Best Acoustic Preamp Pedal Guide

Acoustic guitar preamps

Originally published on May. 13, 2016. and updated on September 28, 2017.

Preamps for acoustic guitars and other acoustic instruments are great for bringing out a more natural and clear sound. Every kind of acoustic pickup has it's trade-offs and good preamps help emphasize the acoustic tone, add warmth and make the sound more realistic as well as reducing any unwanted frequencies. In most of them you can significantly tweak the tonal settings to make your instrument shine, although a few with less options are just so great we couldn't leave them out.

If you want to bring your sound directly to the mixing desk then you'll absolutely need the preamp to act as a Direct Input (DI) which all of these do. Note that we are talking about preamp pedals, not onboard preamps that are mounted inside guitars and other instruments. If you have an onboard preamp in your guitar you can plug it straight into an instrument amplifier but many find the improvements of these dedicated preamp units are just too good to do without.

We have updated this guide for 2017, to ensure that it reflects current market sentiments. This resulted in a big change in the preamp line up, including the addition of a budget friendly recommendation. Whether you are looking for your first acoustic preamp, or you're looking to upgrade, the information here will be very helpful.

Contents

Best Acoustic Preamp Pedals

Gearank Sources Street Price
LR Baggs Para DI 92 375+ $189
Fire-Eye Red-Eye 92 60+ $195
BBE Acoustimax 91 175+ $200
Tech 21 SansAmp Para Driver V2 90 60+ $209
LR Baggs Session DI 90 50+ $249
Fire-Eye Red-Eye Twin 94 30+ $295
LR Baggs Venue DI 91 175+ $299
Fishman Platinum Pro EQ 90 90+ $300
Radial Tonebone PZ-Pre 90 90+ $300
Boss AD-8 90 90+ $350
Budget Option
Boss AD-2 87 40+ $100

LR Baggs Para DI

92
GEARANK

92 out of 100. Incorporating 375+ ratings and reviews.

Street Price: 

$189
LR Baggs Para DI Acoustic Guitar Preamp

The LR Baggs PARA DI is a versatile acoustic preamp that can be used on the floor or on a desk, thanks to its compact form factor. This unit has a 5 band EQ with tunable notch and midrange bands provide extensive tone shaping. It is usually employed for subtle adjustments to fix venue related sound issues, or even to change the sound altogether. Other practical features include feedback control via phase inversion and the option to power the unit via a 9V battery or via phantom power.

Features:

  • Works for both passive and active pickups (adjustable gain)
  • 5 band EQ with tunable notch and midrange bands
  • Phase inversion for feedback control
  • XLR and 1/4" outputs
  • Works with 9V battery or 48V phantom power

Pros

Most users report that the LR Baggs Para DI improved their sound significantly. And while most recommendations are from satisfied guitarists, musicians who play violins and other pickup-equipped acoustic instruments also chipped in with their positive reviews. Many are impressed with how the preamp brings out details that otherwise would be lost. In addition to sounding better, many also claim that it makes them play better.

Cons

Some users mentioned that they encountered feedback issues during the first few uses, until they learned to better utilize the notch filters. Others pointed out that the learning curve for maximizing its potential is a bit longer than expected. There are also a few who wished for the price to be a bit lower.

Overall

If you're a multi-instrumentalist that play various acoustic instruments, then the portable and versatile LR Baggs Para DI box is highly recommended.

Fire-Eye Red-Eye

92
GEARANK

92 out of 100. Incorporating 60+ ratings and reviews.

Street Price: 

$195
Fire-Eye Red-Eye Acoustic Instrument Preamp DI

Fire-Eye is a boutique brand that may not be all that well known to a lot of people, however it was clear when reading customer reviews and forum posts that many gigging musicians swear by their Red-Eye.

This preamp and it's bigger sibling, the Fire-Eye Red-Eye Twin, have received exceptionally high ratings, in fact it is difficult to find any expert or customer review rating it at the equivalent of less than 4 out of 5 stars.

Although less feature packed than many other options, where it shines is in its simplicity of use and its clarity of tone.

Features

  • Input Impedance: 1 million ohms, maximum 1 volt peak-to-peak level.
  • Low-impedance, balanced, XLR output, 600 ohms, will drive long cables to a mix-board.
  • Boost button with volume control for amplifying solos.
  • Treble control to boost or reduce treble.
  • Long 9-volt battery life (~200 hours).
  • Automatically uses XLR Phantom Power, when available, instead of the battery.
  • Plugging an instrument in or connecting XLR phantom power turns the Red-Eye on.
  • Automatic power check.
  • ¼ inch output and input for accessory loop.
  • Internal filtering to reject radio-frequency interference from neon lights and cell phones.
  • Dimensions: 1.25" x 2.25" x 4.25"
  • Weight: 0.625 lbs

Pros

Its transparency was cited many times in customer reviews. Many people commented on how easy it is to use - the phrase 'plug and play' also came up frequently. 'Professional' or words to that effect were in many user reports. The boost button came in for a lot of praise by finger pickers and those who like to switch between playing rhythm and solos on their acoustic guitar. Usually with a product that's becoming as popular as this is, there will be at least a small minority who express some degree of buyer's remorse, however no sentiment like that was evident when I was researching the Red-Eye.

Cons

There were few, if any, consistently reported negatives. One user lamented the fact that you have to unscrew 4 screws on the back to change the battery, however they quickly added that this wasn't a deal breaker. A couple of others suggested that it would have been nice to have included gain control to make it easier to use with hot active acoustic pickup systems, but even these people didn't rate it less than 4.5 out of 5 stars.

Overall

If you're looking for a no-nonsense preamp and DI with very good clarity and transparency, then put the Red-Eye at the top of your shopping list.

BBE Acoustimax

91
GEARANK

91 out of 100. Incorporating 175+ ratings and reviews.

Street Price: 

$200
BBE Acoustimax Acoustic Preamp DI Pedal

BBE Sound Inc. is known for their popular "Sonic Maximizer", which improved the clarity and volume of many recordings. They have since branched into live sound reinforcement and have made their technology suited for acoustic instruments, resulting in the BBE Acoustimax. While it may not have as many extra features, it works great where it matters, having extensive tone shaping controls and providing great sound courtesy of the built-in Sonic Maximizer.

Features:

  • 3-Band EQ with sweepable mid-range band
  • Low-frequency notch filter
  • Phase reversal
  • Ground lift
  • Line level out (Direct Input)
  • Dedicated tuner out
  • TRS effects loop
  • Pre/post switchable-balanced DI output with pad
  • Input Impedance 2.2 M Ohm
  • True bypass switching
  • Non-slip rubber bottom
  • 12v power supply included
  • Weight: 3 lbs.

Pros

The BBE Acoustimax continues to receive high ratings, from users and experts who experience dramatic sound improvement via its built-in sonic maximizer. Reviews are replete with positive stories and recommendations of musicians who use various acoustic instruments that include acoustic guitar, classical guitar, violin, mandolin, banjo and many more. The tone shaping element is also well appreciated in the reviews, especially for musicians who have to adjust their sound to the different venues that they play on.

Cons

There are some users who expressed concern on the unit's AC adaptor, which come with tiny wires that feel flimsy. Some also commented that the pedal is too big for its basic functionality, while others hoped for extras like built-in tuner (instead of a dedicated tuner out) and other acoustic-friendly effects. Still, these reviewers are happy with their minor gripes and still recommend the unit to others.

Overall

This may not be a do-it-all type of acoustic pedal, but it definitely fits the preamp bill perfectly. If you're looking to enhance your amplified acoustic sound and want nothing less than the best, then get this one.

Tech 21 SansAmp Para Driver V2

90
GEARANK

90 out of 100. Incorporating 60+ ratings and reviews.

Street Price: 

$209
Tech 21 SansAmp Para Driver V2

This multi-purpose preamp/DI Box from Tech 21's popular SansAmp line is dedicated to acoustic instruments. Like the their popular bass preamp box, the SansAmp Para Driver comes with a preamp complete with tone shaping elements, the main difference being this one is voiced to complement the sound of acoustic instruments. This preamp pedal is known for adding analog tube like warmth that fattens up the usual thin and quacky sound of piezo-pickups.

Features:

  • Active tone controls with 12dB of cut or boost
  • Sweepable semi-parametric EQ
  • 1/4-inch 4.7 megOhm instrument level input
  • 1/4-inch and XLR outputs with selectable levels
  • Input Impedance 4.7 M Ohm
  • Parallel, uneffected output to run a dry signal to a separate channel
  • Weight: 0.875 lbs

Pros

As expected of a SansAmp pedal, it modifies the resulting sound in a good way. Commonly mentioned in reviews is its great sound, which adds tube amp like character to the sound, without overly coloring your tone. In addition to working great with acoustic instruments, the SansAmp Para Driver has enough tone sculpting options for non-acoustic instruments like electric and bass guitars - and it is sometimes used as an effect pedal in front of an amp. Other positive traits that users have reported include its useful Drive function, low-noise operation and easy access battery compartment.

Cons

Since it warms up the sound considerably, the SansAmp Para Driver may not be your choice if your tone is already good enough to your ears, and you are simply looking for a transparent preamp/DI Box solution. I'd complain about the price but it is still accessible to most musicians.

Overall

If you are looking for a compact all-around preamp with excellent DI Box functionality, then the Tech 21 SansAmp Para Driver DI is highly recommended.

LR Baggs Session DI

90
GEARANK

90 out of 100. Incorporating 50+ ratings and reviews.

Street Price: 

$249

The LR Baggs Session DI is a compact acoustic preamp solution that allows for complex tone shaping with minimal knob tweaking. Speaking of knobs, it features intuitive control knobs that lets you adjust selective resonance filtering, multiband compression and saturation, all of which are tweaked to work well with acoustic guitars and other pickup equipped instruments. Other controls include volume and gain knobs, as well as a phase button and a mute footswitch. Finally, there's a colorful VU meter on the face of the unit that lets you monitor and optimize your instrument input level.

Features:

  • Preamp with built-in Multiband Compression
  • With Variable Garret Null notch filter and phase switch
  • Powered by 9V battery, phantom power, or power supply
  • 1/4" Input, 1/4" and XLR output
  • Compact form factor
  • Weight: 1.5lbs

Pros

There's just something about LR Baggs' preamp design that makes them sound really good. Many use it to improve the sound of what otherwise would be a thin sounding acoustic instrument, while even those with already good sounding instruments use it subtly for added warmth. Its compression and saturation also received a lot of commendations for its studio level quality, especially when considering its compact profile.

Cons

As expected from a premium brand, the price for this small pedal can be a bit daunting for some, while others wanted a bit more features to make it worth their money. The clarity and warmth of the pedal makes it ideal for fingertyle playing, but with some tweaks it can work just as well with other styles.

Overall

If you're looking for a quality preamp that's easy to use, compact and versatile, then get the LR Baggs Session DI Acoustic.

Fire-Eye Red-Eye Twin

94
GEARANK

94 out of 100. Incorporating 30+ ratings and reviews.

Street Price: 

$295
Fire-Eye Red-Eye Twin Instrument Preamp

As the name implies, the Red-Eye Twin packs two all-analog Red-Eye preamps into one compact unit. It is meant for musicians who switch between multiple instruments in gigs, simplifying instrument switching while providing transparent high-fidelity preamplification and DI-box functions. It has two inputs for two instruments, with dedicated gain and treble knobs. There's also a switch that lets you switch between instruments or use them simultaneously. There's not much to work with in terms of tone shaping, but it does have a clean boost footswitch for emphasizing certain musical lines.

Features

  • A/B Stomp instrument switching.
  • Mode Switch (A/B or A+B)
  • Dedicated Gain and Treble controls for each instrument.
  • Input Impedance: 1 million ohms, maximum 1 volt peak-to-peak level.
  • Low-impedance, balanced, XLR output, 600 ohms, will drive long cables to a mix-board.
  • Boost button with volume control for amplifying solos.
  • Runs on 9-volt battery (~200 hours), Runs on XLR Phantom Power when available
  • Plugging an instrument in or connecting XLR phantom power turns the Red-Eye on.
  • Automatic power check light/
  • ¼ inch output and input for accessory loop.
  • Internal filtering for interference rejection.
  • Dimensions: 1.25" x 3.5" x 4.5".
  • Weight: 1.125 lbs.

Pros

One user summarizes market sentiment nicely by saying that the Fire-Eye Red-Eye Twin is a "very well thought out unit". It gets a lot of commendations for its transparency and simplicity, while others were happy with how it helped them organize their rig when using two acoustic instruments. Most of the positive ratings were from acoustic guitar players who also play other acoustic instruments like Mandolin.

Cons

There were a few who wished for more tone shaping controls, but that defeats the Fire-Eye Twin's simplicity.

Overall

The Fire-Eye Red-Eye Twin is highly recommended for multi-instrumentalists who switch between acoustic instruments in performances.

LR Baggs Venue DI

91
GEARANK

91 out of 100. Incorporating 175+ ratings and reviews.

Street Price: 

$299
LR Baggs Venue DI Acoustic Preamp DI Box with EQ and Tuner Pedal

Known for their pro quality acoustic instrument guitar pickups, it is only natural that LR Baggs know how to make your acoustic guitar signal sound great when going straight to PA. And so they showed their skill with this feature packed unit, combining preamp, tone shaping and DI box functionality all in one unit. More than just a "stuffed up" unit, the preamp, EQ and DI Box functionalities work really well together or when used sparingly. Even virtuosos like Leo Kottke have been spotted putting this unit to good use.

Features:

  • Adjustable gain for both passive and active pickups
  • 5 band EQ with tunable low-mid and high-mid bands
  • Garret Null notch filter for effective feedback control
  • Phase inversion for best sound and feedback control
  • Full chromatic tuner with footswitch mute/tune function
  • Adjustable volume boost footswitch
  • Full isolation audio transformer couple DI
  • 4 segment clip meter to visually optimize gain setting
  • 4 segment battery )status gauge
  • XLR and 1/4" outputs
  • Input Impedance 10 M Ohm
  • Series FX loop (separate jacks for send and return)
  • Works with 9V battery or DC adapter (not provided)
  • Weight: 2.2 lbs.

Pros

Reviews are consistent in saying that the LR Baggs Venue DI Pedal makes their instrument sound better. Users and expert reviewers agree that this is a true all-in-one solution for musicians who play acoustic instruments. It's also surprisingly versatile, with acoustic guitarists, violinists and more expressing their thanks. Another very nifty feature of this pedal is the volume boost switch that gives you instant added volume when doing solo parts, or when you want to emphasize certain musical lines.

Cons

There are some reviewers that complained about the tuner feature, but it maybe more of a manufacturing issue than an actual design fault. It would also be nicer if the price was lower, but that's asking too much since the Venue DI actually gives you the functionality of three different devices. Because of its wealth of controls, this unit may not be ideal if you are looking for a more plug and play type of DI box.

Overall

The LR Baggs Venue DI is highly recommended, especially if you have yet to get an EQ and Preamp pedal. It is a worthwhile investment if you are regularly having to plug your acoustic instrument straight to PA.

Fishman Platinum Pro EQ

90
GEARANK

90 out of 100. Incorporating 90+ ratings and reviews.

Street Price: 

$300

Being the most popular supplier of built-in electronics for acoustic guitar manufacturers, Fishman knows how to make acoustic guitars sound good. As such, it is only natural for them to come up with a quality acoustic preamp like the Platinum Pro E, an analog Class A preamp with 5-band EQ, phase control, notch filtering and compression. It has two footswitches, first of which is a boost switch for upping your volume on specific song parts, while the other one lets you engage the unit's built-in chromatic digital tuner,

Features:

  • Fishman Class-A 17-Volt preamp
  • 5-band Equalization
  • Notch Filter and Phase control for feedback reduction
  • One-Knob Compressor
  • Built-in Chromatic Digital Tuner with Dedicated Footswitch
  • Volume Boost with Dedicated Footswitch
  • Input: 1/4"
  • Outputs: 1 x 1/4", 1 x XLR
  • Runs on 9V Battery
  • Weight: 1.4 lbs.

Pros

The Fishman Platinum Pro EQ continues to receive welcoming reviews from guitarists, cellists and other acoustic musicians. There are a lot of good feedback on its 5-band EQ and compression, specifically on how versatile and intuitive they are. The unit's feedback resistance also prompted many to give this unit high ratings.

Cons

One user noted that this preamp drains batteries quite fast, and wished that it could run on Phantom power like its predecessor. There were also a few who experienced issues with the tuner.

Overall

All in all, with Fishman's big brand backing and reputation, the Platinum Pro EQ is a safe pick if you're looking for a reliable acoustic preamp.

Radial Tonebone PZ-Pre

90
GEARANK

90 out of 100. Incorporating 90+ ratings and reviews.

Street Price: 

$300
Radial Tonebone PZ-Pre Acoustic Preamp DI Box

Radial joins the preamp market with a feature packed multi-function unit specifically built for acoustic instruments, the Tonebone PZ-Pre. With its long list of well known artist endorsers that include James Taylor, Jerry Douglas, Keb' Mo' and more - there's just no way to miss out on this in a best preamp for acoustic instruments list. It combines tone shaping for acoustic with Radial's acclaimed preamp quality, resulting in a versatile and clean sounding preamp that is loved by many.

Features:

  • Two Channel Preamp and Active DI Box
  • Independent piezo boosters for each channel
  • With Notch and High Pass Filter
  • Pre and Post EQ balanced DI out for FOH and in-ear monitoring
  • Tuner out and Guitar amp out
  • Input Impedance (Piezo) 10 M Ohm | Normal 6.8 M Ohm
  • 3-Band EQ with semi-parametric mid
  • Weight: 2.7 lbs

Pros

Majority of reviewers have praised the Tonebone PZ-Pre's versatile input/output features and its great sound. It is perfect for singer-songwriters or musicians who switch between two or more instruments in live performance. Many also commended the tone shaping ability of the pedal, with some noting that by following suggestions from the manual, they were able to get great sounds. Since this pedal is from Radial, don't expect much coloration, so it won't necessarily make you sound "better", but will simply make more details clearer.

Cons

Since it focuses more on transparency instead of modifying your sound, it can't really save an instrument or rig that doesn't already sound good in the first place. And this is most probably the reason for some of the negative ratings that the unit received, which is unfair considering that this pedal works wonders for majority of its users. Another issue that came up is the unit's price and bulk, but since it gives you 2 channels, tone shaping and complex DI Box features, it should be easily forgivable.

Overall

If you're looking for a powerful transparent DI Box solution for your acoustic guitar or other acoustic instruments, then the Radial Tonebone PZ-Pre Preamp D is definitely worth checking out.

Boss AD-8

90
GEARANK

90 out of 100. Incorporating 90+ ratings and reviews.

Street Price: 

$350
Boss AD-8 Acoustic Preamp Guitar Processor Pedal

Boss has a tendency of going for the extreme when it comes to adding features into their guitar processors, and this rings true with the AD-8. This preamp packs quite a lot of sounds, equipped with COSM acoustic guitar modeling technology which morphs your guitar sound to be similar to the miked sound of an expensive and sought after acoustic guitar specimen. In addition, it has built-in reverb and a 4-band EQ which gives you even more room to tweak your amplified acoustic sound.

Features:

  • Boss COSM Acoustic Guitar Modeling technology
  • Six acoustic models
  • Simulates warm, miked acoustic sounds
  • Built-in reverb tailored for acoustic guitar
  • 4-band EQ
  • Anti-Feedback
  • Onboard chromatic tuner with Mute function
  • Input Impedance 4.7 M Ohm
  • 4 Preset memory locations for switching acoustic sounds instantly
  • Balanced XLR outputs allow direct connection to PA systems
  • Weight: 4.25 lbs.

Pros

The majority of users are happy with how the Boss AD-8 made their guitar sing, adding upper harmonic sparkle and dynamics that would normally only be available when an acoustic guitar is miked. There was even one who reported using the AD-8 for years, with various guitars and pickups, to his satisfaction, made possible by the wealth of tone shaping features that the unit has. There were some guitarists who play nylon strings who also provided their 5-star approval, saying that with some tweaking, they got their instrument to sound organic. Another commonly mentioned positive feature of the AD-8 is its reverb, which works well regardless of the instrument you're using.

Cons

Of the few low ratings, their main point of contention is the addition of COSM guitar modeling feature. But other users have pointed out that with some patience, it can give desirable results. Another complaint that was raised is its lack of chorus, which the older and cheaper versions had. Some experienced users also mentioned the lack of attenuation setting, which can help better balance out the sound when connecting direct to PA.

Overall

Having weighed all the pros and cons, this is still a great acoustic guitar preamp that many recommend, so if you have the patience to tweak and you're looking for a reliable preamp then this is definitely worth checking out.

Budget Option

Here's where we present a lower priced alternative for those on a tight budget..

Boss AD-2

87
GEARANK

87 out of 100. Incorporating 40+ ratings and reviews.

Street Price: 

$100
Boss AD-2

There's no denying Boss' dominance in the compact pedal market, and the Boss AD-2 is an acoustic preamp that showcases their best traits - reliability, quality and affordability. It is a preamp housed the company's familiar and sturdy stompbox form factor, featuring three knobs that are easy to operate. But don't make the mistake of assuming that this is a simple pedal, because the Acoustic Resonance knob adjusts multiple parameters via a digital processor, that results in a more natural acoustic tone. The ambience feature is also a nice plus, adding reverb to improve the sound of your guitar. Add to that the pedal's Notch filtering and you have a nice acoustic preamp package that's very reasonably priced.

Features:

  • Boss Stompbox Form Factor
  • Acoustic Resonance Control
  • Ambiance (Reverb) Control
  • Notch Filter
  • Input Impedance :10 M Ohms
  • Input: 1 x 1/4"
  • Output: 2 x 1/4"
  • Weight: 1 lb.

Pros

Market response is quite positive, with many pointing to its quality and value for money being its stand out feature. It also helps that it's compact and in a shape that's familiar with many guitarists. It's simplicity and sonic flexibilty also impressed many musicians.

Cons

The most common complaint is its lack of an XLR output, but it does have a balanced line out that can be plugged into PA systems.

Overall

While the Boss AD-2 is highly recommended for those with budget constraints, with its reliability, it can also be a good spare acoustic preamp for those with more expensive units.

Things to Consider when Buying an Acoustic Preamp Pedal

  • Pickup Type

    • Active Piezo/Transducer Pickups

      Acoustic Electric guitars that have inbuilt battery powered preamps are mostly of this type. You can get by without a preamp (unless you want to plug straight into the mixer) but many players use them to shape the tone and get rid of the dreaded 'Quack' sound the piezo's tend to produce.

    • Passive Piezo Pickups

      These are the kind that attach to an acoustic instrument to pick up the vibrations without built-in electronics. Examples are acoustic guitars, banjo, cello, violin/fiddle, mandolin, contrabass, bouzouki, lute and many more. They need higher impedance inputs to produce a decent sound. At least 1M Ohm is required and 10M Ohms is recommended which is more than most amps or standard guitar pedals provide.

    • Magnetic Pickups

      behave much like the pickups found on electric guitars and you can plug them straight into ordinary pedals or an amp. As a result they can sound a bit more like an electric guitar and many players choose to use a preamp to emphasise the acoustic sound of their guitar.

  • What are you looking to play through?

    • Mixing Desk / XLR Connection

      This is where acoustic preamps are essential and their tone shaping shines. Firstly you'll need a preamp to at least act as a DI to connect to the XLR mic inputs of typical desks. Acoustic Preamps are much better suited to shaping the tone of acoustic instruments than the options on a mixing desk. They also allow you to bring out the sound of your instrument best rather than relying on last minute tweaking on the mixing desk.

    • Acoustic Instrument Amp

      You don't strictly need a preamp if you already have an onboard preamp or a magnetic pickup, but you can still use it to shape and improve tone - as many professionals do. It is a must if you have a passive Piezo pickup.

  • Tone Shaping

    Ideally, preamps are meant to just amplify the natural tone of your instrument, but real world scenarios require you to tweak the sound to get the better results. EQ and other tone shaping options are good features to look out for, since they allow for sonic flexibility, be it for adding subtle warmth, or for dramatically improving the sound of your instrument.

  • Feedback Suppression

    There's nothing more annoying than having to deal with unwanted feedback in the middle of performance. If this is a concern you'll want an acoustic preamp that can help you deal with feedback, look for those that can automatically/manually block feedback. These use notch filters to suppress the specific frequencies that the feedback is occurring on.

  • Active Di Box vs Preamps

    Strictly speaking Active (not passive) DI's are preamps and they fulfill the same basic function. In this article we've focused more on the tone shaping pedal based preamps.

Methodology

It started with us looking at readily available acoustic preamps in the US market. We then limited our scope to preamps that are specifically designed for acoustic guitars and other acoustic instruments, and specifically went with those with pedal style profile. We then gathered all relevant ratings and reviews (updated for 2017), as well as professional recommendations, and fed all these data to the Gearank algorithm. This process provided us with a reliable score that we use to figure out which among them are the best. Finally, we added a budget option for those who are working with limited funds. For more information see How Gearank Works.

Comments

Why did you not include the

Why did you not include the LR Baggs para DI? It would have been a good review with the LR Baggs para DI in the test.

The LR Baggs Para DI

The LR Baggs Para DI currently has a Gearank score of 92 (I just updated it today) which means it will very likely be included when we do our next update of this Gear Guide which is scheduled for later this month.

We have updated the list to

We have updated the list to include the LR Baggs Para DI, indeed it deserves a spot on this list.

I've read a lot of great

I've read a lot of great things about the the Fire Eye Red-Eye, unfortunately it did not meet our criteria for availability, where it should be available from major music gear retailers.

The LR Baggs Session DI

The LR Baggs Session DI initially had a spot on this list with its Gearank score of 86, but it was replaced by the better ranked LR Baggs Para DI.

From the data we gathered, the Session DI's compact size and deep tone shaping controls were well loved by users. Although there were some that complained about the complexity and the price tag.

Still, it's an easy recommendation if you prefer the stompbox form factor, and want a good handle of your amplified sound.

This week, I called Fishman

This week, I called Fishman and asked specifically about the Fishman Aura vs. Fishman Platinum. I liked the tuner better on the Aura, but wondered about my onboard electronics on my Taylor 814. They said the all-analog Platinum Pro EQ would be just as effective and possibly better for me. I explained that I missed the old Fishman Prefix Blender system in my old 2000 Taylor 714. I got the impression that the Aura doesn't always mesh well with the Taylor pickups. Thoughts? I wish I could have compared them side by side...

Do you know anything about

Do you know anything about the boss AD5 ? Could it be used with a BBE acoustimax or does it have to be separate?

Headway EDB2 is long enough

Headway EDB2 has been long enough on the market to give it a mention.

Fire-eye Develoment Redeye.

Fire-eye Develoment Redeye. Pros all over Nashville are using this. Solid company, rock star preamp. Super simple but clean with TONS of headroom. And, XLR phantom power and 9v to boot. Built like a tank. They have a 2 channel version also.

Thank you very much for

Thank you very much for reminding us about Fire-Eye.

Originally they didn't meet our availability criteria because they're not sold through any of the specialty major music gear stores, however we've since relaxed our rules to include brands that only sell direct or via Amazon so I've added the Fire-Eye Red-Eye at the top of the list.

Do you know of an alternative

Do you know of an alternative to the K&K Trinity preamp? The K&K stereo (2 channel) preamp only takes a 9 volt battery (no AC or 48V option) and requires a DI box between the preamp and a PA (board/interface). So I'm looking for something that it accepts a TRS (stereo) signal and then allows for shaping of each channel independently. Plus if the alternative has an XLR (DI) out.

I did some of the work on

I did some of the work on this guide and I don't recall seeing anything that resembled your requirements from any of the major manufacturers.

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