The Best Reverb Pedals + Delay Reverb Combos

The Highest Rated Reverb & Delay-Reverb Pedals

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Reverb adds a new dimension to your sound by adding ambience and depth to your instruments, vocals, and even entire tracks. Guitar players have used reverb from short room ambience to entire albums worth of ambient soundscapes. There are also special types of reverb with additional processing such as shimmer reverb and a few modulated variations for crafting unique sound textures.

For this March 2021 edition, we provide a detailed look into current market favorites and what people have to say about them. Not sure which reverb pedal to add to your rig? Read on to find your next favorite!

The Best Reverb Pedals

Author & Contributors

Raphael PulgarRaphael Pulgar

An audio engineer of nearly 20 years who specializes in rock and metal recordings, he also plays guitar and produces original music for his band and other content creators.

The Best Reverb Pedals

TC Electronic Hall of Fame 2

94
GEARANK

94 out of 100. Incorporating 1350+ ratings and reviews.

Street Price: 

$129
TC Electronic Hall of Fame 2 Reverb Pedal

The Hall of Fame 2, or HoF2 as called by many, is an update to the original Hall of Fame reverb.

This time, TC Electronic added features like Shimmer reverb into the options as well as additional Toneprint slots.

The newest feature outside of the circuitry to be brought to the HoF2 is the MASH footswitch button. Essentially a pressure-based expression switch, the MASH button is assigned to specific parameters on each mode by default but is customizable via app to control more parameters at once.

Features:

  • 8+3 Reverb Types: Room, Hall, Spring, Plate, Church, Shimmer, Mod, LoFi, 3 Toneprint slots.
  • Controls: Level, Decay, Tone, Pre-Delay, Mash
  • Input: Stereo 1/4"
  • Output: Stereo 1/4"
  • Power: Optional Power Supply or 9V battery
  • Bypass Type: Buffered Bypass
  • Dimensions (HxWxD): 2" x 2.8" x 4.8"
  • Weight: 0.84 lbs

Pros

Users praise the HoF 2 for its simplicity and tone. It ticks all the right boxes for people wanting a straightforward, great sounding reverb pedal. The price was also seen as a plus as the Hall of Fame 2 is priced quite affordably for having so many features.The MASH feature was also praised by a few that don't have expression pedals but want a layer of control over the swells and other parameters.

Cons

Users that wanted a warmer, more organic tone look elsewhere as the HOF2 excels in higher fidelity reverb effects.

Overall

The Hall of Fame 2 builds upon the legendary original Hall of Fame reverb with much requested additions like the shimmer reverb and 2 additional Toneprint slots as well as a built in expression pedal-like option with the MASH footswitch. Get it if you want a versatile reverb on your board for not much cash.

Boss RV-6

95
GEARANK

95 out of 100. Incorporating 1200+ ratings and reviews.

Street Price: 

$154
Boss RV6 Digital Reverb Pedal

The RV-6 is a digital reverb pedal and it's the highest rated one from Boss.

With its 8 reverb types, there's literally quite a lot of room to breathe for your guitar signal, from subtle room to modern shimmer and echo-delay.

It has enough versatility and features for even experienced players and professional musicians to appreciate, while retaining an intuitive interface that even novice players can use.

Artists that are known to have used the Boss RV pedal include Joe Bonamassa, Brian Welch Gary Moore, KT Tunstall, J Macsis, John Fogerty and many more.

Features:

  • 8 Reverb Types: Hall, Room, Plate, Spring, Modulate, Dynamic, Shimmer, Delay
  • Controls: Level, Tone, Time
  • Input: Stereo 1/4", Expression Pedal 1/4"
  • Output: Stereo 1/4"
  • Power: Optional Power Supply or 9V battery
  • Bypass Type: Buffered Bypass
  • Dimensions (HxWxD): 2.375" x 2.875" x 5.125"
  • Weight: 1 lb

Pros

Excellent, amazing, very good and great are just a few of the many positive adjectives that the Boss RV-6 has been receiving from their many satisfied and happy users. Many describe the sound as pro-level recording quality, matching more expensive rackmount digital reverbs that only the privileged few have access to. The room, hall, plate and spring reverb modes were mentioned frequently in a positive manner, while others found the shimmer setting to be perfect for modern ambient and sonic texture crafting. Other commonly mentioned good traits of the RV-6 include its versatility and ease of use.

Cons

There was one customer who found the reverb trails to be lacking in realism - but almost everyone else found to sound to be exemplary, even the few that received the pedal with minor production issues like a sticky knob still rated the pedal highly.

Overall

With its great balance of affordability, versatility, and quality, the Boss RV-6 Digital Reverb pedal easily gets our recommendation.

Walrus Audio Fathom Multi-Function Reverb

94
GEARANK

94 out of 100. Incorporating 150+ ratings and reviews.

Street Price: 

$199
Walrus Fathom Multi-Function Reverb

The Walrus Audio Fathom packs 4 reverb algorithms in one unit. Most notable of which is the Lo-Fi mode which is essentially a filtered reverb with control over filter width.

It also has a distinct Sonar mode that adds low and high octaves with blend control, resulting in unique textures that are not found in conventional reverb pedals.

It also has traditional modes which include Plate and Hall, both of which allow for pre-delay time adjustments.

Another cool feature is its switchable trails mode, which lets you cut off the reverb tail instantly when you bypass the pedal.

There's also a sustain footswitch which lets you sustain and play over the reverb effect.

Features:

  • 4 Reverb Algorithms: Hall, Plate, Lo-Fi, Sonar
  • Controls: Decay, Dampen, Mix, X, Mod (Switch), Program, 2 x Footswitches (Bypass & Sustain)
  • Input: Stereo 1/4"
  • Output: Stereo 1/4"
  • Power: 9V DC 100mA Power Supply (Sold Separately)
  • Bypass Type: Smart Bypass (Trails On or Off)
  • Dimensions (HxWxD): 1.39" x 2.6" x 4.77"
  • Weight: 0.79 lb

Pros

The Walrus Audio Fathom is well loved for its versatility, with plenty of reports of it handling every reverb need, from basic to ethereal ambience. Many also appreciate the control it provides, especially its sustain switch which lets you hold a chord and let its reverb ring out while playing other parts. Some even favorably compare it to more expensive reverb pedals, stating that it sounds just as good, if not better. Michael Watts of Guitar.com rates the Walrus Fathom highly and summarizes his review by describing it as "An inspiring, high-quality reverb pedal capable of oceanic splendour."

Cons

There are a few who caution that mastering the controls may take some getting used to.

Overall

If you're looking for a reverb pedal that can go from traditional hall and plate reverb to complex controlled ambience, then this is for you.

Strymon blueSky Reverberator

98
GEARANK

98 out of 100. Incorporating 750+ ratings and reviews.

Street Price: 

$299
Strymon blueSky Reverberator Pedal

At publication time this was the Equal Highest Rated Guitar Reverb Pedal along with the Strymon BigSky.

The Strymon blueSky pedal is the smaller and more affordable sibling of the popular Bigsky reverb pedal. And like its big brother, it is doing very well in the market, to the point that it is now sharing the top spot with the Bigsky Pedal in this list.

It features three reverb modes, plate, room and spring, along with a variety of controls that allow you to personalize your reverb sound. These controls include high and low damping, dry/wet mix, decay, pre-delay, mix and dedicated switches for modes and reverb type.

Features:

  • 3 Reverb Types: P;ate, Hall, Spring
  • Controls:, Decay, Pre-Delay, Mix, High Damping, Low Damping, Mode (Norm/Mod/ Shimmer) switch and Type (Room/Plate/Spring) switch
  • Input: Stereo (2 x 1/4")
  • Output: Stereo (2 x 1/4")
  • Power: 9V DC 250mA power supply
  • Bypass Type: True Bypass
  • SHARC DSP
  • Dimensions (HxWxD): 4" x 4.5"
  • Weight: 1.19 lbs

Pros

Reviews for the Strymon blueSky continue to be overwhelmingly positive, exceeding the expectations of many to the point where some even claim that it is the best reverb pedal that they have tried. Almost all users are happy with how transparent it sounds, even when used on overdriven guitars. Some even report getting great results when used on vocals in the studio. There are also many commendations that point to its tweakability, where it proved to be useful in both subtle or lush reverb settings.

Cons

There are only very few complaints about the pedal, most of which point to its premium price tag. Some also recommend saving up for the Strymon Bigsky, which has more features yet is priced a bit close to the blueSky.

Overall

If you are looking for boutique quality reverb that is not too complex yet has good depth - and you want nothing but what the market deems as the best - then go for the Strymon blueSky.

Strymon BigSky

98
GEARANK

98 out of 100. Incorporating 550+ ratings and reviews.

Street Price: 

$479
Strymon BigSky Reverb Pedal

At publication time this was the Equal Highest Rated Guitar Reverb Pedal along with the Strymon blueSky Reverberator.

The California based boutique pedal builder Strymon has built quite the reputation for their quality effects, and the BigSky Multidimensional Reverb is one of their most sought after products.

From recording artists to church musicians, there is so much hype surrounding the brand, and the high ratings that the BigSky receives only helps to confirm and further establish their popularity.

With 12 reverb types you have a wealth of virtual space options for your guitar signal, while the expanded control options allow for deep customization.

Other features that make this pedal a true professional's favorite include advanced input/output options, 300 customizable presets and its MIDI compatibility.

This pedal has a long list of professional artist users including Dweezil Zappa, Dave Kilminster, Tom Quayle and many more.

Features:

  • 12 Reverb Types: Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, Reflections
  • Controls: Value, Decay, Pre-Delay, Mix, Tone, Param1, Param2, Mod, Type
  • Input: Stereo 1/4", Expression Pedal
  • Output: Stereo 1/4"
  • Power: 9V center-negative DC 300mA Power Supply
  • Bypass Type: Configurable to True Bypass or Buffered
  • 300 customizable presets
  • MIDI Controllable
  • SHARC DSP
  • Dimensions (HxWxD): 6.75" x 5.1"
  • Weight: 0.66 lbs

Pros

The overall sentiment of many users confirms Strymon's claim that this unit offers studio rack quality reverb effect in a pedal form factor. Many users even found time to think-up unique and interesting adjectives to describe how happy they are with the unit, including magical, heaven in a box, super, epic, and many more. A big number of users rated the Strymon Bigsky highly for its studio quality sound, while a big chunk of experienced players found the pedal's versatility to be its strongest point. Quiet noise free operation, which is a requirement for studio gear, was also mentioned a number of times.

Cons

There really aren't any specific complaints about its features or sound, but there are a few who would've been happier if the price was more accessible.

Overall

When budget is not an issue, and you're looking for a top shelf reverb pedal that can double as your studio reverb rack, then get the Strymon BigSky.

The Best Delay Reverb Combo Pedals

EarthQuaker Devices Dispatch Master V3 Digital Delay & Reverb Pedal

94
GEARANK

94 out of 100. Incorporating 100+ ratings and reviews.

Street Price: 

$199
EarthQuaker Devices Dispatch Master V3 Digital Delay & Reverb Pedal

At publication time this was the Equal Highest Rated Guitar Delay Reverb Combo Pedal along with the EarthQuaker Devices Avalanche Run V2.

The Dispatch Master V3 houses both reverb and delay effect in a single pedal, and it does so with a very straightforward set of controls which include four knobs and 1 footswitch.

This pedal lets you switch between reverb only, delay only, or blend both at the same time by simply turning the reverb and repeat knobs up or down.

It also features flexi-switch technology, which allows for silent and on off switching and momentary switching (hold the switch for on, let go to run off).

The reverb section has two dedicated knobs, mix and reverb, which goes from room to ambient shimmer.

The delay section allows for up to 1.5 seconds of delay, with controls for time and repeats.

Features:

  • 1 Reverb Algorithm
  • Up to 1.5 Sec Delay
  • Controls: Mix, Reverb, Time, Repeats
  • Input: 1 x 1/4"
  • Output: 1 x 1/4"
  • Power: 9V DC Power Supply (Sold Separately)
  • Bypass Type: True
  • Dimensions (HxWxD): 2.25" x 2.5" x 4.75"
  • Weight: 1.1 lbs

Pros

Simple and effective nicely summarize how most users feel about the EarthQuaker Devices Dispatch Master V3. It simply does what it's supposed to do, which is give good quality reverb and delay with a more streamlined approach that many users appreciate. The reverbs are described as natural sounding, and they nicely compliment the built-in delay, instead of fighting or overriding the delay effect, which can be an issue when mix and matching pedals. It also get a lot of thumbs up for its overall build.

Cons

With its streamlined two knob control for each effect, this is not the pedal for those who like to tweak and experiment.

Overall

This is definitely a great pedal for those who just want a plug-and-play type pedal with reverb and delay.

Matthews Effects Cosmonaut V2 Void Delay/Reverb Pedal

93
GEARANK

93 out of 100. Incorporating 10+ ratings and reviews.

Street Price: 

$200
Matthews Effects Cosmonaut V2 Void Delay/Reverb Pedal

The Cosmonaut V2 takes a different approach to controls and reverb/delay combinations.

It features three algorithms, two of which are reverb types: Luna 2 offers a darker sounding ambient reverb while Sputnik offers a brighter sounding plate reverb, with some modulation added in. The third algorithm is called the Vostok, which is based on a tape style delay pedals from '70s.

Interestingly, the pedal lets you utilize two algorithms simultaneously via switches on the side panel.

It also features two sets of three knobs: Fuel (mix), Anomaly (modulation) and Travel (decay), so you can have different settings for each of the two algorithms you pick.

Another interesting feature is the ability to toggle tails/hard-cut bypass, and it is also compatible with expression pedals for realtime tweaking of the modulation parameter.

Features:

  • 2 Reverb Algorithms: Luna 2, Sputnik
  • 1 Delay Algorithms: Vostok
  • Controls: Two sets of knobs (Fuel, Anomaly, Travel), 2 x Footswitches, Top/Bottom Side Switches.
  • Input: 1 x 1/4"
  • Output: 1 x 1/4"
  • Power: 9V DC Power Supply (Sold Separately)
  • Bypass Type: Buffered, Switchable (Trails/Hard Cut)
  • Dimensions (HxWxD): 1.5" x 2.5" x 4.5"
  • Weight: 1.15 lbs

Pros

The Matthews Effects Cosmonaut V2 is described as killer sounding, and continues to impress guitarists with its great tone. Even ukulele players have chimed in with their commendations, a testament to the quality and versatility of this pedal. Many also find it very easy to use, once you get used to the top bottom pedal setup and unique knob labels.

Cons

Speaking of labels, there are some who find the knob labels confusing at first.

Overall

The Matthews Effects Cosmonaut V2 is for those who want an easy to use reverb and delay pedal with some interesting twists.

EarthQuaker Devices Avalanche Run V2

94
GEARANK

94 out of 100. Incorporating 150+ ratings and reviews.

Street Price: 

$299
EarthQuaker Devices Avalanche Run V2 Stereo Delay & Reverb Pedal

At publication time this was the Equal Highest Rated Guitar Delay Reverb Combo Pedal along with the EarthQuaker Devices Dispatch Master V3.

The EarthQuaker Devices Avalanche Run V2 offers three significant improvements over the previous Avalanche Run version, which also ranked high enough to be included in our past recommendations.

The first major difference is the wider enclosure, which can be good or bad depending on your pedalboard real estate.

The next one pertains to an improvement with its stereo output.

The final improvement has to do with its footswitch, which can now be held down for momentary use of the effect.

Everything else follows after the original, including the control set, tone and graphic.

Features:

  • 1 Reverb Algorithm
  • 1 Delay Algorithm
  • Up to 2 Sec Delay
  • Controls: Time, Repeats, Tone, Mix, Exp, Decay, Mix, Ratio
  • Input: 2 x 1/4"
  • Output: 2 x 1/4"
  • Power: 9V DC Power Supply (Sold Separately)
  • Bypass Type: True (Buffered in Trails Mode)
  • Dimensions (HxWxD): 3.25" x 5.25" x 6.75"
  • Weight: 1.12 lbs

Pros

Lush and beautiful are often used to describe the sound of the Avalanche Run V2. Owners are simply impressed with how good the reverb and delay sounds are, regardless of the settings they put. It is especially loved when providing wide and ambient types of reverbs. It is also often commended for being very easy to use, while having good realtime control flexibility, thanks to its flexiswitch.

Cons

Being slightly wider than the previous version, its bulk can be an issue for some. The price is also a bit too high for some, given that it does not have delay/reverb algorithm options like others are offering.

Overall

If you're looking for a premium quality reverb/delay pedal for more ambient style playing, then this is for you.

Earthquaker Devices Disaster Transport SR

92
GEARANK

92 out of 100. Incorporating 50+ ratings and reviews.

Street Price: 

$299
Earthquaker Devices Disaster Transport SR Advanced Modulated Delay & Reverb Pedal

The Earthquaker Devices Disaster Transport SR is a dual delay + reverb pedal with a plethora of options.

The controls may look daunting but to explain it simply according to Earthquaker Devices, "The top row of controls are for delay A and the bottom row of controls are for delay B. Delay A is a 600ms delay with modulation and delay B is a 300ms delay with reverb. Both delays can be run separately, in parallel, in series or in series/parallel."

This means an almost limitless palette of sounds with varying degrees of modulation, reverb, asymmetrical repeats, and more are available, all waiting to be discovered from playing around with the intuitive controls.

Features:

  • Delay A: 600ms delay with modulation and delay B is a 300ms delay with reverb
  • Delay B: 300ms delay with reverb
  • Delay A Controls: Time,Repeat, Mix, Depth, Rate, Bleed
  • Delay B Controls: Time, Repeat, Mix, Reverb
  • Input: 1 x 1/4" (instrument), 1 x 1/4" (repeats expression), 1 x 1/4" (bleed expression)
  • Output: 1 x 1/4"
  • Power: 9V DC Power Supply (Sold Separately)
  • Bypass Type: Switchable (True)
  • Dimensions (HxWxD): 2.5" x 5.65" x 4.47"
  • Weight: 1.4 lbs.

Pros

Many fans of the disaster transport are users eager to experiment with different delay sounds like how old analog tape delays were experimented on. Many use the Disaster transport to attain surreal sounding delay soundscapes with varying repeat times and modulation. A user noted that it is more an instrument in itself than just a delay and reverb pedal.

Cons

Users note that the pedal has a learning curve and with no way to save presets, many interesting sounds get lost.

Overall

The Disaster Transport takes your creativity and runs it through a blender, letting out a smooth, lo-fi mix of classic tape tones with a twist of craziness. Get it if you want a delay pedal that you can get creative with.

Source Audio SA263 Collider Delay+Reverb Pedal

92
GEARANK

92 out of 100. Incorporating 125+ ratings and reviews.

Street Price: 

$349
Source Audio SA263 Collider Delay+Reverb Pedal

The Source Audio SA263 Collider combines digital reverb and digital delay in a package that has enough parameter versatility and connection flexibility to appease the most tweak heavy guitarists.

At its core are two 56-bit DSP processors, each one independently handling the reverb and delay.

The interface is designed to make adjustments more intuitive with 6 knobs and a switch that lets you control either delay or reverb parameters.

After tweaking the pedal, you will be allowed to store up to 8 user presets, and has up to 120 presets via MIDI program change.

Other features include Analog Dry Through, Stereo/Mono input output options, and full MIDI control compatibility.

Features:

  • 4 Reverb Algorithms: Spring, Plate, Natural, ’80s Hall, E-Dome, Pitch-Shifting Shimmer, Momentous Swell
  • 5 Delay Algorithms: Tape, Analog, Oil Can, Reverse, Digital
  • Controls: Delay, Feedback, Tone, Mix, Control 1, Control 2, Delay/Reverb Type, Delay/Reverb/Lock Switch, Timing Switch
  • Input: 2 x 1/4"
  • Output: 2 x 1/4"
  • Power: 9V DC Power Supply (Included)
  • Bypass Type: Switchable (True, Buffered)
  • Dimensions (HxWxD): 2" x 4.5" x 4.5"
  • Weight: 1 lb

Pros

Sound quality is the biggest asset of this pedal. Many are impressed with clarity and detail of the various reverb and delay type it offers. The Source Audio SA263 Collider especially appeals to those who prefer the fidelity of digital delay and digital reverb over the warmth of their analog counterparts, although it should be said that it also gets kudos for some of its analog algorithms. Build quality also gets a lot of thumbs up, from the casing, to the knobs to the jack ports. The depth of controls available are also commended by many reviewers.

Cons

On the flip side, there are some who feel overwhelmed with the many parameters that can be adjusted. Price tag is also an issue for a few.

Overall

If you're looking for a great quality digital reverb/delay combo pedal, then this should be high on your list.

Things to Consider When Buying a Reverb Pedal

  • Reverb Types

    Digital Signal Processing and Convolution technology have allowed us to better replicate the ambience of actual physical rooms, modify their parameters and even create our own rooms. Below are the most common reverb types along with a feature on special types that don't fall under the four main types.

    • Room

      As the name suggests, it replicates the quick sonic bounces of a regular room. With its early reflections and quick decay of no more than a second, room reverb is the most discrete of the lot, so it is often used for adding subtle warmth and realism.

    • Hall

      Hall reverbs are usually based on the actual acoustic space of a large music hall, only digitized for use with your pedal. Since the virtual space is bigger, the decay is usually longer, ranging from 1 to 3 seconds. It is usually employed to give the guitar sound a three dimensional ambience to emphasize certain parts. especially in rock music.

    • Plate

      The plate reverb mode found on guitar pedals is a digital simulation of an analog plate reverb which was widely used in the past. It works by sending your guitar signal to a virtual metal plate that vibrates to create the reflections and echoes that are usually very quick and full. This reverb type tends to be brighter, and is commonly used for subtle enhancement.

    • Spring

      Like plate mode, the spring reverb mode is a digital emulation of an actual analog reverb unit that is driven by a metal spring. The resulting reflections are fast and decay quickly, while the bass frequencies roll off as the sound decays. This makes the resulting sound brighter than other types, making it the ideal reverb for many guitar styles that emphasizes the upper frequencies, including surf, country, and blues.

    • Special Reverb Modes

      With so much processing power at our disposal, manufacturers have been experimenting with other ways of providing reverb, outside of the usual room emulation. This has resulted in special reverb types that include Reverse (reverses the sound reflection), various types of Modulation (applies modulation effects to the reflections including flanger, chorus, phaser etc), Filter (applies sweeping eq filter effects to the reflections) and many more. These reverb types are usually employed for more experimental and modern sound ambience.

  • Parameter Controls

    The general idea is that more control knobs allow for deeper editing and better personalization, at the cost more complex setup and interface. So if you are looking to add subtle reverb that's always on to enhance your sound, you're better off with tried and tested classic pedals with as few configuration controls as possible. The opposite is true if you want more control and options, be it for customizing or for crafting the textures of your sound reflections.

  • Budget and Pedalboard Space

    Right at the get go, you can narrow down your choice by establishing a reasonable budget range. Note that you'll want to invest a bit more if reverb is a primary part of your sound, especially for ambient and experimental guitar styles. We know that pedalboard real-estate is also an important consideration, so we have provided the dimensions of the pedals above.

  • True Bypass vs Buffered

    Some guitar tone purists look for true bypass pedals as they totally 'bypass' the pedal's circuitry when the effect is switched off - leaving it just like you're plugged directly in to the amp. However one thing to be aware of with reverb pedals is true bypass will cut off the reverb decay as soon as you hit that switch. Some people might find this a little jarring. Buffered bypass pedals continue to feed their output actively so the tail end of that huge cathedral sound can continue to sweep over as you're starting to play the next 'dry' part. A number of these pedals can be configured to either true or buffered bypass. Of course if you're planning to leave your reverb pedal switched on the whole time then it's always being buffered so there's no difference.

Best Reverb Pedal Selection Methodology

The first edition was published in 2016 and the latest edition was published on March 3, 2021.

Only pedals featuring Reverb or Reverb & Delay without additional effects were considered for this updated edition, and only those that were sold by US based retailers. For this March 2021 edition, we ended up gathering over 8,600 reviews and ratings for the 29 pedals that were short-listed; see them in the Music Gear Database. All these data were then fed into the Gearank Algorithm to produce rating scores out of 100 which we used to narrow down the list to just the best of the best. For more information about our methods see How Gearank Works.

About the Author and Contributors

Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.

Lead Author & Researcher

Raphael PulgarRaphael Pulgar

An audio engineer of nearly 20 years who specializes in rock and metal recordings, he also plays guitar and produces original music for his band and other content creators.

Aside from endlessly window shopping and watching hours of gear reviews for leisure, he enjoys playing competitive FPS games, MMORPGs and caring for his 5 cats. He is primarily influenced by guitarists like Kurt Ballou and Paul Gilbert. His favorite pieces of gear are his Ibanez RG550RFR, Orange Brent Hinds Terror amplifier and EQD Acapulco Gold fuzz.

Contributors

Alexander Briones: Supplemental writing.
Jason Horton: Editing and Illustrating.

Media

Main/Top Image: By Gearank.com using photographs of the Strymon BigSky, TC Electronic Hall of Fame 2 and EarthQuaker Devices Avalanche Run V2.

The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers.

The videos above have been embedded in accordance with YouTube's Terms of Service.

Comments

The selection criteria for

We only allow Reverb or Dual Reverb/Delay pedals in this guide and the Foxpedal Wave has reverb, delay and modulation effects making it ineligible.

The Foxpedal Magnifica Deluxe looks promising but we didn't find the reviews we needed to publish a rating for it so we couldn't recommend it at this stage, but it's on the short-list to be considered when we next update this guide.

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