If you’re just getting started with recording or building out a home setup, a cheap audio interface can make a huge difference in your sound. I’ve helped plenty of beginners set up their first rigs, and one thing I always tell them is this: if your recordings sound muddy, it’s probably not your mic, it’s your interface. Even a sub $100 unit can clean up your tracks in a way that built-in laptop inputs just can’t, and once they hear that difference, it clicks.
Author's Pick | Author's Pick Product Image | Product Title | *GEARANK | **Sources | Check Prices |
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Under $100 | Under $100 Product Image | Product Title | *GEARANK | **Sources | Check Prices |
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Under $200 | Under $200 Product Image | Product Title | *GEARANK | **Sources | Check Prices |
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*Gearank = Rating score out of 100.
**Sources = Number of gear owner and user opinions analyzed for these product Gearank Ratings.
Research Process: How Gearank Works
The good news is that affordable interfaces today are a lot better than they used to be. You don’t need to spend a ton to get clear signal, solid conversion, and decent preamps. The tricky part is knowing which ones actually deliver without cutting corners. That’s why I put together this guide, to help you find the best budget audio interface that fits your setup and workflow without overpromising.
Many of the best cheap audio interface models now come with features that used to be found only in mid-range gear, like low-noise preamps and class-compliant USB support. Even under $100, some of these units offer everything you need to get started recording at home with good, usable results. They won’t magically make you sound like a commercial studio, but they’re more than capable for demos, content creation, and home projects.
All the interfaces here are USB Audio Class Compliant, which means they work plug-and-play on macOS, Windows, iOS, Linux, and Android without extra drivers. That keeps setup simple and ensures long-term compatibility, even if manufacturers stop updating their drivers. Some brands still offer optional control software for Windows and macOS, which can help you tweak settings and reduce latency further.
If you’re working with an older iPad or iOS device, just know you’ll likely need a Lightning to USB adapter, since most iPads can’t power the interface directly. A powered USB hub or external power adapter usually does the trick.
Whether you’re after the best audio interface under 200, under 100, or just a solid starter option for your home setup, this guide covers picks that keep it simple, reliable, and surprisingly capable for the price.
Focusrite Scarlett 2i2 4th Gen USB Audio Interface
This familiar interface delivers crystal-clear recordings with its upgraded preamps and auto-gain feature. It’s the latest iteration of the highly regarded Scarlett line of audio interfaces.
Pros:
- “Clip safe” feature prevents clip distortion.
- “Auto” gain balances the levels automatically for you.
- Sleek, scarlet, brushed metal enclosure.
- Cables fit securely. No risk of accidental disconnections.
- No RCA Output.
- No MIDI In/Out.
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The Scarlett product line has undergone a lot of changes and has continuously evolved in every iteration. This cheap audio interface, by far, has the most parts upgraded, from their knobs, ADC converters, to the overall layout of the I/Os, as well additional buttons for ease of use. All these added changes and features weren’t thrown into the mix for the sake of “newness.” They were added to optimize the user experience.
One of their most significant upgrades, the Scarlett 2i2’s ADC/DAC, now features Focusrite’s proprietary RedNet converters. These converters are found in more expensive, high-end products of Focusrite, providing you with that pristine sound at an affordable price. It’s capable of delivering up to 120dB of dynamic range in the line output with an ultra-low noise of -109 dB.
Most cheap audio interfaces have retained the XLR and 1/4-inch connectors. They removed the combo XLR connectors and separated the 1/4 inch and the XLR. The two balanced instrument level connectors are placed in front, and the 2 XLRs are now at the back, which I thought was a good move. This small change provides a much more organized cable management. It prevents further confusion in terms of switching on the INST button since the 1/4 inch, and the XLR connectors now have their opposite sides to occupy.
One notable addition is the auto and clip-safe buttons. The auto button serves as an automatic gain control, so you can focus on recording music instead of the levels. Essentially, you toggle this switch, sing for 10 seconds or more, and it will set the levels at the most optimal level. For a cheap interface, this capability tilts the 2i2 on the positive side.
With the “clip safe” feature enabled, any input level that accidentally clips will never spike to audio distortion anymore. Every time clip safe is enabled, Scarlett continuously analyzes the signal at 96,000 per second. Combine that with analog preamp adjustments, the likelihood of clipping is reduced significantly.
The feel of turning the knobs feels smooth, spins infinitely, and doesn’t stop at a max volume level. The gain knobs have gone from an analog to a digital operation. It makes sense due to the added features of auto and clip-safe modes that adjust the levels for you.
They’ve also expanded the “Air” capabilities of the 2i2. You have the classic analog “Air Presence” that gives that boosts the high end of your inputs. The newest one is the “Air Presence and Harmonic Drive,” which takes the classic ISA preamp sound but with the added coloration on the high end. This feature, however, is available only at a 96kHz sample rate.
As for the downside, there have been a few reports of its Windows drivers not working as intended and the headphone volume level not being loud enough. RCA cables and MIDI ports aren’t included for future expandability as well.
If your audio interface budget is limited, the Focusrite 2i2 4th gen offers a bite-sized version of the things you need for professional recording. Beginners and professionals alike will benefit a lot from its outboard-like features like Air, built-in automation, and clip protection, all of which can assist your workflow.
- A/D Resolution: Up to 24-bit/192kHz
- Preamp:2
- Inputs: 2 x Mic, 2 x Inst inputs
- Outputs: 2 x 1/4″ TRS balanced line outputs, 1 x 1/4″ stereo headphone output
- MIDI: No
- Power: USB bus powered
- Phantom Power: +48V
- Bundled Software: Ableton Live Lite, Pro Tools Artist (3-month trial), and Hitmaker Expansion
Best Cheap Audio Interface Under $100
Arturia MiniFuse 1 USB-C Audio Interface
A simple yet powerful interface that offers clean preamps, solid build quality, and excellent software extras for beginners and mobile producers. The noise-free recordings and plug-and-play ease make it a fantastic choice for capturing quick ideas while retaining good-quality audio.
Pros:
- Compelling premium software bundle and free 3-month subscriptions.
- Sleek, compact, and professional design.
- Loopback feature for streaming.
- Disconnects when Mac goes into sleep mode.
- USB hub glitches at times
- Registering and unlocking the device is required.
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Cheap audio interfaces placed on desktops often stick out due to their design. With the Minifuse lineup, I find that the black-and-white option complements the look of any desktop. Yet, the build quality is solid and well-made.
The software lineup of Arturia is paid, and you get the opportunity to install it for free if you have the unit. Notably, the Delay Tape 201 pays homage to the classic Echoplex and the echo chamber delay units. Vocals and guitars evoke an authentic, analog tone.
The Minifuse is also bundled with a 3-month Splice subscription that’s sought-after by music producers who dabble with one-shot samples and loops. Couple that with the free Ableton Lite, beat making becomes a much easier process.
At the back of the unit, you have standard connections such as L/R outputs and a USB-C connector. They’ve added an extra USB hub as a pass-through extension for connecting audio or non-audio-related peripherals. This hub doesn’t contribute to the noise floor. I thought it was a nice touch, provided that not a lot of manufacturers include this supplementary connector in cheap audio interfaces.
The Minifuse has loopback capabilities for podcasters, gamers, and live music streamers. It enables you to play back the sound of your computer with no additional non-Arturia software installs. This is probably the cheapest audio interface I could find that has a loopback built-in.
There’s one minor problem with the USB hub, however. The Minifuse has a very small storage for data and it sometimes gets detected as a flash storage. You might have to disconnect/reconnect. Overall, it doesn’t affect one’s workflow in any way. It also gets disconnected when your computer goes into sleep mode.
The Arturia Minifuse 1 is the best budget audio interface for those seeking good-quality audio with a unique aesthetic. Regardless if you’re a bedroom producer, a streamer, or a podcaster, this interface is a trifecta of simplicity, functionality, and design.
- A/D Resolution: Up to 24-bit/192kHz
- Preamp: 1
- Channels: 1 x XLR-1/4″ combo (mic/line)
- Inputs: 1 x combo Mic/Inst/Line XLR inputs
- Outputs: 2 x 1/4″ TRS balanced line outputs, 1 x 1/4″ stereo headphone output
- MIDI: No
- Power: USB bus powered
- Phantom Power: +48V
- Bundled Software: Ableton Live Lite, NI Guitar Rig 6 LE, Analog Lab Intro, Pre 1973, and Rev PLATE-140 plugins
Behringer U-PHORIA UMC202HD 2-Channel USB Audio Interface
Affordable but surprisingly capable, this interface delivers solid preamp performance, zero-latency monitoring, and a rugged metal chassis. It gets the job done for budget-conscious musicians.
Pros:
- Smooth and clean MIDAS preamps
- Great for vocals
- Solid metal enclosure
- Good feeling knobs
- 24-bit/192kHz resolution, often reserved for higher-priced interfaces
- Uses USB type-B, an older standard than type-C
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There’s a new trend of adding console-level preamps on affordable audio interfaces. And Behringer quickly caught up thanks to their acquisition of MIDAS in 2009.
While it may not be as big of a household name as SSL or Neve, MIDAS has made recording consoles for decades—even Behringer’s flagship Digital Mixers, like the X32, feature preamps designed by MIDAS.
MIDAS’ expertise and tonality have been adapted to interfaces like the Behringer U-Phoria UMC202HD.
The tonality of the MIDAS preamps is similar to the color of API consoles and preamps. For the unfamiliar, the tonality feels smooth and clean in contrast to the sheen of Neve and the grit of SSL.
Paired with studio-grade 24-bit/192kHz resolution converters, the UMC202HD provides outstanding recording for the buck. The onboard MIDAS preamps amplify vocals with depth and dimension.
The build quality of this Behringer Audio Interface was a pleasant surprise, too. I didn’t expect a good metal enclosure and solid-feeling knobs at this price point.
The USB jack is a weak point in an otherwise solidly built interface. Newer interfaces have begun adapting USB-C as a standard jack.
The Behringer UMC202HD audio interface is an excellent quality yet affordable pick. Especially if you consider that it uses tech developed by long-time console maker MIDAS. And it also helps that it is built well, which is a big bonus at this price point.
It is one of the good budget-friendly audio interfaces for podcasting. And thanks to its mobile-friendly profile, it is an excellent audio interface for Macbook Pro, iPads, and other laptops and mobile devices.
If your Home Studio Setup’s budget is limited but you still want to maintain raw recording tonality without compromise, this affordable but powerful audio interface is for you.
- A/D Resolution: up to 24-bit/192kHz
- Preamp: 2
- Channels: 2
- Inputs: 2 x XLR/TRS Combo
- Outputs: 2 x 1/4″, 1 x 1/4″ (Headphones)
- MIDI: None
- Power: USB bus powered
- Phantom Power: +48V
- Bundled Software: Tracktion DAW and 150 downloadable instrument/effect plug-ins
Best Cheap Audio Interface Under $200
Arturia MiniFuse 2 USB-C Audio Interface
With dual inputs, pristine preamps, and top-tier software, this interface packs serious value for producers who need flexibility. Its ultra-low noise floor and direct monitoring make it ideal for high-quality recordings without breaking the bank.
At publishing time, this was the highest-rated budget audio interface.
Pros:
- Amazing build quality
- Ultra-low noise
- Solid software bundle for both beginners and professionals
- 3-month complimentary subscriptions and free software bundles
- Loopback allows you to record computer sounds.
- Accidental disconnection when Mac is sleeping
- USB hub can get misread as a USB storage
- USB hub doesn’t have enough power
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The Minifuse 2 has all of the notable qualities of the Minifuse 1. Both have wrap-around metal enclosures with durable front and back plastic panels and knobs that indicate green for healthy gain levels and red for clipping. Sound quality is the same on both units as well. The only difference is the two inputs that allow you to record 2 tracks simultaneously, as well as a direct monitoring knob that the Minifuse 1 does not have. This provides you with more control over the balance between the software and direct monitoring.
There is a direct mono button under the monitor mix knob. By toggling it, you can turn a stereo output into mono. Thus, if you’ve been using a mono plugin in your master fader, this is an easier way to just flip through both mixes without breaking your momentum.
Near the big knob, there’s a standard meter that shows you the output level of your signal. However, there seems to be no option to use the meter to track input levels as of the moment for both Minifuse 1 and 2. It would be helpful for those people who want to track their levels on a scale.
The additional USB hub of the Minifuse 2 also enables you to hook up any device just like a normal USB port. With this cheap interface, you would think USB hubs in the back panel wouldn’t be as useful until you run out of ports.
Aside from their physical features, what differentiates the Minifuse line from other products is the software bundles and subscriptions that come with it. You have a free 3-month subscription for Splice and Antares as well as the flagship Arturia plugins that come with their hardware. Ableton Lite is also a part of the software bundle. For those who already have a Splice and Antares account, it will only work for new customers. You can create a new account solely for this.
For those people who stream a lot, podcasts, gaming, or live music, it gives you the option to loop back your audio. This means you can record your voice and sounds on the computer at the same time.
Now for the cons. When your computer goes to sleep, the Minifuse 2 gets disconnected, and you have to reconnect it manually. Thus, for long recording sessions, you might have to turn off sleep mode to avoid interruptions. The USB hub is also underpowered, and connecting MIDI keyboards can be a hit or miss.
The Minifuse 2 is a cheap audio interface with good hardware. It provides a software bundle like synths and effects that beginners can use to get that professional sound right off the bat. Musicians who want to record 2 tracks at the same time will benefit from this budget audio interface. It’s also a good entry-level interface for podcasters and game streamers as well.
- A/D Resolution: Up to 24-bit/192kHz
- Preamp: 2
- Channels: 2 x XLR-1/4″ combo (mic/line)
- Inputs: 2 x combo Mic/Inst/Line XLR inputs
- Outputs: 2 x 1/4″ TRS balanced line outputs, 1 x 1/4″ stereo headphone output
- MIDI: Yes
- Power: USB bus powered
- Phantom Power: +48V
- Bundled Software: Ableton Live Lite, NI Guitar Rig 6 LE, Analog Lab Intro, Pre 1973, and Rev PLATE-140 plugins
Universal Audio Volt 2
Bring vintage warmth to digital recordings with this easy-to-use interface. Get classic UA tone with tube-like saturation at an affordable price.
Pros:
- Vintage preamp mode adds life to darker-sounding voices, mics, and instruments
- Excellent build quality at this price point
- Versatile monitoring options
- Top tier software suite included
- Access to the interface control software requires an account and login
- Vintage mode may be too strident with bright mics
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Universal Audio isn’t one to miss out on the cheap audio interface hype. The Volt series is their way of kicking the notch up in quality for interfaces at this price point.
It features a preamp section based on their 610 tube preamp/consoles, famous for records like “Harvest” by Neil Young, “LA Woman” by The Doors, and quite a few mentions “Van Halen 1” by Van Halen was recorded on one. With this catalog of hits, it’s impossible not to have high expectations about Universal Audio’s implementation of the preamp’s sound into a compact audio interface.
The chassis combines a powder-coated black lower half and a textured, matte silver upper bout. This combo adds to the premium feel of the unit. The knobs felt smooth and had just the right resistance for finer adjustments for this cheap interface. The buttons for phantom power, monitoring, and engaging the vintage mode of the preamps are clear buttons with a raised plastic surround. The buttons themselves illuminate when activated and have a very high-quality, tactile feel that inspires confidence in the long-term durability of the unit.
The XLR combo plugs are made by Amphenol and are also of high quality. The knobs are accompanied by 2 LED lights each to indicate signal and clipping. While the monitor host/direct switch has an indicator for which routing is activated.
The two monitor out jacks are secured at the back with a nut and washer. Compared to Focusrite, for example, where the jacks are made of plastic and soldered into the internals, this feels more solid, and again, it inspires confidence in the long-term durability of the interface. The Midi I/O jacks are standard fare. I want to note the use of a big power switch on the back for such a small interface. All these high-quality parts come together to a whole that I reiterate to be a solidly built interface.
The interface sounded neutral without the vintage mode, comparable to the XMAX Preamps on my Presonus ioStation 24c with slightly extended high frequencies. It’s subtle, but I can hear it while recording. However, with the vintage mode on, additional harmonics are added at the upper, mid, and high frequencies. It’s not an EQ, by the way. Additional harmonics are a byproduct of circuit design and add more density/smoothness than boosting it with EQ. So engaging upper frequency harmonics is a great option, especially for warmer-sounding microphones like the Rode NT1.
The Vintage Mode paired with a bright mic like the Lewitt LCT 440 Pure could be too strident on the high frequencies, but this is an error of redundancy. It’s a good thing that Universal Audio made the vintage mode a toggle because the Lewitt sounded better with it off. Having only the vintage mode on by default would have been a deal breaker.
The Universal Audio Volt 2 is an excellent entry into a market that’s already crowded. While this cheap interface does so without adding too much novelty, the build quality, bundled software, and the preamp design make it a great value. The preamp’s richness adds a tonal nuance to those who know what to look for. Get it if you want to get that 610 preamp magic into your mixes without breaking the bank.
Note that this section is taken from parts of my full-review of the Universal Audio Volt 2 audio interface.
- A/D Resolution: 24-bit/96kHz
- Connectors: 1 x USB-C to USB-A cable, 1 x USB Power cable
- Channels:2
- Inputs: 2 x XLR-1/4″ combo (mic/instrument), MIDI IN
- Outputs: 2 x 1/4″ (L/R), 1 x 1/4″ (Headphones), MIDI OUT
- MIDI: In/Out
- Power: Bus Powered (dedicated power cable included)
- Phantom Power: Yes (+48v)
- Bundled Software: Ableton Live 11 Lite, Melodyne Essential, Brainworx Ampeg® SVT-VR Classic Bass Amp, Softube Marshall Plexi Classic Amplifier, LX480 Essentials, Virtual Drummer DEEP, Virtual Bassist DANDY, Spitfire Audio LABS
Solid State Logic SSL 2
With SSL’s legendary preamps and the signature 4K mode, this interface adds analog-style color to recordings. It’s a sleek, professional-grade option for those looking to elevate their home studio setup.
Pros:
- Zero latency direct monitoring
- Neat connection layout (all at the back)
- Nice preamp sound, with 4K legacy preamp option
- Plenty of headroom and gain for low output dynamic mics
- Springy buttons
- Would be nice if it had mute buttons
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Among the best cheap audio interfaces, Solid State Logic is known for high-quality audio recording components, including consoles and outboard gear. They have since leaped into the entry-level audio interface market and have been having much success with the SSL 2.
Instead of the compact rack profile typical among interfaces, the SSL 2 takes a more modern approach with a tabletop-friendly profile. All the controls and metering are on its inclined top, making it look more like a miniature mixer. This makes the SSL 2 a straightforward audio interface, easy to integrate into modern computer-centric music production and content creation setups.
It also helps that the unit looks good and integrates cleanly, with all the cables plugged into the back. However, this can be an issue if you constantly have to unplug cables for different headphones and instruments.
But it’s not just about style because the SSL 2 audio interface ticks every box for functionality and quality. It meets modern-day sample rate and audio quality standards. The controls and metering are very intuitive, much like a mixer.
The 4K Legacy mode also shapes your sound like the SSL 4000 series analog console. It boosts the highs in a musical way, which helps push vocals or instruments up front in a mix. It also adds a warm harmonic distortion that injects old-school personality into your recordings.
The buttons are a bit springy, but they get the job done. And it would’ve been nice if it had mute buttons.
The Solid State Logic SSL 2 is an exemplary, budget audio interface for desktop setups. It can cater to the needs of musicians and has enough functionality for basic streaming and podcasting needs.
- A/D Resolution: 24-bit/192kHz
- Preamp: 2
- Channels: 2
- Inputs: 2 x XLR Combo (Mic/Line/Hi-Z)
- Outputs: 2 x 1/4″ TRS (L/R)
- MIDI: None
- Power: USB bus powered
- Phantom Power: +48V
- Bundled Software: SSL Production Pack, 3rd Party Bundled Software
PreSonus ioSTATION 24c 2×2 Audio Interface and Production Controller – 2 Analog Inputs
A hybrid interface and control surface that streamlines recording and mixing, making workflow faster and more intuitive. With responsive faders and high-resolution audio, it’s a great fit for producers who want hands-on control.
Pros:
- High-quality XMAX preamps24-bit/192kHz audio resolution
- Motorized fader for hands-on control
- DAW integration with HUI & Mackie Control
- Compact and space-saving design
- Limited to two inputsSome DAW compatibility issues
- Features may be unnecessary for basic recording
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The PreSonus ioSTATION 24c is a unique hybrid device that combines a 2×2 USB-C audio interface with a DAW controller, making it an excellent choice for solo musicians and producers. It features high-quality XMAX preamps, which provide clean and natural sound, and 24-bit/192kHz resolution for professional-grade audio recording. The built-in motorized fader and transport controls allow for a hands-on approach to mixing, eliminating the need for constant mouse adjustments.
This all-in-one solution is designed to streamline workflow, especially for Studio One users, but it also integrates with other DAWs using HUI and Mackie Control protocols. While the combination of an interface and controller is convenient, it might not be necessary for those who only need basic recording features. Additionally, some users have reported compatibility issues with certain DAWs, and its two-input limitation may not be ideal for more complex recording setups.
Despite a few drawbacks, the ioSTATION 24c is a versatile and compact tool for home studios. It offers intuitive control over recording and mixing, reducing reliance on manual adjustments with a mouse.
For those who want a seamless blend of audio recording and hands-on mixing, this device is a solid investment.
Note that this section is a summary of my full-review of the PreSonus ioSTATION 24c.
- A/D Resolution: Up to 24-bit/192kHz
- Simultaneous I/O: 2 x 2
- Inputs: 2 x XLR-1/4″ combo (mic/line/Hi-Z)
- Outputs: 2 x 1/4″ (L/R), 1 x 1/4″, 1 x 1/4″ (footswitch)
- Computer Connectivity: 1 x USB Type C (Class Compliant)
- MIDI: none
- Preamps: 2 x XMAX mic preamps
- Power: 12V DC power supply (included)
- Phantom Power: +48V
- Bundled Software: Studio One Artist, Studio Magic Plug-in Suite
Things to Consider when Buying a Cheap Audio Interface
How Many Channels Do You Actually Need?
For most home setups, a basic 2-channel audio interface gets the job done. I’ve recorded vocals, guitars, and even small podcast setups one track at a time and mixed them later with no problem. But if you’re planning to track multiple sources at once, say, a stereo synth and a vocal, or a mic’d-up acoustic guitar and vocals, it’s worth looking into interfaces with 4 channels or more. That flexibility gives you room to grow without having to upgrade right away.
Input Ports: Combo Jacks vs. Traditional Inputs
Most interfaces today come with combo inputs that handle both XLR and 1/4″ connections. These keep the unit compact and versatile, which is perfect when you’re short on space or want something that travels well. Older models sometimes split these inputs, so it’s worth checking what you’re getting. We’ve listed the types and number of inputs for each unit to make comparison easier.
Need to expand your mic inputs? You can connect a mixer to your USB audio interface if you’re trying to run multiple mics into one interface. It’s a solid workaround when your interface only has one or two inputs and you’re recording a full band or drum kit.
Instrument Level vs. Line Level Inputs
If you’re wondering what an audio interface actually does, a big part of its job is handling both instrument-level and line-level signals. Guitars and basses without onboard preamps need high-impedance instrument inputs, while keyboards and synths typically use line-level. Not all interfaces handle both well, so it’s smart to check if yours has a switch or dedicated input for each type.
You could use a DI box if your interface doesn’t support instrument-level signals, but it’s way more convenient when your interface is ready to handle it directly. If you’re planning to use outboard gear like preamps or compressors, make sure your interface has proper line-level inputs to avoid signal issues. It keeps your gain staging clean and your tone intact.
Mic Preamps and Phantom Power
The preamps in your interface aren’t just technical specs, they shape how your mic sounds. Whether you’re using budget-friendly mics or something more advanced, clean and transparent preamps will help your recordings sound more accurate and less colored.
You’ll also want phantom power if you plan on using a condenser mic, most of them need 48V to operate. Make sure the interface you’re eyeing has it built-in, so you don’t hit a wall when you’re ready to level up your mic game.
Sample Rate and Bit Depth
These specs tell you how much detail your interface captures. Higher sample rates and bit depths mean more headroom and better high-frequency response, but honestly, for most home setups, 24-bit/48kHz is more than enough. The key thing to remember is that these specs don’t matter much if the rest of your chain, mic, preamp, cables, isn’t dialed in. Still, it’s nice to know your interface has the headroom if you want to push into higher fidelity later on.
Compatibility with Computers and iPads
One thing I always look for is USB Audio Class Compliance. It means the interface works plug-and-play with macOS, Windows, iOS, Android, and even Linux, no driver drama. It also helps make your interface more “future-proof” if the manufacturer ever drops driver support for newer operating systems.
For older iPads, you’ll need a Lightning to USB adapter or Apple’s Camera Connection Kit. The newer ones use USB-C, which makes things easier. Just make sure your interface can be powered properly when connected to a mobile device. If you’re going that route, check out our guide to the best iPad audio interfaces.
Power Options: USB vs Wall Plug
Most affordable interfaces today are USB-powered, which is super convenient if you want to stay mobile or avoid extra clutter. I’ve even seen a few that run on batteries, which is perfect for field recording or portable podcasting. That said, some still use external power adapters, not a dealbreaker, just something to plan for.
Bundled Software and Driver Support
If you’re just starting out and not sure how to record music, many interfaces come bundled with entry-level DAWs like Ableton Live Lite or Cubase LE. They might have some limitations, but they’re more than enough to get started. And while some DAWs need a license upgrade for full functionality, the included software usually gives you what you need to record, edit, and mix a solid track.
Just note that connectivity to studio monitors or outboard gear may be limited at this price point, that’s normal with budget gear.
Cheap Audio Interface Selection Methodology
The first Edition was published in 2015. The current edition is published in 2025.
First, we looked at all the best audio interfaces with at least 1 microphone input under $200, which includes single-channel, dual-channel, and four-channel audio interfaces. The result is a shortlist of 56 candidate audio interfaces. Then we analyzed relevant reviews and ratings, including the most current ones. For this edition, the number of review sources that we processed reached over 163,000.
The Gearank Algorithm processed this staggering amount of data and gave us the rating scores out of 100 we used to narrow the list to just the best among the best. Finally, we divided our recommendations into two price ranges to make it easier to spot those that fit your budget. For more information about our methods, see How Gearank Works.
About the Author and Contributors
Here are the key people and sources involved in this guide’s production – click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Contributors
Allen Articulo & Alden Acosta: Research.
Jason Horton: Editing and Illustrating.
Alexander Briones: Supplemental writing & Editing.
Media / Image Credit
Main/Top Image: Copyright © Gearank – photograph of the Focusrite Scarlett Solo 3rd Gen.
The individual product images were sourced from websites, promotional materials, or supporting documentation provided by their respective manufacturers.
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Comments:
19 responses
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The Audient ID4 MKII and Shure X2U came off our recommended list when we published the October 2023 Edition of this guide.
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The Behringer U-Phoria UMC22 came off our recommended list when we published the April 2022 Edition of this guide.
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Publication of our September 2021 Edition resulted in the following interface coming off the recommended list above: Behringer U-Control UCA222.
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hi, looking to digitise my vinyl.
Would you recommend the Motu over Focusrite for this ? I have a Macboook 2020 with 4 thunderbolts.-
Hello,
Either would work but check what outputs your vinyl player has. If it only has RCA outs, even a behringer UCA222 would do. But if your player has balanced XLR outs, I’d personally go for the Focusrite. MOTU is great too as the noise floor is better on it so if that’s important to you (especially if you have an older vinyl player).
-Raphael
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We have removed the following interface due to it being discontinued and superseded: Audient ID4.
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The October 2020 update resulted in the following interfaces leaving our recommended list above, but you can still see our analysis of them:
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I have an old Line6 Toneport UX2. I was wondering how these compare to the units you just reviewed?
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Hi Bob,
The Toneport UX2 (and its identical successor, the Studio UX2) was popular in the early 2010s because of it’s relatively low price and bundled software (Pod Farm). Mostly metal players picked it up because several popular bands at the time attributed their tone to either the “Big Bottom” model (for a number of British bands) and the “Cali Diamond Plate” model (for mostly American bands).
In our database, the Studio UX2 gets a score of 81 out of 100 as of April 2020; which is par for the course. Though the unit gets good reviews for its easy of access and bundled software, it gets low reviews for its build quality and longevity. Many UX2 users report long term part failure.
For sound quality as a general purpose audio interface, the UX2’s preamps just aren’t up to par with modern audio interfaces that have higher quality components and circuitry at accessible prices.
My advice: Try it out, and if it still works, I think the Pod Farm software is still available for downloads for legacy users. The Cali Diamond Plate doesn’t sound like the Mesa Dual Rectifier it seeks to emulate but it fits well with most mixes.
-Raphael
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We’ve had to remove the Steinberg UR12 from the Under $100 recommended list above due to a price increase.
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Focusrite Scarlett – “Some users report crackling and sound loss but comments on these posts point to their computers not being up to spec to handle low buffer size. A tweak in the latency/buffer size settings on the driver fixes most of these issues.”
If only it were so simple. I use an 18i20 plus Octopre for 16-track recording. Results are excellent, but I simply cannot use Focusrite for playback at home. I have a powerful desktop rig which should in theory handle the task without breaking a sweat, but despite trying every suggestion I’ve been able to find, plus contact with customer support, I’ve given up.
I record on my Focusrites and use a Zoom R8 for playback.
The Scarletts are a nice series but I would not in good conscience recommend them to anybody who wants hassle-free ASIO audio.
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The following audio interfaces came off our recommended list above due to our December 2019 update, but you can still see our analysis of them:
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We have removed the following interface from the recommended list above due to a price increase, but you can still read our analysis of it: Steinberg UR242
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We have published ratings for 3 Tascam audio interfaces that are priced at or under $200 and which meet the eligibility criteria for this guide – this will take you to a list of them in the music gear database where you can see their current ratings.
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As a result of the June 2018 update, the following audio interfaces were removed from the recommended list above but you can still read what we have to say about them:
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Save your money and get the cheaper version two inputs AI.You can only record a vocal and a guitar one at the time. You only need 4 or more if you intent to have the whole live band come to your basement and they all plug their instruments into your Au.interface, and then your computer blows up in two minutes.
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