The Best Wireless Guitar Systems

The Highest Rated Wireless Guitar Systems

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Wireless systems free you from being tethered to your gear, resulting in reduced cable clutter and allowing for more movement as you perform. Here we feature what the market considers as the best wireless guitar systems, based on user feedback and expert recommendations, including the most feedback up to December 2020.

For this update, our shortlist grew to feature 32 of the most popular wireless systems at major online American music gear stores, while the reviews, ratings and comments we examined ballooned to over 17,600 from just over 4,300 for the previous edition. Also new for this update is a dedicated section for the best wireless systems for pedalboards.

The Highest Rated Wireless Guitar Systems

Author & Contributors

Alexander BrionesAlexander Briones

He's written about and researched music gear for many years, while also serving as a music director at his local church, in addition to teaching guitar, bass and mentoring young musicians.

The Best Wireless Guitar Systems

Lekato WS-50

92
GEARANK

92 out of 100. Incorporating 650+ ratings and reviews.

Street Price: 

$60
LEKATO WS-50 5.8GHz Wireless Guitar System

The Lekato WS-50 is a compact bug-type digital wireless system for guitar that operates in the high frequency UHF ISM band, with 24-bit / 48kHz audio quality.

Even the transmitter follows the same compact profile, which makes this wireless system very easy to integrate with virtually no space requirements on boards, amps and guitars.

And it does quite a lot for its compact size, with an effective range of 100 meters, 4 channel broadcast, and less than 6ms latency.

Finally, it runs on built-in rechargeable (via USB) lithium battery that can run up to 5 hours when fully charges.

Specifications:

  • Transmitter: Lekato WS-50
    • Battery: Built-in Rechargeable Lithium Battery (Up to 5 Hours)
    • Guitar Cable: Bug Type Plug
    • Dimensions: Not Specified
    • Weight: 0.39375 lbs. (Total Weight)
  • Receiver: Lekato WS-50
    • Antenna: Internal
    • Operating Range: 328 ft. Line of Sight
    • Frequency Range: UHF 5.8GHz
    • Frequency Response: 10HZ-22KHz +-1dB
    • Rackmount Version: N/A
    • Output: 1 x XLR, 1 x 1/4"
    • Dimensions: 1/4"
    • Weight: 0.39 lbs.
  • Features: Bug-type Transmitter and Receiver

Pros

Value for money seems to be the main reason why the Lekato WS-50 is rating highly. Owners are impressed with how much range this wireless allows for, given its relatively low price and compact size. Its good balance of portability and reliability are also appreciated by many gigging guitarists.

Cons

While its 5 hour running time is quite long, it still is not enough for some musicians who play long or multiple sets.

Overall

With its affordable price, compact size, and built-in batteries, it's understandable why many are impressed with the Lekato WS-50.

Shure BLX14

94
GEARANK

94 out of 100. Incorporating 125+ ratings and reviews.

Street Price: 

$299
Shure BLX14

At publication time this was the Equal Highest Rated Guitar Wireless System along with the Shure GLXD16.

While they are mostly known for quality microphones, Shure is also a market leader when it comes to wireless systems.

And the BLX14 is one of their more popular offerings, featuring a traditional combination of bodypack with specialized guitar cable and a single channel receiver.

To simplify setup, Shure equipped the BLX4 with their "QuickScan" technology, which conveniently sets up the wireless system for you, in unused frequencies.

Speaking of frequencies, the BLX14 is available in four variations, each one working on different bands.

Specifications:

  • Transmitter: BLX1 Bodypack
    • Battery: 2 X AA (Up to 14 Hours)
    • Guitar Cable: WA302 (TA4F to 1/4")
    • Dimensions: 4.3" x 2.51" x 0.82"
    • Weight: 0.16 lbs.
  • Receiver: BLX4
    • Antenna: Fixed
    • Operating Range: 300 ft. Line of Sight
    • Frequency Range: 512 - 542 mHz
    • Frequency Response: 50Hz-15kHz
    • Rackmount Version: Shure BLX14R
    • Output: 1 x XLR, 1 x 1/4"
    • Dimensions: 1.57" x 7.4" x 4"
    • Weight: 0.5 lbs.
  • Features: Single Channel Receiver, One-Touch Quick Scan, Up to 12 Compatible Systems per Frequency Band

Pros

This update sees the Shure BLX14 getting the top spot as the best rated guitar wireless system, and for good reasons. Value for money seems to be its most praised attribute, followed by overall quality and reliability. It continues to get praise from users who have been using their BLX14 system for many years without fail. Ease of setup is also complemented, along with the solid feel of both the receiver and bodypack transmitter.

Cons

Not many complaints reported, other than a few who rated it slightly lower, but still comment positively.

Overall

The Shure BLX14 is an accessibly priced wireless system from a reputable brand, heed market recommendations and check it out.

Shure PGXD14 Digital

92
GEARANK

92 out of 100. Incorporating 90+ ratings and reviews.

Street Price: 

$349
Shure PGXD14 Digital Wireless Guitar System

There's no denying Shure's dominance in the wireless market, thanks to their reputation for both quality and reliability.

So it's not surprising at all to find their brand securing multiple slots in this list, which includes the PGXD14, a digital wireless guitar system that operates in the UHF band, and streaming 24-bit / 48kHz quality digital audio.

To be specific, this system operates in the 900 MHz range, with up to 5 compatible channels per frequency band.

Speaking of channels, the streamlined interface lets you select your preferred channel, or have the unit pick one for you via the sync button. The receiver has two fixed antennas that allow for true digital diversity signal reliability. The transmitter has its own antenna and a mute button.

Specifications:

  • Transmitter: PGXD1 Bodypack
    • Battery: 2 x AA (Up to 9 Hours)
    • Guitar Cable: W302 (TA4F to 1/4")
    • Dimensions: 4.25" x 2.52" x 0.75"
    • Weight: 0.28 lbs.
  • Receiver: PGXD4 Table Top
    • Antenna: Fixed
    • Operating Range: 200 ft. Line-of-Sight
    • Frequency Range: 900 MHz
    • Frequency Response: 20Hz - 20kHz
    • Rackmount Version: N/A
    • Output: 1 x XLR, 1 x 1/4"
    • Dimensions: 1.6" x 7.125" x 4.1"
    • Weight: 0.64 lbs.
  • Features: Up to 5 Channels Per Frequency Band, One-Touch Sync, Auto Frequency Selection, True Digital Diversity, Gain Adjustment

Pros

Many guitarists rated the Shure PGXD14 highly because of its sound quality. And it's not just limited to standard 6-string guitars because some of the positive reviews were written by satisfied bassists. Heavy duty build and reliability are also prominently mentioned, a testament to Shure's reputation for reliability.

Cons

There were a few users who wanted the receiver to be rackmountable. Some find the price to be a bit on the high side, although they still gave high ratings.

Overall

If reliability is high in your list of considerations, then consider the Shure PGXD14.

Line 6 Relay G55

93
GEARANK

93 out of 100. Incorporating 125+ ratings and reviews.

Street Price: 

$450
Line 6 Relay G55

Drawing from their digital audio processing expertise, Line 6 produces reputable wireless systems that are specifically designed for guitars.

This wireless system features the 4th iteration of the company's wireless technology, utilizing the 2.4GHz bandwidth at 24-bit digital conversion.

It also features DCL (Digital Channel Lock) Technology which improves signal clarity and stability by blocking out third-party signals like, Wi-Fi routers, mobile devices, laptops and more.

The dynamic range, and frequency response of this system is tweaked to better accommodate guitars and basses.

There's also a nifty feature called "Cable Tone" which emulates the high-frequency roll-off characteristics of physical guitar cables.

Specifications:

  • Transmitter: TBP12 Beltpack
    • Battery: 2 x AA (Up to 8 Hours)
    • Guitar Cable: TA4M to 1/4"
    • Dimensions: 4.7" x 6.4" x 2.9"
    • Weight: 1.1 bs.
  • Receiver: Rackmount
    • Antenna: Detachable
    • Operating Range: 300 ft. Line-of-Sight
    • Frequency Range: 2.4 GHz
    • Frequency Response: 10Hz-20kHz
    • Output: 1 x XLR, 1 x 1/4"
    • Rackmount Version: N/A
    • Dimensions: 1.75" x 7.5" x 8.2"
    • Weight: 3.2 lbs.
  • Features: Digital Channel Lock, Cable Tone, Powered Half-wavelength Antenna

Pros

Being an awesome wireless system nicely summarizes market response to the Line Relay G55. Most of the positive reviews are from guitarists, but there are also bassists who report no-hiccup performances with both standard electric bass and even upright ones. One user even put the G55 system to the test by running the system on a parade, and it passed with flying colors, considering that there would've been a lot of interference as they moved through streets. Durability are also prominently mentioned by those who have used the system for years.

Cons

There are a few users who are concerned about the guitar cable, and one even recommended buying a back-up cable from Line 6 just to be on the safe side.

Overall

With its high ratings and great durability feedback from actual long-time users, it's hard not to like the Line 6 Relay G55 Wireless Guitar System

Sennheiser EW 100 G4-Ci1

91
GEARANK

91 out of 100. Incorporating 20+ ratings and reviews.

Street Price: 

$599
Sennheiser EW 100 G4-Ci1 Wireless Guitar System

Sennheiser is a brand well known for high quality microphones, but they also offer a variety of pro audio gear, including wireless systems.

The EW 100 G4-Ci1 in particular is meant for use with guitar and bass, a bundle that includes the SK 100 G4 bodypack transmitter, and the EM 100 G4 true diversity rackmountable receiver.

It lets you choose from 1,680 tunable UHF frequencies across a 42mHz bandwidth to choose the frequency with no interference.

The bodypack transmitter can run on two AA batteries and comes with nifty features that include a graphic display.

The half-rack receiver has a bigger LCD display for easier control and monitoring.

The system has a frequency response of 25Hz–18kHz, and other features include infrared sync, multi-linking, built-in 5-band EQ and cable emulation.

Cable emulation tweaks your sound to behave much like when you're plugged to a cable, and it lets you adjust the length of your virtual cable.

Specifications:

  • Transmitter: SK 100 G4 Bodypack
    • Battery: 2 x AA (Up to 8 Hours)
    • Guitar Cable: Ci1 to 1/4"
    • Dimensions: 3.22" x 2.52" x 0.95"
    • Weight: 0.35 lbs.
  • Receiver: EM 100 G4 Half-Rack
    • Antenna: 2 x Detachable
    • Operating Range: 330 ft. Line-of-Sight
    • Frequency Range: 470-516 MHz (A1 band)
    • Frequency Response: 25Hz-18kHz
    • Rackmount Version: N/A
    • Output: 1 x XLR, 1 x 1/4"
    • Dimensions: 8.35" x 1.7" x 6.61"
    • Weight: 2.16 lbs.
  • Features: Cable Emulation, Built-in 5-band Equalizer and Soundcheck mode

Pros

Sound quality is the number one reason why owners are rating this system highly. They describe the sound as clear and quiet, and have put this system to use in various venues and with various musical styles. Many also appreciate how easy it is to setup, even when there are already multiple wireless systems already set up that could interfere with the signal. Finally, owners report that both the body pack and half rack receiver feel solid and many commend their reliability.

Cons

There are a few reports of interference, but they were able to fix the issue with some tweaks.

Overall

Hard to go wrong with Sennheiser, there's a reason why they are the go-to brand when it comes to sound clarity and quality.

Sennheiser EW 500 G4-Ci1-AW+

91
GEARANK

91 out of 100. Incorporating 5+ ratings and reviews.

Street Price: 

$849
Sennheiser EW 500 G4-Ci1-AW+ Wireless Guitar System

The Sennheiser EW 500 G4-Ci1-AW is a wireless package that joins the EM 500 G4 receiver with the SK 500 G4 bodypack transmitter.

The receiver comes with an OLED display that makes it easy to setup or tweak the system.

It also comes with LED notifications (blue sync & red warning), Pilot Tone Squelch for preventing noise when transmitter is off, and Auto-Lock to prevent unnecessary setting changes.

Soundwise, it comes with built-in EQ, soundcheck mode, and HDX compander.

The body pack transmitter can run up to 8 hours on two AA batteries and has a long operating range of 330 ft. Line-of-Sight.

The system allows for up to 32 compatible channels, and up to 88 MHz bandwidth with 3,520 frequencies to fine tune and choose from.

Specifications:

  • Transmitter: SK 500 G4 Bodypack
    • Battery: 2 x AA (Up to 8 Hours)
    • Guitar Cable: Ci1 to 1/4"
    • Dimensions:3.32" x 2.57" x 1.22"
    • Weight: 0.35 lbs.
  • Receiver: EM 500 G4 Half-Rack
    • Antenna: 2 x Detachable
    • Operating Range: 330 ft. Line-of-Sight
    • Frequency Range: 470-558 MHz (AW+ band)
    • Frequency Response:25Hz-18kHz
    • Rackmount Version: N/A
    • Output: 1 x XLR, 1 x 1/4", 1 x Ethernet
    • Dimensions: 8.35" x 1.7" x 6.61"
    • Weight: 2.16 lbs.
  • Features: Cable Emulation, Built-in 5-band Equalizer and Soundcheck mode

Pros

This wireless system is rated highly for its sound clarity and noiseless operation, one user describe the as truly professional sounding. The freedom to move freely even in big stages is well appreciated, owners are pleased with its range of operation. It also gets praised for being easy to setup, thanks to its auto sync function.

Cons

There's one who complained about the owner's manual being hard to follow, but he still loved its overall performance.

Overall

If you're looking for a wireless system with more frequencies to work with, then do check out Sennheiser EW 500 G4-C1-AW+.

The Best Wireless Guitar Systems for Pedalboards

Sennheiser XSW-D

89
GEARANK

89 out of 100. Incorporating 60+ ratings and reviews.

Street Price: 

$379
Sennheiser XSW-D Pedalboard Set Digital Wireless Guitar System

The XSW-D is a pedalboard friendly wireless system, packing Sennheiser's wireless technology into an easy-to-use stompbox style receiver.

Gone are complex connection features, because this system uses a one-touch connect design that utilizes 2.4GHz digital transmission.

In addition to being a receiver, the XSW-D receiver pedal also doubles as a high-quality digital tuner, complete with front panel LCD display - this means you can replace a tuning pedal on your pedalboard so as to not require any additional board space..

The compact bug-type transmitter has a 250-foot operating range, and can run up to five hours on a single charge.

Sennheiser even included an extension cable in case you want to clip the bug-type transmitter to your strap or belt instead of plugging straight to your instrument.

Another interesting feature is its multiple output options, which also include an XLR out for going straight to a PA board.

Specifications:

  • Transmitter: XSW-D 6.3mm (1/4”) Transmitter
    • Battery: Rechargeable Lithium Ion Batteries (Up to 8 Hours)
    • Guitar Cable: Bug-Type and Extension cable 6.3mm (1/4”)
    • Dimensions: 4.8" x 0.9" x 1.1"
    • Weight: Not Specified.
  • Receiver: XSW-D Pedalboard Receiver
    • Antenna: Internal
    • Operating Range: 250 ft. Line-of-Sight
    • Frequency Range: 2,400 - 2,483.5MHz
    • Frequency Response: 10 - 18,000 Hz
    • Rackmount Version: N/A
    • Output: 1 x XLR, 1 x 1/4"
    • Dimensions: 5.1" x 3.2" x 2"
    • Weight: Not Specified.
  • Features: Built-in Tuner, Extension Cable for Transmitter

Pros

Owners are pleased at how the Sennheiser XSW-D freed them to move around and have more fun while performing. Another fun aspect is how easy it is to integrate into your setup, thanks to the stompbox form factor of its receiver. As expected from a Sennheiser product, sound clarity gets a lot of thumbs up.

Cons

Because of their smaller size, bug-type transmitters usually have shorter range compared to bigger body pack type transmitters. But for many, the range of this pedal transmitter is more than enough for most gigs. Lack of proper control over frequency operation can also be an issue in big productions with many wireless systems being used.

Overall

If you're looking for a simple and fun way to get untethered playing, then check this out.

Shure GLXD16

94
GEARANK

94 out of 100. Incorporating 600+ ratings and reviews.

Street Price: 

$449
Shure GLX-D16

At publication time this was the Equal Highest Rated Guitar Wireless System along with the Shure BLX14.

The GLXD16 shares the BLX14's top spot and rightly so since it incorporates the same quality and reliability but with a pedal shaped receiver.

The receiver operates in the 2.4GHz frequency band and allows for up to 8 compatible systems simultaneously.

It utilizes Shure's LINGFREQ technology, which identifies open channels and configures the system accordingly.

Since the transmitter automatically links to the receiver, setup is quick and convenient.

It also has a nifty built-in tuner that you can engage via the foot switch.

Speaking of the transmitter, the GLXD1 bodypack is powered by Shure's 3.7V Li-Ion Rechargeable battery, and it can run for up to 16 hours when fully charged. If you're worried about the charge time, the company assures that 15 minutes of charging will give you roughly around 1.5 hours of operation, more than enough for the typical gig.

Specifications:

  • Transmitter: GLXD1 Bodypack
    • Battery: 3.7V Lithium-ion Rechargeable (Up to 16 Hours)
    • Guitar Cable: WA305 (TA4F to 1/4")
    • Dimensions: 3.56" x 2.54" x 0.9"
    • Weight: 0.95 lbs.
  • Receiver:GLXD6 Pedal
    • Operating Range: 65 ft Line-of-Sight (200ft. Ideal Conditions)
    • Frequency Range: 2.4 GHz
    • Frequency Response: 20Hz–20kHz
    • Rackmount Version: N/A
    • Output: 1 x 1/4"
    • Dimensions:1.8" x 3.7" x 5.2"
    • Weight: 1.11 lbs.
  • Features: Built-in Tuner, LINKFREQ Auto-Frequency Management

Pros

Flawless, is a superlative that many users use to describe the Shure GLXD16. Most users are impressed with its sound quality, to the point that some report it to be similar sounding to expensive guitar cables. The system's signal reliability and robust build are also complemented multiple times, by musicians who play different types of guitars, basses and other instruments.

Cons

There are a few who feel that the transmitter guitar cable is a bit flimsy, while others find the cable to be too long for bodypack use. A few guitarists who play in big-band settings complained of signal drop-outs, possibly due to the GLXD16's limitation of up to 8 systems per frequency band.

Overall

The GLXD16's pedalboard friendly form factor and Shure's reputation is a sure win combination, worth the investment for those who want the best pedal wireless guitar system.

Things To Consider When Buying a Wireless Guitar System

  • FCC 2020 Compliance

    The FCC's updated 2020 regulations are now in effect. It started on July 13, 2020, and forbids the use of 617-652 MHz and 663-698 MHz, in order to meet increasing demand for wireless broadband services. This means that wireless systems that operate within the said frequencies will be illegal to use in the United States. So for this update, we only included those that operate within allowable frequencies, to ensure that they are compliant with FCC regulations. For further reading on this subject, head over to the FCC consumer guide.

  • Digital vs Analog

    • Analog Wireless Systems are still commonly used, thanks to their range, practicality and accessibility. They transmit your analog guitar signal via VHF(30MHz to 300MHz) or UHF(300Mhz to 3GHz) frequencies, much like analog radios would. Since VHF frequencies are being used by TV and Radio stations, they are more susceptible to interference, which means that they can only be viable in areas with low VHF interference. On the other hand, UHF is less crowded and allows for more wireless systems to operate simultaneously. Still they are limited by the various location-specific UHF frequency regulations.
    • Digital Wireless Systems are considered industry standard, because of their secure digital encryption and improved resistance to interference. It also helps that most of them operate on globally unlicensed frequencies, much like Wi-Fi routers (although there are still some digital wireless systems that operate in UHF). They are easier to setup and use with their automatic frequency detection and grouping features. On the flip side, digital wireless systems are more expensive, but they are getting more affordable as production and market competition increases.
  • Frequency Allocation and Interference

    While wireless systems now use frequencies more efficiently, there will still be a limit to how many wireless systems can work together within the same frequency range. This is important when setting up multiple wireless systems that work simultaneously. Thankfully, some analog systems are produced with different frequency bands, to ensure they don't clash with other systems. Digital systems can be configured to choose clear channels to avoid this problem, but there are specific limitations to how many you can use simultaneously.

    You also have to consider other radio emitting devices that may introduce interference to your system, this include TV, microwave ovens, radio communication devices and more. To help with this, some wireless systems can scan the frequencies and use ones with the least interference.

  • Range/Distance

    Based on the specifications, analog systems have more range, which means that you can move further from the receiver. Still, the range offered by digital systems are usually more than enough to cover even big stages. Note that solid objects between the receiver and transmitter can decrease the range. We have included the ideal maximum range of each wireless system, to help you find one that suits your need.

  • Form Factor

    Wireless receivers come in three form factors - table top, rackmount and pedal. You'll want one that will integrate easily into your existing rig. Best to have one in pedal form if you don't have other rackmount gear, and the reverse is true if you tour professionally and want the security and reliability of rackmount gear. Some table top wireless systems are convertible to rackmount via optional mounting kits. Transmitters mostly come in belt/body pack form, and they connect to your guitar via a short cable. There are also bug-type transmitters that connect directly to your guitar.

  • Sound Quality

    Ideally, sound difference between using a cable and a wireless system should be negligible, but this is not always the case as we've seen on some reviews. For this reason, some wireless systems come with tone shaping elements, emulating guitar cables by subtly trimming the high frequencies. While sound quality in general is subjective, review ratings are a good indication of good quality.

  • Transmitter Guitar Cable Handling

    While gathering review data, we found that the transmitter guitar cable is usually the weakest link in a system. And since they are mostly specialized cables which you can't just buy off the shelf, you'll want to take good care of them while in use, and store them properly.

  • Guitar Friendly Features

    While these are not necessarily important, having extra features can add value and even allow you to let go of some of your existing gear. Common guitar friendly features include built-in guitar tuner and mute.

Best Wireless Guitar System Selection Methodology

The first edition was published in 2017and the latest edition was published on December 4, 2020.

We first looked at all top rated and popular wireless guitar systems that are sold by major retailers in the USA, and this 2020 update resulted in an expanded short-list of 32 to be analyzed, all of which can be seen in the Music Gear Database. We then gathered over 17,600 relevant sources, which included reviews, ratings, feedback, recommendations and comments, including the most recent ones up to December of 2020. All of these were then processed with the Gearank Algorithm, resulting in rating scores out of 100 that indicate market sentiment about each wireless system. We used these scores to narrow down the list to just the top rated systems. For more information about our methods see How Gearank Works.

About the Author and Contributors

Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.

Lead Author & Researcher

Alexander BrionesAlexander Briones

He's written about and researched music gear for many years, while also serving as a music director at his local church, in addition to teaching guitar, bass and mentoring young musicians.

Drawing from his experience in performing and recording, he teaches guitar and bass and mentors young artists to be better musicians. And when he is not busy playing or tinkering with musical gear, he puts on his entrepreneurial hat, which helps fund his passion for collecting guitars, mecha figures and Gunpla kits.

Contributors

Jason Horton: Product research, Editing and Illustrating.

Media

Main/Top Image: Copyright © 2020 Gearank.com.

The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers.

Comments

Today we removed the

Today we removed the following from the recommended list above due to being discontinued, but you can still read our analysis of it: Sennheiser EW 172 G3.

The shura Glx 16 will not

The shura Glx 16 will not work properly in a venue that has wifi
We tried to use it in casinos and in bars and outdoors and it worked less than 50% of the time
Sennheiser and audio technica worked great under same conditions

Interesting point - but was

Interesting point - but was it the actual system that made a difference, or was it because when you changed systems you also changed the frequency you were using?

Could be, but I too have had

Could be, but I too have had dropout issues using 2.4gHz wireless in high wifi areas like casinos, and my old Sennheiser G2 system has been flawless in those and all situations.