
Your ultimate guide to discovering the best keyboard workstation for your music productionsโwhether itโs synthesis, processing, sequencing, sampling, effects, or more.
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93 | 450+ | ||||
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**Sources = Number of gear owner and user opinions analyzed for these product Gearank Ratings.
Research Process: How Gearank Works
Throughout the years, MIDI controllers have dominated the market in terms of their seamless connectivity with Macs and PCs. However, even in this modern age, keyboard workstations still continue to have an edge in terms of in-the-box and all-in-one music creation. After all, not everyone wants multiple screens all the time, right?
Sometimes, the best way to create music is to have limitations. Thatโs the beauty of the best keyboard workstationโeverything you need without a computer.
It is a versatile instrument that can meet the needs of songwriting, music production, and live performance.
Think of it as an electric piano on steroids, with a variety of keyboard sounds and effects, along with arpeggiators and sequencers. It also comes with built-in audio and MIDI recording connectivity that allows it to work as a computer interface.
Itโs all thanks to the powerful sound engines within the keyboard workstations. This allows for high-quality core sounds similar to a Digital Piano, while also having multiple sounds like a keyboard arranger.
They can easily provide professional musicians with stage piano sounds, electric piano tones, and more. On top of being great stage instruments, they can also serve as the main music workstation in studio settings.
Workstation keyboards come with different keybed configurations. Some have synth-action keys, while others have keybeds that resemble the feel of acoustic piano keys. There are many variations and hybrids. You will gain a better understanding by knowing what is a synth, and the differences between a synthesizer vs keyboard, and even a digital piano vs keyboard.
Here we feature the best keyboard workstations, divided into three price ranges that cover the needs of everyone from intermediate-level users to professionals who compose and produce a wide range of styles of music.
Once you have found your perfect keyboard workstation, you may find our latest review on the best keyboard stand really useful.
The Best Keyboard Workstations Under $1000
The Roland JUNO-DS88 is more than just a workstation. Most keyboard workstations, let alone weighted-action ones, are bulky and don’t have the portable factor. For each demanding rehearsal and hectic gig, moving things around can be quite tedious.
For a keyboard with weighted, velocity-sensitive keys, it clocks in at around 35 lbs. It is reasonably portable and can run on 8 AA batteries. All this while having a wide keybed with 88 velocity-sensitive and hammer action keys.
For the musician whose bread and butter is sound experimentation, you’ll find that it has a hefty amount of patches and sounds to choose from. It has over 1000 sounds, including synths, instruments, and sound effects. This gives you plenty of options to expand your sonic palette.
These sounds can also be mangled, modified, and layered by using its slew of knobs and buttons. On top of that, it can play samples via its 88 keys, or through its 8 velocity-sensitive pads. For those who dabble with voice-based synths, you could plug in a mic and apply vocoder, reverb, and auto-pitch effects.
So, who is this keyboard workstation for? I find that it caters to both performers and sound designers alike. I find this keyboard also jotting down your ideas via the mic input.
All your recordings can be transferred via a removable media (USB) for more processing. Thus, it can be a great tool for songwriters as well. After all, Roland dubbed this best keyboard workstation as a “mobile studio.”
However, for beginners or musicians who have no prior knowledge of sound design, a bit of a learning curve is needed to maximize this.
Overall, if youโre looking for an 88-key synth with impressive bells and whistles, be sure to check out the Roland Juno-DS88.
- Polyphony: Polyphonic
- Keys: 88 Weighted-action, Roland Ivory Feel-G Keyboard
- Oscillator: Digital
- Filter: Digital
- Envelope: Digital
- LFO: Digital
- Effects: 3x Mulit-effects, 3 x Chorus, 5 x Reverbs, 8 x Mic Reverbs and Vocoder
- Additional Controllers: Pitchbend/Modulation Lever
- Step Sequencer: 8-track
- Audio Input: 1 x 1/4โณ (mic), 1 x 1/8โณ (aux)
- Audio Ouput: 2 x 1/4โณ (L/R), 1 x 1/4โณ (headphones)
- Other Connectivity: USB (Type A), USB (Type B)
- Power: DC 9V adapter, 8 x AA batteries
- Dimensions: 5.68โณ x 55.75โณ x 13.43โณ
- Weight: 35 lbs.
The Roland Juno-DS76 retains the portability and synth style keys of the DS series, but with a longer 76-note keybed. This makes it longer and heavier, but not as heavy as an acoustic piano.
It still retains a portable and busker-friendly profile, complete with the ability to run on batteries (8 x AA).
This 76-key version of the Juno DS is a more recent release, meant to fill the space between the smaller DS61 and the bigger DS88. It has more keys for pianists to appreciate, but with less of the bulk and weight that you get from the DS88.
Note that the action of the keys are still synth-style. However, these synth style keys DS76 are expressive, so there are compromises and benefits to achieve a good balance of playability and portability.
Sound-wise it’s basically identical as its siblings. It gives you access to the same broad sound options. This includes a selection of core instrument voices from Roland’s popular piano, electric piano, and Hammond style sounds.
Let’s also not forget exotic sound samples, percussion, world instruments, acoustic instruments, and other sFX patches. It will keep you busy experimenting with their library.
Even though it doesn’t have Roland’s SuperNATURAL piano engine, the core voices have good realism and response – better than most workstation keyboards. Its high quality sounds and versatility are the reasons why the DS series continues to be the staple gigging keyboard.
There are also plenty of other quality instrument and synthesizer samples, along with a myriad of synth sounds. Like any other work station keyboards, you’ll have to invest time in effort to master its functions.
It comes with workstation features that include internal or external audio and MIDI recording. This built-in audio interface makes this a great core instrument for a recording studio.
This workstation keyboard has built-in effects, an 8-track sequencer, and mic input. I also commend the EDM-friendly set of phrase pads that you can use to trigger samples that you customized yourself.
All in all, you benefit from the sonic versatility of the DS series, while allowing for wider piano chords that are harder to do in smaller 61-key keyboards. And it does all this while retaining good portability.
In addition to live accompaniment, the DS76 is also a suitable keyboard for studios with its workstation capabilities. It’s easily one of the best professional music keyboards for stage and studio use, capable of transforming your playing style and workflow.
Tech Specs
- Keys: 76 Synth-Action Keys
- Polyphony: 128
- Sound Engine(s): Juno Engine
- Controllers: Pitchbend and Modulation Levers
- Audio Recording: Playback Format: ( bit, kHz, Stereo)
- Audio Playback: WAV, AIFF, MP3
- Sequencer: 8-Track/li>
- Audio Inputs: 1 x 1/4″ (Mic), 1 x 1/8″ (Aux)
- Audio Outputs: 2 x 1/4″ (L/R), 1 x 1/4″ (Headphones)
- MIDI: In/Out/USB
- Other Connections: 1 x 1/4″ (Sustain), 1 x 1/4″ (Control)
- USB: 1x TYPE A (Samples), 1 x Type B (Audio/MIDI)
- Power Supply: AC Adapter DC 12V
- Dimensions: 4″ x 48.5″ x 12.25″
- Weight: 15.25 lbs
The Best Keyboard Workstations Between $1000 and $2000
The PSR-SX700 is a keyboard packed with workstation and arranger features and is part of Yamaha’s Portable Sound (PSR) line. It does all this while retaining a lightweight profile that’s easy to carry around.
There are a lot of sounds to play with – 986 voices, 41 drum/sfx kits, 400 styles, and more. It contains a lot of functions and parameters to control; hence, it is bulkier and has a button that infests the front fascia.
Thankfully, the master controller layout is well thought out, especially its accompaniment and recording controls, which are neatly positioned near the keys for quick access.
The 7″ LCD color touchscreen gives you access to important settings like Voice and Style assignments, as well as menus and other parameters. The screen layout is intuitive, so it really makes the workflow and overall playing experience easier.
As for the workflow, you can utilize Accompaniment Styles to add a more realistic-sounding “backing band” to your playing. It works with you as you change your chords, much like a smart auto accompaniment tool. Another noteworthy feature of the PSR-SX700 is its joystick control. It can go up, down, and sideways – allowing for convenient control over both pitch and modulation.
The sound engine is up to par with similarly priced keyboards, thanks to Yamaha’s VCM (Virtual Circuit Modeling). Whether you want to play guitar, piano, organ, strings, and synth sounds, they all have good realism and they respond well to playing.
Voices that use Yamaha’s super articulation sound even more realistic. The PSR-SX700 sounds good even when listening through the built-in speakers.
The 61-key synth-action keybed has 4 velocity sensitivity settings for personalizing the instrument’s response. The pitch bend and mod wheels are responsive as well.
These keys won’t appeal to those used to traditional acoustic pianos, but they are an invaluable tool for those who play one-man-band accompaniment style. For some reason, Yamaha didn’t add trigger pads; they opted for buttons near the keys.
Other noteworthy features include synth filter-like sounds achieved via assignable real-time control knobs, 16 track song recorder, and compatibility with Yamaha’s XG song format. Being a Yamaha workstation keyboard, expect it to be durable and reliable.
If you’re looking for a portable all-in-one workstation/arranger keyboard, then this might be an ideal fit.
- Keys: 61 Synth-Action Keys
- Polyphony: 128
- Sound Engine(s): AWM Stereo Sampling
- Controllers: Joystick for Pitchbend and Modulation
- Audio Recording: Playback Format: (16bit, 44.1 kHz, Stereo)
- Audio Playback: WAV, MP3
- Sequencer: 16-Track
- Audio Inputs: 1 x 1/4″ (Mic/Guitar), 1 x 1/8″ (Aux)
- Audio Outputs: 2 x 1/4″ (L/R), 1 x 1/4″ (Headphones)
- MIDI: In/Out/USB
- Other Connections: 1 x 1/4″ (Sustain), 1 x 1/4″ (Control)
- USB: 1 x TYPE A, 1 x Type B
- Power Supply: AC Adapter DC 16V
- Dimensions: 5.5″ x 40.06″ x 17″
- Weight: 25.37 lbs
I could describe this keyboard as being multi-layered and sophisticated in features. The Yamaha MODX7 76-Key goes above and beyond the normal capabilities of sample-based keyboard workstations.
It’s ultra-portable at 16 lbs and is easy to carry around, and while it’s jam-packed with features, the layout of the knobs and faders are easy to understand.
While it does take a bit of a learning curve to familiarize yourself with its features, having a clean layout makes operating this keyboard feel less overwhelming.
This keyboard has 76 velocity-sensitive, semi-weighted keys that allow the users to have a good feel for the piano. It lends itself well to expressive piano passages, giving you a little bit of that resistance.
Yamaha has been known to use proprietary methods to store the sounds on its keyboards. They call it the Advanced Wave Memory 2 or AWM2. Simply put, it is a sample-based tone generation method that allows this keyboard to have a more detailed and refined sound.
One little detail that Yamaha has done well with this workstation keyboard is its smooth sound transition. In the case of most keyboards, switching from one sound to another will cause a “cutoff effect.” With MODX7, if you switch from a piano to a trumpet, for instance, if you’re holding the sustain pedal for the piano, it will fade away softly to the trumpet rather than getting cut off.
There are not a lot of comments about what it does and doesn’t do. However, I did notice that the right side of the keyboard is severely underutilized.
Speaking of patches and sounds, its extensive sound library can be accessed via its “super knob” and the LCD touch screen. Via the LCD screen, you can layer up your sound, route effects, or program your synths. If you want to evolve your songs further, this machine allows you to control up to 128 parameters using the big knob.
From organic sounds to synthesized instruments, the Yamaha MODX7 lends itself well to live performances and sound design.
- Keys: 76 Semi-weighted Keyboard
- Polyphony: AWM2: 128 (max.; stereo/mono waveforms) FM-X: 64 (max.)
- Sound Engine(s): AWM2 Stereo/Mono Sampling
- Controllers: Master Volume, AD Input Gain knob, USB Volume, Pitch Bend wheel, Modulation wheel, Control Sliders x 4, Knobs x 4, Super Knob, Data dial
- Audio Recording:
- Audio Playback:
- Sequencer:
- Audio Inputs: 2 x 1/4″ A/D (L/mono, R)
- Audio Ouputs: 2 x 1/4″ A/D (L/mono, R)
- MIDI: In/Out
- Other Connections: MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2],
- FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks),
- [PHONES] (6.3 mm, standard stereo phone jack),
- A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)
- USB: Yes
- Power Supply: AC Adapter DC 12V
- Dimensions: 45″ x 5.25″ x 13″
- Weight: 16 lbs.
The Best Workstation Keyboard in the $2000 to $5000 Price Point
The SX900 is the flagship model of Yamaha’s PSR-S line. As such, it comes with the best that Yamaha can offer, all packed inside a portable instrument. It is similar in size and overall design to the SX700, but with expanded features that are meant to justify its premium price tag.
For starters, this 88-key workstation has a staggering collection of 1337 Voices, some of which have Yamaha’s “Super Articulation” feature that adds subtle details that mimic human playing techniques.
This results in a more detailed and professional sound that is faithful to the sampled instrument. As expected, piano sounds are top-notch, with good bass definition and high-end clarity.
The same can be said about its other core sounds, including organs, synths, guitar, strings, and the like. There are also 56 Drum/SFX kits to play with, along with 525 accompaniment styles.
If you get a handle on the controls, which include 3 layer sound setup. You have enough voices and styles to cover every musical genre.
The 61 synth-style keys work as intended, are easy to press, and have a good response to dynamic playing. The keys also don’t look or feel cheap at all. This workstation keyboard is aimed at one-man-band performers and home producers rather than traditional pianists. Although I have to say, some pianists I know do appreciate its capabilities.
The downside? You have to go through a steep learning curve, and I have to say, it takes a while.
It may seem overkill for the average musician, but having all these sounds is important for live performances. Surprisingly, it can still work even in modern music production just because of how good the sounds are. If you could take the same sounds and recreate them live, then it becomes even better.
In addition to so many sounds, there are tons of parameters to tweak, which makes controlling the keyboard more complex. Thankfully, the 7″ LCD color touchscreen makes diving through menus more bearable.
The voices, styles, and parameters are laid out very well, which makes it very intuitive. It would’ve been nice if there were trigger pads included.
The main strength of the PSR-SX900 is its accompaniment function, and in line with that, it has special features like chord looper that lets you record and play chords so you can free up your left hand.
Another distinct feature of the SX900 is its built-in vocal effects, which let you apply vocal harmony, synth Vocoder, and more. In addition to live performance and music production, the arranger functionality of this keyboard is detailed enough for use in songwriting and for recording rough demos of your song ideas.
Other noteworthy features include Bluetooth compatibility, expanded input/output options, 16 track song recorder, and compatibility with Yamaha’s XG song format.
The Yamaha PSR-SX900 is a feature packed all-in-one accompaniment machine with good portability, ideal for one-man-band musicians.
- Keys: 61 Synth-Action Keys
- Polyphony: 128
- Sound Engine(s): AWM Stereo Sampling
- Controllers: Joystick for Pitchbend and Modulation
- Audio Recording: Playback Format: (16bit, 44.1 kHz, Stereo)
- Audio Playback: WAV, MP3
- Sequencer: 16-Track
- Audio Inputs: 1 x 1/4″ (Mic/Guitar), 1 x 1/8″ (Aux)
- Audio Outputs: 2 x 1/4″ (L/R), 1 x 1/4″ (Headphones)
- MIDI: In/Out/USB
- Other Connections: 1 x 1/4″ (Sustain), 1 x 1/4″ (Control)
- USB: 2 x TYPE A, 1 x Type B
- Power Supply: AC Adapter DC 16V
- Dimensions: 5.5″ x 40.06″ x 17″
- Weight: 25.35 lbs
Things to Consider when Buying a Keyboard Workstation
Differences between Workstation Keyboards and other Keyboards
Keyboard workstations are a type of keyboard meant to be an all-in-one instrument for composers, music producers, and performers. As such, they are generally equipped with almost everything that can accommodate your performance, recording, and production needs. This also includes an upgraded interface with all the needed buttons, a pitch wheel, a mod wheel, faders, LCD displays, and more.
In modern music production, they function more as a tool for accessing sound libraries “out of the box.” Still, some would prefer keyboard workstations over DAWs because it’s solely focused on producing music. After all, it’s less distracting compared to having so many windows opened! This is especially true to busy musicians and readers.
There are several functions that set them apart from Digital Pianos vs Keyboards, arrangers, and other professional keyboards. These functions include MIDI/USB control and recording, audio recording, editing features, and built-in effects that are helpful in creating and finalizing songs. Since they are meant for composing and recording songs, manufacturers tend to include massive sound libraries with a wide array of instruments.
In addition to these aspects, most workstation keyboards have good-quality synthesizers that can be used for composing full-length multi-voice tracks. Workstation keys blur the lines between Synthesizer vs Keyboard features.
There are more to discuss when it comes to the similarities and differences between the various types of Piano vs Keyboard vs Synth vs MIDI.
Sound Quality and Quantity
Sound quality and quantity matter, whether you plan to use your workstation to produce music or for general playing purposes. As mentioned above, workstations have a wide array of instrument presets, such as pianos, horns, strings, and percussion. They are on par with the quality of what dedicated synthesizers can provide.
A simple playback synth, or one with sample libraries, is a reasonable option if you want an authentic reproduction of sounds. These are pianos, percussion, string section, and brass section.
If you plan to incorporate electronic music, a workstation with an analog modeling synthesis feature also works well.
For sound quantity, it’s highly recommended to look for a workstation that can handle and provide enough polyphony for playing and recording. The more notes it can handle, the more you can maximize your use of sequencing and recording multiple tracks. There are differing views on this though, as some prefer smaller MIDI controllers that can do similar things in a studio setting, without the bulk.
Sequencing, Recording, and Effects
Since workstations are designed to address composition and production needs, the main features to keep in mind are their sequencing and recording capabilities. Workstations already have built-in MIDI sequencers for capturing, adding, and editing tracks. Expect these types of features from premium keyboards like the Kurzweil PC4, Roland Fantom 8, and the like.
Some of them also have a microphone or line input that lets you incorporate audio into sequenced tracks. Another feature to consider that would take your recordings to the next level is its onboard effects. Most workstations have the basic built-in effects that can be applied to individual tracks and/or the whole mix.
Those that have audio recording capabilities have EQ and dynamic-related effects. These provide more flexibility when it comes to personalizing your final sound. You can connect them to your PC or Mac Mini and get your music production done.
Memory Capacity
Memory is a considerable factor, especially when storing and accessing mixes. The types of memory youโll find in a workstation are ROM and RAM.
ROM lets you switch out different sound cards to access a variety of sounds. In contrast, RAM is the amount of memory that can be used for recording, sampling, and storing custom settings.
Itโs best to prioritize the amount of ROM if you plan to focus on performing and playing the instrument. Otherwise, for recording, itโs best to look for a large amount of RAM. Some workstations provide removable and expandable memory slots for memory cards and external hard drives, too.
Other Features
Connectivity is also another feature to consider since a lot of them come with USB or 5-pin MIDI connections for connecting and syncing them to your computer. Good workstation keyboards can work well with DAW software, especially those with convenient control mapping features.
There are some workstations that include an audio sampler. This enables you to import any audio file to incorporate into your mix as long as they are compatible with your workstation. Some even come with digital synth engines with FM synthesis.
Having audio inputs for directly recording instruments is another plus. This includes modern Bluetooth streaming functionality, which is quickly becoming a standard feature among modern musical gear. These are some of the useful items to take into account if you want to maximize the use of your workstation. Retailers like Guitar Center usually have a list of features, but you can go directly to the manufacturer’s website if you want the full list.
Best Keyboard Workstation Selection Methodology
The first edition was published in 2018.
We began by looking at all the Workstation Keyboards available from major American online music gear stores, and for this edition, we placed 18 of them on a short-list for further examination – you can see them in our Music Gear Database. We then examined feedback from users and experts in the form of written reviews, ratings, and forum discussions, including the most recent feedback. All these data were then fed to the Gearank Algorithm to produce the rating scores out of 100 that you see above – there were over 4,800 sources analyzed during this process. Finally, we selected the highest-rated options to recommend in each of the price brackets above. For more information about our methods, see How Gearank Works.
About the Author and Contributors
Here are the key people and sources involved in this guide’s production – click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
The standard gigging keyboardist rig often has a Roland keyboard at its core, and for good reasons – they are reliable, practical, and they sound good. The Juno DS series is something that I’ve been seeing often in events and gigs, so I’m not surprised to find it rated high enough to be recommended in this guide.
Contributors
Allen Articulo: Co-Writer and Product Research
Jason Horton: Editing and illustrating.
Media / Image Credit
Main/Top Image: Compiled using a photograph of Yamaha PSR-SX900.
The videos have been embedded in accordance with YouTube’s Terms of Service.
The individual product images were sourced from websites, promotional materials, or supporting documentation provided by their respective manufacturers.
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Comments:
17 responses
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Publication of our 2022.10 Edition resulted in the following keyboards coming off the recommended list above:
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We’ve removed the Korg Kronos 61 due to it being discontinued.
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Publication of our February 2022 Edition resulted in the following workstations coming off the recommended list above:
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Publication of our May 2021 Edition resulted in the following workstation coming off the recommended list above, but you can still see our analysis of it: Korg Kross 2.
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What are your opinions regarding the Yamaha Genos and the Yamaha PSR-SX900 Workstations?
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I understand that the Yamaha Montage and MODX recently updated their onboard sequencer/recorder. Is it (the sequencer/recorder) on the same level as the MOXF? This has previously been the only reason for me not pulling the trigger on the newer Yamaha workstations.
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As a result of our May 2020 update the following came off the recommended list above, but you can still see our analysis of them:
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Is there an advantage with the newer Yamaha MODX over the MOXF series? Or should I stay with my MOXF8?
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Sold my roland FA series…it sucked bought an moxf instead, way better sounds…WAY
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Why does the Korg pa 1000 lack good quality?
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We haven’t analyzed the the Korg Pa1000 yet so unfortunately we can’t answer your question at this time.
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Very useful information…well explained, but why Yamaha s970 is not here?
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We have the Yamaha PSR-S970 classified as an Arranger keyboard rather than as a Workstation which is why we didn’t include it in this guide.
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What about the Juno ds-88?
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It’s a good keyboard with high ratings which you can see here, but we have it classified as a synthesizer rather than a workstation which is why it’s not listed above.
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Roland FA series. Should not be here at all. they suck. Cheap! Cheap! Every Corner they could cut was done. And then some. The D/A A/D converters are so bad it is unbelievable!
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Thanks for sharing your opinion. When we produced this guide we examined over 800 opinions, over 90 of those were specific to the Roland FA-08, and based on the broad opinion of the market it did deserve to be included in our recommended list.
If you’d like to know more about how we do this analysis, please read How Gearank Works.
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Keyboard Guides
About the Author and Contributors
Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Alexander Briones
I have been writing about and researching music gear for many years, all while serving as a music director at my local church. I engage in guitar playing and singer-songwriter stints, in addition to mentoring young musicians and teaching guitar and bass.
The standard gigging keyboardist rig often has a Roland keyboard at it's core, and for good reasons - they are reliable, practical, and they sound good. The Juno DS61 in particular is something that I've been seeing often in events and gigs, so I'm not surprised to find it rating high enough to be recommended in this guide.
Contributors
Allen Articulo: Co-Writer and Product Research
Jason Horton: Editing and illustrating.
Media
Main/Top Image: Compiled using photographs of the Roland Juno-DS61 and Yamaha PSR-SX900.
The videos have been embedded in accordance with YouTube's Terms of Service.
The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers.
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