The Vocapro UHF-5805 900MHz features a four-channel rackmount receiver and four wireless mics in a package that ensures easy and hassle-free operation.

The package includes 2 dual mic chargers for fast charging and an aluminum travel case.

It earns a high Gearank score thanks to its simplicity and ease of use. The charge time is also surprisingly fast.

One thing to note is the unit's range: there is no indicator of the unit's range on any promotional materials. This should be fine in small venues or if the receiver is just next to the stage, but there might be better options for larger venues.

Despite that con, if you need a no-nonsense 4-mic wireless set for small events, The VocoPro UHF-5805 900MHz is a good purchase.

Features

• Mic frequency response: 40Hz–16kHz
• Receiver frequency: UHF 900MHz
• Range: Not Specified
• Four XLR outputs and a 1/4’’ audio output jack
• 4 individual XLR mic outputs and 1-1/4" mixed output
• 2 dual microphone chargers
• Rugged 1RU metal receiver chassis

Shure has combined their budget dual BLX receiver with their budget PG58 microphone to produce a reasonably affordable 2-mic system.

The PG58 has a frequency response similar to the famed SM58, with a slightly different upper midrange and treble lift.

Multiple frequency band options are available for those who want to set up multiple units without conflict.

You are assured of build quality and ruggedness as a Shure cordless microphone. The BLX288/PG58 set's reliability means worry-free events and performances. Battery life is also above average, which makes it a good fit for longer performances.

While the PG58 mic capsule is a step down from the SM58 regarding sound and ruggedness, it's a marginal compromise for the system's value at this price point.

Another thing worth noting is the lack of a mute or power button on the mics. This would have been an excellent feature to give control to the performer concerning muting.

While this is the cheapest way to get two Shure wireless mics, it may still exceed the average mic users' budget. Still, investing in this system is highly recommended, especially considering its sound quality and longevity.

Features

• Mic frequency response: 60Hz to 15kHz
• Receiver frequency - can be bought in the following UHF bands:
  • H10 Band (542 - 572 MHz)
  • H11 Band (572 - 596 MHz)
  • H9 Band (512 - 542 MHz)
  • J11 Band (596-608 + 614-616 MHz)
• Range: Up to 300 feet
• Balanced XLR and non-balanced 1/4" output
• 12 channels.

Sennheiser is known for quality mics, including wired microphones, headset mics, and wireless microphone systems.

The Sennheiser EW 100 G4-835-S combines tried and tested cardioid microphone design with versatile UHF frequency control.

It comes with the SKM 100 G4-S handheld transmitter mic, which features a frequency response of 80Hz-18kHz, ideal for vocalists, and it has a tight cardioid polar pattern for good background noise reduction on stage.

The system can be tuned to work within a 42MHz switching bandwidth, allowing up to 12 frequencies for quick switching and testing.

One standout feature of the receiver is its pilot tone squelch, which eliminates RF interference when the transmitter is turned off. Other noteworthy features include:

• Automatic frequency scan.
• Built-in equalizer
• Soundcheck mode.
• Auto-lock function for preventing accidental changing of parameters.

The Sennheiser EW 100 G4-835-S stands out for its pristine sound quality. In contrast to the Shure SM58 and its kin, Sennheiser slightly pulls in the lower midrange to avoid the boxiness usually associated with singers or speakers speaking too closely to the capsule. The Sennheiser house sound is an excellent fit for singers with the (bad) habit of cupping the mic. The stability of its wireless connection also deserves praise, as well as the solid feel of both the handheld transmitter and compact receiver.

One thing that might deter from the system is the price: the price puts it out of the range of many, but if you're a serious soloist who prefers to sing close to the mic, this set is the best choice.

Features

• Mic frequency response: 80Hz to 18kHz
• Receiver frequency - can be bought in the following UHF bands:
  • A1 Band (470 - 516 MHz)
  • A Band (516 - 558 MHz)
  • G Band (566 - 608 MHz)
• Range: Up to 330 feet / 100.59 meters
• Output: 1 x XLR, 1 x 1/4"
• 1680 frequencies within a 42MHz switching bandwidth
• Integrated Equalizer
• Half Rack Profile

The TONOR TW-620 is a compact, 1 mic wireless system with 200ft of operation (within line of sight) and a maximum of 8 hours of operation on 2 AA batteries.

It's a simple system with few features but surprisingly decently built with a good, consistent range. Battery life is decent as well.

Though it's too much to expect top-tier quality from the TW-620 for singers on a budget or still starting, it does an adequate job of avoiding reliability and sound quality issues that usually plague wireless mics at this price point.

However, you should be extra careful around monitors without additional feedback suppression features. This should be fine in most cases.

Suppose you need plug-and-play wireless transmitter mics but are still determining what to get among the sea of generic wireless mics today. In that case, the TONOR TW-620 is a consistent favorite for budget wireless mic sets.

Features

• Mic frequency response: 20Hz to 20kHz
• Receiver frequency: 902.8MHz to 914MHz
• Range: Up to 200 feet / 61 meters
• 1/4’’ audio output jack
• 15 adjustable channels
• 6-8 hour battery life