The Best Cheap Mic Stands - Boom
Here we have the highest rated boom mic stands with a street price of $50 or less - these can be used for playing live or recording. If your budget can stretch a bit further then I strongly recommend you take a look at the higher quality but more expensive boom stands in the other section below.
On-Stage MS7701B Tripod Boom Mic Stand
The On-Stage MS7701B is a value oriented mic stand that offers features usually found on more expensive mic stands like rubber feet as opposed to plastic feet found on cheaper mic stands.
- Steel midpoint locking clutch
- Boom Length: 30"
- Height Adjustment from 32" - 61.5"
- Base Spread: 23"
- Weight: 5.15 lbs
Customers like how easy it is to set up. Without complicated latching systems, stagehands were able to reposition and adjust the stand easily. This mic stand offers great value for money for its durability and light weight. Some customers, who commonly use it for home recordings, also mentioned it was easily adjustable at any angle when adjusting in tight environments.
Users report sagging with heavier mics due to its lighter weight. The clamping force of the clutch and locks may not be enough to keep heavier mics in place.
If you are looking for a cheap, no frills solution for live or in the studio, the M7701B is a good, affordable pick for lighter microphones. For heavier condenser mics, it may not be optimal.
Hola! Music HPS-101TB Mic Stand
Hola! Music is a relatively new, family-owned music equipment company that focuses on making value-oriented products. The HPS-101TB is a telescoping boom mic stand with multiple points of adjustment and locking to provide better angles of use when mic'ing up instruments, amplifiers or vocals.
- Telescopic boom
- Large Ergonomic Height Clutch
- 3 angle and length clutches
- Locking leg housing
- Height Adjustment from 40" - 63"
- Boom Length Adjustment: 4" - 27"
- Weight: 5.35 lbs
People who bought the stand were surprised to see it was sturdier than they expected given the price. The mechanism and materials used were of good quality as noted by some users.
Some found that the stand lacked the mass needed for use with larger microphones. Others note that the stand may tip over if the legs are not properly aligned with the boom arm because of the light weight.
If you're looking to buy an affordable mic stand and need some cash left over to spare, the Hola! Music HPS-101TB is a great buy.
Pyle Pro PMKS56 Heavy-Duty Tripod Mic Stand
The Pyle Pro PMKS56 is a heavy-duty microphone stand that has a durable tripod design, black glossy finish, and lock-tight pivot knobs. It includes a universal, 5/8'' mic adapter for use with different clamping and attachment mechanisms.
- Enlarged tubing for structural and durable support
- Height and T-Bar adjustment points
- Can be used without a boom
- Height adjustment from 51.2'' to 78.75''
- Weight: 6.5 lbs
This microphone stand lives up to its “heavy-duty” factor with it’s thick and sturdy construction and its solid tripod-style base. Some owners mentioned it held up their heavier condenser microphones securely without the stand tipping or drooping making it particularly useful in the studio. Other than its main use with microphones, one user was able to mount personal monitors without the boom.
Since it's a bigger than an average microphone stand, it's not suitable for small spaces where the base might take too much real estate as noted by a few users. Also its heavy duty look may tend to get in the way of performers on stage visually. The heaviest of mics may need a counterweight despite the stand's design. Some users report weakness in the joint area but most problems may have come from over tightening clutches.
The PMKS56 is a good pick for those looking for a heavy-duty stand that won't break the bank. Heavy-duty stands tend to be expensive but the PMKS56 sits well with the big boys at a fraction of the cost. Because of its size however, it may not be the best for cramped live stages.
The Best Boom Mic Stands
These high-quality microphone stands with booms can be used for both live performances and recordings. Here we present the highest rated options available. For more affordable options see our recommendations for cheap boom stands above.
K&M 21070 Tripod Mic Stand
When you think of a mic stand, the 210 series is probably what you're picturing in your mind. The 21070 is often imitated but K&M provides us with a great quality mic stand with industry-standard engineering like a sturdy zinc die-cast base and boom arm as well as folding tripod legs for portability.
- zinc die-cast base and boom arm
- Folding tripod legs
- Height adjustment from 39.76" - 67.72"
- Boom arm length fixed at 31.69"
- Weight: 4.41lbs
"No frills" is a word appearing numerous times in the reviews. As a widely copied design, most users already know how to adjust the 21070. Touring musicians and traveling speakers who bring along a mic stand note in reviews that the 21070 is easily transportable. Many generic mic stands in the market borrow heavily from the design but users note that the 21070 is built better with higher quality parts.
One review notes that it may need counterweights for heavier mics.
K&M is known for their no-fuss engineering and most audio engineers, even myself, have leaned on stands designed by the company. The 21070 may not scream its brand's name and it may have a plethora of copies but you'd be hard-pressed to find a better mic stand that "just works".
K&M 210/2 (21020) Tripod Mic Stand w/ Boom
The 210/2 is K&M's longest-running product and has been in production for over 30 years. Compared to the K&M 210/9 the boom arm clamp is a sturdier T-bar design. It features industry-standard height and boom arm adjustment and a solid base with foldable legs.
- Single piece boom
- Steel tubing
- Zinc die-cast base
- Boom length: 31.5"
- Height Adjustment from 35.4" to 63.2"
- Weight: 6.8 lbs.
Live performers, audio engineers, and recording enthusiasts have praised this stand for its simple but durable construction. Quite a few of them mentioned they provided better quality compared to the stands they previously owned. One owner mentioned they were tall and stable enough for securely mounting drum overheads without any drooping. Some heavier microphones can be mounted without a counterbalance as reported by one reviewer.
One reviewer noted that the newer ones aren't as robust as older models.
For touring on the road or setting up at the studio, the 210/2 is a reliable pick for everyday use if you need more mass for stability.
K&M 210/9 Tripod Mic Stand w/ Telescoping Boom
The K&M 210/9 features a similar design as the 21070 and the 210/2 but with a telescoping boom instead of a single piece boom. The boom T-bar adjustment clamp is also an upgrade over the 21070's wing nut design
- Steel tubing
- Zinc die-cast base
- 2-piece telescopic boom arm
- Boom arm length adjusts from 17.1" to 29.3"
- Height Adjustment from 35.4" to 63.2"
- Weight: 6.8 lbs.
A lot of reviewers note the build quality being solid. They appreciate the stability of the stand even when the telescoping boom is fully extended and even with slightly heavier microphones. The clutch also requires less torque to keep the tubing in place. This prevents early wear from over tightening. The stand folds up into a compact size which helps with portability.
Some reviewers expected its boom to have a bigger counterweight for extra support to prevent heavy microphones from completely tipping over. Adjusting the boom so that it's parallel to one of the legs is the usual solution.
The 210/9 makes for a good long term investment for the studio or venue because of its durability. The telescopic boom arm is useful for getting the stand out of the way of cymbals when positioning them around the drums.
Atlas Sound TB3664 Tripod Mic Stand and Boom Kit
Atlas Sound designed the TB3664 to be able to stand up to the rigors of stage use. It comes with a cast 0.5lb counterweight to provide balance for heavier microphones
- 25" tripod base
- 3-Piece adjustment clutch
- Cast 0.5lb Counterweight
- Boom arm adjustable from 22" to 37"
- Height Adjustment from 36" - 64"
- Weight: 5lbs
Users praise the TB3664 for its long-term durability with some having owned units for years. No reports of slippage from the clutches and adjusters were noted by any reviewer.
Not many cons. One user noted it as pricey but worth it.
Probably the most well-rounded mic stand in this selection, the Atlas Sound TB3664 gets near-universal praise from users for its sturdy build and long-term reliability.
The Best Straight Mic Stands
These are high-quality, straight stands used for vocals in both live and studio settings. Please note that straight mics stands are generally only suited to vocalists who will not be playing an instrument as they can only be adjusted vertically.
Atlas Sound MS-10C Solid Round Base Mic Stand
The Atlas Sound MS-10c is a straight mic stand with a 10" weighted circular base for stability. A three piece clutch provides positive locking control and is said to be "able to withstand years of stage and studio handling".
- Serviceable and replaceable parts
- Base diameter: 10"
- Height Adjustment from 35" - 63"
- Weight: 11.25 lbs
Users love the stable feel of the round base as well as the general build quality which most deem excellent. The base also makes it more portable on stage than tripod designs.
Some were put off by the stand being made offshore now.
Straight stands work great with singers that like to grab the stand and move around on stage. The Atlas MS-10C has stability and build quality that can take the rigors of touring.
Atlas Sound MS25 Heavy Duty Solid Triangular Base Mic Stand with Air Suspension
The Atlas Sound MS25 is a heavy-duty stand that comes with a chrome tube finish. Its triangular cast base is designed with sculptured sides, ebony finish, and chrome covering and is built for maximum balance and stability. It also features an integrated air suspension system that is designed for protecting sensitive microphones from sudden vertical adjustment drops.
- Available in mirrored chrome or non-reflective ebony epoxy
- Wear resistant 3-Piece Clutch for secured height Adjustment
- Height Adjustment from 38" - 67"
- Weight: 23 lbs
Several owners mentioned this has great build quality and provides exceptional stability. Most of them said it stays in place at a preferred height when adjusted. Even when attaching a boom arm, many found that the base was solid enough to support long extensions.
Because of its weight and heavy build, one issue mentioned is it heavy to carry around and may not be the best bet for portability.
This is an ideal mic stand to use mostly for home recording or in-house venues where it can be easily stored.
The Best Studio Mic Stands
These stands are ideal for use with condenser microphones and other heavy studio mics. They also offer extended height and boom adjustment for additional positioning options.
Hercules Stands MS533B EZ Clutch Tripod Mic Stand
The Hercules Stands MS533B features a vertical adjustment clutch design unlike many others on the market. While other clutch designs rely on a screw mechanism, the MS533B clutch adjusts by pressing or squeezing the mechanism.
- EZ Clutch and hideaway design for faster adjustments and storage
- Base Diameter: 26.8"
- Height Adjustment from 42.1" - 94.5"
- Boom length: 30.7"
- Weight: 5.7 lbs
Many prefer the clutch mechanism over the twist type because of the convenience in adjusting the height of the stand. The arm is said to not have any sag issues whatsoever.
The boom arm does not swivel. This means that to reposition the mics along a vertical axis, you need to move the entire mic stand. Users report the angles for the boom are limited by the hideaway design.
The Hercules Stands MS533B Mic stand is a great choice for mic'ing up instruments and vocals. The convenience brought by the clutch and boom design is offset by their adjustability so they may not be practical for live use. Nonetheless, having the stand in your studio may be useful for sessions where quick adjustments must be made on the fly.
K&M 21021 Overhead Tripod Mic Stand w/ Boom
The K&M 210 series is known for its reliability. Despite being around for over 30 years, the engineering behind the product still holds up today. The 21021 is a tripod and boom variant of the 210 series with a taller vertical adjustment point and a lower center of gravity.
- Single piece boom
- Steel tubing
- Zinc die-cast base
- Boom length: 41.9"
- Height Adjustment from 44" to 79.1"
- Weight: 12.96 lbs.
Many owners, particularly studio engineers, say that they own at least two of this model for studio use because of its reliability and vertical adjustability. They report that the stand balances well even with a full boom extended while mounting condenser microphones. This makes it exceptional when mic'ing overheads for drums, or choirs, for both live and studio applications.
One user reported that the brackets may slip. This is usually because of overtightening.
If your studio or venue has high ceilings and you want to set your overhead mics as high up as possible, the 21021 is a stellar choice for these applications.
Things To Consider When Buying Microphone Stands
What is the Best Type of Mic Stand For Performing Live?
When it comes to live performance you're usually going to be setting up and tearing down your stands much more frequently than you would in a studio setting so getting robust solid stands is very important. Another important, yet sometimes overlooked factor, is how much space they take up when packed away.
Boom vs Straight
Boom designs offer more versatility with mic positioning and adjustment at the expense of portability and stability. They are able to be used for most situations except for vocalists that prefer to hold on to the microphone while performing. For singers, straight stands are generally preferable unless they also play an instrument at the same time.
Tripod vs Solid Base
Tripod stands are versatile and can fold up to take much less space than solid base or round base stands. Oftentimes the only time you would use solid base stands live is where a boom isn't necessary such as with singers who don't play an instrument. For musicians that sing while playing an instrument a tripod stand with a boom is almost always necessary so that the stand can be placed in such a way that it won't get in the way of playing the instrument.
What Makes the Best Studio Mic Stand?
You can effectively use just about any type of mic stand for recording so long as it allows you to position the microphone exactly where you need it to best capture the source you are recording. Some stands help facilitate this by providing booms with a counterweight allowing the mic to be positioned a long way from the base - this can be particularly helpful positioning overhead mics and with miking drum kits. Some contain shock absorbers to minimize floor vibrations that might reach the microphone. Some studio mic stands also come with casters/wheels so you can move them around the studio easily - this can be helpful when you have a heavy microphone attached and you don't want to disturb the stand setup.
Clutch & Clamp Strength
The clutch is the mechanism that keeps the mic stand's vertical adjustment in place. For boom mics, adjustments are locked using a screw clamp. When you put a microphone into a position, it needs to be fastened securely. Some of the cheaper stands may cause the mic to sag or drop in position which can ruin a great take when recording or require someone to run up on stage and make adjustments during a performance. This doesn't usually happen when they're brand new but it may occur after extended use. You can avoid this problem by purchasing high-quality stands.
Balance & Weight
The overall weight of the stand, especially around the base, determines how stable it is. Higher stability then is a tradeoff of portability since heavier stands are more tedious to travel with. When using boom stands with heavy condenser mics and other attachments you'll find basic boom stands are fine so long as you don't extend the boom too far beyond the feet otherwise the center of gravity will be outside the base and it will tip over. If you want more control over the placement and extension of the boom then you'll need one that provides a counterweight - an adjustable counterweight can be particularly useful when miking large drum/percussion setups. You will find these in the Studio Mic Stand section above..
Best Mic Stand Selection Methodology
First published on Dec. 2, 2016 and Last updated by Raphael Pulgar with contributions from Denise Azucena and Jason Horton on Aug. 21, 2019.
We looked at the full-sized stand top seller lists of the major online retailers in the USA and came up with a short-list of 52 microphone stands. We then collected ratings and feedback from customer reviews and forum discussions and fed that data into the Gearank Algorithm to produce the Gearank ratings out of 100 for each stand - over 13,600 sources were used for this process. Finally, we produced lists of the highest-rated mic stands in each of the 4 categories above. For more information about our processes see How Gearank Works.