The Best Guitar Compressor Pedals

The Highest Rated Compressor Pedals


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Dynamics are an often overlooked part of guitar playing. While most times you want a wide dynamic range, some playing styles benefit from a reduced dynamic range like funk, country, and tapping. Clean tones sound clearer, more balanced, and have more sustain when using a great compressor.

Modern metal clean tones also benefit from a limited dynamic range. Bands like Tesseract, Periphery and Meshuggah have used compressed clean tones to add to their musical palette. Combining clear, compressed cleans with modulation, reverb and delay opens up a wide possibility of sounds for ethereal and spacey moods.

In this February 2021 edition, we feature the best compressor pedals from a wide price range that are worthy additions to any pedalboard.

The Best Compression Pedals

Author & Contributors

Raphael PulgarRaphael Pulgar

I've been an audio engineer for 20 years specializing in rock and metal recordings, and also I play guitar and produce original music for my band and other content creators.

JHS Whitey Tighty Mini


93 out of 100. Incorporating 80+ ratings and reviews.

Street Price: 

JHS Whitey Tighty Mini FET Compressor Pedal

JHS humorously describes the Whitey Tighty as "...our take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down."

The Whitey Tighty is a transparent sounding compressor that goes from "barely there" to "heavily squished" with just a few knobs to fiddle with.

This minimal design also helps save up precious pedalboard real estate.

A blend knob helps balance out the compressed signal and your dry signal, enabling more control over your clean tone


  • Classic FET Compressor
  • Parameters: Volume, Blend, Comp
  • True Bypass
  • 9-18 Volt DC Adapter (Sold Separately)


Many people bought the Whitey Tightey Mini for its simplicity and size. Many of them found that the pedal sounded quieter than most compressors and felt more natural because of the blend knob. The attack was also praised for not being too harsh or "plinky" while retaining some spank on chicken picking and funk.


The only major con we found was a user that received a defective unit that was emitting a high pitched noise.


The JHS Whitey Tighty is a welcome addition to the pedalboards of many satisfied users and enjoys the status of being an "always on" type of pedal. Many of them feel "naked" when the pedal is bypassed; adding to the charm of the pedal and its namesake.

Xotic SP


95 out of 100. Incorporating 500+ ratings and reviews.

Street Price: 

Xotic SP Guitar Compressor Pedal

The SP Comp by Xotic is a compact and simple compressor on the outside but features hidden customizability under the hood.

On the surface, the only parameters you have access to are: volume, blend, and three different levels of compression (high, low, and medium levels).

However, the pedal does have four internal switches which you can use to modify attack and release, cut high-end frequencies, and cut dB output levels.

The internal dip-switches are not variable controls, so their ability to dial in different tones is limited.


  • VCA Compression
  • Parameters: Volume, Blend, Compression (Toggle)
  • Internal Dip-Switch: Attack, Release, Hi-Cut, and dB Cut
  • True Bypass
  • 9-Volt Battery or AC Adapter


Transparency is easily the strong suit of this pedal, as reflected in many reviews. Some even hail it as the most transparent compressor pedal, even after comparing it with more expensive units. Many also speak of the Xotic SP favorably for being simple and easy to use.


The only real concern with this pedal is that it may not be versatile enough for musicians who like to have a lot of control over how their compressor impacts their tone. But what the pedal lacks in flexibility it makes up in transparency. For tweakers, the compromise of having the other controls inside the pedal was seen as a negative.


This pedal is a great choice for anyone who wants a compression pedal that won’t interfere with the natural voicing of their instrument. With great tweakability (albeit at the cost of immediate access) portability and transparency, the Xotic SP is a good fit in any rig from small to large.

Boss CP-1X Compressor


95 out of 100. Incorporating 125+ ratings and reviews.

Street Price: 

Boss CP-1X Guitar Compressor Pedal

The CP-1X pedal takes a modern approach to compression.

It comes equipped with a multiband processor that analyzes your guitar signal and applies the effect as needed. This means, that the pedal adapts to different frequencies, volumes and playing nuances, to provide just the right level of compression.

Powering its high tech design, Boss equipped this pedal with 18-volt internal electronics, which also allows for higher than usual headroom.

Another noteworthy feature is its gain reduction indicator, which is very easy to spot.

Finally, it comes in the familiar stompbox Boss profile, known for incredible reliability.


  • Multiband Compressor
  • Parameters: Level, Attack, Ratio, Comp
  • Buffered Bypass
  • 9-Volt Battery or AC Adapter (Sold Separately)


Pristine, articulate and smooth, are appropriate adjectives that summarize actual user experience with the pedal. Most users are pleased with how it evens out the dynamics of their playing, making them sound more polished. There are many reports of it working well with different guitar tones, but its transparency is most impressive when used for clean to lightly overdriven tones. Also particularly noteworthy is its easy to use layout, impressing even Music Radar, which gave this pedal a 5 star rating.


There are some who aren't too happy that they need to buy the power adapter separately. And while it can run on 9V batteries, its 18V internal circuit means that it tends to drain the battery faster, so using the optional Boss adapter is advised.


Housed in the ever reliable boss enclosure, the Boss CP-1x brings studio quality transparent compression to your pedalboard. If modern transparency and reliability are important to you, then definitely check out the Boss CP-1X.

Wampler Mini Ego


96 out of 100. Incorporating 200+ ratings and reviews.

Street Price: 

Wampler Mini Ego Guitar Compressor Pedal

The Wampler Mini Ego is a downsized version of the Wampler Ego Compressor, an effect which has been used to great success by country-guitar hero Brad Paisley.

It actually has all of the controls found on its bigger brother, but it ditches variable controls for the “Tone” and “Attack” knobs in favor of two on/off switches.

And it also features the same build quality and good parameter adjustments as other Wampler pedals.


  • Compression type not listed (most likely VCA)
  • Parameters: Blend, Sustain, Volume, Tone (on/off) Attack (on/off)
  • True Bypass
  • 9v Adapter ONLY (no battery compartment)


The Mini Ego is touted by many as very transparent, similar to its bigger sibling, but with less complex controls. Many also love its compact size, freeing up precious pedalboard real estate for other effects. Ease of use is also often commended, while it is also praised for the extra switches that allow for a bit more control that's not usually available in pedals of its size.


A flaw with this pedal is that the on/off tone control likely isn’t going to work well with every instrument, an issue that’s avoided with the variable tone control you’ll find on the larger version of the pedal.


Despite the more minimal control scheme versus its bigger sibling, the Mini Ego retains a lot of the character and response that made the original well-loved. We recommend this pedal to those looking for a great compressor that won’t take up too much space on their pedalboard.

Wampler Ego V2


98 out of 100. Incorporating 425+ ratings and reviews.

Street Price: 

Wampler Ego Guitar Compressor Pedal
At publication time this was the Highest Rated Guitar Compressor Pedal.

The Wampler Ego V2 is similar to the Mini Ego, with the main difference being that the “control” and “tone” are variable knobs instead of on/off switches. Another important difference is that the Wampler Ego can run off of batteries in addition to a DC adapter, while the Mini Ego is run off of an adapter exclusively.

Wampler’s description of the Ego’s tone control leaves much to be speculated on, but from the description in the manual (which you can find on their website) it seems to be a presence control. Presence is a parameter which controls upper-mid range frequencies. Its purpose is to make an instrument more “present” in a mix that includes instruments in the same frequency range. For example, if there’s two guitarists in your band the presence knob will help you be heard over the other guitar player.


  • Compression type not listed (likely VCA)
  • Parameters: Sustain, Tone, Attack, Volume, Blend
  • True Bypass
  • 9-Volt Battery or DC Adapter


It is often commended for adding clarity and sparkle, especially for those with Strat and Tele style guitars. It also gets a lot of appreciation for the flexibility of its controls. Finally, there are many positive reports regarding its solid feel and build quality.


We looked hard and found that the only consistent complaints people had with this pedal is the price. One user hinted that the Ego V2 was not to their liking because of the added upper frequency harmonics but this was not elaborated on by the user.


Brian Wampler's designs have easily been the most studied by modern pedal builders. The Ego V2 ticks a lot of the right boxes with its approach in flexibility and adding a lot of clarity and sparkle to your tone.

Origin Effects Cali76 Compact Deluxe


93 out of 100. Incorporating 175+ ratings and reviews.

Street Price: 

Origin Effects Cali76 Compact Deluxe Compressor Pedal

The Origin Effects Cali76 is a premium studio grade FET compressor packed in a stompbox.

And for a pedal its size, it packs quite a number of controls, which include Ratio, Attack, Release, Dry along with output and input level knobs.

The three main knobs, Attack, Release and Ratio, let you personalize the compression effect, from subtle for transparency to all out for sustain.

The Dry knob serves as a blend control, for which gives adds your dry signal into the mix.

There's also a Jewel lamp which serves as a reduction meter by changing its color.

Finally, this pedal is assembled by hand and comes in a stainless-steel enclosure.


  • FET Compressor
  • Parameters: Ratio, Attack, Release, Dry, Out, In
  • Signal Conditioning Bypass Mode
  • 9-18 Volt DC Adapter (Sold Separately)


Overall response to this pedal is positive, with most of the high ratings pointing to its sound. Many are pleased with how it adds warmth and sustain, and how it always sounds musical even as they tweak the parameters. David Greeves writing for Sound on Sound was impressed with the Cali76 Compact Deluxe, concluding his review by saying: "They may not be cheap but they ooze quality and any guitarist with even a passing interest in compression should make a point of auditioning one or both."


It's hard for some to justify the premium price tag, but most of those who bought this pedal feel that it is a good investment.


This studio grade compressor pedal is well worth saving up to, for those who want to level up their use of compression effect.

Origin Effects Cali76 Stacked Edition


94 out of 100. Incorporating 50+ ratings and reviews.

Street Price: 

Origin Effects Cali76 Stacked Edition Compressor Pedal

The Cali76 Stacked Edition takes compression effect to the next level literally, by stacking two layers of FET compressors in one stompbox. This is meant to appeal to those who utilize their compressor pedal as a tone shaping tool.

The two compressors run in series, and have independent attack/release controls for tweaking dynamic response that's simply not available from conventional compressors.

Aside from its dual compressor design, it has similar features to the Cali76 Compact Deluxe, including the addition of a Dry knob for blending in your dry signal, along with input and output gain controls.


  • Dual FET Compressor
  • Parameters: Att/Rel 1, Att/Rel 2, Thru, Dry, Out, In
  • Signal Conditioning Bypass Mode
  • 9-18 Volt DC Adapter (Sold Separately)


Given its price, it's understandable to find that most owners of this unit are professional musicians who have incorporated this pedal with other expensive equipment. And most of these owners are simply impressed with its incredible control over clarity and dynamics, and consider it as a very advantageous investment towards getting consistently good tone.


This pedal is beyond the average price that most guitarists are willing to pay for a compressor pedal. Thankfully, it is deemed worthy by those who bought it. And while it gives you two compressors, it loses some of the parameter fine tuning capabilities of the Cali76 Compact Deluxe.


If one compressor is not enough, and you have the money to spend, then the Origin Effects Cali76 Stacked Edition is highly recommended. It is the definitive pedal for those who desire absolute premium, studio quality compression.

Under $100 Budget Option

MXR M102 Dyna Comp


91 out of 100. Incorporating 1150+ ratings and reviews.

Street Price: 

MXR M102 Dyna Comp Guitar Compressor Pedal

The MXR M102 Dyna Comp is a long running, some would say, legendary pedal. In production since 1976, the M102 has been copied, modified and replicated in almost every way.

It features two controls: Output and Sensitivity and imparts a tone some would call "Sweet" or "Fat".

Nashville musicians have used the Dyna Comp for decades to fatten up the sound of Telecasters and other single coil guitars on recordings.


  • Dual FET Compressor
  • Parameters: Att/Rel 1, Att/Rel 2, Thru, Dry, Out, In
  • Signal Conditioning Bypass Mode
  • 9-18 Volt DC Adapter (Sold Separately)


Even on older reviews, the Dyna Comp scores high simply because of its signature sound and attack. Newer reviewers found that the sound is still unparalleled for modern music like neo-soul. For traditional country players that gave positive reviews, there is no other substitute for the M102.


While the color of its compressed sound is seen as a plus by many, others who needed a more transparent solution disliked the character the pedal imparted.


If you're after -the- country twang, the Dyna Comp is not just a great budget pick, but a great pick overall.

Things To Consider When Buying A Compression Pedal for Guitar

Here we tackle some of the more essential information about compression pedals, to equip you in making an informed purchase for your rig.

  • Parameter Controls (What Does What)

    Before you think about buying a compressor pedal you need to know about the most common parameters a compressor pedal controls. Also, don’t think that just because a compressor pedal has more knobs it’s going to be a better piece of equipment. In fact, some of the best compressor pedals ever only have two knobs.

    Volume / Level
    The volume / level knob controls the baseline level of volume a compressor pedal boosts your signal to. On lower settings the overall volume is lower, and on higher settings it’s higher. This control can either be used as a type of boost, boosting the signal to the point where it clips (distorts), or as a way to limit gain so that a signal doesn’t distort.

    Sustain / Sensitivity
    The sustain / sensitivity knob controls how compressed a signal is. At lower levels the signal retains more dynamics, so the quiet parts are quieter and the louder parts are louder. At higher levels it’s the opposite.

    Attack and Release
    The attack knob dictates how fast the compression kicks in, and the release knob controls how fast the signal becomes uncompressed once it falls below the noise threshold (controlled by the volume/level knob). A shorter attack time (lower settings) will mean that the effect compressors the signal faster, while with longer attack times the effect takes longer to kick in. Longer compression times help to retain brightness, but there are more dramatic peaks in volume as a result. Short release times can distort low-end frequencies, while longer release times can cause a “pumping” sound.

    Like any other effect, the key to dialing in usable levels of attack and release is to use both of these parameters in moderation. Also, be sure to experiment with different settings.

  • Types of Compression

    Something you should be aware of is that there are different types of compression. With that being said, the differences between pedal-based compression units (as opposed to larger rack-mount units) are very subtle. With the exception of multi-band compressors, different types of compression don’t really impact the tone so much as the response of the compression itself. Below are the most common varieties, and while other types of compressor pedals do exist your odds of encountering them aren’t very high.

    Optical compressors use an LED and a photocell. The LED grows brighter based on the input volume, and then the photocell “reads” the level of brightness and adjusts the gain based on your settings. These compressors are considered to have a very smooth and organic sounding attack and release.

    The circuit used in VCA compressors focuses on precisely controlling the compression, attack, and release of a signal. These pedals are considered to have a less natural tone than other types of compression.

    Valve compressors use a circuit based on one of the compressors above but with a vacuum tube in the signal path instead of a transistor. These compressors are considered to have a warmer tone than a pedal without a vacuum tube, though as stated above the difference isn’t very dramatic.

    FET Compression uses a certain type of transistor in order to replicate the response of tube compressors while being more reliable. These compressors are considered to produce a warm tone and an organic compression. They’re a good choice if you’re looking to fatten your guitar tone, but we’d recommend another option if you’re looking for a transparent (meaning it doesn’t affect your tone) compression. This type of compression requires more circuitry, so as a result the few pedals that use it are more expensive.

    Contrary to most other types of compressors, a multi-band compressor does have a dramatic impact on your tone. The reason for this is that multi-band compressors only compress certain frequency ranges. For example, this type of compressor can compress high-end response while leaving your mid and bass response unaffected.

  • Using a Compressor Pedal With Other Effects

    The question of where various effects should go in a signal chain (the order you put your effects in) is a hotly contested one, with musicians having different preferences based on the genre they play, their role in the band, their gear, and their desired tone. And it’s worth thinking about, because even if you have the best guitar compressor pedal you’re not going to get good results unless it’s properly placed in your signal chain.

    The general consensus on where to put a compressor pedal is either at the beginning of a signal chain or at its end. Placing a compressor at the end of a signal chain controls the level (volume) or your signal after all of your effects, which may be helpful if you use a variety of pedals. The bad part about putting a compressor at the end of a signal chain is that doing so tends to make the noise produced by your various pedals more audible. Placing your compressor at the beginning of a chain is less likely to introduce noise into your signal, but at the same time the effects after the compressor aren’t subject to compression.

    There’s more to the topic than what we’ve gone over here, so if you’d like to learn more about how to order your pedals just search “effect pedal order” and you’ll find a ton of great resources on the subject.

  • Pedalboard Space

    Once you have more than a couple of pedals, pedalboard real estate becomes a prime concern. Having a pedalboard can be a lifesaver because it makes your pedals easier to activate, which is really important during a live performance. However, a pedalboard is a finite space so there’s a limit to how many pedals you can fit on it.

    Because of this, many musicians look towards pedals with a smaller footprint. The only real thing you lose with a smaller pedal is that you don’t have quite as many parameters (knobs) to play with, so the tones you can get out of them is a bit more limited. But believe it or not, many of these smaller pedals can sound just as good as their bigger counterparts. This is especially true with compressor pedals, because many compressors only have two parameters in the first place (the legendary MXR DynaComp is a perfect example of this).

  • True Bypass vs. Buffered Output

    When you’re looking for pedals, you’re going to see the terms “true bypass” and “buffered output” thrown around a lot. Thankfully, these terms are actually really simple to define. A true bypass pedal doesn’t impact your signal when it’s turned off. A buffered output pedal boosts the signal.

    Something a lot of musicians don’t know is that once you start using around 20 feet worth of cable you start to lose frequency response, generally in the high-end. Buffered output pedals mitigate this by boosting your signal before it returns to your amplifier.

    Some musicians feel that pedals that aren’t true bypass weaken their signal or remove clarity, though in all reality this varies based on the type of circuit used. Pedals that aren’t true bypass are called hardwire bypass, because the signal still feeds through circuitry of the pedal when it isn’t engaged.

    Basically, you want either true bypass or buffered output pedals. If you use either true bypass or hardwire bypass pedals we’d recommend getting a boost pedal so that your signal retains volume and clarity.

Best Compressor Pedal Selection Methodology

The first edition was published in 2017 and the current edition was published on February 23, 2021.

We started by looking at the many compressor pedals available from USA based retailers and this resulted in producing a short-list of 30 pedals - all available with current ratings in the Music Gear Database. Then we collated and analyzed relevant reviews and ratings for each pedal, including the most recent feedback up to the second half of February 2021. The data we gathered came from over 10,300 sources, all of which were then processed by the Gearank Algorithm. This resulted in rating scores out of 100 which reflect market sentiment for each pedal. Finally, we selected only the highest rated ones to recommend in this guide. For more information about our methods see How Gearank Works.

About the Author and Contributors

Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.

Lead Author & Researcher

Raphael PulgarRaphael Pulgar

I've been an audio engineer for 20 years specializing in rock and metal recordings, and also I play guitar and produce original music for my band and other content creators.

Aside from endlessly window shopping and watching hours of gear reviews for leisure, he enjoys playing competitive FPS games, MMORPGs and caring for his 5 cats. He is primarily influenced by guitarists like Kurt Ballou and Paul Gilbert. His favorite pieces of gear are his Ibanez RG550RFR, Orange Brent Hinds Terror amplifier and EQD Acapulco Gold fuzz.


Alexander Briones: Supplemental writing.
Mason Hoberg: Supplemental writing.
Jason Horton: Editing and Illustrating.


Main/Top Image: By using photographs of the Wampler Ego V2, Origin Effects Cali76 Stacked Edition and Boss CP-1X Compressor.

The videos above have been embedded in accordance with YouTube's Terms of Service.

The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers.


People seriously overlook the

People seriously overlook the Pulp N Peel. It's not just a great compressor with an awesome blend knob, it just clean up the signal in an extremely musical way. I've been nothing but happy with mine.

Great review! Thx! I'm

Great review! Thx! I'm already craving the Mooer Yellow Comp!

In all my years of gear

In all my years of gear monging, one of the best pieces of gear I’ve come across, still have (after years of checking what else is out there), and love to pieces is the Diamond Compressor. I am amazed it’s not on your list, unless it’s because you already have a blatant copy of it on your list - the Mooer Yellow Comp. ???

Everyone has their personal

Everyone has their personal preferences and seeing as how you stated yours so strongly I decided to publish our rating for the CPR1 (Link to Amazon) which is the one I think you're referring to - see the Gearank rating here.

As it happens, the rating was higher than I estimated during our short-listing process, however it was just under the score we needed to recommend it in this guide - but it didn't miss by much and is highly regarded by many guitarists.

I understand your explanation

I understand your explanation about leaving off the Cali 76 but if your gonna have a best compressor list it’s bogus with out it. The whole point to having a list like this is to help people find the best not the most available. If people need advice on generic crap , they can go to GC for that. I guess this is the Walmart of websites. I’m sure u have some reason to funnel business to these giant retailers and pedal makers, which also makes it bogus . The Cali is the best out there , don’t pay attention to this list.

The Origin Effects Cali76 was

The Origin Effects Cali76 was added to our short-list after this guide was published because it became available from more sources (you can also now buy it at and we have relaxed our availability criteria slightly.

It is a strong contender and could well be included in a future update.

You can see it's current rating here.

We've just published a major

We've just published a major update where we included the Cali76 on our short-list, however it just missed the cut due to its ratings not being high enough to recommend - those ratings came from over 70 sources.

It didn't miss by much and if we had extended the recommended list to 12 pedals it would have been included.

MXR Bass/Studio Compressor

MXR Bass/Studio Compressor meets your Big Box Store criteria, and is one of the better compressors on the market.

This guide is only for

This guide is only for regular Guitar compressors, not for Bass Guitar - that's why the MXR M87 Bass Compressor was not included.

You don't need a battery

You don't need a battery compartment to run the Mooer Yellow Comp with a battery. You just need a 9-volt battery snap connector. It may drive you crazy if you're anal but it works. And replacing the battery takes only a few seconds.

What about the new Keeley

What about the new Keeley Compressor Plus? I'm interested in trying a new comp, that or the Xotic SP probably (I have a newish script MXR Dyna Comp I'm using now, which is OK but I'd like a blend control)

The Keeley Compressor Plus

The Keeley Compressor Plus was too new for us to include in our detailed analysis at the time we published this guide, however the early reports are very positive.

Thank you to everyone who has

Thank you to everyone who has provided feedback so far on this guide, both here and through other channels.

As a result we re-examined the research methods we used (we were trying a new process) and found we had missed the Keeley 4 Knob Compressor Pedal which should have been included at time of publication.

We've corrected the oversight and added it to our list of recommended compressor pedals today.

Where is the Bogner Lyndhurst

Where is the Bogner Lyndhurst compression pedal in this shootout ? It is sold at most major music chains and is one of the best sounding compressor pedals made.

It looks like it could be a

It looks like it could be a good pedal, however it only started hitting the stores about 8 weeks prior to us doing the research for this guide and as a result there were insufficient review sources for us to rate it.

In case you didn't know, our ratings aren't based on our own opinions, they're based on a statistical analysis of the opinions of musicians who have used the gear and provided feedback at online retailers, online publications, review sites, forums, YouTube and more - we explain this in a bit more detail in How Gearank Works.

Look, you covered the low end

Look, you covered the low end units somewhat okay, but there are way better units in the low end than you reviewed and the idea you left out Origin Effects cali76 comp limiter is shameful...its the best compressor on the market out there and absolutely blows away any of those 11 you chimed on about...granted, you covered the low end models for bedroom players and Wampler and Empress make fine units with a larger price tag, but nothing built out there compares to the Origin Effects Cali76 for the serious player, the professional working musician, well its the Cali76 comp/limiter amp made by Origin Effects in the UK..its the best comp/limiter on the market for the professional or semi pro guitarist or bassist. It's sinfull they got no mention from a pro player, I am shocked you would omit Origin Effects Cali76 comp/limiteramp models from this article.

Thanks for giving me the

Thanks for giving me the opportunity to mention Origin Effects because although they are a well regarded brand, they do not meet our selection criteria mentioned in the Methodology section above. Specifically, the Call76 and its variants are not available from major online American music shops - you can't buy them at Guitar Center, Sweetwater, zZounds or Musicians Friend.

They are available from a few 2nd level retailers and on platforms that support third party sellers such as Reverb and Amazon (affiliate link).

We deliberately use narrow selection criteria like these in order to ensure our recommendations will be readily accessible - you can walk into any major music store in the USA and generally expect to see the brands we talk about. If we didn't do this we'd end up recommending many boutique products that would be hard for most people to find.

Paid 99 bones on the mxr was

Paid 99 bones on the mxr was so noisy I had to remove it from my board.Got a second hand Boss CS3 from the flea market... Great pedal. Dont sleep on the budget pedal. Damm near every pedal prince used was a budget pedal.

The Boss CS-3 was one of the

The Boss CS-3 was one of the pedals that made it onto our short list, in fact had we made 12 recommendations instead of 11 then it probably would have made the cut, but as with all our guides we have to take a decision and set the line somewhere.