The Best Wireless Microphone System Guide - Handheld
Best Wireless Microphone System With 4 Mics
Phenyx Pro PTU-5000A
The Phenyx Pro PTU-500A is an affordable 4-channel wireless microphone system with fixed frequency configuration. This means that setting up is a breeze, but you're limited to specific UHF frequencies and cannot switch when encountering noise. This should not be an issue for small scale events with just one or two wireless systems, but it can be an issue for those working with bigger projects that require multiple wireless systems.
The included mics run for up to 16 hours, and each one has an LCD screen that lets you know when to replace the battery. It has a max range of 260 ft, which is quite a lot given the price. Finally, the receiver comes in a metal rackmountable form-factor.
Feature Overview
- Mic frequency response: 50Hz to 18kHz
- Receiver frequency: Fixed Frequencies: 541.9MHz, 546.3MHz, 561.6MHz, 568.65MHz
- Range: Up to 260 feet / 79.3 meters
- Four XLR outputs and a 1/4’’ audio output jack
- Fixed Frequency design
- Individual volume control on each channel
- Rack mountable in a standard 19" rack
Pros
Most describe the Phenyx Pro PTU-5000A as a great value system, reviews are replete with owner who are happy with what they got for the money. More so for those who have low expectations, many of them changed their mind after the initial setup. Speaking of setup, this system receives plenty of thumbs up for its ease of use, especially for small events where you're not dealing with multiple wireless systems.
Cons
While many report that the metal rackmount receiver feels solid, there are some who caution that the mics feel flimsy. The system's easy setup fixed frequency design is also problematic for those who have to work with multiple wireless systems. Thankfully, careful selection of wireless systems that don't conflict the frequencies is all that's needed to prevent any issues.
Overall
If you're looking for an affordable 4 mic wireless system that gets the approval of most of its owners, then do check out the Phenyx Pro PTU-5000A.
GTD Audio G-787H
Brands like GTD make wireless mic setups more accessible without throwing quality out the window. To be more specific, the GTD Audio G-787H comes with four wireless mic transmitters, and a receiver with selectable frequencies per channel.
Feature Overview
- Mic frequency response: 35Hz to 18kHz
- Receiver frequency: UHF 550MHz - 590MHz (Adjustable)
- Range: Up to 600 feet / 183 meters
- Four XLR individual outputs and one 1/4" Mixed output
- 800 selectable frequencies on each channel
- Individual volume control on each channel
- Rack mountable in a standard 19" rack
Pros
Most owners of the GTD Audio G-787H feel that they got more than what they paid for, to the point that some of them even compare it with more expensive brands. There are also plenty of users who are satisfied with the resulting sound, from those who use it for karaoke, to those who use this system for various events.
Cons
Short battery life seems to be a common complaint. There are also a few who caution that the mic feels flimsy, and they recommend careful handling of the mic.
Overall
The GTD Audio G-787H is a versatile yet affordable wireless mic system for those who have to deal with frequency and budget constraints.
Best Wireless Microphone Systems With 2 Mics
GTD Audio G-622H
GTD Audio gets good ratings, not because they're the highest quality, but because they offer good value for money and those who are budget conscious rate this double mic package very highly. The G-622H wireless system exemplifies this, a 2 mic UHF wireless system with 100 selectable frequencies per channel. It has an operation range of up to 450 feet, which is more than enough for what wireless mics are generally used for. While you can manually select the frequency to operate in, the G-622H also comes with automatic frequency scanning and setup - for quick and easy setups.
Feature Overview
- Mic frequency response: 45Hz to 18kHz
- Receiver frequency: UHF 550MHz - 580MHz
- Range: Up to 450 feet / 150 meters
- Two XLR individual outputs and one 1/4" TRS Mixed output
- 100 selectable frequencies on each channel
- Individual volume control on each channel
- Rack mountable in a standard 19" rack
Pros
One of the most common positive comments about the GTD Audio 622H system is that the mics, although enclosed in solid plastic rather than metal, have a good weight and feel to them. Most users are satisfied with the overall quality and performance of the GT Audio G-622H, especially when considering the price. Mobile DJs and event singers were happy with the sound quality as were those using it in fixed installations such as houses of worship.
Cons
The most commonly reported negative is that the second mic has problems with dropouts after a while, although the manufacturer will replace them under warranty.
Overall
This is very much an entry-level system, and some report moving up to more expensive options after using it for some time, still it's hard to beat the extremely low price.
Shure BLX288/PG58
Shure have combined their budget dual BLX receiver with their budget PG58 microphone to produce a reasonably affordable 2-mic system. Its biggest asset is really the SM58 capsule, which many still deem to be the industry standard when it comes to miking vocals. The Shure PG58 mic capsule is a step down from the SM58 in terms of ruggedness, while many people on forums debate whether or not the sound quality is nearly as good as an SM58. The debate is open, but the majority opinion is that the PG58 sounds good, just not quite as good as the SM58.
Feature Overview
- Mic frequency response: 60Hz to 15kHz
- Receiver frequency - can be bought in the following UHF bands:
- H8: 518MHz to 542MHz
- H9: 512MHz to 542MHz
- J10: 584MHz to 608MHz
- Range: Up to 300 feet
- Balanced XLR and non-balanced 1/4" output
- 12 channels.
Pros
Most of the positive reviews are centered around the better quality of the mic when compared to other cheaper dual systems as well as the battery life of the transmitters. Many users also mention the mic's solid feel and longevity.
Cons
There are few consistent negatives reported, only that a few buyers found a difference in EQ and sonic tone between the 2 mics, and some complained that it doesn't have a mute button.
Overall
While this is the cheapest way to get two Shure wireless mics, it may still be above the average mic users budget. Still investing in this system is highly recommended, especially when considering its sound quality and longevity.
Shure BLX288/SM58
2-mic wireless systems are ideal In band settings were only one or two singers are moving around on stage. And the Shure BLX288/SM58 is specifically designed for that, with two handheld transmitters based on the iconic SM58 capsule. Each transmitter runs on two AA batteries with up to 14 hours of use, and a transmission radius of up to 300 feet. This system includes a BLX88 dual-channel wireless receiver with easy 1 button setup, and can work with up to 12 compatible systems per frequency in case you want to add more wireless systems.
Feature Overview
- Mic frequency response: 50Hz to 15kHz
- Receiver frequency - can be bought in the following UHF bands:
- H9: 512MHz to 542MHz
- H10: 542MHz to 572MHz
- J10: 584MHz to 608MHz
- Range: Up to 300 feet / 91.44 meters
- 2 x XLR, 2 x 1/4"
- Up to 12 compatible systems per frequency band
- One Touch setup
- Table Top form factor
Pros
Most are happy with how this wireless system sounds, describing it as sounding like a wired SM58. It is also commended for its functionality and overall signal reliability, even when nearing the max range specified.
Cons
There are a few who feel that the wireless transmitters are a bit flimsy, compared to the rock solid feel of a wired SM58. Some also caution that gripping the mic improperly can inadvertently turn off the mic, and this should be communicated properly to the vocalist who will be using the mic.
Overall
If you want a 2-mic wireless system that has the same audio quality as the iconic SM58, then best to get one from Shure themselves.
Best Wireless Microphone Systems With 1 Mic
Xvive U3
The Xvive U3 is a unique entry in this list in that it doesn't come with a mic, rather it is a wireless system that can be used on non-wireless dynamic mics. The transmitter is designed to connect to the XLR port of conventional mics, essentially turning a wired mic into a wireless, which is great if you want the freedom of wireless while still using your favorite wired vocal mic.
It operates on the 2.4GHz band, much like wireless routers, with less than 5ms latency. It is designed to be used with PA systems, recording gear and even with DSLR cameras. Finally, it runs on a rechargeable battery that gives up to 5 hours of usage.
Feature Overview
- Mic frequency response: N/A
- Receiver frequency: 2.4 GHz
- Range: Up to 90 feet / 27.43 meters
- XLR out for plugging straight into PA system / Recording Console / DSLR Camera with XLR out
- Compact transmitter that can be plugged into dynamic wired mics.
Pros
Convenience is king in reviews, with one user summarizing market sentiment by saying that it is a "wireless cable" that un-tethers your favorite mic. Transparency is also commended, even those with sensitive ears trust this system enough to replace their cables. Many users prefer this system because it doesn't have a bulky receiver, reducing wire and hardware clutter in setups.
Cons
While 2.4 GHz is free from radio, TV and cell phone tower signal interference, it does suffer the same pitfalls as other devices that uses the frequency, like having a short range of up to 90 feet, It is also susceptible to 2.4 GHz interference, which is why the manufacturers caution that you use this wireless system a good distance away (3 meters) from wireless routers.
Overall
If you've been looking for a way to turn your favorite vocal mic into wireless, then do check out the Xvive U3.
Shure BLX24R/SM58
This provides you with the same SM58 microphone capsule as the higher priced SLX system, but comes in at a lower price because it's using the BLX range of receivers which only provide 96 selectable frequencies and can only be used with a maximum of 12 compatible systems simultaneously.
If you are mainly going to be using your wireless mics in a typical band setting then this is the better Shure option to go for because you won't need to expand beyond 12 mics.
There were very few negative comments from reviewers with the only issue coming up several times was that it only has an on/off switch with no mute button.
Feature Overview
- Mic frequency response: 50Hz to 15kHz
- Receiver frequency - can be bought in the following FCC Compliant UHF bands:
- H8: 518MHz to 542MHz
- H9: 512MHz to 542MHz
- H10: 542MHz to 572MHz
- J10: 584MHz to 608MHz
- Range: Up to 300 feet
- Balanced XLR and non-balanced 1/4" output
- 12 channels.
- Rack mountable 1U (half-rack)
Pros
Response to the Shure BLX24R/SM58 is quite positive with most owners commending it for its sound. A good chunk of reviews are from singers who appreciate its responsiveness and clarity, much like a wired SM58. Those who use it as mics for speeches and even DJs also chimed in with their good experience.
Cons
There are a few who report encountering connectivity issues, but this maybe due more to the interference in their location than the actual system itself.
Overall
This is the lowest priced rack mountable wireless system currently with a Shure SM58 mic capsule - the BLX24/SM58 is the same other than the fact it's not rack mountable, making it a bit cheaper - check availability at Amazon.com.
Shure SLX24/SM58
As the label implies, this is another one that features the same capsule as the famous Shure SM58, a testament to its lasting legacy. This one is packaged with the SLX receiver, Shure's mid-range analog receiver which has 960 selectable frequencies and can work with up to 20 compatible wireless microphones. The receiver also features a 5-segment audio meter for visual monitoring of your signal.
It has an operating range of up to 300 meters and comes in a 1U half-rack profile. Note that If you want a Shure SM58 system and you won't need to expand beyond using 12 of them, then go for the cheaper Shure BLX24R/SM58 above.
Feature Overview
- Mic frequency response: 50Hz to 15kHz
- Receiver frequency - can be bought in the following UHF bands:
- G4: 470MHz to 494MHz
- G5: 494MHz to 518MHz
- H5: 518MHz to 542MHz
- H19: 542MHz to 572MHz
- J3: 572MHz to 596MHz
- Range: Up to 300 feet
- Balanced XLR and non-balanced 1/4" output
- 12 channels available in all areas with up to 20 channels in regions that allow it.
- Rack mountable 1U (half-rack)
Pros
Owners who reviewed it were very positive about both the sound quality and the ease of use - particularly the automatic syncing function. Surprisingly, even for its price, there are plenty of users who appreciate the SLX24/SM8's value for money.
Cons
Not many consistent complaints to report about the SLX24/SM58, but as expected there are a few who wish that it was more affordable.
Overall
The Shure SLX24/SM58 is a good wireless system for those who are looking to expand their wireless mic options.
Sennheiser EW 100 G4-835-S
Sennheiser is another brand well known for quality microphones, and they are also a strong contender in the wireless mic market. The Sennheiser EW 100 G4-835-S combines tried and tested mic design with versatile UHF frequency control.
It comes with the SKM 100 G4-S handheld transmitter mic, which features a frequency response of 80Hz-18kHz, ideal for vocalists, and it has a tight cardioid polar pattern for good background noise reduction on stage. You can tune the system to work within a 42MHz switching bandwidth, and it lets you save up to 12 frequencies for quick switching and testing. Another nifty feature of the receiver is its pilot tone squelch, which eliminates RF interference when the transmitter is turned off. Other noteworthy features include automatic frequency scan, built-in equalizer, sound check mode and auto-lock function for preventing accidental changing of parameters.
Feature Overview
- Mic frequency response: 80Hz to18 kHz
- Receiver frequency: 516-558 MHz (A band)
- Range: Up to 330 feet / 100.59 meters
- Output: 1 x XLR, 1 x 1/4"
- 1680 frequencies within a 42MHz switching bandwidth
- Integrated Equalizer
- Half Rack Profile
Pros
Positive reviews for the Sennheiser EW 100 G4-835-S come from various users, from bands, to speakers, to churches and even DJs. And sound quality seems to be the common thread among reviews, users describe the sound as pristine and quiet. The stability of its wireless connection also gets a number of thumbs up, as well as the solid feel of both the handheld transmitter and compact receiver.
Cons
Some maybe intimidated by the price, especially when considering that you can get one with more mics in this price range. Other than that, there aren't any noteworthy or consistent complaints from users.
Overall
If you like the clarity of Sennheiser mics then this is a no-brainier, for those who are unfamiliar with the brand, then this might help you understand why many stand by their quality.
Shure GLXD24R/B87A
Shure secures another spot in this list with the GLXD24R/B87A, a wireless microphone system with a handheld transmitter based on the popular Shure BETA 87A vocal microphone. This mic is well loved for its supercardioid capsule, that works really well even in situations with loud stage noise. The transmitter runs on a lithium-ion rechargeable battery that gives up to 16 hours of continuous use, and an operation range of up to 200 feet.
The GLXD receiver operates on the 2.4 GHz frequency, and features built in frequency management that identifies open channels for your perusal. It also comes with continuous interference monitoring and automatic frequency switching.
Feature Overview
- Mic frequency response: 50Hz-20kHz
- Receiver frequency: 2.4GHz
- Range: Up to 100 Feet (Indoors) / 30.48 Meters
- Two XLR individual outputs and one 1/4" TRS Mixed output
- Automatic Channel monitoring and switching
- Half Rack Profile
Pros
Users have high expectations when it comes to Shure mics, yet the GLXD24R/B87A meets, if not surpasses what most users look for in wireless system. From its crystal clear sound to its solid build, owners have mostly good things to say - more specifically about the handheld transmitter. It also scores points for convenience and battery life.
Cons
Since it operates on the 2.4 GHz frequency, it is prone to WiFi interference as reported by a few users. Thankfully, this minor setback is easily corrected by distancing the receiver from other devices that utilizes the same frequency.
Overall
If you're looking for a high quality wireless mic with the Beta 87A's brand of quiet operation then check this one out.
Things To Consider When Buying a Handheld Wireless Microphone System
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The Importance of FCC 2020 Compliance As of July 13, 2020 new regulations from the FCC will come into effect and as a result some older wireless systems will no longer be able to be legally used in the United States. The frequencies that you will no longer be allowed to use from that date forward are 617-652 MHz and 663-698 MHz. All of the wireless microphone systems that we have recommended allow you to operate outside those frequencies and are compliant with the new regulations. For more information read this FCC consumer guide.
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Number of Channels. This determines the maximum number of compatible systems you can use at the same time. For example if you need to use 20 wireless mics then you'd need 20 channels so you can run 20 systems simultaneously.
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Range. The ranges presented above are for line of sight where you can see the receiver from where you are using the mic. If you are going to have obstacles, such as walking around a crowd of people as you might in a theater restaurant or house of worship, then it's best to get one with at least twice the range as the actual distance to the receiver. For the kinds of gigs most bands play you won't really need to go beyond 150 feet.
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Receiver Frequency. If you, or someone else nearby, are using other wireless systems for mics or instruments, then be sure to check which frequencies they use and get a new wireless mic system that runs on a different frequency range. You can find the frequency in your manual or printed on the back of your receiver.
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Analog vs Digital. Theoretically digital systems should provide slightly less noise at long range and slightly better dynamic and frequency response. The reality is that for most music and worship applications the analog systems are often rated higher than their more expensive digital cousins. There is one significant functional difference - if you need to encrypt the signal then you have to go digital, but that's not a concern for most common uses.
Best Wireless Microphone Selection Methodology
This guide was first published on January 18, 2016 written by Jason Horton, and the latest major update was published on October 30, 2019 written by Alexander Briones with contributions from Jason Horton.
For this 2019 update we placed 46 systems on our short-list and ended up gathering more than 5,500 reviews, ratings and comments for analysis. We processed those sources with the Gearank algorithm to produce the rating scores out of 100 you see above - we also manually analyzed those sources to report on the pros and cons of each system we recommended, with those selections being based on their Gearank ratings. For more information about our methods see How Gearank Works.
Handheld Wireless Microphone Summary
Like with most things in life, you get what you pay for. The cheaper systems tend to have lower spec'd mic capsules, while the more expensive ones tend to have mics that are well respected in sound reinforcement circles.
If you have any questions or comments please post them below.
Comments
Do you know of a Wireless Mic
Submitted by Rolly Lopez (not verified) on
Do you know of a Wireless Mic system, UHF, that can accommodate a wired mic?
Do you mean something like
Submitted by Jason Horton on
Do you mean something like the Xvive U3 but in the MHz range instead of GHz?
Could you please compare the
Submitted by Sanjiv (not verified) on
Could you please compare the Samson 288 wireless mic and the GTD wireless microphone system 733.
I've published our rating for
Submitted by Jason Horton on
I've published our rating for the Samson Concert 288 Handheld so you can compare ratings with the GTD Audio G-733H by using this link.
I need a 4 lav mic system
Submitted by T (not verified) on
I need a 4 lav mic system that complete legal and compliant. Working on my senior project and I want to record a series of interviews and skits.
As a result of our October
Submitted by Jason Horton on
As a result of our October 2019 update the following systems came off our recommended list above, but you can still see our analysis of them:
Any opinion on Pheynx
Submitted by Randy (not verified) on
Any opinion on Pheynx wireless mic systems?
Pheynx Pro is on our short
Submitted by Jason Horton on
Pheynx Pro is on our short-list to be considered for the next update of this guide and we recently published a rating for one of their systems which you can see here: Phenyx Pro PTU-5000A.
I need a VHF wireless mic on
Submitted by Ron L Kocher (not verified) on
I need a VHF wireless mic on 76 - 88mhz with as close to the 50mw power limit as possible. RLKocher52@gmail.com 386 627 9330 Thanks!
The Sennheiser EW 135 G3 was
Submitted by Jason Horton on
The Sennheiser EW 135 G3 was removed from the recommended list above today due to being discontinued - you can still read about it here.
I do public address at
Submitted by Bryan Hazard (not verified) on
I do public address at sporting events in large gyms where I am mobile. I am in field houses that may be up to 100 yards long. What is the best system that has the best and largest receiver length?
As a result of our March 2018
Submitted by Jason Horton on
As a result of our March 2018 update the following systems came off our recommended list:
Today we removed the
Submitted by Jason Horton on
Today we removed the following system from our recommended list because the only remaining version available from the manufacturer is not compliant with the new FCC regulations: GTD Audio 622H.
The updated version, G-622H,
Submitted by Jason Horton on
The updated version, G-622H, is now FCC compliant and has been reincluded in our recommended list as part of our March 2018 update.
hi. i am vietnamese, i am a
Submitted by hien nguyen (not verified) on
Hi. I am Vietnamese, I am a teacher so I would like to find a device that supports my teaching job which can use wifi, USB, MEMORY STICK, AND THE FIRST IMPORTANT IT MUST BE SMALL AND LIGHT, IT MADE IN jAPAN OR AMERICAN
This application is too far
Submitted by Jason Horton on
This application is too far outside the use cases that we know about and research here at Gearank.com. Maybe one of our other readers will have advice for you, but most people using this guide do so for stage related purposes or something rather similar to that.
The new FCC rulings no longer
Submitted by D. Ha (not verified) on
The new FCC rulings no longer allow the use of 600MHz range for wireless microphones. Would you update your recommendations?
The new FCC rules don't come
Submitted by Jason Horton on
The new FCC rules don't come into effect until July 13, 2020 - you can read more about that at fcc.gov/consumers/guides/operation-wireless-microphones.
To answer your question, yes we are working on an update to our recommendations, but I don't have a publication date I can announce yet.
This guide has now been
Submitted by Jason Horton on
This guide has now been updated to reflect the FCC regulations that come into effect in 2020.
Looking to buy an affordable
Submitted by Dave Prasad (not verified) on
Looking to buy an affordable 4 channel wireless microphone system, to be used mainly for singing and preaching. Which one would you recommend?
The one we recommend is the
Submitted by Jason Horton on
The one we recommend is the GTD Audio G-787H but I can see that they're out of stock a the moment.
There is a cheaper one from the same manufacturer, and although it's not on our recommended list, it may suit your needs: GTD Audio G-380H.
The wireless microphone for
Submitted by Hue Nguyen (not verified) on
The wireless microphone for the [PRODUCT NAME REDACTED] is posted on Amazon. Could you please let know what this system's Gearank score is for your list?
Sincerely,
Hue Nguyen
Sorry but I had to edit your
Submitted by Jason Horton on
Sorry but I had to edit your post and remove the product name because we've had problems with advertising spam lately and we don't want to encourage it.
To answer your question, that wireless mic system didn't rate highly enough to make our short list (many of its most favorable reviews are suspicious and possibly fake) so we haven't published a Gearank score for it.
Which is the best Wireless
Submitted by Jerry Ken (not verified) on
Which is the best Wireless microphone you would recommend for a lead vocalist in a live band that plays both in and outdoors?
All of the systems featured
Submitted by Jason Horton on
All of the systems featured above will work just fine for your purposes - if you go for the GTD Audio 622H then you'll have a spare mic should you ever need it.
Looking to do Karoke in a
Submitted by Gary (not verified) on
Looking to do Karoke in a catering space with a dance floor that is about 20x20. Already have Samson live!615 speakers.
Would either of these wireless mics be ok?
Stage v466 - Quad Vocal Wireless System - B Band or Samson Stage 200.
thanks,
Gary
Neither of those two systems
Submitted by Jason Horton on
Neither of those two systems made our short-list when we did the original research for this guide so we haven't kept any data on them. The systems listed above are the ones that we currently recommend.
Looking for a REALLY basic
Submitted by FredT (not verified) on
Looking for a REALLY basic plug & play system. To be used on an athletic field, receiver in a building 100' from mic. Ideally receiver has jacks for external antenna, (Metal building) and a SIMPLE single channel mic. (The last unit always had issues syncing mic and receiver.) Many different high school kids and parents using, so idiot proof simplicity is essential.
I can't suggest anything that
Submitted by Jason Horton on
I can't suggest anything that is completely 'idiot proof' because if the receiver's not protected from passers-by they can turn it off or change settings while it's in use, and if you forget to replace the mic's batteries as needed then you'll also have problems.
With those caveats in mind, I believe you would be best served by the Shure BLX24R/SM58. It's relatively easy to use, rack-mountable and the receiver has BNC connectors for both antennas. Avoid the cheaper non rack-mountable BLX24 receiver because it doesn't have the antenna connector you need.
BTW - Although I could be wrong, I don't think there are any good single channel systems with BNC antenna connectors.
I want to upgrade my current
Submitted by Jake (not verified) on
I want to upgrade my current array of 12 wireless microphones to 24. I have a sound board that supports that many channels. Do I need any other equipment to make sure there is no interference other than making sure my frequencies don't overlap?
I've never run that many
Submitted by Jason Horton on
I've never run that many wireless mics at the same time, but the principal should still be the same - if they're on different frequencies then you shouldn't have a problem.
Hi, I have a Shure Lavalier
Submitted by James (not verified) on
Hi, I have a Shure Lavalier BLX4 receiver and BLX1 body pack. I need a better Wireless handheld for toasts and such, but also more than 1 for karaoke. Is the PG58 double good enough, or should I get the 24SM58 single? If I get the single, can I pair another one later? Can I put any to my lavalier receiver and avoid getting either? Essentially, I'm willing to pay a little more to eventually have the fewest receivers and best mic's (in this range) over time. Does that all make sense? Please advise.
The PG58 receiver will be
Submitted by Jason Horton on
The PG58 receiver will be fine for handling both singing and speeches.
If you go with a single receiver then you can add an extra one later but that will cost more in the long run, my preference would be to go the other way.
Do you have a "Best Wireless
Submitted by Phillip (not verified) on
Do you have a "Best Wireless Microphone System Guide - Body Pack"?
We haven't done a guide on
Submitted by Jason Horton on
We haven't done a guide on wireless headset systems with bodypack transmitters yet, but it is on the list of topics we're considering.
Hi!
Submitted by Dan (not verified) on
Hi!
My question is similar to Karen's. I run a Drama Club and I have approximately $556 to spend on wireless microphones. My District recommends Shure and they are great. I already run 4 Audio Technica sets (3 lavolier and 1 handheld) systems... I believe the lavolier are ATW-310s? Don't quote me on that. Anyways, I want to get the best bang for my buck and put as many as I can on stage without feedback destroying my speakers. The most important thing is range and mic sensitivity. We don't sing into it really so that's not that important.
The space is a typical elementary school gym. The stage is built adjacent to the gym but it sucks up sound due to carpeting and a thick curtain and sound absorbing retractable door panels. The speakers are ceiling mounted (I know, not ideal for theater). The system itself is rack-mounted behind a brick wall in a closet approximately...30-50 feet from the stage. I've had no problem with mic drop out as long as the mics are rack mounted. Those plugged into my xlr floor jacks on the other hand...
Thoughts?
Hi, what's the best option of
Submitted by Marcelo (not verified) on
Hi, what's the best option for wireless microphones, headset type, for live singing? Thanks.
We haven't yet analysed those
Submitted by Jason Horton on
We haven't yet analysed those in detail yet but we have processed some for their Gearank scores so this might help: Wireless Headset Microphones
Hi, I would like to buy a
Submitted by Karen (not verified) on
Hi, I would like to buy a system for primary school performances where as many children as possible can wear lavalier microphones and their voices are broadcast to the audience. Any help much appreciated.
We would need more
Submitted by Jason Horton on
We would need more information before we can offer any advice.
What is the main use the system will be for - plays, musical theater, choir?
How many children do you want to mic?
Do you already have a PA System, and if so, how many input channels does it have for microphones?
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