The sound needs to be brought more forward. Sounds like wet ass-slap. Snares do not sound good at all. Very disappointing to say the least. That's the reality of "drum amps".

funny how you picture a

Funny how you picture a Simmons DA200S in your front page intro and then don't include it in the list of top amps.

Thanks for pointing that out.

Thanks for pointing that out.

The image was only meant to illustrate the theme of the guide rather than the content, but I see your point so I've updated the image.

I have a alesis crimson 2

I have a alesis crimson 2 electronic drum kit. Will the Rolland pm 200 reproduce a good solid rock sound.?

I have checked the latest

I have checked the latest reviews and although I didn't see anyone who said they used this amp with the Alexis Crimson, most people only had good things to say about the amp including several who said the Roland PM-200 is better than amps they've used from other brands, so I would think it would be a good option for rock sounds.

I use a pair of Mackie Thump

I use a pair of Mackie Thump 15" speakers and am still looking at adding a 15" subwoofer. Plus you don't use a monitor with Edrums you use reasonable headphones, not great ones as they may be too bassey. Playing live requires quality and quantity of sound if you want to replace the sound of an acoustic kit.

This sounds like the best

This sounds like the best option recreating the acoustic sound in the snare toms and cymbals is very important to me as its RnB hip hop i will definitely get a sub for those super low 808 as well

I am a Drum student and have

I am a Drum student and have Yamaha 450 digital drums, my children plays digital piano and have Yamaha Digital piano they are also into Vocals. Could you please recommend a Monitor to use for home usage to connect all these requirements, would the idea of all purpose will help and do you have any recommendations. Thanks in Advance.

If only one of you will use

If only one of you will use the amp at a time, then a basic Keyboard Amp like the Peavey KB 1 would be a cost effective solution.

If you all want to play through it at the same time, then a multi channel amp like the Behringer K450FX will let you do that but both the electronic drums and digital piano will only be able to provide a mono signal.

If you all want to play at the same time and in stereo, then a small PA system like the Behringer PPA500BT will do the job.

I agree the Simmons DA200S is

I agree the Simmons DA200S is by far the best amp choice. I solved the weight problem by adding set of swiveling castors to the bottom using bolts into T nuts. Works great.

I bought the Simmons DA200s,

I bought the Simmons DA200s, because of all the positive comments I read, but never actually heard it. It is a solid and great sounding amp, but tried to use it to practice with my band, and it just wasn't loud enough to keep up. Great amp to use by yourself or use it as a monitor in a band situation.

Thank you for the review!

Thank you for the review! This was very in depth and enlightening. The "Things to consider..." section was very valuable. Thanks again!!!