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RME Fireface UFX III USB 3.0 Audio Interface

94-in/94-out USB 3.0 Audio Interface, 24-bit/192kHz, with 4 Mic/Line Preamps, ADAT and AES/EBU Digital I/O, MADI I/O, MIDI I/O, 2 Headphone Outputs, Direct USB Recording, and DSP Effects - Mac/PC
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RME Fireface UFX III USB 3.0 Audio Interface
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RME's Most Capable Flagship Interface Yet

The RME Fireface UFX III is the company's most potent flagship-level interface yet, boasting SteadyClock FS, upgraded AD/DA and mic preamps, USB 3.0 and USB-C connectivity, internal DSP effects, and more. And, of course, the Fireface UFX III vaunts RME's renowned low-latency hardware and driver design for flawless operation in every application. This 94-in/94-out unit was built to tackle large-scale projects via four onboard microphone preamps and 128 channels of MADI I/O. You also get unprecedented direct USB recording, thanks to RME's DURec feature. The Fireface UFX III's internal DSP includes 188 channels of EQ and dynamics processing along with a reverb/delay bus, extensive control room capabilities, and an automatic mic gain feature. A comprehensive cache of plug-ins and standalone software applications adds even more value to this excellent interface. For multitrack recording, mixing, mastering — or all of the above — you'll find the RME Fireface UFX III to be an exceedingly capable studio tool.

Jam-packed with performance and feature upgrades

The Fireface UFX III offers a significant advancement over its predecessors. For starters, this audio interface includes upgraded AD/DA, along with RME's state-of-the-art SteadyClock FS technology, ensuring that you'll experience crystal-clear, jitter-free sound reproduction. Its four improved mic preamps offer hyper-accurate audio capture with enough juice to accommodate your gain-hungry microphones. You also get USB 3.0 and USB-C connectivity for maximum future-proofing.

Tailor-made for large-scale productions

If you're working on massive-sized projects, you'll appreciate the RME Fireface UFX III's generous complement of I/O. Four mic/line preamps and eight TRS line inputs provide ample analog connectivity, bolstered by two XLR outputs and six TRS outputs. Optical ADAT and AES/EBU digital I/O supply plenty of room for expansion. You also get 128 channels of MADI I/O for demanding large-scale applications. Dual headphone outputs and MIDI I/O round out the Fireface UFX III's abundant connections.

Powerful internal DSP effects

The Fireface UFX III is boiling over with powerful internal DSP. It features the company's powerful TotalMix FX internal digital mixer, which gives you fully independent routing and mixing of all the audio interface's input and playback channels to all its physical outputs. Independent stereo submixes and a full-blown control room section give you comprehensive monitoring capabilities and unparalleled routing flexibility. You also get 188 channels of EQ, 188 channels of dynamics processing, a reverb/delay bus, and automatic mic gain. To top it off, you can control the Fireface UFX III using TotalMix Remote software on your Mac, PC, or iOS device.

RME Fireface UFX III USB 3.0 Audio Interface Features:

  • 94-in/94-out USB 3.0 audio interface tailor-made for massive-sized applications
  • Upgraded AD/DA yields crystal-clear audio quality
  • State-of-the-art SteadyClock FS technology ensures jitter-free sound reproduction
  • Low-latency hardware and driver design for flawless operation in every application
  • 4 upgraded mic/line preamps offer ample gain and hyper-accurate audio capture
  • 8 TRS line inputs provide ample analog connectivity, which is bolstered by 2 XLR outputs and 6 TRS outputs
  • Optical ADAT and AES/EBU digital I/O supply plenty of room for expansion
  • 128 channels of MADI ensure enough I/O for demanding large-scale applications
  • MIDI I/O makes integrating external hardware a breeze
  • DURec supplies unprecedented direct USB recording
  • TotalMix FX provides independent routing and mixing of all input and playback channels to all physical outputs
  • Allows independent stereo submixes and includes a control room section with comprehensive monitoring capabilities
  • Internal DSP provides 188 channels of EQ, 188 channels of dynamics processing, a reverb/delay bus, and automatic mic gain
  • Remote control using TotalMix Remote software on a Mac, PC, or iOS device
  • Comes with RME's DigiCheck tool, iZotope Ozone 10 Elements, S-Gear Guitar Amp Sim, Brainworx bx_opto and bx_masterdesk, and Antares Auto-Tune Unlimited

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Warranty Info

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Tech Specs

  • Computer Connectivity: USB 3.0
  • Form Factor: Rackmount
  • Simultaneous I/O: 94 x 94
  • Number of Preamps: 4
  • Phantom Power: Yes
  • A/D Resolution: Up to 24-bit/192kHz
  • Effects: DSP EQ, Dynamics, Reverb, Delay
  • Analog Inputs: 4 x XLR-1/4" combo (mic/line), 8 x 1/4" TRS (line)
  • Analog Outputs: 2 x XLR, 6 x 1/4" TRS
  • Digital Inputs: 2 x Optical Toslink (ADAT), 1 x MADI Optical, 1 x XLR (AES/EBU)
  • Digital Outputs: 2 x Optical Toslink (ADAT), 1 x MADI Optical, 1 x XLR (AES/EBU)
  • Headphones: 2 x 1/4"
  • MIDI I/O: In/Out
  • USB: 1 x Type B, 1 x Type A (remote)
  • Clock I/O: 2 x Word Clock
  • Software: RME Digicheck, TotalMix Software
  • OS Requirements - Mac: macOS 10.12
  • OS Requirements - PC: Windows 8.1
  • Rack Spaces: 1U
  • Power Supply: Standard IEC AC Cable
  • Height: 1.73"
  • Width: 19"
  • Depth: 8.5"
  • Weight: 6.6 lbs.
  • Manufacturer Part Number: Fireface UFX III

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Customer Reviews

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Rated 5/5

ABSOLUTELY FANTASTIC INTERFACE!! RME hit a home run!

I've been a home recording guy for 25+ years. I've owned several of the entry level units by Focusrite, M-Audio, Presonus, etc. A few years ago, I switched to an Apollo X Quad. I really like the Apollo stuff but I really wanted to start using some outboard gear as I don't like using a mouse and presets for everything. I also wanted to expand my capabilities and future-proof my studio so that I can expand down the road as necessary. I was originally looking at one of the smaller Fireface units but at the last minute, I pulled the trigger and bought the UFX III. I'm certainly glad I did. There are so many reasons to love this unit: The preamps are pristine. The build quality is top notch. The drivers are the best. I have zero latency when recording and this interface integrates perfectly into Studio One.

The big issue that folks need to be prepared for is TotalMix. This is the built-in mixing console that comes with most RME interfaces. It is extremely, extremely powerful. Yes, it's a little cumbersome at first and there is a learning curve. Once you figure it out, though, you will be amazed at what you can do with it. I would suggest watching some of Barry Johns' YouTube videos on TotalMix as he is putting together a series of tutorials that definitely help. In the event you get frustrated with TotalMix, simply change the operational mode to 'DAW Mode' and Totalmix will integrate directly with your DAW and you can manage everything within your recording software. That's what I did, but occasionally, I'll switch back to 'Full Mode' and try a few different 'experiments' for fun.

I would also highly recommend buying the RME ARC external controller. It's well worth it and convenient.

I can not say enough good things about RME. They really make great quality gear. If you can afford it, take the plunge and you won't regret it!

AS always, a big thanks to my account rep, Evan Mehre, for his support over the years!
Music background: Recording and performing Musician
Rated 5/5

Loving it!

I'm very happy I decided to upgrade from my Focusrite Clarett to the Fireface UFX III! It has so many features and the quality is great! Both the TotalMix FX and Digicheck softwares are very convenient and they give users plenty of options. It really sounds incredible!
Music background: Profesional Drummer
Rated 5/5

WOW what a interface.

I preorder the UFC+ about a year or so ago. Last month, I was informed RME discontinued the UFX+ but was placed on the list for the UFX 3.

I being using a Presonus 192 for the last 6 years and wanted to upgrade. This interface didn't disappointed. Highly recommend.
Rated 5/5

RME = Pro-level reliability and support.

Looking for a solution to a studio buildout with a vocal booth that satisfies current needs and has room for expansion - with a little bit of overkill, because, who doesn't like to buy pro-audio equipment that's isn't overkill? The company had to be stable, their equipment has to be reliable, and with an ever-updating OS: the drivers need to be stable. I'm not a fan of getting locked into 'ecosystems' of plugins and DSP - and I'm not a fan of the company mergers and buyouts we're witnessing, so I spent the better part of a year reading manuals and reviews for interfaces… go ahead, go search for RME interface reviews and read comparisons… you'll find over and over that folks love RME for its dependability and scalability.
If you're looking for a flagship upgrade that's transparent, has incredible scalability, and more I/O for the future, I highly encourage you to consider any of the RME lineup for your needs. Don't let 'you must learn Totalmix' hold you back - once you get it, it's a flexible and fantastic underlay for your DAW.
Music background: Production, Composition, Mix and Master
Rated 5/5

RME Fireface UFX III USB 3.0 Audio Interface Wins!

Purchased the UFX III this past June and couldn't be happier with the features, sound, and workflow. I also own the Prism Orpheus and Antelope Orion (v1) and the UFX III matches the others in sound quality. I have the Bricasti M7 reverb hooked up via the AES connectors, and then plenty of inputs left over for external mic pres and effects. TotalMix took a little while to decipher but all was well when I discovered how to switch the operational mode to "DAW." [Open the Totalmix app, and then go to OPTIONS>Operational Mode...] Highly recommended--the sound and features are simply incedible.
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