The Best Pop Filter to Keep Your Plosives From Having Kittens

pop filters

Regardless of how good your mics are or your microphone technique, plosive sounds can ruin a good recording session. This is why getting the best pop filter is important, so you don’t have to fix plosives in post production.

Plosives (also called stop consonants) force air to move faster, which hits the mic’s diaphragm hard enough to cause unwanted signal clipping. There’s no way to avoid using plosives because they are a natural part of speech. Pop filters are designed to dissipate this forced air reducing its velocity, allowing for clean vocal recording even when using words that start with consonants like “P” and “B”.

Pop filters are positioned between the singer and the microphone to prevent fast-moving air from hitting the mic capsule. In addition to managing plosives, a good pop filter also keeps Harsh Sibilance in check. Hygiene is also a very important thing especially in recording studios. A pop filter prevents stray droplets of saliva from hitting your mic. Pop filters can be cleaned regularly.

Thanks to the efficiency and practicality of their mechanical filtration, we still haven’t found modern alternatives to pop filters.

Featured in this guide are market favorites, that are tried and tested pop to help clean up your vocal recordings.

The Best Pop Filters 2024

Author & Contributors

Best Mic Pop Filter - Universal Pop Filters

Dragonpad USA 6"

90 out of 100. Incorporating 10700+ ratings and reviews.


  • The rotation of the filter unscrews the headframe


  • Simple and effective
  • Dual layer pop filter design offers improved plosive rejection
  • 360 degree swivel allows for odd angled mic positions

The Dragonpad USA 6" Pop filter is a simple, no nonsense pop filter with a 13", 360 degree gooseneck for positioning adaptability. This allows mic techniques such as singing at an off angle to reduce sibilance.

The clamping mechanism is designed to accommodate various types of mic stand shafts without scuffing or scratching them.

A dual layered filter prevents harder pops and plosives from overloading sensitive condenser diaphragms.

The unit's simplicity and no-nonsense is the primary reason to get this filter. The 6" Size is able to shield even the largest of microphones with a good amount of plosive rejection and minimal tonal difference.

One thing to note is that the 360 degree rotation of the pop filter unscrews the headframe of the unit.

That quirk aside, the Dragonpad USA 6" just works for those who want an affordable, no nonsense pop filter. It is perfect for use with budget friendly mics.


  • Diameter: 6"
  • Gooseneck: 13"
  • Two-layer pop screen

ARISEN Dual Layered Microphone Pop Filter

92 out of 100. Incorporating 1050+ ratings and reviews.
ARISEN Dual Layered Microphone Pop Filter


  • A bit heavy (12.8 oz.)


  • Durable
  • Center is made of metal mesh
  • Easy maintenance

Arisen might not be the most popular brand. With just a click on the reviews page, however, you'll see why it's a reliable pop filter.

The 6.2" pop filter size is more than enough to cover any plosives. The gooseneck is bendable at all angles, providing you with that preferred adjustment without the hassle of suddenly becoming loose.

It's dual-layered but with one twist--it's made of metal in the center. The sides are made of nylon mesh pop filters. Most pop filters would get the job done with a mesh.

However, since the center is metal, it provides extra openness or clarity to the voice. It sounds like a regular singing or VO without the plosive sounds.

Not only that, but most nylon pop filters are delicate. For this, you could make the adjustments by holding the center and it won't break.

The only downside to this is that it's a bit heavier than most pop filters. If you screw it over to a mic stand, it may pull the weight down.

Aside from the clarity it brings, who wouldn't want a pop filter that has a professional look as well? I'd say it has a great design that doesn't impede sound.

Tech Specs

  • Diameter:6.2"
  • Gooseneck:14"
  • Center: Dual metal screen Side: Nylon mesh

Stedman Proscreen PS101

94 out of 100. Incorporating 300+ ratings and reviews.
At publication time this was the Equal Highest Rated Microphone Pop Filter along with the Stedman Proscreen XL.


  • May be too small for some mics


  • Very transparent sounding pop filter
  • Easy to clean
  • Metal pop filters last longer

The Stedman Proscreen PS101 is the standard size metal pop screen from Stedman.

It features a 4.6" metal screen filter with air gap design that directs air downwards, away from the mic pickup point while keeping the sound as transparent as possible.

The 13" gooseneck makes positioning easy and the clamp size easily accommodates various mic stand shaft diameters.

One of the biggest pros of the Stedman Proscreen PS101 is its transparency. The airflow directing design also kept sibilant sounds from being selectively filtered (a usual occurrence with fabric based filters) making them easier to spot and de-ess in post should there be the need to do so.

Having a metal filter also makes the PS101 very durable compared to fabric filters. Unlike fabric filters, some saliva might still pass through the filter and onto your mic.

While the filter itself is washable, your mic isn't. So have this in mind when using the filter with more aggressive sounding singers.

The Stedman Proscreen PS101 is a unique and minimal pop filter that does the job differently from most. The result is a transparent sounding upper range capture for your mics while effectively reducing lower plosives.

Get it if absolute transparency is desired. If you need a larger filter, the XL version is also featured below.


  • Diameter: 4.6"
  • Gooseneck: 13"
  • Metal screen

Rating Source Highlight

Website Source *Rating Value
YouTube Tech Raven 100/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Stedman Proscreen XL

94 out of 100. Incorporating 300+ ratings and reviews.
At publication time this was the Equal Highest Rated Microphone Pop Filter along with the Stedman Proscreen PS101.


  • Premium price range may put it out of reach of budget restricted audio engineers


  • Large filter area
  • Easy to maintain
  • Transparent sound ideal for recording vocals

The Stedman Proscreen XL Pop Filter features a 6" diameter filter that's made using a material that they designed and patented.

While they did not give the exact details, I would describe the filter material to be more like metal, that stops louder plosives from reaching your microphone while keeping the sound uncolored. The material is easy to clean and reliable.

Other features include a 13" flexible gooseneck mount and a nylon-tipped clamp that is meant to avoid scratches on your mic stand.

The Stedman Proscreen XL Pro Filter commands a premium price relative to many others, but the long term durability, filter size, and mounting ease make it more than ideal for any recording situation.

If budget is not an issue and you're looking for a reliable non-fabric mesh pop shield, then this American-made high-quality pop filter is highly recommended.

The Nady MPF 6 is a good cheap pop filter alternative too look into if budget is limited.


  • Diameter: 6"
  • Gooseneck: 13"
  • Nylon-tip clamp
  • Angled filter openings that force the plosive energy downwards away from the mic
  • Washable filter

Rating Source Highlight

Website Source *Rating Value Matthew McGlynn 90/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Special Option for Large-diaphragm Rode Condensers

Rode SM6

92 out of 100. Incorporating 800+ ratings and reviews.


  • Only for Rode condenser mics
  • Is too heavy for some Mic Stands


  • Combination of pop filter and Shock Mount is great value
  • Dual layer mesh doesn't affect sound
  • Solidly built
  • Elastic bands made to last

The SM6 shock mount and pop filter is commonly included with the Rode NT1 kit. It's a robust, metal pop filter with heavy duty woven elastic bands holding the cradle in place.

Most shock mounts have a basic rubber band system that is prone to breakage.

What's unique about it is that the dual layer pop filter is included in the assembly.

The pop filter itself is 5.5" in diameter and is affixed to the front of the shockmount.

Rode NT1 on Shockmount
Pictured is the Rode NT1 with the SM6 Shockmount and Pop Filter.

The main con to the unit is the weight. While solidly built, it might be too heavy for some mic stands. To alleviate this, mounting it on a vertical mic stand or a boom arm with a counterweight is the best option. I'm using a straight stand in these photos and it stays firmly in place.

The Rode SM6 is the best microphone pop filter for Rode condenser owners.


  • Double Screen Mesh
  • 5.5" Diameter filter Screen
  • Designed for Rode condenser microphones

Rating Source Highlight

Website Source *Rating Value
Gearank Raphael Pulgar 90/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Things to Consider When Buying a Pop Filter

Types of Pop Filters - Material

Most manufacturers offer nylon pop filters that use nylon mesh other fabric materials, usually because they are cheaper and more importantly they get the job done. Others utilize woven or perforated metal, of which some claim to provide improved clarity and transparency, specifically in the upper frequencies due to the slghtly wider holes.

There is no definite answer as to which is better, many experienced users still prefer nylon mesh material, while more premium builders prefer metal.

Filter Diameter

The standard filter diameter that many pop filters follow is 6", but there are smaller ones, with 4" being the most common among them. The bigger the pop filter diameter is, the more room for movement the vocalist has.

This allows for natural body movements while recording, instead of being strictly in one position which can sometimes kill inspiration and vibe. Smaller pop filters are ideal for small mics and small recording spaces, they are also lighter, which reduces the stress on the gooseneck, resulting in increased stability.

Gooseneck Quality

The length, flexibility, and stability of the filter's gooseneck plays a very important role in positioning the filter.

No one wants a filter that droops and requires constant adjustments, and you also don't want a neck that requires too much effort to bend into position. The best pop filter will have good quality goosenecks, with good balance of stability and flexibility.

Mounting and Compatibility

Most mic pop filters come with clamping and mounting mechanisms that allow for secure attachment to mic stands, and they should be fine if you use stand-mounted mics.

However, if you're using a desktop mounted mic, especially for home recording, you'll want a pop filter that can clip on the desk, or on the mic itself.

Some USB mics might not have the mass to counterbalance the weight of the pop filter. In this case, choose a smaller pop filter with an adjustable clamp.

Depending on the positioning of the mic, pop filter can also help alleviate proximity effect issues.

Another Way to Use a Pop Filter

I sometimes use pop filters when miking bass amps for slap bass players. This playing style usually has really fast speaker movements, and I usually use dynamic mics, but when using a condenser I like using a pop filter as a means to smooth out the sudden rush of air (transients) from the speaker.

Aside from singing vocals, microphone pop filters are also useful for voice actors and human speech. The Nady MPF 6 is quite good in getting these types of jobs done.

Do pop filters affect sound quality?

The main effect of pop filters on sound is removing unwanted plosives. Plosives are one of the hardest vocal Background Noise to edit out.
On the negative side, pop filters can have the unwanted effect of subtly lowering volume and impacting sound quality. Still, when properly implemented, the benefits easily outweighs the minimal impact it has on overall sound. For better results, use audio processing plugins like a Deesser.

Best Pop Filter Selection Methodology

The first edition was published in 2016. The current edition was published on June 21, 2024

First, we looked for pop filters that are readily available from US retailers. We then made a short-list of 16 of the best pop filters and compiled related data about them, including user ratings, reviews, forum discussions, expert opinions. You can view our short-list in the . The data we gathered for this edition tallied to over 54,000 sources. This large number of sources was then processed by the Gearank Algorithm to produce our rating scores out of 100. We selected the highest rated from the list to recommend above. For more information about our methods, see How Gearank Works.

About the Author and Contributors

Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.

Lead Author & Researcher

I have several microphones that I swap around depending on the singer and genre. Having a good pop filter that's easy to maintain and mount is definitely important especially when the mics are sensitive to moisture and plosives.


Alden Acosta: Product research.
Jason Horton: Editing and illustrating.


Main/Top Image: By using photographs of the Dragonpad USA, Stedman Proscreen XL and Shure PS-6.

The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers except for the NT1 + SM6 Shockmount and Pop Filter which was photographed by the Author.

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