The best DI box can be one of the simplest upgrades that delivers the biggest improvement in your tone. I’ve seen it firsthand, while helping a band dial in their live rig, we swapped out a few old direct boxes for quality ones, and suddenly the bass had definition, the acoustic guitar shimmered, and the keys locked into the mix with clarity. It was like someone cleaned a foggy window; everything just snapped into place. Whether you’re playing live or recording, having the best DI for your setup makes a real difference.
Best Active DI Box | Best Active DI Box Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 98 | 300+ |
Budget Active DI Box | Budget Active DI Box Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 95 | 400+ |
Active DI Box - Stereo | Active DI Box - Stereo Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 97 | 50+ |
Best Passive DI Box - Mono | Best Passive DI Box - Mono Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 97 | 325+ |
Best Passive DI Box - Stereo | Best Passive DI Box - Stereo Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 96 | 775+ |
Budget Passive DI Box | Budget Passive DI Box Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 94 | 375+ |
Best Reamp Box | Best Reamp Box Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 95 | 100+ |
*Gearank = Rating score out of 100.
**Sources = Number of gear owner and user opinions analyzed for these product Gearank Ratings.
Research Process: How Gearank Works
If you’re wondering what is a DI Box, or why it should be in your studio or gig bag, we’ve got a full beginner-friendly explanation to get you up to speed. Think of it as your quiet, dependable translator, connecting your instrument to mixers, interfaces, or mixing consoles in a way that preserves tone and prevents hum.
For a deeper dive into the technical side, you can also check out the DI article on Wikipedia.
If you’re searching for the best DI box for bass, you’re probably looking for something that can handle low-end power without turning to mush. Acoustic players might need something entirely different—the best DI box for acoustic guitar needs to preserve those delicate highs and the natural resonance without adding noise or boxiness. And if you’re juggling keyboards, synths, or dual-source setups, a reliable stereo DI box will keep your signal balanced and crystal clear. Guitarists looking to record directly or reamp later should also think carefully about choosing the right DI box for guitar—not all DIs are created equal when it comes to tone preservation and impedance matching.
On that note, if you’re interested in Reamp setups, where you send a clean recorded signal back out to an amp, check out our section below. Reamping isn’t as simple as plugging out of your interface, you’ll need a proper Reamp box to match levels and impedance, which is a common source of confusion. Many folks still mix up DI boxes and Reamp boxes, so we’ve kept our Reamp section to clear things up and help you avoid a costly misstep.
Ready to find the best DI box for your setup? Let’s get into the top picks that deliver clean tone, consistent performance, and serious value—whether you’re on stage, in the studio, or both.
Best Active DI Box – Mono
Active DI boxes first came to the scene to better capture the sound of bass guitars, especially since older models had weak, passive single-coil pickups. These days, the best DI box for bass is still an active DI, but active DI boxes are also being widely used with electric guitars. They are generally considered to provide better sound quality due to their higher headroom and extra features. For this reason, they are often seen as the best DI box for guitar, particularly for electric guitars in general.
Rupert Neve Designs RNDI
This DI box is excellent for adding harmonic richness to your recordings but may not suit those looking for complete transparency.
Pros:
- Adds harmonic depth to D.I. Tracks
- Top-Tier build quality
- High quality components
- Might be too colored for those seeking transparency
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Starting in the 1970s, Neve and their preamps and consoles have remained prominent in recording equipment. Not surprisingly, their Direct Box ranks high due to its impressive Gearank Rating, including many experts’ recommendations.
The first thing you’ll notice about the Neve Direct Box is its high quality. The enclosure, jacks, and switches all feel solidly built and made to last. What sets this unit apart is not necessarily its straightforward DI box functionality but rather its amplifier section. It features the same Class-A discrete FET amplifier found on popular Neve consoles.
Because of its design, the RNDI subtly adds harmonics to the signal. This doesn’t come as a perceptible shift in EQ but rather as more “depth” thanks to the harmonic content. It’s an excellent choice for adding critical tonal elements concerning depth and richness, and the RNDI imparts “preamp-like” characteristics to your sound. Recording multiple tracks with it can help blend instruments in the mix thanks to the similar harmonic content.
However, the RNDI isn’t exactly the most transparent. While having more depth from the get-go helps the mix down the line, you might need something else. A warmer and bigger sound is harder to achieve in the mix, and the RNDI provides that upfront.
I highly recommend the Rupert Neve RNDI for bass guitars and electric guitars, but it can also work well with any instrument. It is easily one of the best bass DI box options available. If you want to add more juice to your recordings or even your FOH sound, then the RNDI is highly recommended as one of the best DI boxes on the market.
- 48V phantom power supply
- Ground Lift switch for both speaker and instruments
- 1/4″ Input and Thru-put jacks, gold-plated XLR output
- Steel chassis
- Weight: 1.5lbs
Best Budget Active DI Box
Samson MDA1
A solid budget-friendly choice, the MDA1 delivers great low-frequency detail for bass recordings, though the jacks may need occasional maintenance.
Pros:
- Amazingly solid enclosure for a budget di box
- Great low-frequency extension
- Can be powered by Phantom Power
- Jacks feel less than stellar and may need regular cleaning
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The Samson MDA1 is a straightforward active direct box that runs on either 48v phantom power or a 9v battery. It can reproduce frequencies as low as 18 Hz, making it an excellent choice for a bass player to record bass DI tracks. The solid metal enclosure ensures that it will last for a long time. The MDA1 is built to be sturdy and can endure several years of use. It can preserve deep subfrequencies with good detail without being too overwhelming. The relaxed low-frequency roll-off is essential for tweaking the bass signal, providing clarity without sacrificing the depth of low-end sounds.
However, despite the solid enclosure, the jacks are something to watch out for. They are often the first to fail (although on the MDA1, it is expected that this will take years). Fortunately, they can be easily serviced or replaced by a technician.
If you’re looking for an active DI box that can easily reproduce sub-low frequencies and is built to last, the Samson MDA1 is a great budget option. Another excellent and affordable DI box is the Behringer Ultra DI di400p, which also provides reliable performance at a reasonable price. Both are solid choices if you’re in need of a durable, high-quality DI box for bass or other low-frequency instruments.
- In: 1 x 1/4″ (instrument), Out: 1 x 1/4″ (thru), 1 x XLR (balanced out)
- Powered by 48V Phantom Power / 9V battery
- Metal enclosure
- -15dB pad and ground lift
Best Active DI Box – Stereo
Active Stereo DI Boxes add life to backing tracks and playback. These are the best direct box types to use for sources like mobile phones, laptops, or tablets. The signal from these sources may suffer a loss in quality over long cable runs from the stage to the mixer and back out the FOH or monitors.
Rupert Neve Designs RNDI-S
The RNDI-S offers unmatched phase coherence and sonic enhancements, making it worth the investment for stereo setups.
Pros:
- Tight component tolerances ensure phase coherence
- Solidly built
- Preamp-like harmonics
- On the expensive side, but understandably so
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The Rupert Neve Designs RNDI-S is a stereo version of the RNDI, also covered in this guide. For those looking for the best DI box for stereo sources, this stereo DI box is ideal. Stereo coherence is crucial for stereo DI, especially while recording keyboards, bass guitars, loops, effects, and samples. When the signal is stereo-matched, phase cancellation and comb filtering are reduced. The better the phase coherence between channels, the better stereo tracks fit into the mix, making this one of the best direct boxes for stereo recording.
Although this stereo DI box is one of the more expensive options on our list, many users have praised the RNDI-S for its sonic enhancements, phase coherence, and build quality. The only downside is its price, which may put it out of reach for budget-minded project studios. However, if you’re looking for a direct input box that delivers professional-quality sound, this may still be one of the best DI boxes available.
If you want to upgrade your already stacked studio, and want a stereo direct box, the RNDI-S may be the slight improvement your workflow and signal chain needs. Whether you’re working with bass guitars, electric guitars, or other stereo sources, this DI box ensures your signal remains clear and balanced, making it a top contender for those seeking the best DI box for their studio setup.
- 48-Volt phantom powered direct box
- High rail voltage design to avoid clipping
- 80Hz highpass roll-off filter for reducing mud and increases headroom
- Input 1/4″, Outputs XLR, 1/4″ thru
- Weight: 1.55 lbs
Best Passive DI Box – Mono
A Passive Direct Box is the most convenient, practical, and easy-to-use solution for musicians and engineers who want to connect their instruments straight to the console. If you’re using guitars and basses with passive pickups, there might be a noticeable drop in the level. However, you can quickly fix this issue by increasing the gain on the console a bit.
Radial JDI
Renowned for its transparency and durability, the Radial JDI is a reliable choice for professionals, albeit at a higher price.
Pros:
- A truly reliable DI Box
- High quality enclosure and components
- Excellent long-term durability
- Aside from the slightly higher price compared to no-name units? None
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It’s impressive that the Radial JDI has maintained its high Gearank Rating through multiple editions of this guide since 2016. Keyboard virtuoso Chick Corea and artists like Adrian Belew use and recommend this unit, adding to its already superb credibility as one of the best DI boxes available.
The Radial JDI has no extra features; it’s simply a DI box, but it performs its primary function excellently—removing ground hum and unwanted noise while allowing your instrument or amplifier signal to reach the PA system with the cleanest and clearest sound. Being a passive DI, it works well with active pickup-equipped guitars and basses, amplifiers, and other electronic instruments, including keyboards and laptops.
Compared to other DI boxes, this unit has no significant issues, which contributes to its perennial position on our guides as one of the best DI boxes for professional use. The only downside, however, is its price, which may not be the most affordable for those on a tighter budget, but its performance justifies the cost.
The Radial JDI is more than just a great DI box; it is arguably the best all-around direct input box on the market today. Whether you’re a multi-instrumentalist trying to figure out what to get or a sound engineer handling various sound sources like electric guitar, bass guitar, or keyboards, the Radial JDI is the one to choose for top-tier performance.
- Passive mono Direct Box design with Jensen Transformers.
- -15dB input pad.
- Merge Function
- Single 1/4″ input, single XLR, and one TS Thru output
- Welded I-beam construction.
- Weight: 2.2 lbs
Best Budget Passive DI Box
Hosa DIB-443 Sidekick
The DIB-443 is a cost-effective, no-frills DI box that offers surprising durability and performance for its price.
Pros:
- Very rugged and well-built for the price
- Instrument/Line switch adds a bit of versatility
- Only has the essentials; no additional features
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When you’re looking for the best DI box that’s both affordable and dependable, it can be challenging to choose one due to the abundance of low-quality products on the market. However, the Hosa DIB-443 Sidekick stands out as a reliable, high-quality direct input option that won’t break your budget.
This DI box features an instrument/line level switch, allowing you to adjust the signal from various instruments such as bass guitars, electric guitars, or even acoustic guitars as needed. It’s a simple yet effective tool built to last and is ideal for those who want a bass DI box or guitar DI box without overspending.
For its price, there’s not much to complain about. However, if you require additional features like a ground lift switch or a pad for more flexibility, you might want to consider a higher-end option.
You don’t have to compromise on durability or quality even if you’re on a tight budget. The Hosa DIB-443 Sidekick is a sturdy, cost-effective solution, making it one of the best DI boxes in its price range for both beginners and seasoned players alike.
- Passive D.I. Box with instrument/line level switch
- Solid Steel enclosure
- Input: 1 x 1/4″
- Weight: 0.80 lbs
Best Passive DI Box – Stereo
Passive stereo direct boxes do not provide the same lively tonality as active DI boxes. However, they provide a soft high-frequency roll-off and hard transient suppression due to the absence of any other electrical source interfering with the signal. Most designs have achieved relative transparency without requiring external power.
Radial ProD2
The Radial ProD2 is 2-channel DI box designed for handling high output sound sources like electric guitars and keyboards. It has an incredibly transparent sound with less of the digital harshness found in clear sounding DI boxes.
Pros:
- Good stereo matching
- Transient smoothing helps manage sudden jumps in signal like slap bass
- Very tonally transparent
- None as long as properly maintained / cleaned
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Radial Engineering unquestionably dominates the market for the best DI boxes, offering solutions for nearly every scenario. The ProD2 stands out as a transparent, 2-channel DI box ideal for keyboards, electric guitars, and other high-output sound sources. It’s specifically designed to handle the extreme transients that can overload a mixing console or audio interface without losing the line level signal. This makes it one of the best DI boxes for those seeking a balance between clarity and functionality.
One of the ProD2’s standout features is its ability to maintain sound quality while smoothing out harsh transients and eliminating background noise. Unlike other direct boxes that may color the sound, the ProD2 faithfully reproduces the input while reducing unwanted digital “harshness,” making it a top choice for both studio and live settings.
When well-maintained, including regular cleaning of the contact points, the Radial ProD2 will deliver reliable performance for years. It’s this durability and commitment to signal integrity that has solidified its place among the best DI boxes. Whether you’re tracking bass guitars, acoustic guitars, or handling pro audio setups, the ProD2 remains a versatile and trustworthy stereo DI box that brings out the best in your instruments.
If you’re looking for a single channel version, then check out the Radial ProDI
- Full range passive direct box with Eclipse ET-DB2 transformers
- Very low harmonic and phase distortion
- 14-gauge steel welded I-beam construction
- -15dB pad
- Input 2 x 1/4″, Outputs 2 x XLR, 2 x 1/4″ thru
- Weight: 1.95 lbs
Best Reamp Box
Reamping is a technique that is frequently used in modern recording studios. It involves taking a clean DI guitar recording and running it through a Reamp box, which converts it into a signal that can be fed into a guitar amplifier as if the music was being played directly from an instrument. This preserves the amplifier’s response and allows for the re-recording of guitar parts using different equipment, microphones, and mic placement, even if the original session musician is unavailable.
Radial Reamp JCR Studio Reamper
With how it adds musical harmonics to your sound, the Reamp JCR Studio is the best single-channel reamp box to get. It’s like adding a high end buffer and clean boost to your signal chain.
Pros:
- Adds subtle harmonics to raw D.I. for added depth
- Reamped tone similar to going through a high quality buffer
- Simple to use
- Might interact strangely with fuzz pedals
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The Radial JCR is a passive reamp box designed by John Cuniberti, the inventor of the Reamping process. It is a must-have studio tool for modern music production if you want to easily reamp studio-recorded guitars.
Compared to other reamp boxes, the JCR uses high-quality components that add musical harmonics over the original guitar tone, much like using a boutique buffer or clean boost in the signal chain. However, it may not be the best option if you’re looking for absolute transparency.
Additionally, some fuzz pedals may not respond properly to reamping, so it’s something to remember when using a pedalboard.
The JCR is the definitive single-channel reamp box that reigns supreme in its category. If you want to reamp to a stereo signal chain like reverbs and delays, then the Radial X-amp might be more for you.
- Passive design re-amping box with custom transformer
- 14-Gauge steel welded I-beam construction
- Handy ground lift switch, Phase inverter, Mute switch, Tone Control
- Input 1 x XLR, 1 x TRS, Outputs 1 x 1/4″ TS
- Weight: 2.2 lbs.
Things to Consider when Buying a DI Box
So, what is a DI Box really for, and why should you care?
At its core, a DI box (short for Direct Input or Direct Injection Box) takes the unbalanced signal from your instrument—like the one coming from a standard 1/4″ guitar cable—and converts it into a balanced XLR signal. That balanced output is what you want when you’re sending your signal to mixing consoles or audio interfaces. It helps cut down on noise (especially over long cable runs) and keeps your sound tight, clean, and consistent.
If you’re plugging in a bass, an acoustic, or an electric guitar, the right DI box is going to protect your tone and help avoid the kind of signal loss that can make even a great instrument sound flat. Some DI boxes go a step further by adding a bit of character—almost like a mini preamp—giving your sound some tasteful color and warmth.
If you want to get a little more technical, the Wikipedia DI article does a solid job of explaining the finer points. But for now, let’s break down the practical stuff.
Passive vs. Active DI Boxes
Here’s the quick rule of thumb I always use: if your instrument has passive pickups, like most electric guitars or passive basses, go with an active DI box. If your instrument has active pickups (powered by a battery), a passive DI box will usually do the trick.
Passive DIs don’t need power and are often the simpler, more rugged choice—great for live gigs or instruments with built-in electronics. Active DIs require phantom power or a battery, but they tend to offer better fidelity and a bit of gain, which really helps when working with lower-output instruments.
Inputs, Outputs, and Routing Options
At minimum, you’ll want a DI box with a 1/4″ input and an XLR output to send your signal to the board. But some models give you more routing flexibility—like a thru output, which lets you send your signal to an amp at the same time. That’s super handy if you want to monitor onstage while sending a clean signal to front-of-house or to your interface.
If your setup is simple, don’t overthink it. A basic DI box is probably all you need. But if you’re switching between multiple instruments or running something like a stereo synth rig, consider a stereo DI box with dual inputs and outputs. It makes life a lot easier when juggling more complex signal chains.
Ground Lift Switch: Don’t Skip It
Hum and buzz from ground loops can ruin an otherwise solid performance or take. A ground lift switch is one of those little features that makes a big difference—it lets you break the ground connection between devices and often silences that annoying hum immediately. Whether you’re in a studio or on stage, this is a must-have feature in any serious DI box.
Size, Build, and Extra Features
I always say: buy for your real setup, not your dream rig. If you only need to run one instrument, a small, sturdy DI box will serve you well and fit easily on your board or in your bag. But if you’re working with more complex gear—or just want more control—look for features like EQ, pad switches, or multiple outputs.
Some DI boxes even offer feedback control or tone-shaping tools that can really help in live settings, especially with acoustic instruments. It’s all about choosing the right tool for your workflow.
DI Boxes vs. Reamp Boxes
This one trips people up a lot, so it’s worth repeating: regular DI boxes and Reamp boxes are not the same thing. A DI box captures the raw signal from your instrument for recording or live sound. A Reamp box takes a recorded signal from your DAW and sends it out to a guitar amp or pedals, matching the level and impedance so your gear reacts naturally.
I’ve seen people buy a DI box thinking they can reamp with it—only to find out it doesn’t work that way. So make sure you’re getting the right box for the job, especially if you’re building out a hybrid studio setup.
Some DI Boxes Pull Double Duty
Plenty of modern preamps include built-in DI box functionality. That’s why a lot of bass players rock pedalboard preamps that double as DIs—they simplify the rig without sacrificing tone. The same goes for acoustic DI boxes, like the ones from LR Baggs, which combine preamps, EQ, and DI functions into one reliable box.
Whether you’re building a fly rig, upgrading your live setup, or improving your home studio, the right DI box can clean up your signal and keep your tone intact from end to end.
Best DI Box Selection Methodology
The first edition was published in 2016.
For this edition, we’ve expanded our list of viable DI boxes to 50. We then gathered relevant and current ratings, reviews, and recommendations from experts and artists. Over 20,600 comment, rating, and review sources were fed into the Gearank Algorithm, resulting in rating scores out of 100.
We’ve categorized the best DI boxes into five categories: Active Mono, Active Stereo, Passive Mono, Passive Stereo, and Reamping. We’ve also included budget-friendly DI Box options for passive and active models with reasonable ratings. For more information on our methods, check out How Gearank Works.
About the Author and Contributors
Here are the key people and sources involved in this guide’s production – click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Contributors
Jerry Borillo: Research.
Alexander Briones: Supplemental writing and editing.
Jason Horton: Editing and Illustrating.
Media / Image Credit
Main/Top Image: By Gearank.com using photographs of the Radial JDI, Rupert Neve Designs RNDI, and Radial Reamp JCR Studio Reamper.
The individual product images were sourced from websites, promotional materials, or supporting documentation provided by their respective manufacturers.
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Comments:
16 responses
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The following items came off our recommended list when we published the November 2022 Edition:
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Publication of our November 2021 Edition resulted in the following DI’s coming off the recommended list above:
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Our November 2020 update resulted in the following boxes coming off the recommended list above, but you can still see our analysis of them:
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I’m surprised to not see the Countryman Type 85 get a mention for active mono DI boxes. It’s a personal favorite of mine. Great neutral sound, roadworthy construction, and flexibility in use with its ability to accept speaker-level signals.
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The Countryman Type 85 was on our recommended list from the time we first published this guide back in 2016 until November 2019, but times move on and although it’s still a good active DI, there are now more highly rated options available which we chose to recommend instead.
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As a result of our November 2019 update the following DIs came off our recommended list above but you can still read our analysis of them:
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Hi, I have a Scarllet 2i4 interface and when I record electric guitars I get some noise coming from the Pickups. My question is: would a DI Box solve that problem or the actual interface has already its own DI inside? If a new DI solve that problem wich one would be better? active or passive? Thank you
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Hi Pedro,
Noise during recording is usually compounded from multiple sources and factors. Unshielded cavities on your guitar + single coils is instantly a recipe for buzzing/hum. A bad cable can also be the cause. Some pickups, even humbuckers, are wound in a way that the two coils dont completely cancel out hum. There is also the question of how clean the power in your area is. Some establishments and houses have poorly planned electronics which contributes to noise especially when using pedals.
Your Focusrite is probably fine since the signal is converted from unbalanced to balanced internally. A d.i. usually solves the problem of Ground Noise and if you want to use a d.i. make sure it has a ground lift switch. What d.i.’s don’t solve is accumulated noise from the sources I listed above. If you notice, the hum may lessen or disappear when facing a specific direction. This may be because you are near an electric device like a CPU or an electric fan. Putting your guitar close to a stepdown/stepup transformer can also contribute to that.
My advice is to test everything one by one. Are you using single coils? Try a humbucker guitar. Are the cavities of your guitar shielded? Check to see with a guitar that you know is shielded. Is your cable working right? try different cables. Is the power in your house/studio clean and conditioned? Turn your appliances off or on and see if it makes popping noises when you have your guitar turned up with some distortion.
A d.i. is handy to keep around for its utility in being able to use an amplifier and your entire rig for recording while having a dry signal go to your computer for recording. Using an ordinary splitter can affect the strength of your signal going into your rig and into the interface. A d.i. box solves this by passing your signal through one end while the other is converted into a balanced signal.
Hope this helps.
-Raph
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Hi Raph,
Thank you so much for your detailed insights! My guitar is HSH and I believe is shielded (At least on the back side I see a wire solded to the tremolo. I know that single coils can cause some issues, so I avoid to use them. With the bridge pick-up I don´t have any problem at all but when I´m using the neck humbucker there´s almost always some hum that get´s worse if I switch on a desk lamp for instance. So, as you said, has maybe something to do with the electric devices around. I read above that passive DI are better than active ones on these hum problems but on the other hand active ones should be used with passive pick-ups (my case). What would be your advice in this situation? Thank you
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Hi Pedro,
Since there might be some issues with the power filtering in your area, I would advise using a good Passive D.i. instead of an active d.i. While pairing a guitar with passive pickups with an active d.i. would result in a slightly stronger signal to the interface, it would come at the risk of adding noise because of the power conditions in your area especially with less than optimal circuit designs.
I see no disadvantage of owning both if they are within budget.
-Raph
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Ok, Thank so much Raph! Appreciated.
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As a result of our December 2018 update the following DI Boxes came off our recommended list above but you can still read our analysis of them:
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It seems like the best sounding DI for guitars has either been overlooked or simply avoided. The SANSAMP has yet to meet it’s match in price/versatility/durability/reliability!!! I have the GT2, Para Driver DI, and the TRI A.C. and one of them is always in my gig bag. Para Driver is the only one I have with XLR outs, but the other two can 1/4″ directly into DAW or console. Can’t beat THAT with a stick!!!
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What, no L.R. Baggs products?? Their Para Acoustic DI (PADI) is still the best sounding DI I have ever used! I have several as I play several instruments (some have multiple pickups in them).
I have not tried their newer Session DI yet, but by reputation it should do nicely also.
You really should add Baggs to the list. The PADI is however (in my opinion) the gold standard for a DI for Acoustic Guitars (also works great on Bass)! I’ve used it on my electric too with good results (I prefer a clean sound with little to no effects, so it still works in my case, those who like many effects may understandably not agree)!
Its Parametric EQ is quite effective and the sound I get when running my instruments through it (Guitar and Banjo) is regularly complimented on by sound techs at the venues I play at.
If you haven’t done so yet, I challenge any Acoustic guitarist to try the PADI! They are very well built for a reasonably good price-point.
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Our research agrees with you – we just have those products classified a bit differently:
The LR Baggs Para DI, LR Baggs Session DI and LR Baggs Venue DI are all featured in our guide to Acoustic Preamps.
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People are happy paying 750.00 for a reddi direct box? nonsense.
They clearly dont run sound and have never had a di stolen or lost. lose one or two of these and the price becomes an issue. in a live situation, you wont hear the difference between a 100 or 1000 di.
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