The Best Wireless Microphone System Guide - Handheld

The Highest Rated Wireless Microphone Systems

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Nothing beats the freedom of wireless microphones -- until you experience problems with dropouts and reliability from less-than-adequate sets. Choosing the best wireless mic set can help avoid these problems as they have features that prevent these unwanted mishaps.

Whether for your bar, church, or small home karaoke party, the best systems give you peace of mind and let you focus on your speech or performance.

One thing to be aware of; make sure that you check frequency compatibility if you're adding more wireless systems to your existing setup which may also include Wireless Guitar and In-Ear Monitors.

Without further ado, we present to you The Best Wireless Microphone Systems as of November 2020.

The Best Wireless Microphone Systems

Best Wireless Microphone System With 4 Mics

Phenyx Pro PTU-5000

92
GEARANK

92 out of 100. Incorporating 1000+ ratings and reviews.

Street Price: 

$190
Phenyx Pro PTU-5000A - 4 Channel UHF Handheld Wireless Microphone System

At publication time this was the Equal Highest Rated Wireless Mic System with 4 Mics along with the GTD Audio G-787H.

The Phenyx Pro PTU-500A is an affordable 4-channel wireless microphone system with a fixed frequency configuration. This means that setting up is a breeze, but you're limited to specific UHF frequencies and cannot switch when encountering noise.

This should not be an issue for small scale events with just one or two wireless systems, but it can be an issue for those working with bigger projects that require multiple wireless systems.

The included mics run for up to 16 hours, and each one has an LCD screen that lets you know when to replace the battery.

It has a max range of 260 ft, which is quite a lot given the price.

Finally, the receiver comes in a metal rack-mountable form-factor.

Feature Overview

  • Mic frequency response: 50Hz to 18kHz
  • Receiver frequency: Fixed Frequencies: 541.9MHz, 546.3MHz, 561.6MHz, 568.65MHz
  • Range: Up to 260 feet / 79.3 meters
  • Four XLR outputs and a 1/4’’ audio output jack
  • Fixed Frequency design
  • Individual volume control on each channel
  • Rack-mountable in a standard 19" rack

Pros
Most describe the Phenyx Pro PTU-5000 as a great value system, reviews are replete with owner who are happy with what they got for the money. More so for those who have low expectations, many of them changed their mind after the initial setup. Speaking of setup, this system receives plenty of thumbs up for its ease of use, especially for small events where you're not dealing with multiple wireless systems.

Cons
While many people report that the metal rackmount receiver feels solid, some caution that the mics feel flimsy. The system's easy setup fixed-frequency design is also problematic for those who have to work with multiple wireless systems. Thankfully, careful selection of wireless systems that don't conflict with the same frequencies is all that's needed to prevent any issues.

Overall
If you're looking for an affordable 4 mic wireless system that gets the approval of most of its owners, then do check out the Phenyx Pro PTU-5000.

GTD Audio G-787H

92
GEARANK

92 out of 100. Incorporating 125+ ratings and reviews.

Street Price: 

$288
GTD Audio G-787H UHF Diversity Handheld Microphone Wireless System

At publication time this was the Equal Highest Rated Wireless Mic System with 4 Mics along with the Phenyx Pro PTU-5000.

Brands like GTD make wireless mic setups more accessible without throwing quality out the window.

To be more specific, the GTD Audio G-787H comes with four wireless mic transmitters and a receiver with selectable frequencies per channel.

Feature Overview

  • Mic frequency response: 35Hz to 18kHz
  • Receiver frequency: UHF 550MHz - 590MHz (Adjustable)
  • Range: Up to 600 feet / 183 meters
  • Four XLR individual outputs and one 1/4" Mixed output
  • 800 selectable frequencies on each channel
  • Individual volume control on each channel
  • Rack-mountable in a standard 19" rack

Pros
Most owners of the GTD Audio G-787H felt that they got more than what they paid for. Some of them even compare it with more expensive brands. There are also plenty of users who are satisfied with the resulting sound, from those who use it for karaoke to those who use this system for various events.

Cons
Short battery life seems to be a common complaint. There are also a few who caution that the mic feels flimsy, and they recommend careful handling of the mic.

Overall
The GTD Audio G-787H is a versatile yet affordable wireless mic system for those who have to deal with frequency and budget constraints.

Best Wireless Microphone Systems With 2 Mics

Shure BLX288/PG58

93
GEARANK

93 out of 100. Incorporating 750+ ratings and reviews.

Street Price: 

$549
Shure BLX288/PG58 Dual Handheld Wireless Microphone System

At publication time this was the Highest Rated Wireless Mic System with 2 Mics.

Shure have combined their budget dual BLX receiver with their budget PG58 microphone to produce a reasonably affordable 2-mic system.

The Shure PG58 mic capsule is a step down from the SM58 in terms of ruggedness, while many people on forums debate whether or not the sound quality is nearly as good as an SM58.

The debate is open, but the majority opinion is that the PG58 sounds good, just not quite as good as the SM58.

Feature Overview

  • Mic frequency response: 60Hz to 15kHz
  • Receiver frequency - can be bought in the following UHF bands:
    • H8: 518MHz to 542MHz
    • H9: 512MHz to 542MHz
    • H10: 542MHz to 572MHz
    • J10: 584MHz to 608MHz
  • Range: Up to 300 feet
  • Balanced XLR and non-balanced 1/4" output
  • 12 channels.

Pros
Most of the positive reviews are centered around the better quality of the mic when compared to budget dual systems as well as the battery life of the transmitters. Many users also mention the mic's solid feel and longevity.

Cons
There are few consistent negatives reported, only that a few buyers found a difference in EQ and sonic tone between the 2 mics, and some complained that it doesn't have a mute button.

Overall
While this is the cheapest way to get two Shure wireless mics, it may still be above the average mic users' budget. Still investing in this system is highly recommended, especially when considering its sound quality and longevity.

Shure BLX288/SM58

92
GEARANK

92 out of 100. Incorporating 125+ ratings and reviews.

Street Price: 

$649
Shure BLX288/SM58 Dual Channel Wireless Handheld Microphone System

2-mic systems like the Shure BLX288 / SM58 are specifically designed for bands with just one or two singers.

It features two handheld transmitters based on the iconic SM58 capsule.

Each transmitter runs on two AA batteries with up to 14 hours of use and a transmission radius of up to 300 feet.

This system includes a BLX88 dual-channel wireless receiver with an easy 1 button setup and can work with up to 12 compatible systems per frequency in case you want to add more wireless systems.

Feature Overview

  • Mic frequency response: 50Hz to 15kHz
  • Receiver frequency - can be bought in the following UHF bands:
    • H9: 512MHz to 542MHz
    • H10: 542MHz to 572MHz
    • J10: 584MHz to 608MHz
  • Range: Up to 300 feet / 91.44 meters
  • 2 x XLR, 2 x 1/4"
  • Up to 12 compatible systems per frequency band
  • One-touch setup
  • Table Top form factor

Pros
Most are happy with how this wireless system sounds, describing it as sounding like a wired SM58. It is also commended for its functionality and overall signal reliability, even when nearing the max range specified.

Cons
Some feel that the wireless transmitters are a bit flimsy, compared to the rock-solid feel of a wired SM58. Some also caution that gripping the mic improperly can inadvertently turn off the mic, and this should be communicated properly to the vocalist who will be using it.

Overall
If you want a 2-mic wireless system that has the same audio quality as the iconic SM58, then best to get one from Shure themselves.

Shure BLX288/B58 Dual

92
GEARANK

92 out of 100. Incorporating 10+ ratings and reviews.

Street Price: 

$699
Shure BLX288/B58 Dual Channel Wireless Handheld Microphone System

Moving up higher in Shure's Dual wireless mic packages, The BLX288 / B58 Features two Beta58 Microphones.

Beta58's are known for their more refined treble response over their SM58 siblings.

This package still includes the BLX288 System that features a handy 1-button setup for ease of use as well as conflict-free operation for up to 12 wireless transmitters.

Feature Overview

  • Mic frequency response: 50Hz-16kHz
  • Receiver frequency - can be bought in the following UHF bands:
    • H9: 512MHz to 542MHz
    • H10: 542MHz to 572MHz
    • H11: 572MHz to 596MHz
    • J11: 596MHz to 608MHz + 614 MHz - 616MHz
  • Range: Up to 300 feet / 91.44 meters
  • Two XLR outputs and a Two 1/4’’ audio output jacks
  • 14 hours of use with two AA batteries
  • Operating range of up to 300' (line of sight)

Pros
Users praise the Beta58's sound indicating that there was little to no difference between it and the wired version. The transmitter was also commended for ease of use and setup.

Cons
The transmitter unit felt not as robustly built as the microphones, as told by a few users.

Overall
If you need a wireless 2 mic set that features Shure's Beta58 microphones the BLX288/B58 Dual pack is the one to go for.

Best Wireless Microphone Systems With 1 Mic

Xvive U3

95
GEARANK

95 out of 100. Incorporating 500+ ratings and reviews.

Street Price: 

$199
Xvive U3 Dynamic Microphone Wireless System

At publication time this was the Equal Highest Rated Wireless Mic System for 1 Mic along with the Sennheiser EW 100 G4-835-S and Shure QLXD24/SM58.

The Xvive U3 is a unique entry in this list in that it doesn't come with a mic, rather it is a wireless system that can be used with non-wireless dynamic mics.

The transmitter is designed to connect to the XLR port of dynamic mics, essentially turning a wired mic wireless, which is great if you want the freedom of wireless while still using your favorite dynamic vocal mic.

It operates on the 2.4GHz band, much like wireless routers, with less than 5ms latency.

It is designed to be used with PA systems, recording gear, and even with DSLR cameras.

Finally, it runs on a rechargeable battery that provides up to 5 hours of usage.

Feature Overview

  • Receiver frequency: 2.4 GHz
  • Range: Up to 90 feet / 27.43 meters
  • XLR out for plugging straight into PA system / Recording Console / DSLR Camera with XLR out
  • Compact transmitter that can be plugged into dynamic wired mics.

Pros
Convenience is king in reviews for products like this; one user summarized market sentiment by saying that it is a "wireless cable" that un-tethers your favorite mic. Transparency was also commended, even those with sensitive ears trust this system enough to replace their cables. Many users prefer this system because it doesn't have a bulky receiver, reducing wire and hardware clutter in setups.

Cons
While 2.4 GHz is free from radio, TV, and cell phone tower signal interference, it does suffer the same pitfalls as other devices that use the frequency, like having a short range of up to 90 feet, It is also susceptible to 2.4 GHz interference, which is why the manufacturers caution that you use this wireless system a good distance away (3 meters) from wireless routers.

Overall
If you've been looking for a way to turn your favorite vocal mic into wireless, then do check out the Xvive U3.

Shure BLX24R/SM58

94
GEARANK

94 out of 100. Incorporating 100+ ratings and reviews.

Street Price: 

$399
Shure BLX24R/SM58 Handheld Wireless Microphone System

This provides you with the same SM58 microphone capsule as the higher-priced SLX system but comes in at a lower price because it's using the BLX range of receivers which only provide 96 selectable frequencies and can only be used with a maximum of 12 compatible systems simultaneously.

Being able to use 12 systems simultaneously is however more than enough for most acts and venues.

Feature Overview

  • Mic frequency response: 50Hz to 15kHz
  • Receiver frequency - can be bought in the following UHF bands:
    • H8: 518MHz to 542MHz
    • H9: 512MHz to 542MHz
    • H10: 542MHz to 572MHz
    • J10: 584MHz to 608MHz
  • Range: Up to 300 feet
  • Balanced XLR and non-balanced 1/4" output
  • 12 channels.
  • Rack mountable 1U (half-rack)

Pros
Response to the Shure BLX24R/SM58 is very positive with most owners commending it for its sound. Many singers appreciated its responsiveness and clarity, much like a wired SM58. Those who use it as mics for speeches and even DJs also chimed in with their good experience.

Cons
Some users encountered connectivity issues. However, this might be due to the location and line of sight rather than the system itself. One issue that came up several times was that it only has an on/off switch with no mute button.

Overall
If you are mainly going to be using your wireless mics in a typical band setting, then the BLX24R/SM58 is hard to beat. This is the lowest priced rack-mountable wireless system currently with a Shure SM58 mic capsule - the BLX24/SM58 is the same other than the fact it's not rack-mountable, making it a bit cheaper - check availability at Amazon.com.

Sennheiser EW 100 G4-835-S

95
GEARANK

95 out of 100. Incorporating 60+ ratings and reviews.

Street Price: 

$599
Sennheiser EW 100 G4-835-S Wireless Handheld Microphone System

At publication time this was the Equal Highest Rated Wireless Mic System for 1 Mic along with the Xvive U3 and Shure QLXD24/SM58.

Sennheiser is another brand well known for quality microphones, and they are also a strong contender in the wireless mic market.

The Sennheiser EW 100 G4-835-S combines tried and tested mic design with versatile UHF frequency control.

It comes with the SKM 100 G4-S handheld transmitter mic, which features a frequency response of 80Hz-18kHz, ideal for vocalists, and it has a tight cardioid polar pattern for good background noise reduction on stage.

You can tune the system to work within a 42MHz switching bandwidth, and it lets you save up to 12 frequencies for quick switching and testing.

One standout feature of the receiver is its pilot tone squelch, which eliminates RF interference when the transmitter is turned off.

Other noteworthy features include automatic frequency scan, built-in equalizer, soundcheck mode, and auto-lock function for preventing accidental changing of parameters.

Feature Overview

  • Mic frequency response: 80Hz to18 kHz
  • Receiver frequency: 516-558 MHz (A band)
  • Range: Up to 330 feet / 100.59 meters
  • Output: 1 x XLR, 1 x 1/4"
  • 1680 frequencies within a 42MHz switching bandwidth
  • Integrated Equalizer
  • Half Rack Profile

Pros
Positive reviews for the Sennheiser EW 100 G4-835-S come from various users, from bands to public speakers, to churches and even DJs. The sound quality was the common thread among reviews with many users describing the sound as pristine and quiet. The stability of its wireless connection also gets several good reviews, as well as the solid feel of both the handheld transmitter and compact receiver.

Cons
Price may be a barrier to entry since some people noted that they could get a system with more mics for the price of this one. Other than that, there aren't any noteworthy or consistent complaints from users.

Overall
If you like the clarity of Sennheiser mics then this is a no-brainer, for those who are unfamiliar with the brand, then this might help you understand why many stand by their quality.

Shure GLXD24R/B87A

94
GEARANK

94 out of 100. Incorporating 30+ ratings and reviews.

Street Price: 

$689
Shure GLXD24R/B87A Digital Wireless Handheld Microphone System

Shure secures yet another spot in this list with the GLXD24R / B87A, a wireless microphone system with a handheld transmitter based on the popular Shure BETA 87A condenser mic.

This mic is well-loved for its supercardioid capsule, which works well even in situations with loud stage noise.

The transmitter runs on a lithium-ion rechargeable battery that gives up to 16 hours of continuous use, and an operation range of up to 200 feet.

The GLXD receiver operates on the 2.4 GHz frequency and features built-in frequency management that identifies open channels for your perusal.

It also comes with continuous interference monitoring and automatic frequency switching.

Feature Overview

  • Mic frequency response: 50Hz-20kHz
  • Receiver frequency: 2.4GHz
  • Range: Up to 100 Feet (Indoors) / 30.48 Meters
  • Two XLR individual outputs and one 1/4" TRS Mixed output
  • Automatic Channel monitoring and switching
  • Half Rack Profile

Pros
Users have high expectations when it comes to Shure mics, and the GLXD24R/B87A surpasses what most users look for in a wireless system. From its crystal clear sound to its solid build, owners have mostly good things to say - more specifically about the handheld transmitter. It also scores points for convenience and battery life.

Cons
Since it operates on the 2.4 GHz frequency, it is prone to WiFi interference as reported by a few users. Thankfully, this minor setback is easily corrected by distancing the receiver from other devices that utilize the same frequency.

Overall
If you're looking for a high-quality wireless mic with the Beta 87A's brand of quiet operation then this set is worth checking out, particularly if you prefer condenser mics over dynamic mics like the SM58.

Shure QLXD24/SM58

95
GEARANK

95 out of 100. Incorporating 40+ ratings and reviews.

Street Price: 

$999
Shure QLXD24/SM58 Digital Wireless Handheld Microphone System

At publication time this was the Equal Highest Rated Wireless Mic System for 1 Mic along with the Xvive U3 and Sennheiser EW 100 G4-835-S.

The QLXD24/SM58 Mic system is at the higher end of Shure's wireless mic packages.

It features a modular capsule format to easily switch between other mic types (sold separately) like the SM86, Beta58A, and Beta87A, 9 hours of operation on standard AA batteries and network features for remote monitoring and channel management via iOS or a desktop app.

Feature Overview

  • Mic frequency response: 50Hz to 18kHz
  • Receiver frequency - can be bought in the following UHF bands:
    • G50: 470MHz to 534MHz
    • H50: 534MHz to 598MHz
    • J50A: 572MHz to 608MHz + 614MHz - 616MHz
    • V50: 174MHz to 216MHz
  • Range: Up to 330 feet / 101 meters
  • One XLR output and a 1/4’’ audio output jack
  • Over 120dB of dynamic range
  • AES 256-bit encryption
  • Mac, PC, and iOS-compatible

Pros
For a high tech device, many users found that the system was easy to set up and had no problems even when the batteries were low (though it's not advisable to run wireless mics with low batteries). The sound quality of the mic and receiver combo sounded better to some people who were accustomed to wired mics. A few were also impressed with the range and how the system worked well even without line of sight.

Cons
One user noted that they received a defective unit. To avoid this problem, be sure to transact only with official Shure retailers.

Overall
Packing in a lot of range, functionality, and ease of use, the QLXD24/SM58 is an amazing pick for larger venues.

Budget Single Mic System

While this isn't part of our official recommended list above, it's a reasonable option for those on a tight budget.

TONOR TW-620

89
GEARANK

89 out of 100. Incorporating 150+ ratings and reviews.

Street Price: 

$37
TONOR TW-620 Handheld Wireless Microphone System

The TONOR TW-620 is a compact, 1 mic wireless system that features 200ft of operation (within line of sight) and a maximum of 8 hours of operation on 2 AA batteries.

And unlike some of the other systems from TONOR, this one complies with FCC regulations meaning that you are allowed to use it in the United States.

Feature Overview

  • Mic frequency response: 20Hz to 20kHz
  • Receiver frequency: 902.8MHz to 914MHz
  • Range: Up to 200 feet / 61 meters
  • 1/4’’ audio output jack
  • 15 adjustable channels
  • 6-8 hour battery life

Pros
"It's as simple as can be." noted one of the many users of this model. It performed better than other mics in this price range with regards to range, signal consistency, and sound quality.

Cons
Sound quality is not the best compared to more expensive mics, but for the price, very few users complained.

Overall
If you need a plug and play wireless microphone but unsure of what to get among the sea of generic wireless mics on the market today, the TONOR TW-620 is a consistent favorite for budget wireless mic sets.

Things To Consider When Buying a Handheld Wireless Microphone System

  • Number of Channels. This determines the maximum number of compatible systems you can use at the same time. For example, if you need to use 20 wireless mics then you'd need 20 channels so you can run 20 systems simultaneously.

  • Range. The ranges presented above are for line of sight where you can see the receiver from where you are using the mic. If you are going to have obstacles, such as walking around a crowd of people as you might in a theater restaurant or house of worship, then it's best to get one with at least twice the range as the actual distance to the receiver. For the kinds of gigs, most bands play you won't need to go beyond 150 feet.

  • Receiver Frequency. If you, or someone else nearby, are using other wireless systems for mics or instruments, then be sure to check which frequencies they use and get a new wireless mic system that runs on a different frequency range. You can find the frequency in your manual or printed on the back of your receiver.

  • Analog vs Digital. Theoretically, digital systems should provide slightly less noise at long range and slightly better dynamic and frequency response. The reality is that for most music and worship applications the analog systems are often rated higher than their more expensive digital cousins. There is one significant functional difference - if you need to encrypt the signal then you have to go digital, but that's not a concern for most common uses.

  • An Important Note About Buying Systems Made Before The New 2020 FCC Regulations: All the wireless systems we recommend with the frequency bands listed above are compliant with the FCC regulations that came into effect during July 2020. This shouldn't be a problem if you buy a new mic. If you aim to buy a model that we have recommended, but are browsing the used market for one in a different frequency band to what we have presented, then be very careful in your selection if you want to be able to use it in the United States.

Best Wireless Microphone Selection Methodology

The first edition was published in 2016 written by Jason Horton, and the latest edition was published on November 16, 2020 written by audio engineer Raphael Pulgar with contributions from Alexander Briones and Jason Horton.

For this 2020 update, we placed 50 systems on our short-list and ended up gathering more than 11,000 reviews, ratings, and comments for analysis; more than twice the previous update. We processed this massive amount of data with the Gearank Algorithm to produce the rating scores out of 100 you see above - we also manually analyzed those sources to report on the pros and cons of each system we recommend, with those selections being based on their Gearank Ratings. For more information about our methods see How Gearank Works.

Comments

Do you know of a Wireless Mic

Do you know of a Wireless Mic system, UHF, that can accommodate a wired mic?

Could you please compare the

Could you please compare the Samson 288 wireless mic and the GTD wireless microphone system 733.

I need a 4 lav mic system

I need a 4 lav mic system that complete legal and compliant. Working on my senior project and I want to record a series of interviews and skits.

Pheynx Pro is on our short

Pheynx Pro is on our short-list to be considered for the next update of this guide and we recently published a rating for one of their systems which you can see here: Phenyx Pro PTU-5000.

I do public address at

I do public address at sporting events in large gyms where I am mobile. I am in field houses that may be up to 100 yards long. What is the best system that has the best and largest receiver length?

Today we removed the

Today we removed the following system from our recommended list because the only remaining version available from the manufacturer is not compliant with the new FCC regulations: GTD Audio 622H.

The updated version, G-622H,

The updated version, G-622H, is now FCC compliant and has been reincluded in our recommended list as part of our March 2018 update.

hi. i am vietnamese, i am a

Hi. I am Vietnamese, I am a teacher so I would like to find a device that supports my teaching job which can use wifi, USB, MEMORY STICK, AND THE FIRST IMPORTANT IT MUST BE SMALL AND LIGHT, IT MADE IN jAPAN OR AMERICAN

This application is too far

This application is too far outside the use cases that we know about and research here at Gearank.com. Maybe one of our other readers will have advice for you, but most people using this guide do so for stage related purposes or something rather similar to that.

The new FCC rulings no longer

The new FCC rulings no longer allow the use of 600MHz range for wireless microphones. Would you update your recommendations?

This guide has now been

This guide has now been updated to reflect the FCC regulations that come into effect in 2020.

Looking to buy an affordable

Looking to buy an affordable 4 channel wireless microphone system, to be used mainly for singing and preaching. Which one would you recommend?

The one we recommend is the

The one we recommend is the GTD Audio G-787H but I can see that they're out of stock a the moment.

There is a cheaper one from the same manufacturer, and although it's not on our recommended list, it may suit your needs: GTD Audio G-380H.

The wireless microphone for

The wireless microphone for the [PRODUCT NAME REDACTED] is posted on Amazon. Could you please let know what this system's Gearank score is for your list?

Sincerely,
Hue Nguyen

Sorry but I had to edit your

Sorry but I had to edit your post and remove the product name because we've had problems with advertising spam lately and we don't want to encourage it.

To answer your question, that wireless mic system didn't rate highly enough to make our short list (many of its most favorable reviews are suspicious and possibly fake) so we haven't published a Gearank score for it.

Which is the best Wireless

Which is the best Wireless microphone you would recommend for a lead vocalist in a live band that plays both in and outdoors?

All of the systems featured

All of the systems featured above will work just fine for your purposes - if you go for the GTD Audio 622H then you'll have a spare mic should you ever need it.

Looking to do Karoke in a

Looking to do Karoke in a catering space with a dance floor that is about 20x20. Already have Samson live!615 speakers.

Would either of these wireless mics be ok?
Stage v466 - Quad Vocal Wireless System - B Band or Samson Stage 200.

thanks,
Gary

Neither of those two systems

Neither of those two systems made our short-list when we did the original research for this guide so we haven't kept any data on them. The systems listed above are the ones that we currently recommend.

Looking for a REALLY basic

Looking for a REALLY basic plug & play system. To be used on an athletic field, receiver in a building 100' from mic. Ideally receiver has jacks for external antenna, (Metal building) and a SIMPLE single channel mic. (The last unit always had issues syncing mic and receiver.) Many different high school kids and parents using, so idiot proof simplicity is essential.

I can't suggest anything that

I can't suggest anything that is completely 'idiot proof' because if the receiver's not protected from passers-by they can turn it off or change settings while it's in use, and if you forget to replace the mic's batteries as needed then you'll also have problems.

With those caveats in mind, I believe you would be best served by the Shure BLX24R/SM58. It's relatively easy to use, rack-mountable and the receiver has BNC connectors for both antennas. Avoid the cheaper non rack-mountable BLX24 receiver because it doesn't have the antenna connector you need.

BTW - Although I could be wrong, I don't think there are any good single channel systems with BNC antenna connectors.

I want to upgrade my current

I want to upgrade my current array of 12 wireless microphones to 24. I have a sound board that supports that many channels. Do I need any other equipment to make sure there is no interference other than making sure my frequencies don't overlap?

I've never run that many

I've never run that many wireless mics at the same time, but the principal should still be the same - if they're on different frequencies then you shouldn't have a problem.

Hi, I have a Shure Lavalier

Hi, I have a Shure Lavalier BLX4 receiver and BLX1 body pack. I need a better Wireless handheld for toasts and such, but also more than 1 for karaoke. Is the PG58 double good enough, or should I get the 24SM58 single? If I get the single, can I pair another one later? Can I put any to my lavalier receiver and avoid getting either? Essentially, I'm willing to pay a little more to eventually have the fewest receivers and best mic's (in this range) over time. Does that all make sense? Please advise.

The PG58 receiver will be

The PG58 receiver will be fine for handling both singing and speeches.

If you go with a single receiver then you can add an extra one later but that will cost more in the long run, my preference would be to go the other way.

We haven't done a guide on

We haven't done a guide on wireless headset systems with bodypack transmitters yet, but it is on the list of topics we're considering.

Hi!

Hi!

My question is similar to Karen's. I run a Drama Club and I have approximately $556 to spend on wireless microphones. My District recommends Shure and they are great. I already run 4 Audio Technica sets (3 lavolier and 1 handheld) systems... I believe the lavolier are ATW-310s? Don't quote me on that. Anyways, I want to get the best bang for my buck and put as many as I can on stage without feedback destroying my speakers. The most important thing is range and mic sensitivity. We don't sing into it really so that's not that important.

The space is a typical elementary school gym. The stage is built adjacent to the gym but it sucks up sound due to carpeting and a thick curtain and sound absorbing retractable door panels. The speakers are ceiling mounted (I know, not ideal for theater). The system itself is rack-mounted behind a brick wall in a closet approximately...30-50 feet from the stage. I've had no problem with mic drop out as long as the mics are rack mounted. Those plugged into my xlr floor jacks on the other hand...

Thoughts?

Hi, what's the best option of

Hi, what's the best option for wireless microphones, headset type, for live singing? Thanks.

Hi, I would like to buy a

Hi, I would like to buy a system for primary school performances where as many children as possible can wear lavalier microphones and their voices are broadcast to the audience. Any help much appreciated.

We would need more

We would need more information before we can offer any advice.

What is the main use the system will be for - plays, musical theater, choir?

How many children do you want to mic?

Do you already have a PA System, and if so, how many input channels does it have for microphones?

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