Choosing the best PA speakers can make all the difference in delivering an exceptional sound experience, whether you’re performing live music, DJing, or organizing an event.
Best Budget PA Speaker | Best Budget PA Speaker Product Image | Product Title | *GEARANK | **Sources | Check Prices |
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Best Powered PA Speakers under $500 | Best Powered PA Speakers under $500 Product Image | Product Title | *GEARANK | **Sources | Check Prices |
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Best Powered PA Speakers under $1000 | Best Powered PA Speakers under $1000 Product Image | Product Title | *GEARANK | **Sources | Check Prices |
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Best PA Speakers under $2000 | Best PA Speakers under $2000 Product Image | Product Title | *GEARANK | **Sources | Check Prices |
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 | 97 | 175+ |
*Gearank = Rating score out of 100.
**Sources = Number of gear owner and user opinions analyzed for these product Gearank Ratings.
Research Process: How Gearank Works
The market in 2024 offers a vast array of options, from the best budget powered speakers to high-end systems that can fill large venues with rich, clear sound.
This guide will walk you through the top choices for the best powered PA speakers available this year. We’ll also cover the best active speakers, focusing on both budget-friendly and professional-grade options. These selections can also be used as floor monitors for your audio system. Whether you’re shopping for the best powered speakers for a live band or the best compact active speakers for smaller events, we’ve got you covered.
Best Budget PA Speaker
Proreck Dance 12 1000W 12″
For an affordable, all-in-one PA system that delivers strong sound and is easy to transport, the Proreck Dance 12 is a great value for small event organizers.
Pros:
- Complete package with stands and microphone included
- Multiple input options including Bluetooth and USB
- Portable with integrated wheels
- XLR inputs for professional microphones
- Can be integrated into larger PA systems
- Bass response is limited
- Sound clarity may not meet professional standards
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For those on a budget, the Proreck Dance 12 is an excellent entry-level choice among the best budget active speakers. This combo set is perfect for small to medium-sized events, offering 1000 watts of peak power. It’s ideal for those who need an affordable solution and has all the features you need. The system includes two 12-inch speakers, stands, a microphone, and all necessary cables, making it a comprehensive package for beginners. This makes it one of the best value active speakers for those starting out.
One of the standout features of the Proreck Dance 12 is its versatility. With multiple input options, including Bluetooth connectivity, USB, and SD card reader, this PA powered speaker allows you to connect a variety of devices effortlessly. The inclusion of an FM radio and a remote control adds to its convenience, making it one of the best powered active speakers in its price range. Users particularly appreciate its portability, thanks to integrated wheels and a lightweight design, which makes it easy to transport to different venues. It’s also worth noting that the speaker system includes XLR inputs, which are essential for connecting professional-grade microphones and ensuring high-quality sound for live performances.
However, some limitations do exist. While the Proreck Dance 12 offers adequate sound for casual events, its bass response and overall sound clarity may not meet the expectations of professionals seeking the best concert speakers. Despite this, the system remains a solid choice for beginners or those on a tight budget, especially if you’re looking to save money without compromising on essential features. Additionally, its ability to serve as part of a broader PA system makes it versatile for various setups.
The Proreck Dance 12 is the best budget powered speaker for those who need an affordable, all-in-one PA system. It’s perfect for small events, parties, and beginner DJs. However, if you require top-tier sound quality or plan to use the system in larger venues, you might want to explore the best active speakers in higher price ranges.
- LF Driver: 12″
- HF Driver: 1″
- Amplifier: CLASS-D
- Output Power Peak: 180Watts
- Frequency Response: 20-20k Hz
- Enclosure: Plastic
- Mounting: Pole
- Inputs: 2 XLR, 2 1/4″ mic, RCA
- Outputs: Speakon, RCA
- Controls: Power Switch, Mic Volume, MP3 Volume, Equalizer, Master Volume, Bass Treble
- Dimensions: 23.6″ x 15.7″ x 13.2″
- Weight: 57 lbs.
Best Powered PA Speakers under $500
Yamaha DBR10 700W 10″
If you want a compact yet powerful speaker that delivers crystal-clear audio, the Yamaha DBR10 is perfect for small to medium venues.
Pros:
- Excellent sound quality with Yamaha’s FIR-X tuning
- Lightweight and portable design
- Durable and rugged construction
- Adapts well to different room acoustics
- High sensitivity for efficient power use
- May struggle in larger or outdoor venues
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The Yamaha DBR10 is a reliable choice among the best powered speakers, delivering 700 watts of power in a compact design. This makes it one of the best compact active speakers for small live performances, DJ gigs, and public speaking events. Yamaha’s FIR-X tuning technology optimizes the frequency and phase response, ensuring a balanced and clear sound that sets it apart as one of the best active speakers for DJ and live band applications. The speaker’s sound quality is consistently praised by users, and it’s a top contender among pro audio speakers.
Users praise the DBR10 for its portability and durability. At just over 23 pounds, it’s one of the best compact active speakers available, making it easy to transport and set up. The durable plastic enclosure ensures that the speaker can withstand frequent use, making it a favorite among solo performers and mobile DJs. Despite its compact size, the DBR10 offers sound quality that rivals larger, more expensive models, making it a strong contender among the best powered active speakers. Additionally, its ability to adapt to various room acoustics, including a simple living room, further enhances its reputation.
However, some users note that while the DBR10 excels in smaller venues, it doesn’t have sufficient coverage angle in certain situations and isn’t loud enough for larger venues or outdoor settings. Despite this, the Yamaha DBR10 remains one of the best powered PA speakers under $500, providing excellent performance and reliability for its price. For those needing a speaker for both live sound and music playback, this Yamaha speaker offers a well-rounded solution. The Yamaha DBR10 is also praised for its high sensitivity, which allows it to deliver more output with less power, making it efficient for prolonged use.
The Yamaha DBR10 is ideal for those looking for the best powered speakers for live band or DJ use in small to medium-sized venues. Its portability and sound quality make it a standout option in its price range. For larger venues, consider pairing it with additional speakers or a subwoofer.
- LF Driver: 10″
- HF Driver: 1″
- Amplifier: Bi-amped Class D Amplifier
- Output Power Peak: 700W
- Frequency Response: 55Hz – 20kHz
- Maximum Peak SPL: 129dB
- Crossover Frequency: 2.1kHz
- Enclosure: Plastic
- Mounting: Pole Mount with 1.37′ socket, Floor Wedge, 2 x M8 Fly Points
- Inputs: 2 x XLR/TRS Combo, 1 x Stereo
- Outputs: 1 x XLR
- Controls: Mic/Line Level, Output switch, D-Contour switch, HPF switch, Power switch
- Dimensions: 19.4″ x 12.1″ x 11.4″
- Weight: 23.2 lbs.
QSC CP8 1000W 8″
This lightweight powerhouse with DSP offers premium sound quality in a compact form, making it ideal for mobile performers and DJs.
At publication time, this was the Best PA Speaker Under $500.
Pros:
- Compact and lightweight design
- Versatile DSP settings for various environments
- High-quality construction and durability
- Can double as a floor monitor
- Includes stereo input and output for flexible system integration
- Limited bass response due to the smaller woofer
- May require additional speakers for larger venues
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The QSC CP8 is another top contender in the under-$500 category, offering 1000 watts of peak power in a compact and portable design. This speaker is frequently mentioned among the best powered active speakers due to its clear highs and tight bass. It’s an ideal choice for various audio applications, including live performances, DJ setups, and public speaking. The CP8 is also equipped with built-in DSP settings, allowing you to optimize sound based on the environment, making it one of the best active speakers for live band and DJ use.
One of the key strengths of the CP8 is its portability. Weighing only 21 pounds, it’s among the best compact active speakers for mobile setups. Users appreciate the sturdy construction, which ensures the speaker can handle regular transport and use. While the smaller woofer size limits its bass response compared to larger models, the CP8 remains a powerful and reliable option in its category. Additionally, the CP8’s ability to serve as a reliable floor monitor or as part of a larger PA system makes it versatile in both function and placement.
However, if deep bass is a priority, especially for genres like EDM or hip-hop, you might find the CP8’s smaller woofer lacking. Despite this, the CP8 is a top choice among the best powered active speakers for those seeking portability and versatility in a compact package. The inclusion of a stereo input and output also adds to its versatility, allowing it to integrate seamlessly with other system components, making it suitable for various audio setups.
The QSC CP8 is an excellent choice for those in need of a powerful, portable PA speaker for small to medium-sized venues. It’s especially well-suited for the mobile DJs and solo performer. It’s also a good buy for event organizers who value portability. For larger venues or deeper bass, consider supplementing with a subwoofer or looking at larger models.
- LF Driver: 8″
- HF Driver: 1.4″ Compression Driver
- Amplifier: Class-D
- Output Power Peak: 1000W (800W LF + 200W HF)
- Frequency Response: 56Hz-20kHz (-6dB)
- Maximum Peak SPL: 124 dB SPL @ 1m
- Enclosure: Polypropylene
- Mounting: 35mm Pole Socket, M8 Threaded Insert, Floor Wedge
- Inputs: 1 x XLR-1/4″ combo (mic/line), 1 x XLR-1/4″ combo (line only), 1 x 1/8″ (aux)
- Outputs: 1 x XLR (mix out)
- Controls: Power, 2 x Gain, MIC BOOST Push Switch, 6-way Contour Selection Switch
- Dimensions: 16.2″ x 10.7″ x 10.1″
- Weight: 25.5 lbs.
Best Powered PA Speakers under $1000
QSC CP12 1000W 12″
For versatility, excellent sound control, and powerful output, the QSC CP12 is a must-have for medium-sized venues or live events.
At publication time this was the Highest Rated Powered PA Speaker Under $1000, tied with the Electro-Voice EKX-15P.
Pros:
- Powerful output with excellent bass response
- Advanced DSP settings for flexible sound control
- Durable and portable design
- Handles high power requirements effectively
- Delivers pristine sound in various room acoustics
- May need additional speakers or a subwoofer for larger venues
- Slightly heavier than the CP8, though still manageable
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When you’re ready to step up in power and size, the QSC CP12 offers one of the best powered speaker options available under $1000. With a 12-inch woofer and 1000 watts of peak power, the CP12 is designed to handle more demanding audio needs, making it one of the best powered speakers for live band and DJ setups. The speaker delivers clear, balanced audio with robust bass and crisp highs, ensuring your sound is heard clearly across medium-sized venues. The CP12 is also frequently cited as one of the best pro audio speakers due to its reliability and sound quality.
The CP12’s advanced DSP settings allow for flexible sound control, making it one of the best active speakers for live band and DJ use. Despite its larger size compared to the CP8, the CP12 is still relatively portable, with a durable design that can withstand the demands of frequent use. This combination of power, portability, and sound quality makes it a standout among the best active speakers in its price range. The speaker’s ability to handle high power requirements with ease is another factor that contributes to its strong reputation in the market.
Some users have noted that while the CP12 is powerful, it may still require additional speakers or a subwoofer for very large venues or outdoor events. However, for most indoor settings and medium-sized venues, the CP12 offers an excellent balance of performance and portability, making it one of the best value active speakers available. The CP12’s ability to adapt to different room acoustics and deliver pristine sound across various environments adds to its appeal.
The QSC CP12 is perfect for performers and event organizers looking for the best powered speakers for live band or DJ use in medium-sized venues. Its combination of power, sound quality, and portability makes it one of the best active speakers in its class. For larger spaces, consider adding a subwoofer for enhanced performance.
- LF Driver: 12″
- HF Driver: 1.4″
- Amplifier: Class D Amplifier
- Output Power Peak: 1000 W peak, 800 W (LF), 200 W (HF)
- Frequency Response: 47 – 20 kHz(-10dB)
- Maximum Peak SPL: 126 dB
- Enclosure: Polypropylene
- Mounting: Wedge, Pole, Floor, Yoke Suspension
- Inputs: 1 x XLR-1/4″ combo (mic/line), 1 x XLR-1/4″ combo (line only), 1 x 1/8″ (aux)
- Outputs: 1 x XLR (mix out)
- Controls: Power, 2 x Gain, MIC BOOST Push Switch, 6-way Contour Selection Switch
- Dimensions: 20.3″ x 13.8″ x 12
Electro-Voice EKX-15P 1500W 15″
The Electro-Voice EKX-15P provides booming bass and high output, perfect for large venues or outdoor events where power matters.
At publication time this was the Highest Rated Powered PA Speaker Under $1000, tied with the QSC CP12.
Pros:
- Powerful output with deep bass response
- Advanced DSP for optimized sound in various environments
- Durable build for professional use
- High power handling capability
- Integrates well with other system components
- Heavier and less portable than other models
- High frequencies can be harsh at very high volumes
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The Electro-Voice EKX-15P is a top-tier choice for those seeking the best active powered speakers for larger venues and professional use. With 1500 watts of power and a 15-inch woofer, this speaker delivers deep, resonant bass and clear, powerful highs, making it one of the best PA speakers for live band performances and large events. The EKX-15P is frequently mentioned among the best concert speakers due to its ability to maintain sound clarity at high volumes, even in large spaces.
Advanced DSP features allow for precise sound customization, making the EKX-15P one of the best active speakers for live band and DJ use. Users often highlight the speaker’s durability and sound quality, noting that it performs well in a variety of environments. The rugged build ensures it can handle the rigors of regular transport, making it a reliable choice among the best PA speaker brands. Additionally, the EKX-15P’s high power handling capability makes it ideal for professional settings where consistent performance is crucial.
However, the EKX-15P’s size and weight can be a drawback for those who prioritize portability. While it excels in delivering powerful sound, its bulkiness may make it less ideal for solo performers or those with limited transport options. Nevertheless, for professionals who need serious sound output, the EKX-15P is one of the best powered active speakers available. Its ability to integrate seamlessly with other system components, such as subwoofers and digital mixers, further enhances its versatility in complex audio setups.
The Electro-Voice EKX-15P is ideal for professionals who need powerful, reliable sound for large venues and outdoor events. It’s particularly well-suited for DJs and live bands who require deep, clear bass and high volume. If portability is a concern, consider a lighter model or additional sound support.
- LF Driver: 15″
- HF Driver: 1.5″
- Amplifier: Bi-amplified Class D
- Output Power Peak: 1500W
- Output Power Continuous: Not Specified
- Frequency Response: 55Hz – 18KHz (-3 DB) | 44Hz – 20kHz (-10 DB)
- Maximum Peak SPL: 134 dB
- Crossover Frequency: 1.7 kHz
- Enclosure: 15 mm plywood with EVCoat
- Mounting: Pole
- Inputs: 2 x XLR-1/4″ combo, RCA Input
- Outputs: 1 x XLR
- Controls: Master Volume, Input 1, Input 2
- Dimensions: 27″ × 17″ × 17″
- Weight: 53.9 lbs.
Best PA Speakers under $2000
Electro-Voice ETX-35P 2000W 15″
With pro-grade sound and advanced features, the ETX-35P is a top pick for serious DJs and bands performing in large venues.
Pros:
- Exceptional power and sound quality
- Advanced DSP features for precise audio control
- Rugged build designed for professional use
- Delivers pristine sound, including high frequencies
- Expensive, but justified by the performance
- Large and heavy, requiring more effort to transport
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The Electro-Voice ETX-35P stands out as one of the best powered PA speakers in the under-$2000 range, offering professional-grade performance ideal for large venues and outdoor events. With 2000 watts of power delivered through a 15-inch woofer and a high-frequency driver, this speaker provides exceptional sound clarity and depth, making it one of the best active speakers for live band performances and concert settings.
The ETX-35P features advanced DSP technology, including FIR-Drive, which ensures precise audio reproduction and protects the speaker from potential damage. Users frequently highlight the ETX-35P’s ability to maintain sound integrity even at high volumes, making it one of the best active speakers for DJs and live bands who need to project their sound across large spaces. The build quality is also top-notch, with a rugged enclosure that’s designed to endure the demands of professional use.
However, the ETX-35P’s substantial size and weight can be challenging for those who need a more portable solution. Despite this, for those who prioritize sound quality and power over portability, the ETX-35P remains one of the best PA speakers for live band use, especially in demanding environments. Its ability to deliver pristine sound across a wide range of frequencies, including high frequencies, ensures that every detail of your performance is heard clearly.
The Electro-Voice ETX-35P is an excellent choice for professionals who need powerful, high-quality sound for large venues and outdoor events. It’s particularly suited for live bands, DJs, and event organizers who require top-tier audio performance. Be prepared for the added weight and size if portability is a concern.
- LF Driver: 15″
- HF Driver: 1.25″
- Mid Driver: 6.5″
- Amplifier: Class D with integrated FIR-Drive DSP
- Output Power Peak: 2000W
- Frequency Response: 48Hz-20kHz
- Maximum Peak SPL: 136 dB SPL @ 1m
- Crossover Frequency: 700Hz, 2.9kHz
- Enclosure: 13-ply Birch with EV Coat
- Mounting: Floor, 8 x M10 Fly Points
- Inputs: 2 x XLR-1/4″ combo
- Outputs: 1 x XLR (link)
- Controls: Master Volume, Input Gain, Power Switch
- Dimensions: 40″ x 18″ x 17″
- Weight: 84.2 lbs.
QSC KW153 1000W 15″
For those who need unmatched clarity and power, the QSC KW153 offers rich, detailed sound for even the most complex live performances.
At publication time, this was the Highest Rated Powered PA Speaker Under $2000
Pros:
- 3-way design for detailed sound reproduction
- Durable build with premium materials
- Powerful enough for large venues
- Built-in handles and casters for easier transport
- Expensive, but delivers on performance
- Bulky, making transportation more challenging
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The QSC KW153 is widely regarded as one of the best 3-way powered speakers, offering a unique combination of power, clarity, and versatility. With 1000 watts of continuous power, this speaker is designed to handle complex audio setups and large venues, making it a top pick among the best active speakers for live band performances. The 3-way design, featuring separate drivers for low, mid, and high frequencies, ensures that every detail of your sound is accurately reproduced.
One of the key selling points of the KW153 is its durability. The speaker is constructed with a birch enclosure and a tour-grade steel grille, which are built to withstand the rigors of frequent transportation and use. Despite its size and power, QSC has made the KW153 relatively easy to transport, with built-in handles and casters that simplify movement and setup.
Experts and users alike appreciate the KW153’s ability to deliver a rich, balanced sound that is particularly well-suited for live music. It is noted for its exceptional low-end response, which pairs well with the clear mids and highs, making it one of the best powered speakers for live band and concert use. However, its bulkiness may be a drawback for those who prioritize portability.
The QSC KW153 is ideal for professionals who need a powerful, durable PA speaker capable of delivering detailed, balanced sound in large venues. It’s particularly well-suited for live music and complex audio setups, making it one of the best active speakers for live band use. If you need a speaker that combines power with precision, this is an excellent choice, though its size may be a consideration for those who frequently move their equipment.
- LF Driver: 15″ Cone
- MF Driver: 6.5″ Mid Range Cone
- HF Driver: 1.75″ Titanium Diaphragm Compression
- Amplifier: Bi-amplified Class D
- Output Power Peak: 2000W (1000W LF, 1000W HF)
- Output Power Continuous: 1000W (500W LF, 500W MF/HF)
- Frequency Response: 35 Hz – 18 kHz (-6dB) | 33 Hz – 20 kHz (-10dB)
- Maximum Peak SPL: 134dB
- Crossover Frequency: DSP Controlled
- Enclosure: 15mm Painted Birch Plywood
- Mounting: Pole, Fly
- Inputs: 1 x XLR/TRS Combo (Mic/Line), 1 x XLR/TRS Combo (Line), 2 x RCA
- Outputs: 1 x XLR (Line), 2 x XLR (Direct)
- Controls: Power, Gain A & B, Input Gain (0 dB / 12 dB / 24 dB / 36 dB), LF Mode (Ext Sub /Norm/DEEP), HF Mode (Flat/ Vocal Boost), Front LED (On /Off/Limit)
- Dimensions: 43.1″ × 18.5″ × 16.8″
- Weight: 87 lbs.
Things To Consider Before Buying Powered PA Speakers
What is the Ideal LF Driver / Speaker Cone Size?
The speaker cone size, or LF (Low Frequency) Driver size, plays a crucial role in determining the overall sound output of your PA speakers. Generally, smaller woofers, such as 8-inch models, emphasize the mids and are well-suited for sound sources that aren’t bass-heavy—like vocal and acoustic guitar setups. These are ideal for those looking for compact and portable PA systems, particularly in small venues.
However, for those seeking deeper bass, larger speaker sizes are the way to go. The best PA speakers for bass-heavy music or instruments, such as keyboards, bass guitars, and drums, typically feature 10” to 12” LF drivers. A 12-inch powered speaker is a popular choice among live performance venues for its balance of portability and bass response, making it a staple in sound reinforcement.
DJs and electronic music enthusiasts often prefer 15-inch speakers for the extra low-end they provide, which is crucial in genres that demand pronounced bass. For those who require even more low-end, integrating a PA subwoofer is advisable.
While PA speakers are optimized for live sound reinforcement and larger venues, HiFi speakers are more tailored for home audio setups, offering a different design and performance focus. If your performance space demands powerful bass, larger speakers or an additional subwoofer will be necessary to achieve pristine sound across all frequencies.
What Output Power Rating and Max SPL Do I Need?
When selecting powered PA speakers, the output power and Max SPL (Sound Pressure Level) are key factors. Since powered speakers have built-in power amps, you don’t need to worry about matching the speaker to an external amp, which is a common concern with passive speakers. This simplifies your setup, making powered speakers the right tool for many applications, especially in live sound scenarios. However, the best passive PA speakers still offer flexibility in mixing and matching components, which can be advantageous in more complex setups.
Output power is usually listed in two forms: Continuous (RMS) and Peak (Dynamic). Continuous power, sometimes referred to as RMS, represents the wattage at which the speaker can operate safely over long periods. This is the most reliable measure of a speaker’s power handling capability and is the specification to focus on when evaluating PA speakers.
Peak power, on the other hand, refers to the short bursts of power that a speaker can handle, but this rating is less indicative of overall performance and shouldn’t be the primary factor in your decision.
For most small venues, speakers with 200 to 500 watts of Continuous power should suffice. Larger venues or outdoor events will require more power—upwards of 500 watts. The Max SPL rating is also crucial; a higher SPL rating means the speaker can cover more space effectively. This is particularly important when designing a sound system for larger audiences or open spaces.
It’s also worth noting that higher power handling generally means heavier speakers. If portability is a concern, you’ll need to balance power needs with the ease of transporting your gear. Additionally, the integration of a digital mixer and other advanced features can significantly enhance the flexibility and performance of your PA system, making it more adaptable to different venues and musical instruments.
What About Portability?
Powered PA speakers, with their built-in amplifiers, tend to be heavier and bulkier than passive speakers. Therefore, portability becomes a critical factor, especially if you frequently change venues or require a mobile setup.
Handle placement, speaker weight, and overall design should be carefully considered. While self-powered speakers may add weight, they can make your overall rig lighter since you won’t need a standalone power amplifier.
In terms of portability, it’s also important to consider the speaker connector types and the cables required for your setup. If you’re using a larger system or connecting multiple speakers, ensure that your connectors are compatible and that your setup allows for quick and easy transportation.
Additionally, the best portable PA systems often come with features like handles, wheels, or even flight cases to make transport easier. Some models also offer wireless audio streaming, adding convenience for mobile performers or DJs.
What is DSP and Do I Need It?
Digital Signal Processing (DSP) is a feature found in many of the best active PA speakers, providing numerous advantages, including smart limiters that protect the speaker from overload or clipping. DSP can also be used to fine-tune the sound to match the acoustics of the room, ensuring optimal audio quality regardless of the venue. This is particularly useful in challenging acoustic environments, where room acoustics can drastically affect sound quality.
While EQ adjustments are often handled at the mixing console, having the ability to tweak the sound directly on the speaker can be beneficial in a situation where there is no other EQ control available. High-end models often include advanced DSP features, while cheaper powered speakers may lack these capabilities. For those looking for the best portable PA system, DSP can be a valuable addition, enhancing both sound quality and flexibility.
Do I Need a Built-In Mixer?
Some powered speakers come with built-in mixers that can handle stereo input or even multiple channels. These mixers typically include gain and volume controls, allowing the speaker to double as a basic PA system. This can be particularly useful for solo performers or singer-songwriters who perform in smaller venues.
When selecting a powered speaker with a built-in mixer, check the number of XLR/Line combo inputs to ensure it meets your needs—especially if you’re planning to connect multiple microphones or instruments.
A built-in mixer with stereo input and output capabilities can also enhance the soundstage, providing a more immersive audio experience. This is especially beneficial in live sound situations where clear and balanced sound across different channels is crucial. Having the ability to adjust the frequency range via EQ or a tone control would also be a good plus.
How Do I Know if a Powered PA Speaker is Reliable and Has Good Sound Quality?
Reliability is something that you have to seriously take into account when selecting powered PA speakers. Generally, passive speakers are more durable because they have fewer components. However, the build quality of modern powered speakers has improved significantly, making reliability less of a concern for most users.
Even complex systems like Line Array Speakers are now built to withstand the demands of frequent use. Regardless of how robust a speaker is, proper handling and transport are essential to prevent damage, such as crackling from speakers or other issues that can arise from misuse. This is the reason why active pa speakers are now considered as the best speaker for church.
In addition to durability, a good PA speaker should faithfully reproduce the sound source and project it clearly toward the audience. This clarity is crucial, whether you’re playing live music or simply streaming music during an event.
Many high-quality PA speakers have Hi Fi like fidelity to double as studio monitors, though they are primarily designed for live sound reinforcement. The best concert speakers can handle high volume levels without distortion, ensuring a pleasing listening experience for your audience, as your performance sounds great across a variety of environments.
Best PA Speakers Selection Methodology
The first edition was published in 2016, and the current edition was updated on September 4, 2024.
For this edition, we conducted an extensive survey of major retailers in the USA, resulting in 96 candidate active speakers priced below $2,000. This list includes popular speakers that didn’t make it into the guide, including the Yamaha DZR, Turbosound IQ12, Mackie SRM215, and more. Each one was selected based on popularity, performance, and versatility across different applications.
We gathered and analyzed data from over 20,900 sources, including store ratings, written reviews, video reviews, and forum discussions. This wealth of information was processed using the Gearank Algorithm, which generated rating scores out of 100 for each speaker.
The highest-rated models are featured in this guide, categorized into three main price brackets: Sub $500, Sub $1000, and Sub $2000. Additionally, a budget-friendly option is highlighted for those looking to save money without sacrificing quality.
This methodology ensures that the speakers listed here represent the best options available, offering a balance of power, portability, and sound quality. Each review includes detailed descriptions, specifications, and insights into the strengths and weaknesses of the speakers, providing you with all the information you need to make an informed decision.
For more information about our methods, see How Gearank Works.
About the Author and Contributors
Here are the key people and sources involved in this guide’s production – click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Although I’m more of a studio engineer, I have years of technical and creative experience with live sound and using the best PA speakers for live band situations. I have set up and used some of the best PA speakers and systems, and I’ve also taught and held seminars on how to set them up for live performances.
Contributors
Daniel Barnett: Yamaha DBR10 Review.
Jerry Borillo: Research and illustration.
Jason Horton & Alexander Briones: Editing.
Media / Image Credit
Main/Top Image: Created by Gearank.com.
The individual product images were sourced from websites, promotional materials, or supporting documentation provided by their respective manufacturers, except for the additional Yamaha DBR10 photos, which were taken by Daniel Barnett.
More 7 Best PA Speakers – September 2024 Related Posts
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Crackling From Speakers is Bad: Let’s Troubleshoot To Fix It
Comments:
136 responses
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I have proreck sp15, which is similar to the QSC KW153. For me, if your budget is not enough, you can buy this 15 inch pa speaker.
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pretty cool info…… i decided on jbl srx 815p at 1799…… owned them 7 years now w/ no issues….. the qsc 153 i do see everywhere as great for a full band doing small shows….. either one is good :). thanks
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Hi Raphael, Which portable speaker/ mix for possible outdoor and indoor use?. My go to genre is house music / the Orchestral Ibiza versions. So I wanted something that not only had the bass and volume but the reverb and acoustic, in order to carry that euphoric sound from the box but also the mic. If there’re any of these options are suitable for my needs it would be good to know your thoughts. TIA
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Where are: d&b audiotechnik, Mayer Sound, Claire Brothers,L’Acoustics, Martin Audio, Kling&Freitag, etc. ?
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Hello Raphael, thanks for your post
please, can you say to me which activ full range cab is good for an upright bass ? I have two differents preamp to play : minnow trickfish and lehle basswitch iq di.
In 12 or 10 ”
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Hello Laurent,
The QSC KW153 – 15″ is my recommendation for upright bass. The speaker size is perfect for reaching lower frequencies and making most of the depth of the upright’s sound without flubbing out. 10″ and 12″ can work if you’re after the lower midrange tonality but they might not have enough excursion to push the air needed to sit the bass in the mix.
-Raphael
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I am currently using a pair of Harbinger 2312 speakers and an S12 subwoofer for my electronic drum kit. It’s plenty loud but thinking of upgrading for more low end and clarity. Would it it better to use two 15” and ditch the subwoofer? Budget is an issue, I am trying to keep it around $1,200.00. I don’t know if it matters but I use a Yamaha MG16XU mixer. I was thinking of getting a pair of the Yamaha DBR15’s, what do you think?
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For a Electric Drum kit, I think your setup is fine. Just add another S12 to your 2312’s and you should have have plenty of low end bass for your kit. Especially if your on a budget. If not QSC. IMHO.
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The following speakers came off the recommended list above when we published the November 2022 Edition:
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Things to consider- Do they sound good. I am really surprised that electrovoice speakers are not on this list while some clearly inferior products are. I have four electrovoice Elx 112ps for monitors and two Elx 115ps for mains coupled with a Yamaha digital mixer. Nirvana! If you run everything flat using Shute mic’s you will have zero feedback and it Weill sound fine. If you know what you are doing it will sound great. The electrovoice powered speakers are really good. For the price they are hard to beat. I am puzzled why they don’t show up often on the best of reviews.
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Publication of our March 2022 Edition resulted in the following speakers coming off the recommended list above, but you can still see our analysis of them:
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I thought J read where you had Martin XP12 as top speaker but I see here it did not make your list. How do the Martin speakers rate?
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The Martin Audio Blackline XP12 isn’t widely available in the USA so it didn’t meet the criteria to be short-listed for selection – that means we also haven’t published a rating for it.
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Have you guys run into the “Protect Mode 4” issue on newer QSC K’s?
There seems to be a lot of people experiencing an issue with the newest QSC firmware (1.2.0.3200; failures are mostly in K10.2s, for some reason). Users report that with properly staged gains and output levels (and with speaker gain at noon in reasonable room temperatures) they’re going into a failure mode, mid-gig, that turns them off and runs a test (which passes) until they’re reset.
Users who’ve spoken to QSC say they will not roll back to earlier firmware, and some are saying that firmware will be updated to the troublesome version when any repairs are done.
I have some workhouse K12.2s and was considering a pair of K10.2s until I read about this.
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Have you guys into the “Protect Mode 4” problem that seems to be plaguing a lot of newer K10.2s (and supposedly some K12.2s)? This is a real problem for a lot of people… with appropriate signal in, gain at noon and ambient room temps, these things randomly turn off and require a reset procedure (that involves letting it play a 100Hz tone). Not what you want to happen on gigs.
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Just curious as to how/why EAW (Eastern Acoustic Works) speakers never seem to make it into your ratings.
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Hi Robert,
I was wondering when someone would ask us about EAW – it looks like you’re the first!
Although many of their speakers are priced above the current limit of $2000 for this guide, they do have some like the JF Series which do technically qualify.
The reason they have not appeared to date, and haven’t even made it onto any of our short-lists, is because they’re not widely available from US based retailers so they don’t have enough people rating and reviewing them for us to confidently rate and recommend them.
Although Full Compass does sell them, you can’t get them at Sweetwater, Amazon, Musicians Friend, Guitar Center, AMS, zZounds, Sam Ash etc.
EAW is on our radar, and if they become more popular they will definitely make it onto our short-lists and possibly even get recommended in one or more of our guides.
Jason.
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Publication of our May 2021 Edition resulted in the following speakers coming off the recommended list above, but you can still see our analysis of them:
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Absolutely love my Yamaha DBR10s. I use them for monitors, or mains. They just are great sounding.
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Hi. David here.
After about a 2.5+ decade hiatus of music involvement (bands & sound engineering), recently been helping some old friends; so, kinda getting back into it.
Back in the day, usually used some sort of tri’amp system, in stereo. Usually consisting of either: 2″ high horns, 12″ speaker mids, & 18″ lows/subs(or some similar combo), w/a separate rack of amps to push the spkrs.So, with no stores in my area to compare pa systems, I’m curious…
with these newer ‘Powered’ Pole systems, which make & model is the Best Bang for the Buck, that will compete, meet, or, if possible, exceed the Full Wall of Sound produced from the older Passive Spkr systems ? This would most likely be used for smaller to mid sized venues, gigs, parties, etc; say, from 100’s to 1,000’s of peeps.I’m seriously considering something for my own future endeavors, &, could see the plus of not having to lug around a separate amp rack & saving some time from all the connections thereof. So..
TIA, in letting me know if there’s a Powered Pole System that will meet the above needs shared.Peace !
David W-
Hello David Williams
As someone who has been on both sides of the speakers (musician & Sound Man) for almost 45 years, I can tell you, you’re in for a VERY pleasant surprise. Yes, for many years I too worked with the big “wall of sound” (as you put it) systems (and the truck required to move those beasts!). The newer “modular?” systems now (powered mains matched with one or two powered subs/mixing board) are not only a million times easier to pack and move, but believe it or not, also actually also SOUND much better!! Speaker and amplifier technology has come an incredibly long way in the past 30 years. You’re going to have a much better sound field, much cleaner and tighter sound, both bottom end and top. And even a good quality 16 channel board is going to be half the size and weight on the old ones (and also better sound quality). Just make sure you have your reading glasses and a pen light ready for working on those 🙂 -
Hi David,
It seems that times have indeed changed over the last few decades as many sound system providers have made the jump towards powered (active) speakers and subwoofers. Venues have also changed as larger open air venues utilize larger, mostly active line array systems in conjuction with delayed auxilliary speakers in other parts of the venue to fill in the sound and utilizing powered subwoofers in optimally placed locations (sometimes floated/suspended).
In my brief experience working with a sound system rental service, a 1,000 capacity indoor venue used a combination of line array system speakers, tripod mounted delayed auxilliary speakers at the halfway mark of the venue and two to three subwoofers. Smaller events only need as much as 2 powered 12″/15″ Main speakers and 1 subwoofer. This smaller setup has worked for me even with louder modern metal bands (believe me they can get loud!)
So if you’re looking to invest, I suggest you focus on getting good speakers as your top priority as these influence the overall quality of your rig. Having powered speakers also allows for better scaling should you want to expand to having line arrays, multiple subs and monitors, etc.
So a good starter system for a small venue would be 2 powered mains, 2 powered floor wedges, a subwoofer and a mixing console. The great thing about this system is that because the speakers are powered, you wouldn’t have to worry too much about impedances and amplifier-speaker matching (though you do have to be aware of your system’s current draw on your electrical line!).
To get you started, here are some of our published guides:
Powered speakers (This guide. Just reposting this for reference)
For mixers, any mixing console can do. What’s important is you have enough channels for all input sources. If you plan on eventually expanding your setup, go for a mixer with more inputs than what you currently need.
There’s still so much more from this though such as speaker cables, mics and whatnot but I think this is enough information to get you up to speed for now.
-Raphael
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Noticed that the Mackie SRM V-Class speakers have not been rated yet. Recently purchased one of these (SRM210) and have been very impressed with the sound and functionality.
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We only have preliminary ratings for each of the 10″, 12″ and 15″ versions which we haven’t published yet.
Bringing them out in January this year was unfortunate timing for Mackie and review and rating sources are limited at the current time, but we hope to publish something on the series before the end of the year.
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Boycott speaker/amp companies that refuse to publish their continuous/RMS ratings!! In the past 2 weeks of digging into PA systems I’ve found peak:continuous ratios of 2:1 4:1 5:1, even 10:1!! Yup, one company rated their speaker as 2,000 watts peak and 200 continuous!
Knowing what a speaker or amp can handle for a millisecond is absolutely useless.
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As a result of our August 2019 update the following speakers came off our recommended list – but you can still read our analysis of them:
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The negative comments about JBL are hilarious. The 5″ and 8″ series are widely regarded among the best if not the best in their class.
Speaking of which, why aren’t 5″ speakers included here?
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I was hoping to see something about the Peavey RBN-112’s with the ribbon tweeters. I did not find them in the database either, just the Dark Matter 112. Does anyone have experience with these?
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The Peavey RBN 112 has never made it onto our short-list for this guide over several major updates, mainly due to a lack of popularity rather than its ratings, however I’ve published our rating of it today for all to see: Peavey RBN 112.
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I have some real nice powered speakers but am not seeing the samson brand is that not good in ratings?
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Samson are a good brand for many things however they haven’t yet had high enough ratings to make it onto our short-lists for powered speakers although their Auro X15D is a candidate that might make it onto our recommended list at the next update of this guide.
BTW you can look up all Samson products we’ve rated by going to the Music Gear Database.
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So in conclusion which ones are better for a 400 ppl venue. The Bose F1 or the QSC 12K2 or the RCF evox 12?
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I have no idea why RCF didn’t make the cut! I demoed the 12″Hd32amk4 against the qsc12k.2 Qsc got whooped!!I bought 2 RCF and get compliments from QSC owners!!
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A pair of any of those aught to be fine however I think you’d get the best value out of the QSC K12.2 based on all the research we’ve done.
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As a result of our December 2017 review of the Powered PA Speaker category we removed several items from this guide but you can still read about them:
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With so many factors to consider, there’s really no set standard for determining specific size category.
These factors include actual venue size, audience headcount, open air or enclosed, environmental noise, venue acoustics and many more.
But to answer your question, most will agree that small venues include coffee shops, bars, small restaurants and conference rooms. On the other hand, medium sized venues include enclosed auditoriums, churches, small gardens, and other venues that have a head count of less than 500.
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You missed all the Cerwin Vega models. In particular, the CVA-28, the CV P1000X and CV P1500X. I also agree with the other posts, you did not even consider JBL and they have the best Mids and Highs, plus value.
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The systems you mentioned were considered, they just didn’t rate highly enough to make our recommended list. You can click here for the JBL and Cerwin Vega speakers, along with their Gearank scores, that made it to our short-list in the Music Gear Database.
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I have Yamaha dbr10 and it is brilliant. But looking at behringer b112d, and not too concerned about quality of sound, don’t really know how much potential loudness would suffer (quoted EPL only 113db, much lower than the others on the list).
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Alto TS215 Active 15″ Speaker VS.
Studiomaster Drive 15A/6A 15″ ActiveHi – I’m looking for an upgrade from my Alto TX15 range to either of the above without breaking the bank tooo much. Can you possibly give me a rating and a recommendation if at all possible?
Thanks.
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We have provided a rating for the Alto Professional TS215, however we have not rated the Studiomaster Drive 15A/6A because it doesn’t meet our current availability criteria for the United States.
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Has to be sponsored by qsc or something, because the jbl prx are a great speaker, I have been abusing the heck out of some eon g2s for over 10 years! 2 gigs a week, never flinched, never had to repair, all original drivers, that says something, just get protective bags, whichever speaker you decide on.
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As has been pointed out previously in this discussion, no manufacturers, including QSC, have paid any money or provided any benefit of any kind to us for anything we have done on Gearank.com.
In fact last year we removed all banner and display advertising (we were using AdSense) from this website. That means there is no possibility of us receiving money even indirectly from those companies via Google/AdSense.
At the current time our only source of revenue is from the retailers we link to – at the moment that includes Sweetwater and Amazon.
All of our product recommendations are guided by a scientific process involving statistical analysis of market sentiment using our proprietary Gearank Algorithm.
An overview of this is explained in How Gearank Works.
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JBL SRX & FBT speakers will blow most of this tip 10 list out of water for Power & bottom end . Try before you buy.
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Wow no love for the Alto Blacks OR TrueSounds? both of those series rank up there with QSCs ang EVs and mop the floor with JBL. I did a H2H in store with 5 jazz musicians with total over 175 years playing experience and they were hands down the winner playing anything with real instruments in it… ESPECIALLY in price/performance comparison!
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If you would like the results of your Head to Head comparison to be included in the data set we use when we next update this guide, then write a report/review detailing your results on one of the popular music gear review sites or forums.
To get an understanding of our methods please read How Gearank Works.
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You should be advised to include some of the concentric speaker enclosures out there, as powered speakers. Don’t know if they’ll fit in that range. RCF may be out of bounce, but there are others more affordable. I wished that Tannoy would release a full live PA powered speaker system. Germans DB may be price worthy though, you don’t need super expensive T&W and the like.
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Is there a Gearank comparison of 3 way powered pa speakers? If there is not you guys should do one, thanks.
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We don’t have one yet, but we are currently revising our publishing schedule and I’ll add that to the list of topics to consider.
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Here at Gearank.com we don’t do head-to-head comparisons, we primarily do guides to an overall category.
However, if anyone wants to provide their thoughts on Bose F1 vs EVOX 12 here in the comments, they are certainly welcome to.
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Hi Andy,
Both speakers you mentioned did not out rank the others in their categories, the Yamaha DBR12 was close though. See their ratings below:
Yamaha DBR12: https://www.gearank.com/gear/yamaha-dbr12
Alto Professional TX15: https://www.gearank.com/gear/alto-professional-tx15
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Hi Richard,
Someone else already brought up RCF speakers, and we’ve mentioned the reason why they are not included in this list, see the response at the link below:
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Hello Dynes,
We’ve processed three powered speakers from Alto Professional’s lineup and they’re not yet rated high enough to be included, compared to the ones listed.
You can see the scores of the Alto Professional speakers on the link below:
https://www.gearank.com/gear…
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Hi Alexander,
Can you recommend to me the best powered speakers below $1000 for my MX61 Yamaha Keyboard. In terms of clarity of sounds specially the “bass” part of the keyboard. I came across this demo on youtube and I like the sound of the grand piano, I want to know what kind of speakers they are using. Thanks for your help.-
Hi Jess,
All the powered speakers listed here should be able to give you the clarity that you’re looking for, as long as you keep the volume to a reasonable level. Go for 12″ or even 15″ speakers if you want deeper bass sounds.
If you can post a link to the youtube video demo that you liked, maybe we can help in figuring out the gear used.
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If you cant hear the difference between a QSC K10 and ANY new JBL go back to guitar center and buy whatever the guitar player working in the “pa” department tells you to buy.
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Not sure what you mean but I A/Bd my QCS153 and JBL PRX835 and traded in the QSC for the 835. The QSC was too harsh in the highs and loud volumes. The PRX is much warmer and more pleasing to the ear. Even my soundman, a huge QSC guy had to admit that at the end of the night he had less ear fatigue{ We have a Rock Band } and we get nothing but compliments on our sound. QSC was at the top for a long time. Not anymore.
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Have you guys reviewed the FBT range of active speakers? They seem to be getting some attention.
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FBT weren’t included when we produced this guide because they weren’t widely available from major online music gear retailers in the USA. We’ll check to see if that has changed when we next update this guide.
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Great review here but, I question the thoughts on SPL levels for the EV ZLX series. While claiming the speakers are not loud, the experience with using these as mains, have totally left us speechless on how well the ZLX have performed. Plenty of sound, plenty of volume. Realizing they are not ELX or ETX, they still hold their own in this price range as the best affordable speaker.
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This question about passive subwoofers has been moved to https://www.gearank.com/guides/pa-subwoofers#comment-159
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I’m sure you’ve heard about Carvin, in the San Diego area. What do you guys think of their loudspeakers, in terms of quality, performance, and value?
Thanks for your thoughts!
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Thanks for bringing up Carvin. I have personal experience with some of their gear, including PA Speakers, and in my opinion, both the sound and build quality are really good.
However, Carvin speakers aren’t widely available online (Carvan speakers are available through their own store) and don’t have a lot of independent review sources, so even though I personally like their products there isn’t sufficient data for us to provide a rating at this time.
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Seriously, Bose?
While the guide was looking good, and having used many of the speakers here especially the QSC’s with awesome results. The inclusion of Bose here destroyed your credibility. Most of us in pro audio know that Bose is a marketing company that makes lousy speakers, and decent headphones and clock radios.
This is another prime example of their bogus “Better sound through research” marketing. The point of line arrays is that they cut the inverse square law of signal decay as you move away from the speaker in half truly “Throwing farther”. However the requirement for that to work is the length of the array. In an array that in this case is 26″ long is going to have the 1/2 inverse square law decay rate from about 512Hz to 20KHz, but a full inverse square law decay rate from 512Hz down to the low cutoff of the woofer.
So what does that mean? If you EQ the speaker in one spot to sound good, but as you move closer everything from 512Hz and lower will increase at a rate of 1/2 inverse square. And inversely as you move farther away everything below 512Hz will decrease at 1/2 of the inverse square law. Now you have an arc where at one distance away from the speaker it sounds right. If you have two speakers, now there is only one place where it sounds good, and the only person that gets to enjoy it is the soundboard operator.
Why do you think “real” line arrays are so long? Even with that length, we still have that problem with our largest touring arrays.
Don’t believe the hype.
Educate yourself about line arrays:
https://www.prosoundtraining.com/2010/03/17/line-array-limitations/https://www.danleysoundlabs.com/taylor-sound-parts-the-sea-with-first-danley-exodus-rig/
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Thank you for your detailed comments on line arrays Ryan.
We don’t see our role here at Gearank.com as being a participant in the debates over which technological approaches are superior to others, but we are happy for people like yourself to carry on that debate.
We do however try to make our guides as useful as possible by covering all the prominent technologies and brands that are currently in use.
The ratings we provide are a measure of user satisfaction, or to put it another way, they are a statistical analysis of market sentiment. The Bose F1 system continues to get very positive reviews from customers – in fact I just reprocessed their Gearank score and it went up from 92 to 94 as a result of the latest customer feedback.
For a better understanding of this process please read How Gearank Works.
Disclosure: Although Bose is not currently a sponsor Gearank.com they have been an advertiser and sponsor over the last decade of GuitarSite.com which is owned by Gearank.com’s parent company Hitsquad Pty Ltd.
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Hi EP – thanks for asking about them because we did examine the DXR range and included the 15″ version in the guide above, but it appears we forgot to add the rest of them to our public database.
I’ve just added them and updated their Gearank scores. The 8″ version still isn’t as popular or as highly rated as the others, but both the 10″ and 12″ versions have increased their Gearank scores to 95.
You can now see the full Yamaha DXR range here in our Music Gear Database.
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Curious how the TurboSound I series stack up with the others. Any chance of including them in the ranking?
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Sorry did a typo, it’s the TurboSound IQ8/IQ10/IQ12/IQ15 powered speakers that I’m interested in.
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No problem – I wanted to process the Gearank scores for both the iQ and iX series so you got them both anyway!
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Back when we published this guide in January, and again in April when I re-checked, the Turbosound iX range didn’t have enough rating/review sources for us to rate them – but the early reports were positive so I made them my Editor’s Pick at that time.
I checked again today and there are now enough sources of information to produce a Gearank score for both the 12″ and 15″ iX versions, so as of this moment we have the following results…
Turbosound iX12 – 10+ sources:88GEARANK
Turbosound iX15 – 10+ sources:86GEARANKPersonally I’m surprised the iX series hasn’t gained more attention because when you consider that most people who have used and rated them have been very positive, they look like fairly good value to me at their current $349 & $449 price points.
I’ve also processed the higher priced iQ range and here are those results…
Turbosound iQ8 – 5+ sources:85GEARANK
Turbosound iQ10 – 5+ sources:80GEARANK
Turbosound iQ12 – 20+ sources:86GEARANK
Turbosound iQ15 – 30+ sources:87GEARANKThere seems to be a limited amount of talk about the Turbosound iX/iQ series at the moment, but here’s a few discussions that do provide some useful information:
Gearslutz and this older one on Gearslutz
Sound Forums-
Found your article/review while searching for a compact PA system. The Turbosounds intrigued me greatly. I am now really considering the iP2000 Array system. Have any thoughts on that particular series? Thanks.
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Hi Xela – we haven’t rated the Turbosound iNSPIRE iP2000 yet but the category of compact PA systems is on the list of topics we’re considering covering so thanks for letting us know about your interest.
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This list is utter crap…..no mention of EV ETX or EKX,QSC KW series….but Mackie Thump and Behringer Eurolive made it? Come on man,this is 2016….Do proper research before compiling a list such as this…..Thank god I don’t have to depend on this I fo some one people on here!
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I don’t agree with your assessment Gerard, but I can understand why you feel the way you do about this guide because back in January 2016 when we published it, less than 4 weeks after we opened the site to the public, we weren’t yet publishing the Methodology section in our guides which points out the selection criteria we used (here’s a recent guide with the Methodology section included).
At that time the EV ETX and QSC KW series didn’t meet the pricing/availability criteria we were using.
The EV EKX-12P & EKX-15P did meet the criteria however they simply didn’t score high enough to be included at the time – part of the reason was that those speakers were still relatively new and there were very few reliable rating sources available for them back then.
Now that more than 6 months have elapsed since this guide was published, many more customer reviews, forum discussions and expert reviews have become available, so today I processed both EKX powered speakers and made them available in our public database:
• Electro-Voice EKX-12P
• Electro-Voice EKX-15PIf we were to redo this guide today the EKX-12P still wouldn’t have high enough ratings to be included, but it’s possible the EKX-15P might make the list.
Here’s a list of all the Powered PA Speakers currently in our public Music Gear Database.
For a better understanding of Gearank please see How Gearank Works.
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Wow please do your research dude. Used to be a EV and JBL fan many years ago but QSC beats EV, jbl and cerwin vega. Used to use vega when I used to DJ back in the day but now I don’t even consider them!
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No one, including QSC, has paid us either to write a guide on a particular topic or to be included in any of our gear guides.
At the time of writing Sweetwater is sponsoring this guide – this gives them exposure including their logo and links to their website but they do not determine which products are included as you can see from the fact that not all of the products mentioned are sold by them.
Each of the products listed above, apart from the Editor’s Pick section, has one of the top 5 Gearank scores in their category of all the powered PA speakers in our database.
If you believe there is a powered speaker that should be added to our database then please let us know.
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Hi, forgot to mention in my previous question that the setup will be used for a light jazz trio consisting of double bass keyboards and drums. Thanks
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Hi, really appreciate the review. Wondering which stereo set up/2 powered speakers you would recommend for the truest representation of the source, with special emphasis on best ratio between clean (mud/cloudy free) bottom end and portability(light weight, no more than 30lbs each), for smallish venues of say around 50-80 people capacity. Price is not an issue.TIA
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Having good bottom end and portability is a rare combination. I’d recommend the QSC K8 as it falls within your weight limit at 27lbs, but it may not have enough low end. The QSC K12 gives you more bottom end but is almost twice as heavy. The QSC K10 is a good in between, and should have enough low end for a jazz trio.
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I would like to recommend the Cerwin Vega P-Series.
I have 16 subs, 6 x 15” tops & 4 x 10” tops.
I also have for Yamaha DXR 8’s which is why I am writing this comment.
The best thing about the Cerwin Vega’s other than the sound is the front light limiter fo me. The sound is incredible, much better that the electro voice and Yamaha’s.
Yamaha’s cannot be used without the high pass filter switch set in the middle setting and when it is turned off it doesn’t sound good at all.
The PX1000 wipes the floor with yamaha for sound quality.
The subs I have never yet had a problem with them for the 3 years I baught them other than fans breaking and changing them.
I have had problems with 2 15″ tops and no problems with the 10″ tops but they are just 1 year old. The tops woofer didn’t work on 2 occasions and needed to be sent in for service. Not sure what the problem was as I just send them to the shop for repair and they came back working again.
Only bad thing about the subs is the handles are awkward on the wrist when lifting with 2 people.
I haven’t heard the Bose or QSC but I’ve never been a fan of Bose speakers.
I know that the P-Series is much much better than some of the speakers you have chose as your top 10.
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We appreciate your personal recommendation on the P1000. I’ve read good things about it as well, but unfortunately there aren’t enough reviews to include it in this list. This may not indicate poor quality, but it does indicate low market performance – or at the very least, users were too busy to commend the product.
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Hey ur reviews are great! I’m a one man band (a wedding singer) & perform at medium size venues for approx. 100-400 people. I’ve shortlisted a few brands. Would really appreciate if u could please provide an honest feedback on what would work best for my usage:
Order of my preference
1. QSC K12 12″ Powered PA Speaker 1000W
2. JBL EON615 – 1000W 15″ 2-Way Powered Speaker
3. RCF EVOX 8 or 12 (if I get a good price)How would u compare/rate the Bose L1S with B2 bass unit, I know they r expensive but are they as powerful as the above listed brands?
I also hear of the Fender Passport Venue Speakers. Any feedback?
Would appreciate ur advise, as I’m thoroughly confused. cheers!
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The QSC K12 is highly recommended, with its proven acoustic and vocal friendly sound. Based on ratings, the QSC K12 trumps the JBL EON615, so that’s an easy pick right there, especially in your case where the speaker needs to be of high quality and easier to carry around.
I’ve read good things about RCF EVOX speakers as well as the Bose L1S, but not enough to make recommendations, for now. Maybe in the future when we’ve researched Portable PA systems some more. [NB: We published a comprehensive guide to Portable PA systems on Dec. 23, 2016. – Ed.]
The Fender Passport Venue is definitely worth considering, given its portability and built-in mixer features, in case the father of the bride (or the entire family) wants to sing with you. The only downside is that it may not be enough for bigger open space venues.
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Hey im looking for a speaker to play my music in my room. I’m looking for one speaker I will buy a second one once I save up.
I just want the best clear nice bass audio really debating on getting the DRb10 or a Behringer B112w which is the Bluetooth version of the B112d or even the turbo that your sound editor picked.
I don’t know if should get the Behringer or loose the Bluetooth for the Yamaha. Do you think the sound on the Yamaha is better in clearness and deep bass or should I just get the bigger 12 in Behringer for louder sound and deeper bass.
And again this is going in my room will the 12 in be too much for my room? If it is there’s no point in getting another 12 inch to make it a pair so I don’t know if i should get 2 10 or one 12 or maybe even just one 10 which would be the Yamaha.
I will be playing music and movies, video games and I could just lower the volume but I don’t wanna loose too much sound quality so bottom line bigger speaker or smaller speaker? Remember I won’t be playing them too loud.
Please and advise or help on what too choose I been debating for a while now and your post really helped give me an idea. You guys are awesome thanks so much.
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Given that you’re just going to be using this in your room I’d suggest the Behringer B112w would be just fine – it also has a built in 2 channel mixer.
Don’t forget that if you want stereo then you’ll need 2 speakers.
I hope this helps.
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I haven’t personally used the EV s200s, however they have 12″ woofers so you’d expect any modern 15″ speaker to have a stronger bottom end.
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If you’ve never tried QSC, treat yourself. I rented a K12 as a keyboard monitor and my goodness, the bass that thing was capable of is amazing. I had to engage the hi-pass switch as the bass player was giving me dirty looks. And yes please, it would be great to know which sub would be a good match for K8/10s
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The RCF Art series are definitely within the price range, however they have limited availability in the US – you usually have to buy them on special order.
However they are widely available throughout Europe so if anyone would like more information about RCF powered speakers go to RCF Premium Speakers
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No offense. RCF Art series is garbage just like the JBL PRX. Sounds like radio amplified. Good that its not listed here. If you want noise then it is, not for music.
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Clearly you haven’t done any testing or comparisons the new series IIII 700 series sound very good and most italian companies make great speakers like FBT & DB youre talking through your hat.
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You’ve clearly not heard RCF’s ART 745-A. It’s easily one of the best loudspeakers in its price range. Actually, considering its price, it probably is the best bar none. With its huge 4″ driver, there’s little competition for it if small-mid range venues is your thing.
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My band has been using both EVs and JBLs for years now and they’re both really good powered speakers. Why didn’t you include JBL on your list?
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JBLs Are not what they use to be. I had the PRX 735s and after several shows the inside housing on both cabs were rattling and buzzing. Very annoying. When I saw them open up the cabs. the parts were as cheap as could be. Even the tech was shocked. He suggested QSC 153s. I took the loss on the trade in and never looked back. The QSCs blow them away in sound quality and build quality. So I am not at all surprised the smaller QSC were on the top. The 153s are probably too $$$ for this list but would be at the top if that price range was being considered. Also the EVs have way too many complaints of breaking down as do Mackie. You RARELY see that on QSC reviews. Being in a working band Quality and reliability are everything. QSC tops the list IMO
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Being a sound engineer, Jbl’s used to use quality components back 20 years ago but what they are putting out now is not professional grade products. I have qsc153 they are a bit on the heavier side but in terms of professional sound reinforcement they cannot be beat! It comes down to what is your main concern when performing live, quality professional products or products that fit your budget. I prefer to wait when making a purchase but get a product that is top notch!
QSC rocks!-
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I listened to JBL and EV side by side and chose the EV Live X series. EV beat JBL hands down.
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Agreed. Anyone have any comments on the Turbosound ix15’s?
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We have a rating for them – Current Turbosound iX15 Gearank Rating.
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I build Adamson speakers and they are great build with kevlar drivers great outside in all wether but you will pay.
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Would you help me compare the two EV and JBL? What is the best choice in durability, audibility among others?
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We have 4 JBLs and 4 EVs currently in our public database.
If you click on those links you’ll see that the EVs generally have higher Gearank scores than the JBLs – this means people who have bought the EVs are more satisfied with their gear than the people who got the JBLs instead.
That’s why we recommended the ZLX-12P & ZLX-15P EVs above but have not done so for the JBLs at this stage.
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Thanks Jason
the Ev speakers seems to be much heavier in their performance would you pliz high lighten on the ratio of Amp to speakers in terms of there watts.
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We did take a look at several JBL systems but none of the scored a high enough Gearank to be included in this gear guide.
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Curious as to what was lacking in JBL. The PRX 800 series and I assume SRX series should be included. The PRX 835 head to head with QSC 153 are louder and not as harsh on the high end.
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We make our recommendations based on overall product ratings rather than by considering specific aspects or features (except for special picks like the Budget Option above) – you can see how we analyze reviews and opinions from around the web to produce our ratings in How Gearank Works.
We only go into the detail of which aspects are good or lacking for items we select to recommend, so unfortunately I can’t give you specifics in this case other than to say that overall sentiment is less favorable for the ones we didn’t recommend.
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I’m disappointed with this list. I’m surprised that Mackie’s were cited as being “reliable.” I had a pair of Thumps that were anything but reliable. I had to replace them after six months of use. JBLs are known for reliability, not Mackies.
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The Gearank scores are based upon customer feedback and expert reviews of the latest models.
Here are the JBLs we processed and none of them had enough positive feedback to score high enough to be included.
If you think there is a current JBL model we should process for a Gearank score to see if it should be included, then please let us know.
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You tested the entry level jbl gear…. how about srx etc?
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Hi Walt – there are 2 important points to make in response to your question:
- If you look at the Methodology section you’ll see that we only considered speakers with a street price of up to $1,000 and the JBL SRX range sells for more than that
- We don’t directly test any of the gear on this website – the entire point of Gearank is that we base our ratings on reviews and comments made by musicians from around the world – that’s what the “Sources” and “Incorporating (x)+ ratings and reviews.” numbers reflect.
To get a better handle on this please read How Gearank Works.
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Clueless jbl are top of the list think your survey is a bit wrong
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I had a pair of PRX615’s the bass was good the horn was crap so that’s probably why they didn’t get a mention a lot JBL speakers have a funny midrange and top end most DJ’s don’t notice this but put one up against something like the RCF 700 series and the FBT VENTIS/PROMAXX and you’ll notice the difference.
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I have had JBL PRX625 now for almost four years and they are really good, never had problems with them. Just bought Bose F1 system two months ago and had two sub woofer rattling. JBL deserve to be on this list.
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The JBL PRX625 speakers are no longer available to buy from most of the major North American retailers which is why this specific model was not included.
BTW – although JBL didn’t score high enough to be included in this guide, they topped the ratings in our guide to the Best PA Subwoofers.
PA System Guides
Disclosure
About the Author and Contributors
Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Raphael Pulgar
I've been an audio engineer for 20 years specializing in rock and metal recordings. I also play guitar and produce original music for my band and other content creators.
Although I'm more of a studio engineer, I have years of technical and creative experience with live sound and using the best pa speakers for live band situations. I have setup and used some of the best PA speakers and systems, and I've also taught and held seminars on how to set them up for live performances.
Contributors
Daniel Barnett: Yamaha DBR10 Review.
Jerry Borillo: Research and illustration.
Jason Horton & Alexander Briones: Editing.
Media / Image Credit
Main/Top Image: Created by Gearank.com using photographs of the Mackie Thump15A, QSC K12.2 Powered PA Speaker and Electro-Voice ZLX-15BT Powered PA Speaker.
The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers except for the additional Yamaha DBR10 photos which were taken by Daniel Barnett.
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