7 Best PA Speakers (May 2023)

Author & Contributors
Raphael Pulgar
I've been an audio engineer for 20 years specializing in rock and metal recordings, and also I play guitar and produce original music for my band and other content creators.
Best Budget PA Speaker
Behringer Eurolive B210D - 10" - 200W
Cons
- Grille is easily dented - doesn't affect performance but can be unsightly over time
Pros
- Great volume for the price
- Easily portable
- Surprisingly reliable
The Behringer Eurolive B210D is a powered speaker that can be used Front of House or on the floor as a monitor. It packs 200W of peak power split into 180W for the LF and 42W for the HF drivers. All while being under 20lbs per speaker.
It also has integrated DSP that filters out lows progressively as you go louder to keep the signal clean. An internal limiter keeps the signal from overloading your drivers, extending their long-term reliability.
One thing the B201D is known for is its good power-to-weight ratio. This might not mean much for static setups but for equipment rentals, touring musicians and street performers, travelling weight is very important.
Having a lighter speaker without compromising power is always welcome in these situations.
A gripe that I have with the unit after encountering it in some venues is that the front grille gets dented easily. This is commonly seen when it's used as a floor wedge.
It doesn't technically affect performance, but it looks unsightly and reflects badly on the venue's upkeep. I've also encountered units that hiss but when I checked, it has more to do with the venue's electrical system. It could be avoided with better internal component shielding but I assume that would raise the price.
Fortunately, this issue is mostly cosmetic and the venues I've performed and teched for reported that it took years before the speakers needed servicing.
Overall, the B210D isn't perfect, but it's still the best powered speaker in its class with good power output and decent features. Just hope that the overenthusiastic guitar players that perform at your venue don't step on it during their solos and it'll last you a surprising amount of time.
Specifications
- LF Driver: 1 x 10"
- HF Driver: 1.35" Aluminum diaphragm compression driver
- Amplifier: Bi-amped
- Output Power Peak: 220W (180W LF, 42W HF)
- Frequency Response: 65Hz-20kHz
- Maximum Peak SPL: 113dB
- Crossover Frequency: 2.4kHz
- Enclosure: Molded Plastic
- Mounting: Pole Mount with 1.37" socket, Floor Wedge
- Inputs:1 x 1/4", 1 x XLR
- Outputs: 1 x XLR
- Controls: Power Switch, 1 x Level Knob, High EQ, Low EQ
- Dimensions: 18.3" x 11.5" x 9.6"
- Weight: 18.8 lbs.
Website | Source | *Rating Value |
Gearspace | kodebode | 90/100 |
The Best Active PA Speakers under $500
Yamaha DBR10 - 10" - 700W
Cons
- Only one Mic level input available
- Could use a proper side handle
- Enclosure can be prone to scratching
Pros
- Super lightweight for the power it offers
- Great all-rounder - handles FOH, Stage Monitoring and Subwoofers well
- Reliable and comes with a 7 Year Warranty
- It's also a good 'FRFR' instrument amp - works well with guitar and amp modeling
- Professional appearance suitable for weddings and corporate gigs
For a powered speaker that weighs under 25 pounds, the Yamaha DBR10 is one loud PA speaker: putting out a massive 129 SPL with good clarity and at an agreeable price.
With a 10" main speaker you might expect that it would be a bit lacking in the bass department, but it performs reasonably well there too, with a frequency range down to 55Hz. It's the combination of portability, power and price that makes this such a compelling option and why so it's been so popular and well regarded since it was released in 2014.
And it's very versatile. I personally have used the DBR10 as an 'FRFR' (Full Range Full Response) amp with guitar modeling as well as a PA / FOH speaker and stage monitor. I consider it to be the best powered speaker to pair with guitar processors.

Yamaha DBR10 with a PRS SE Custom Semihollow to give you an idea of the size.
It has a mixer and two channels each with an XLR/TRS combo input and volume controls but keep in mind that only one of the channels can accept a mic level input (switchable between Mic/Line).
The second channel also has stereo RCA phono connectors for adding program music. I can confirm that you can actually use these at the same time as the line input. It's probably not the best way to do it but if you can balance the volumes of these inputs you could call it a 3 channel mixer.

Yamaha DBR10 Rear Mixer Panel
As standalone FOH speakers a pair of these perform well in smaller venues and medium sized venues for styles that aren't loud or bass heavy. The sound they offer is best described as clean, loud and surprisingly full.
They provide reasonable bass for many styles but if you want some real 'thump' or are in a larger venue then you'll want to pair them with subwoofers. I haven't done this, but they have great reputation for combining well with subwoofers and the HPF switch works well for this purpose.
Although others say it can get scratched too easily, I've only experienced a few minor ones. It's a good idea to at least get a 'Speaker Tote Bag' for a 10" speaker enclosure like this one made by Gator to keep those classy looks. That particular bag has worked well for me.
The Yamaha DBR series has been around since 2014 when they brought some of the DSP magic from their higher priced DXR series to this more affordable range and they've been quite popular and well regarded ever since.
This is a fantastic, affordable, lightweight speaker that sounds great and offers a ton of versatility. It looks good and has been a reliable workhorse for many (including me) that is backed by Yamaha's 7 year warranty. It's suitable for use everywhere from practice at home, on stage as a monitor or an instrument amp, as the main speakers for smaller venues or coupled with subwoofers in larger venues.
The power at such a light weight is really the standout feature making it suitable for a wider range of situations. There may be bigger, better, more expensive powered speakers out there but at this weight the DBR10 is in a class of its own.
Specifications
- LF Driver: 10" Cone, 2" Voice Coil Ferrite Magnet
- HF Driver: 1" Throat Compression
- Amplifier: Bi-amplified Class D
- Output Power Peak: 700W (500W LF, 200W HF)
- Output Power Continuous: 325W (260W LF, 65W HF)
- Frequency Response: 55Hz-20kHz (-10dB)
- Maximum Peak SPL: 129dB
- Crossover Frequency: 2.1kHz
- Enclosure: Plastic
- Mounting: Pole, Floor, Wedge
- Inputs: 1 x XLR/TRS Combo (Mic/Line) , 1 x XLR/TRS Combo (line only), 1 x Stereo
- Outputs: 1 x XLR
- Controls: Power Switch, 3 x Level Knobs, Mic/Line Switch, D-Contour (FOH, Off, Monitor), HPF Switch (120Hz, 100Hz, Off)
- Dimensions: 19.4" x 12.1" x 11.4"
- Weight: 23.2 lbs.
Website | Source | *Rating Value |
Gearank | Daniel Barnett | 98/100 |
Sound On Sound | Paul White | 98/100 |
YouTube | Gear It First | 96/100 |
QSC CP8 - 8" - 1000W
Cons
- A bit lacking on the bottom end - see the CP12 for more bass
Pros
- Highly versatile - works in all genres
- Also works brilliantly as both FOH and a Stage Monitor - at publication time is was the Highest Rated Powered Stage Monitor Under $500
- Pairs well with most subs - great with the QSC KS118
- Very solid build
QSC is brand known for premium sound and build quality, and the CP8 lets you experience their brand of quality in a compact and affordably priced package.
QSC's renowned DSP lets you pick between presets for various applications and venues for ease of use.
Despite its smaller 8" LF driver compared to most in this price range, the bass is actually present enough to have a full range sound. The selectable contour with bass roll-off makes it ideal for use with subwoofers.
It is surprisingly loud for an 8" speaker, and has a nice crispy sparkle, but it does lack a little on the bottom end. But that's not a problem because it pairs nicely with sub woofers, so for those occasions where you need to go deeper, you can. If you don't want to deal with subs, consider getting the CP12 instead which although having the same amplifiers, is noticeably louder at the bottom end.
The polypropylene enclosure is solid, in fact I expect them to still be working just fine years from now and it seems QSC does too which is probably why they provide such a long lasting warranty but don't forget to register with QSC straight away so you get the extra 5 years added on.
The CP8 is a great entry point into the QSC's brand of premium pro audio quality sound reinforcement. If versatility and projection are your priorities at this price point, the QSC CP8 is tough to beat.
Specifications
- LF Driver: 8"
- HF Driver: 1.4" Compression Driver
- Amplifier: Class-D
- Output Power Peak: 1000W (800W LF + 200W HF)
- Frequency Response: 56Hz-20kHz (-6dB)
- Maximum Peak SPL: 124 dB SPL @ 1m
- Enclosure: Polypropylene
- Mounting: 35mm Pole Socket, M8 Threaded Insert, Floor Wedge
- Inputs: 1 x XLR-1/4" combo (mic/line), 1 x XLR-1/4" combo (line only), 1 x 1/8" (aux)
- Outputs: 1 x XLR (mix out)
- Controls: Power, 2 x Gain, MIC BOOST Push Switch, 6-way Contour Selection Switch
- Dimensions: 16.2" x 10.7" x 10.1"
- Weight: 25.5 lbs.
Website | Source | *Rating Value |
Sound On Sound | Mike Crofts | 94/100 |
Production Partner | Anselm Goertz | 97/100 |
The Best Active PA Speakers under $1000
QSC CP12 - 12" - 1000W
Cons
- I have no complaints
Pros
- Excellent clarity
- Versatile - good for either FOH or stage monitors
The QSC CP12 is a compact powered loudspeaker designed with portability in mind. It has a peak wattage of 1000 W and a Max SPL of 126 dB; making it loud enough for small venues or medium size conference halls.
It also features a built-in 2-channel mixer for single box operation. This makes it an equally capable floor monitor or keyboard amplifier. Do note that only one of the channels is capable of running at mic level gain and the aux channel gain is shared with line level at input 1.
My personal experience with these speakers is from a local venue I set up sound for. The speakers are able to handle a packed small venue with just two units. The versatility also allowed the venue to use the same unit for their monitors. Calibration was a breeze and the volume and clarity was good even during rock gigs.
If you're looking for a compact but capable speaker with multiple uses like mains, monitors or instrument amplification, the QSC CP12 is a good, versatile choice. I personally recommend these for small to medium venues that need a clear sounding speaker with good headroom and can handle more aggressive styles of vocals.
Specifications
- LF Driver: 12"
- HF Driver: 1.4"
- Amplifier: Class D Amplifier
- Output Power Peak: 1000 W peak, 800 W (LF), 200 W (HF)
- Frequency Response: 47 - 20 kHz(-10dB)
- Maximum Peak SPL: 126 dB
- Enclosure: Polypropylene
- Mounting: Wedge, Pole, Floor, Yoke Suspension
- Inputs: 1 x XLR-1/4" combo (mic/line), 1 x XLR-1/4" combo (line only), 1 x 1/8" (aux)
- Outputs: 1 x XLR (mix out)
- Controls: Power, 2 x Gain, MIC BOOST Push Switch, 6-way Contour Selection Switch
- Dimensions: 20.3" x 13.8" x 12.7"
- Weight: 30.3 lb.
Website | Source | *Rating Value |
Sound On Sound | Mike Crofts | 94/100 |
Music Connection | Barry Rudolph | 92/100 |
Church Production | Loren Alldrin | 95/100 |
QSC K8.2 - 8" - 2000W
Cons
- Limited projection due to the small woofer
- Also limited low end as well
Pros
- Highly detailed sound particularly in the midrange
- Versatile - performs great for both FOH and stage monitoring duties
QSC is the brand to beat when it comes to quality, reflected by the almost perfect ratings that a number of their products are getting. The K8.2 is one of their highest rated speakers, sporting an 8" speaker and a 2000W amplifier with a built-in 3-channel mixer.
Compared to the CP series, The K series adds premium speakers, DSP and cooling. QSC also adds a bit more power to the LF driver, which means a bit more low-end emphasis, which helps its small 8" speaker to sound fuller. These all add up to a cleaner, tighter sound and even better long term reliability.
I am impressed by its detailed sound, especially in the midrange, which works very well for acoustic guitar with vocals - soloists and duos. Although the low end is a little limited due to the 8" woofer, it does pair well with subs. I don't do DJ work myself, but I've seen reports from DJs who really like the sound when paired with a good sub.
If you're looking for a great sounding speaker that can be used for both FOH and as a stage monitor, then get the QSC K8.2. It shines best at acoustic performance venues where detail is favored over loudness.
Specifications
- LF Driver: 8" Cone
- HF Driver: 1.75" Titanium Compression
- Amplifier: Bi-amplified Class D
- Output Power Peak: 2000W (1800W LF, 225W HF)
- Output Power Continuous: 1000W (900W LF, 100W HF)
- Frequency Response: 59 Hz - 20 kHz (-6dB) | 55 Hz - 20 kHz (-10dB)
- Maximum Peak SPL: 128dB
- Crossover Frequency: User Adjustable
- Enclosure: ABS Thermoplastic with 18 AWG Steel Grille
- Mounting: Pole, Floor Wedge, Flown
- Inputs: 1 x XLR-1/4" combo (mic/line), 1 x XLR-1/4" combo (line/Hi-Z), 1 x 1/8" (Aux Stereo-in)
- Outputs: 2 x XLR (Thru), 1 x XLR (Mix out)
- Controls: 3 x Gain Knobs, DSP Controls, Power Switch
- Dimensions: 17.7" × 11" × 10.6"
- Weight: 27 lbs.
Website | Source | *Rating Value |
ProSoundWeb | Craig Leerman | 97/100 |
Bonedo (German) | Axel Erbstösser | 90/100 |
The Best Active PA Speakers under $2000
QSC KW153 3-way 15" - 2000W
Cons
- Too big and heavy for typical band setups
Pros
- Brilliantly suited to medium to large venue installation
- Very good at all styles of music
The KW153 is another one of QSC's top rated PA powered speakers, enjoying perfect ratings at almost all major retailers.
This particular model comes with a three-way speaker design that can really put out some serious volume, sporting a 15" LF driver, a 6.6" MF driver and a 1.75" tweeter.
Unlike the JBL SRX835P this is only bi-amped, however the crossovers do their job and I don't think there's any lack of mid or high-end response; even at high volume you still get a great deal of detail and nuance.
I'm happy using these for any style of music and I've seen reports of other audio engineers using them for orchestra and classical style music which goes to show just how versatile they are.
If you're looking for a premium quality 3-way speaker for permanent installation or large venues, then this is your best bet.
Specifications
- LF Driver: 15" Cone
- MF Driver: 6.5" Mid Range Cone
- HF Driver: 1.75" Titanium Diaphragm Compression
- Amplifier: Bi-amplified Class D
- Output Power Peak: 2000W (1000W LF, 1000W HF)
- Output Power Continuous: 1000W (500W LF, 500W MF/HF)
- Frequency Response: 35 Hz – 18 kHz (-6dB) | 33 Hz – 20 kHz (-10dB)
- Maximum Peak SPL: 134dB
- Crossover Frequency: DSP Controlled
- Enclosure: 15mm Painted Birch Plywood
- Mounting: Pole, Fly
- Inputs: 1 x XLR/TRS Combo (Mic/Line), 1 x XLR/TRS Combo (Line), 2 x RCA
- Outputs: 1 x XLR (Line), 2 x XLR (Direct)
- Controls: Power, Gain A & B, Input Gain (0 dB / 12 dB / 24 dB / 36 dB), LF Mode (Ext Sub /Norm/DEEP), HF Mode (Flat/ Vocal Boost), Front LED (On /Off/Limit)
- Dimensions: 43.1" × 18.5" × 16.8"
- Weight: 87 lbs.
Website | Source | *Rating Value |
Audiofanzine | stompboxjon | 100/100 |
JBL SRX835P 3-Way 15" - 2000W
Cons
- Heavy - not great for portable setups
Pros
- Great for fixed installations
- Good balance of projection and frequency response across the range
The JBL SRX series secures a spot in this guide with the top rated SRX835P, a 3-way powered speaker with 15" woofer, 6.5" midrange driver and 3" tweeter.
The three speakers built-into this unit are each powered by dedicated Crown amps, all of which have a power rating that adds up to 2000 watts. 3 way powered speakers are better at spreading frequencies, and the SRX835P is a great example, very good at handling of lows, mids and highs even at high volume levels. I'm happy putting any type of music through these from acoustic acts to heavy metal bands.
It also features Ethercon connectivity that lets you get the benefit of HiQnet networking software, and is compatible with multiple mounting types - you can stand, hang or fly them (if your supporting rig is strong enough).
All these features are packed inside a traditional and robust plywood enclosure, which is great if you're a traditionalist when it comes to enclosures, but it does add weight to the speaker.
There's a reason why so many users are giving the JBL SRX835P 5-star ratings - should be at the top of your list if you're looking for a solid fixed speaker for a medium to big size venue.
Specifications
- LF Driver: 15"
- MF Driver: 6.5"
- HF Driver: 3"
- Amplifier: Tri-Amplified
- Output Power Peak: 2000W
- Output Power Continuous: 1500W
- Frequency Response: 33Hz-21kHz (-10 dB)
- Maximum Peak SPL: 137 dB (1m)
- Crossover Frequency: 330Hz, 2.4kHz
- Enclosure: 18mm Plywood
- Mounting: Pole, Floor Wedge, Fly
- Inputs: 2 x XLR/TRS Combo (mic/line)
- Outputs: 3 x XLR
- Controls: Ch1, Ch2, Master
- Dimensions: 38.74" x 21.4" x 18.74"
- Weight: 85 lbs.
Website | Source | *Rating Value |
ProSoundWeb | Nathan Riddle | 98/100 |
AskSound | Annette Boyd | 96/100 |
Things To Consider Before Buying Powered PA Speakers
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The speaker cone size refers to the size of the LF (Low Frequency) Driver - AKA Woofer. Generally, smaller woofers tend to emphasize the mids, while bigger ones offer more bass. Compact 8" loudspeakers work particularly well with sound sources that are not bass heavy, like vocals and guitars.
As you add more bass heavy instruments into the signal chain, like keyboards, bass guitars and drums, you'll need bigger speaker sizes. 10" to 12" should be enough for most small group/band settings.
On the other hand DJs and Electronic Music enthusiasts prefer bigger 15" speakers for the extra low end they provide. If you are looking for more low end, you can consider getting a PA subwoofer.
-
Since powered PA speakers have built-in amplifiers, you don't have to worry about properly matching the speaker to the amp like you would if you opted for passive speakers. So what we have to focus on is output power, which is a numerical representation of the speaker's headroom and projection.
There are two types of power output ratings that are commonly listed by manufacturers and retailers: Continuous (RMS) and Peak (Dynamic).
Continuous (sometimes interchanged with RMS) is the better representation of how powerful a speaker really is, because it specifies the wattage in which it can operate safely for long periods.
Peak (sometimes interchanged with Dynamic) refers to short volume/power bursts that speakers can handle. It points to the upper limit of what speakers can do and as such is not a good standard to use. 200 to 500 Watts of Continuous power should be enough for most small venues, while upwards of 500W are meant for medium to large size venues.
Max SPL (Sound Pressure Level) is also an important factor to consider when it comes matching speakers with venue size. The general rule is that higher the max SPL rating, the more space is covered by the speaker. Note that you can implement multiple speakers in strategic positions for covering larger venues.
- The built-in amplifier found inside powered speakers adds weight and some bulk, as such they are generally heavier than passive speakers. So it's important to consider weight and portability features, especially when you change venues regularly. Important features like handle location and size should be taken into consideration, you don't want to end up buying a great sounding speaker that you can't carry around, or you can't fit inside your vehicle.
- Many powered speakers come with built-in DSP (Digital Signal Processors) providing various advantages that include smart limiters to protect the speaker from overload/clipping. Some even use DSP to tweak the sound to match the acoustics of rooms, allowing for more versatile placements. While it's better to do EQ adjustments on the mixing console, making adjustments at the speakers can be handy in certain situations and venues.
-
Some powered speakers can handle two or more inputs and have dedicated gain/volume controls, much like a mixer. These speakers can double as a basic PA system for solo performers and singer songwriters who play in smaller venues. Be warned though that while many of these mixers include two XLR/Line combo sized inputs, one of these is usually only a line level input so check this carefully if you're looking to connect two microphones.
- The more components a device has, the risks of having problems increases, and in that sense, Passive Speakers are more durable. Still, modern build quality continues to improve, so much so that reliability is not much of a concern when it comes to powered speakers. Still, regardless of how solid the exterior is, there's no substitute for careful handling and transport.
What is the ideal LF Driver / Speaker Cone Size?
What Output Power Rating and Max SPL do I need?
What about portability?
What is DSP and do I need it?
Do I need a built-in mixer?
How do I know if a Powered PA Speaker is reliable?
Best Powered PA Speaker Selection Methodology
The first edition was published in 2016, and the current edition was updated on May 1, 2023.
For this edition, we conducted an initial survey of major retailers in the USA and placed 84 active speakers on our short-list for closer examination - you can see them in the Music Gear Database. We only included models priced below $2,000 and excluded those that are designed only for fixed installations.
Next, we gathered relevant store ratings, written reviews, video reviews and forum discussions about each one - including the latest market feedback. We processed over 15,100 of these data sources using the Gearank Algorithm which gave us the rating scores out of 100 that we used to rank the speakers appropriately. The highest rated of them are featured in this guide divided into three main categories: Sub $500, Sub $1000 and Sub $2000, along with a budget friendly option. As always, we've included detailed descriptions and specifications for each powered speaker, along with their strengths and weaknesses as reported by actual users. For more information about our methods see How Gearank Works.
For further discussions, or to recommend your favorite powered PA speaker to other readers, scroll down to the comments section.
About the Author and Contributors
Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Raphael Pulgar
I've been an audio engineer for 20 years specializing in rock and metal recordings, and also I play guitar and produce original music for my band and other content creators.
Although I'm more of a studio engineer, I have years of technical and creative experience with live sound. I have setup and used some of the best PA speakers and systems, and I've also taught seminars on how to set them up for live performances.
Contributors
Daniel Barnett: Yamaha DBR10 Review.
Jason Horton: Editing and Illustrating.
Media
Main/Top Image: Created by Gearank.com using photographs of the Mackie Thump15A, QSC K12.2 Powered PA Speaker and Electro-Voice ZLX-15BT Powered PA Speaker.
The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers except for the additional Yamaha DBR10 photos which were taken by Daniel Barnett.
Comments
It has now been done - Guide
Submitted by Jason Horton on
It has now been done - Guide to The Best PA Subwoofers - Powered & Passive
A sub woofer guide is a good
Submitted by Jason Horton on
A subwoofer guide is a good idea - I'll add that to our list of topics to investigate.
Was RCF out of the price
Submitted by Brian (not verified) on
Was RCF out of the price range?
The RCF Art series are
Submitted by Jason Horton on
The RCF Art series are definitely within the price range, however they have limited availability in the US - you usually have to buy them on special order.
However they are widely available throughout Europe so if anyone would like more information about RCF powered speakers go to http://www.rcf.it/product-finder/active-speaker
No offense. RCF Art series is
Submitted by Mango (not verified) on
No offense. RCF Art series is garbage just like the JBL PRX. Sounds like radio amplified. Good that its not listed here. If you want noise then it is, not for music.
Clearly you haven't done any
Submitted by JOBLO (not verified) on
Clearly you haven't done any testing or comparisons the new series IIII 700 series sound very good and most italian companies make great speakers like FBT & DB youre talking through your hat.
You've clearly not heard RCF
Submitted by Beesuit (not verified) on
You've clearly not heard RCF's ART 745-A. It's easily one of the best loudspeakers in its price range. Actually, considering its price, it probably is the best bar none. With its huge 4" driver, there's little competition for it if small-mid range venues is your thing.
My band has been using both
Submitted by Adrian (not verified) on
My band has been using both EVs and JBLs for years now and they're both really good powered speakers. Why didn't you include JBL on your list?
JBLs Are not what they use to
Submitted by John Alfieri (not verified) on
JBLs Are not what they use to be. I had the PRX 735s and after several shows the inside housing on both cabs were rattling and buzzing. Very annoying. When I saw them open up the cabs. the parts were as cheap as could be. Even the tech was shocked. He suggested QSC 153s. I took the loss on the trade in and never looked back. The QSCs blow them away in sound quality and build quality. So I am not at all surprised the smaller QSC were on the top. The 153s are probably too $$$ for this list but would be at the top if that price range was being considered. Also the EVs have way too many complaints of breaking down as do Mackie. You RARELY see that on QSC reviews. Being in a working band Quality and reliability are everything. QSC tops the list IMO
Being a sound engineer, Jbl's
Submitted by david (not verified) on
Being a sound engineer, Jbl's used to use quality components back 20 years ago but what they are putting out now is not professional grade products. I have qsc153 they are a bit on the heavier side but in terms of professional sound reinforcement they cannot be beat! It comes down to what is your main concern when performing live, quality professional products or products that fit your budget. I prefer to wait when making a purchase but get a product that is top notch!
QSC rocks!
JBL has never been a good
Submitted by des preston (not verified) on
JBL has never been a good speaker EV beats them hands down are you deaf?
I listened to JBL and EV side
Submitted by Eric (not verified) on
I listened to JBL and EV side by side and chose the EV Live X series. EV beat JBL hands down.
Agreed. Anyone have any
Submitted by REG (not verified) on
Agreed. Anyone have any comments on the Turbosound ix15’s?
We have a rating for them -
Submitted by Jason Horton on
We have a rating for them - Current Turbosound iX15 Gearank Rating.
I build adamson speakers and
Submitted by Mike (not verified) on
I build Adamson speakers and they are great build with kevlar drivers great outside in all wether but you will pay.
would you help me compare the
Submitted by seleckta (not verified) on
Would you help me compare the two EV and JBL? What is the best choice in durability, audibility among others?
We have 4 JBLs and 4 EVs
Submitted by Jason Horton on
We have 4 JBLs and 4 EVs currently in our public database.
If you click on those links you'll see that the EVs generally have higher Gearank scores than the JBLs - this means people who have bought the EVs are more satisfied with their gear than the people who got the JBLs instead.
That's why we recommended the ZLX-12P & ZLX-15P EVs above but have not done so for the JBLs at this stage.
Thanks Jason
Submitted by seleckta (not verified) on
Thanks Jason
the Ev speakers seems to be much heavier in their performance would you pliz high lighten on the ratio of Amp to speakers in terms of there watts.
Thanks John - you were quite
Submitted by Jason Horton on
Thanks John - you were quite right that we were trying to stick to a price range, we didn't want go much over $1,000. If we had gone up to $1,500 the the QSC KW153 would have been in the list too.
We did take a look at several
Submitted by Jason Horton on
We did take a look at several JBL systems but none of the scored a high enough Gearank to be included in this gear guide.
Curious as to what was
Submitted by John Alfieri (not verified) on
Curious as to what was lacking in JBL. The PRX 800 series and I assume SRX series should be included. The PRX 835 head to head with QSC 153 are louder and not as harsh on the high end.
We make our recommendations
Submitted by Jason Horton on
We make our recommendations based on overall product ratings rather than by considering specific aspects or features (except for special picks like the Budget Option above) - you can see how we analyze reviews and opinions from around the web to produce our ratings in How Gearank Works.
We only go into the detail of which aspects are good or lacking for items we select to recommend, so unfortunately I can't give you specifics in this case other than to say that overall sentiment is less favorable for the ones we didn't recommend.
I'm disappointed with this
Submitted by Anonymous (not verified) on
I'm disappointed with this list. I'm surprised that Mackie's were cited as being "reliable." I had a pair of Thumps that were anything but reliable. I had to replace them after six months of use. JBLs are known for reliability, not Mackies.
The Gearank scores are based
Submitted by Jason Horton on
The Gearank scores are based upon customer feedback and expert reviews of the latest models.
Here are the JBLs we processed and none of them had enough positive feedback to score high enough to be included.
If you think there is a current JBL model we should process for a Gearank score to see if it should be included, then please let us know.
You tested the entry level
Submitted by Walt (not verified) on
You tested the entry level jbl gear.... how about srx etc?
Hi Walt - there are 2
Submitted by Jason Horton on
Hi Walt - there are 2 important points to make in response to your question:
To get a better handle on this please read How Gearank Works.
Clueless jbl are top of the
Submitted by Ben (not verified) on
Clueless jbl are top of the list think your survey is a bit wrong
I had a pair of PRX615's the
Submitted by JOBLO (not verified) on
I had a pair of PRX615's the bass was good the horn was crap so that's probably why they didn't get a mention a lot JBL speakers have a funny midrange and top end most DJ's don't notice this but put one up against something like the RCF 700 series and the FBT VENTIS/PROMAXX and you'll notice the difference.
I have had JBL PRX625 now for
Submitted by Christian Che (not verified) on
I have had JBL PRX625 now for almost four years and they are really good, never had problems with them. Just bought Bose F1 system two months ago and had two sub woofer rattling. JBL deserve to be on this list.
The JBL PRX625 speakers are
Submitted by Jason Horton on
The JBL PRX625 speakers are no longer available to buy from most of the major North American retailers which is why this specific model was not included.
BTW - although JBL didn't score high enough to be included in this guide, they topped the ratings in our guide to the Best PA Subwoofers.
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