The best looper pedal isn’t just about capturing a riff on repeat, it’s about unlocking the freedom to build entire songs layer by layer. I knew I’d found mine the first time I confidently stacked beats, bass, and melodies mid-set and felt like I had a whole backing band under my feet. That’s when I realized the right looper can turn a simple performance into something alive and evolving.
Compact Size | Compact Size Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 91 | 4525+ | |||
 | 93 | 3800+ |
Multiswitch | Multiswitch Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 90 | 125+ | |||
 | 86 | 25+ |
Tabletop | Tabletop Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 89 | 275+ | |||
 | 91 | 150+ |
Author's Pick | Author's Pick Product Image | Product Title | *GEARANK | **Sources | Check Prices |
 | 91 | 1075+ |
*Gearank = Rating score out of 100.
**Sources = Number of gear owner and user opinions analyzed for these product Gearank Ratings.
Research Process: How Gearank Works
If you’ve ever hit the limits of a basic looper’s short recording time or lack of flexibility, it might be time to explore the best looping pedal options out there. Built-in loopers on multi-effects or amps are fine for practice, but when you need pro-level sound quality, precision control, and advanced features for live performance, they just don’t cut it.
Finding the best loop pedal means getting one that matches how you create, whether that’s quick idea sketching, intricate multi-track builds, or fully arranged live looping. In this guide, I’ll walk you through my top picks for players who want a pedal that can keep up with their creativity. You’ll find nothing less than the best guitar looper choices divided into Compact, Multi-switch, and Tabletop units.
Compact pedals are perfect for straightforward looping that won’t crowd your board. Multi-switch models give you more control, memory, and flexibility for real-time multi-track layering. And for those who prefer hands-on looping over foot control, tabletop loop stations are designed to keep your workflow fast and intuitive.
Best Looper Pedals – Compact
TC Electronic Ditto Looper
This ultra-simple looper keeps things easy, letting you focus on playing rather than tweaking settings. Its compact design makes it easy to integrate into your rig, whether you’re practicing solos or building song ideas.
Pros:
- Simple operation, great for learning how to loop
- Transparent sound
- Solid build quality
- Compact and light
- Limited to 1 track looping
- No battery operation
- Not for complex multi-track looping
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The TC Electronic Ditto Looper continues to be the go-to looper for those who want basic looping functionality in a compact pedal form factor.
This is a one-track looper with just one footswitch. Still, it is enough for all the basic controls, including record, playback, overdub, undo, and redo.
It will take some time to learn the different ways of stepping the footswitch to do the various functions, but it does get the job done. More importantly, it does so without taking up too much space and with less complications to your setup.
The only other control is the Loop Level knob, which lets you adjust the volume of the playback in relation to your dry signal.
But what makes the Ditto Looper a crowd favorite is its clean signal; the loops sound clean and transparent. You’ll notice how cleaner it is than cheaper loopers or those built into cheap multi-effects and amps. Loops won’t sound muddy, even with overdubs.
Given its compact size, the Ditto Looper is not meant for much other than basic looping functions. Its loop time is 5 minutes, which was long when it was first released but is now quite limited.
There are no memory slots for expanding its loop recording function. Another minor annoyance is the need to buy the power supply separately.
Still, the TC Electronic Ditto Looper is perfect for those who want a simple, compact, and high-quality looper. This is the best looper pedal to start your guitar looping journey.
- Total Loop Time: 300 Seconds
- Loop Tracks: 1
- Loop Memory Slot: 1
- Audio Quality: 24-bit A/D/A
- Input: 1 x 1/4″
- Output: 1 x 1/4″
- Power: 9V DC Adapter (Sold Separately)
- Dimensions: 1.9″ x 1.9″ x 3.7”
- Weight: Less than 1 lb.
Boss RC-1 Loop Station
A solid and beginner-friendly looper that delivers smooth playback with an intuitive interface. The large loop indicator makes tracking your layers easy, so you can focus on creativity instead of guessing where you are in the loop.
At publication time, this was the highest rated compact looper pedal.
Pros:
- 24-segment display for visual feedback of loop time
- 12 minute recording time
- Familiar pedal shape and function
- Compact size
- Tank tough Boss quality build
- Great for beginners
- One footswitch control requires some practice
- Need to buy a power adapter separately
- Not advisable for complex looping
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This year sees the Boss RC-1 retaining its spot in this guide, the most affordable of the BOSS Loop Station series. It comes in Boss’ simplistic single stompbox design, known for its tough reliability and durability. But even though it is an entry-level simple looper pedal, it has some extra features that make it stand out easily from other basic loopers.
The most noteworthy feature of the RC 1 Loop Station is its 24-segment LED indicator, which gives you visual feedback on your settings and can even show you where you are in each loop. This visual cue is excellent for timing loop controls, especially for novice musicians. This feature makes it an intuitive looper pedal that’s great for beginners.
It can also hold up to 12 minutes of recording, more than most of its direct competition offer. In addition, this is a stereo looper pedal with stereo/mono connections, which makes it easy to integrate into complex gear setups.
Looper pedals Boss RC units continue to be the go-to for many guitarists. This is the best loop station for those planning on using something other than multiple loop tracks. And it is the only looper pedal you’ll ever need in your signal chain. It’s already cheap but can be more affordable if you get it from second-hand Looper pedal deals.
- Total Loop Time: 12 Minutes
- Loop Tracks: 1
- Loop Memory Slot: Internal
- Audio Quality: Not Specified
- Input: 2 x 1/4″ (Stereo)
- Output: 2 x 1/4″ (Stereo)
- Power: DC Adapter (Optional) or 9V Battery
- Extra Feature: 24 Segment Loop Indicator, Stereo In/Out
- Dimensions: 2.375″ x 5.125″ x 2.875″
- Weight: 1 lb.
Best Looper Pedals – Multiswitch
Boomerang III Looper Pedal
Designed for serious loopers, this pedal lets you stack layers with great flexibility and control. Its footswitches offer quick access to multiple loops, making it a powerful tool for live performance and songwriting.
At publication time, this was the highest rated multiswitch looper pedal
Pros:
- Allows for 4-track looping
- Up to 35 minutes of recording
- Versatile loop building via its switchable play styles
- Simplified interface with no LCD
- Good audio quality (24bit at 44.1Khz)
- Quiet footswitch design
- Cannot save loops into presets
- The feel of the foot switches may not be everyone’s cup of tea.
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The Boomerang III is a multi-switch looper designed for “live” looping performances, with up to 4 tracks and 4 different play style options.
It does away with bells and whistles like extra effects, auto rhythm, and SD card storage; instead, it focuses on providing good sound quality and an intuitive workflow ideal for live use. This results in a looper that works and sounds natural, which appeals to experienced musicians.
This one strays from the usual LCD screen interface for a multitrack looper. Instead, it retains an old-school foot pedal style, just having footswitches, knobs, and buttons. This simplifies the interface and lets you focus on looping with minimal distractions.
The play style options open the unit to different approaches, from a more structured and synced serial mode to an accessible mode that allows you to craft and play tracks that are not synced. With this, you won’t feel boxed into a particular way of looping.
This unit has a robust performance-ready form factor that organizes the footswitches and controls in an easier-to-access and look-at way. It also has a distinct footswitch design that operates quietly. It is necessary for guitar loopers who don’t want unwanted noise creeping into their loops.
The main drawback of the Boomerang III is its inability to store loops for future use. If you’re used to metal switches, you won’t like how they feel.
The Boomerang III is a great looper pedal for live use. If you’re looking for a looping machine with intuitive controls and enough complexity for advanced looping techniques, then this is the best looping pedal for you.
- Total Loop Time: Up to 35 minutes (2100 Seconds)
- Loop Tracks: 4
- Loop Memory Slot: Up to 4
- Audio Quality: Output (24-bit / 48kHz)
- Input:2 x 1/4″ (L/R), 1 x Rang Pedal Link
- Output: 2 x 1/4″ (L/R), 1 x Rang Pedal Link
- USB: None
- Power: 9V DC Power Supply
- Dimensions:9” x 2” x 6”
- Weight: 3.59 lbs.
Sheeran Loopers Looper X Workstation
With high-quality sound, advanced looping tools, and built-in effects, this workstation is meant for complex looping. Great for solo performers who want full-band control in one pedal.
Pros:
- High-quality sound with minimal latency
- Multiple tracks for complex looping
- Built-in effects for added depth
- Intuitive interface for live performance
- A bit pricey
- Steep learning curve for beginners
- Requires precise timing for smooth transitions
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With multiple tracks, built-in effects, and an intuitive interface, it feels like a full backing band under my feet. Whether layering guitar parts, adding vocal harmonies, or building percussive loops, this pedal makes solo performances feel rich and dynamic.
This looper pedal makes complex looping seem easy with its impressive visuals and intuitive design.
One thing I really like is the high-quality sound processing, which keeps everything crisp and clear even with multiple layers. The workflow is seamless, making it easy to stack loops effortlessly and switch between them without losing the groove. It also has some great built-in effects that add depth to performances without needing extra pedals.
That said, the price is on the high side, and beginners might find the feature set overwhelming at first. It will take some time to master the timing and footwork required for fluid transitions.
But for serious loopers and live performers, this workstation is an absolute powerhouse that can turn a solo act into a full-band experience.
- Total Loop Time: unlimited (loop length), unlimited (overdub length)
- Loop Tracks: 4
- Loop Memory Slot: Unlimited (depending on connected drive’s free storage)
- Audio Quality: 24-bit A/D/A, 32-Bit Float System Audio Bit Rate, 48.0 kHz System Audio Sample Depth
- Input: 4 x XLR-1/4″ combo, 1 x 1/8″ TRS (stereo aux in)
- Output: 2 x XLR, 2 x 1/4″ TRS
- USB: 1 x Type B (audio interface, file transfer), 1 x Type A (flashdrive)
- Power: 19V DC 3.42A power supply (included)
- Extra Feature: 7″ Full-color Multi-touch display
- Dimensions: 3.96″ x 21.72″ x 12.6″
- Weight: 16.09 lbs.
Best Looper Pedals – Tabletop
Boss RC-202 Tabletop Looper
This compact looper is a beatmaker’s dream, offering hands-on controls, built-in effects, and dual-track looping. Whether you’re crafting live electronic music or enhancing your practice sessions, it’s an inspiring tool for creativity.
Pros:
- Multi-track looping up to 2-tracks
- Generous number of control options are available per track
- DJ-friendly style interface and controls
- Multiple input/output options
- Capable of using multiple effects
- Rugged and reliable
- Limited 2-track looping
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The RC-202 is a tabletop Boss looper for those who want to use their hands when triggering loops. Tabletop loopers are ideal for DJs and electronic musicians. Still, they are also quickly becoming a
staple for home studio use.
It sports a colorful interface similar to the bigger RC-505. It is more compact and has enough controls for 2 simultaneous tracks.
Its colorful buttons and big knobs make it easily blend with other DJ decks and mixers – both in terms of looks and workflow.
The looper controls follow the same design but are bigger, making them pop out prominently when looking at the interface as a whole. Each track has a big switch that triggers record, play, and overdub, while the smaller switch triggers stop, undo, and erase.
The apparent downside to its tabletop design is that it’s meant for something other than guitarists who prefer hands-free foot control over looping. However, since many guitarists have adapted to desktop home studio setups, the RC-202 can still be a good looper choice.
This 2-track looper gives you a lot of memory to play with loops, up to 3 hours, to be exact. You can then save the loops that you create into any of its 64 phrase memories.
And given its Boss DNA, the RC-202 lets you use four input and four-track effects simultaneously, expanding the sonic palette you can use as you loop.
It also has a foot controller input and MIDI In/Out, allowing hands-free control via outboard gear.
The Boss RC-202 is a great tabletop looper for those who want to incorporate 2-track looping into their performances.
- Total Loop Time: Up to 3 Hours
- Simultaneous Loop Tracks: 2
- Loop Memory Slot: 64 Phrase Memories
- Audio Quality: 16-bit A/D/A – 44.1 kHz Sample Rate
- Input: 1 x XLR (Mic), 2 x 1/4″ (Instrument: L / Mono, R), 1 x 1/8″ TRS (Aux), 1 x 1/4″ (Footswitch/Expression Pedal)
- Output: 2 x 1/4″ (Line Out), 1 x 1/8″ Headphones,
- USB: Type B (DAW integration, Import/Export WAV)
- MIDI: In/Out
- Power: AC Adapter (Included)
- Extra Feature: Built-in Effects, 17 Rhythm Patterns
- Dimensions: 9.44″ x 2.19” x 6.94”
- Weight: 2.125 lbs.
Boss RC-505 MkII Loopstation
The ultimate performance looper for vocalists, beatboxers, and electronic musicians, packed with five independent tracks and deep customization options. Its touch-sensitive controls and built-in effects make live looping effortless and dynamic.
At publication time, this was the highest rated tabletop looper pedal
Pros:
- Superbly versatile looper
- 5 independent stereo tracks with dedicated trigger switches
- Nifty Bounce lets you combine 2-tracks to free up one track.
- DJ style interface with tabletop friendly workflow
- Multiple input/output options
- Capable of using multiple effects
- Rugged and reliable
- Quite heavy and bulky
- It’s wide array of features can be overwhelming for beginners
- Not ideal for those who want floor based loopers
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Complex live looping routines are incredible to watch, requiring high-tech equipment matching the musician’s creativity and skill. This is precisely what flagship loopers like the RC-505 MkII are meant to provide: multitrack looping with a slew of functions for deep control over each loop.
The Boss RC-505 MkII has superseded the original RC-505 with longer recording time, better audio quality, enhanced effects, more input and output options, improved routing, and expanded controls.
Speaking of control options, the fader is noticeably more significant than the original, and there are more ways to apply effects and EQ on individual tracks. The overall workflow is improved to allow for more looping possibilities. The screen size is also a bit bigger, which works well with its expanded controls. Another new feature, called Mark, lets you “mark” and revert your overdubs to a particular “marked” overdub.
Like the original, it gives you five loop tracks to play with, 99 phrase memories, and it has built-in drum kits and rhythm patterns. These features allow many ways to build loops, which you can’t get from other looper hardware.
If five tracks are not enough, the MkII now has “bounce,” which combines the sound of two tracks, freeing up one track to add another loop layer. By using bounce, you can have virtually limitless track space.
As expected, the Mk2 has a longer list of Boss digital effects that can be implemented in more ways.
Finally, it can provide phantom power to mics that need it and has MIDI and USB connectivity. The downside with all these features and improvements is that the MkII is more extensive and heavier.
The Boss RC-505 MkII is the most feature-packed tabletop looper currently available. It is well worth investing in if you need a hand-controlled looper. The RC-505 MkII is easily one of the best looper pedals Boss has produced to date.
- Total Loop Time: Up to 13 Hours
- Simultaneous Loop Tracks: 5
- Loop Memory Slot: 99 Presets
- Audio Quality: 32-bit A/D/A – 44.1 kHz Sample Rate
- Input: 2 x XLR (Balanced, Phantom power), 4 x 1/4″ (Stereo Instrument: L / Mono, R)
- Output: 2 x 1/4″ (L / Mono, R), 4 x 1/4″ (Sub Out 1/2: L / Mono, R), 1 x 1/4″ Headphones,
- USB: Type B
- Power: AC Adapter (Included)
- Extra Feature: Built-in Effects, 85 Rhythm Patterns
- Dimensions: 16.53″ x 2.63” x 9.21”
- Weight: 4 lbs.
Boss RC-300 Loop Station
A powerhouse looper with three independent tracks, built-in effects, and pro-level connectivity. It’s built for serious musicians who want complete control over their loops, whether in a live setting or a studio environment.
Pros:
- Three stereo tracks with independent controls
- Built-in effects and an expression pedal
- High-quality sound processing
- Great for live performance and complex looping
- Large and heavy for a pedalboard
- Menu navigation takes time to learn
- Overkill features for casual loopers
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After a few months of exposure to live looping, my curiosity got better – I went straight for a multitrack and multi-switch pedal with stereo loops, the Boss RC-300. It quickly became central to my acoustic and live looping sets. The RC-300 was the flagship Boss Loop Station model for many years and was widely considered the best looping pedal.
It was beyond being just a looper pedal, with expanded looping and input/output options for crafting complex loop sequences. With a Boss stereo looper engine and recording time of up to 10,800 seconds (3 hours), this loop pedal has many things to do. This powerful looper pedal also can record, play, and overdub 3 simultaneous tracks with dedicated start and stop controls.
To do all this, it follows the typical guitar processor template, with multiple footswitches, an expression pedal, and expanded input/output options. In addition to its looper function, it has built-in effects and drum loops for accompaniment. I’ve listed its detailed specifications below. You can even expand your handsfree control options with external footswitches.
Although the RC-300 was the line’s flagship model, Boss has since released the RC-600, a more expensive looper with six simultaneous tracks, up to 13 hours of recording time, and other improved features. However, it is getting some flak due to bugs, so it hasn’t replaced the RC 300 as the best looper pedal yet.
After years of use, my favorite looper still looks fresh and works nicely [Click to Expand]
Loopers are mini-recorders that give instant playback, overdub, and stop control, meaning that audio quality is paramount. Thankfully, the Boss RC-300 is not lacking in this department, with its 16-bit A/DA conversion at 44.1 kHz sample rate is CD-quality audio. This is widely considered the best audio quality that our ears can perceive. Some even consider higher sampling rates to be a waste of memory space.
Still, manufacturers upped their game, including Boss, which now utilizes 32-bit audio in the new RC-600. The lucky ones who have already tried newer loopers report improved sound quality and headroom, which makes them better at retaining sound fidelity when doing multiple overdubs. But wait to count out the RC-300 because it is still a great-sounding looper—to my ears, it reproduces the sound and nuances of my acoustics and voice really well, even when doing multiple overdubs.
Using the unit’s built-in direct audio recording feature, I’ve uploaded audio samples in my extended review of the Boss RC-300.
Given its big frame, the Boss RC-300 provides generous control over loops. It has two dedicated footswitches per track, one for rec/overdub/play and the other for stop and delete. It also has a dedicated footswitch for starting and stopping all three tracks, and another one can be assigned to engage effects and other functions. I use the assignable switch as a “Mic Mute” control to record guitar parts without sound from the mic bleeding in. The built-in expression pedal is also assignable, but I use it primarily for volume control, be it as a whole or for controlling the volume of tracks or drum loops.
In addition to footswitches, the RC-300 comes with multiple knobs for master and rhythm volume adjustment and for tweaking input levels (aux, guitar, and mic). It also houses various buttons along with a compact display unit, which is valuable for changing settings and parameters, which should ideally be done before performing live. The buttons are self-explanatory and can assign lengths for each track, adjust drum loop settings, and tweak effects.
Boss even made it possible to rename presets by selecting the letters through the unit’s central rotary knob. It also has 3 fader knobs that provide tactile independent control over the volume of each of the 3 tracks. For live performances and practicing, the controls are satisfactory in getting the job done, so much so that I have yet to have the itch to upgrade to a newer model until the RC-600 is locally available.
[Intuitive Footswitches – Click to Expand]
The footswitches on the RC-300 have a simple yet effective configuration, similar to having 3 loopers positioned side-by-side. Once I got the hang of the timing of the footswitches, using them efficiently quickly became second nature. And I still prefer its format over newer loopers. But it’s only sometimes rainbows and butterflies because the menu system requires much time and effort to properly utilize. The RC-300’s input and output flexibility requires diving into menus for essential parameters like track level, recording level, and output.
There are also plenty of loop-related settings, including play modes, stop modes, loop sync, and many more. Effects assignment and parameters are also hidden in the menu, and the same goes for assigning different actions to the Loop FX switch and the expression pedal. For consistent volume and control between presets, I duplicate presets I am happy with and use them as a base template for other songs. This way, I save more time setting up presets every time I start working on a song.
The RC-300 has stereo inputs, an XLR input with phantom power, and an Aux input for playing with backing tracks to accommodate different instruments and sound sources. Each one comes with dedicated input level knobs that can be blended to taste. Unfortunately, the looper considers all these input ports as a single input signal. It doesn’t allow the routing of different inputs into dedicated tracks.
This is a big letdown because sometimes I need to loop my vocals and guitars separately, much like it’s done in recording. Thankfully, there are workarounds like using compact mixers and signal switchers on the input. If I want to record the guitar part while singing, I turn off the looped mic signal and use a second mic that goes straight to PA. Still, these workarounds could be better and often require more rounds of loop building – which ultimately prolongs song buildup.
[Boss RC-300 Input/Output Ports – Click to Expand]
What the RC-300 lacks in input options, it makes up for with its four assignable output ports. Each of the three loop tracks has its own output route setting, allowing each one to have its dedicated output port. This setup requires more cables and mixer space, but it will enable the sound engineer to mix the sound on a per-track basis—too bad input routing is not as good as this. Finally, it also has a headphone output for quiet practice.
See the rest of the review plus get audio samples and a video demonstration. Note that newer Boss Loop Stations are now available, but there are still a few Boss RC-300 units from major retailers.
- Total Loop Time: 10,800 Seconds (3 Hours)
- Simultaneous Loop Tracks: 3
- Loop Memory Slot: 99 Presets
- Audio Quality: 16-bit A/D/A – 44.1 kHz Sample Rate
- Input: 2 x 1/4″ (Stereo), 1 x XLR (Mic), 1 x 1/8″ (Aux), MIDI
- Output: 2 x 1/4″ (Main), 2 x 1/4″ (Sub), 1 x 1/4″ (Headphones)
- USB: USB 2.0
- Power: 9V DC Adapter
- Extra Feature: Built-in Effects,
- Dimensions: 21.125″ x 9.125” x 3”
- Weight: 8.7 lbs.
Things to Consider When Buying a Looper
Loop Controls
I’ve spent enough hours on cramped stages to know that a single-switch looper can feel like you’re doing a complicated dance just to get a clean loop down. Most compact pedals make you tap twice, hold, or nail a quick release to record, play, undo, or redo, and that can get tricky mid-performance.
Multiswitch loopers take the pressure off by giving you dedicated footswitches for each loop, so you can focus on playing instead of perfecting your tap routine. Sure, they’re bulkier, but the tradeoff is worth it if you want smooth, hands-free control for advanced guitar and vocal looping.
Some pedals go deeper, letting you set tap tempo, adjust volume, quantize your loops, or even add effects like half-speed or reverse. A few throw in rhythm tracks and drum grooves that make practicing or live layering feel more like playing with a full band. This level of control also applies to tabletop loop stations if you prefer to build loops with your hands rather than your feet.
Total Loop Time and Memory Slots
I still remember when the old DigiTech PDS 8000 offered just 8 seconds of looping. Now, many pedals can store hours of high-quality audio, especially those with USB or memory card support. That said, more loop time isn’t always better. I’ve used the popular TC Electronic Ditto Looper, and its 5 minutes of looping is often more than enough for basic one-track looping and overdubs.
If you plan on crafting and organizing a library of loops for songwriting or live sets, you’ll appreciate multiple memory slots and extended storage. Multiswitch loopers tend to have the most memory, but some compact models also let you expand storage. Thanks to faster memory and better processing, modern loopers can handle unlimited overdubs without losing sound quality, which is a big plus for layering.
Number of Loop Tracks
For many guitarists, a single-track looper does the job, especially if you play in a band and just want simple looping without overcomplicating your pedalboard. They’re easy to use, keep your setup clean, and leave room for other best guitar pedals.
If you’re building complex arrangements, singing while playing, or working as a one-person band, multi-track loopers give you the flexibility to stack parts, mute tracks, and shape your sound in real time. They take a bit more practice and come with a bigger footprint, but they’re a must for performers who want deep control over every loop layer.
Connectivity
A simple mono looper with one in and one out might be enough for a basic guitar rig. But if you’re running stereo outputs, keyboards, or using an effects loop, you’ll want a pedal with stereo I/O. Some of the best guitar pedals also give you aux inputs for jamming along with your favorite tracks or storing them as loops. Headphone outs can be a lifesaver for quiet practice sessions.
USB connectivity comes in handy if you like archiving your ideas, while MIDI compatibility is great for syncing up with drum machines or other MIDI gear. I also look for loopers that let me process different inputs independently, since older models often lump everything together. And if you’re planning on looping vocals, an XLR input is a must, especially if you want to use Vocal Effects like a Vocoder.
Size and Weight
Pedalboard space always feels scarce, so I plan my layout before adding any new gear. We included the dimensions and weights of each unit so you can figure out what fits without rearranging your whole setup mid-gig.
Extra Features
While looping is the main focus, extras like built-in metronomes, drum patterns, and effects can make a pedal more versatile. Some of the bigger units even pack in Vocal Effects and vocoder options for more creative control. Just be careful not to get lost in features you won’t use. In my experience, the best looper is the one that fits your workflow and keeps you inspired, not the one with the longest spec sheet.
Best Loop Pedal and Tabletop Unit Selection Methodology
The first edition was published in 2017. This current edition was published in 2025.
As much as we would like to feature custom-made loopers, we only recommend those readily available from US-based retailers. We also limited the scope to loopers with a minimum record time of 3 minutes—this avoided shortlisting some looper/delay pedal combos.
For this edition, we ended up with a short list of 35 loopers and gathered over 34,700 relevant reviews and ratings, all of which were processed by the Gearank Algorithm to produce rating scores out of 100 for each one. The resulting scores were used to select only the highest-rated models to recommend above. Finally, we divided the list into three categories: Compact, multiswitch pedals, and Tabletop. For more information about our methods, see How Gearank Works.
Because market ratings change, some loopers, like the Electro Harmonix 720 Stereo Looper and Pigtronix Infinity Looper pedal, have dropped off the market. Some popular looper pedals, like the Headrush Looper, MXR M303 Clone Looper, Singular Sound Aeros Loop, and Nux Loop Core, didn’t rate high enough. But don’t let this stop you from checking out these newer releases.
About the Author and Contributors
Here are the key people and sources involved in this guide’s production – click on linked names for information about their music industry backgrounds.
Lead Author & Researcher
Contributors
Jerry Borillo: Research and Illustration.
Jason Horton: Editing.
Media / Image Credit
Main/Top Image: By Gearank.com © Copyright 2025.
The videos above have been embedded in accordance with YouTube’s Terms of Service.
The individual product images were sourced from websites, promotional materials, or supporting documentation provided by their respective manufacturers, except for the additional Boss RC-300 photographs, which were taken by the author.
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Comments:
22 responses
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Hello all,
Posting this here after reading the “read this before contacting us” page, so hopefully this is an okay place for me to ask my question 🙂
I’m a vocalist/beat boxer looking for a pedal that has at least two tracks, for verse/chorus stuff, etc. that also has some built-in effects (because since I’m not a guitarist I don’t already own any effects pedals and would ideally keep it that way).
My research has led me to the Line 6 DL4, but alas it only has one loop track which feels like a dealbreaker. The Boomerang seems pretty awesome, except that you can’t save any of your loops (unless I’m misunderstanding).
Do y’all have any suggestions on pedals I should be looking at for my specific desires? Thank you so much!-
If you’re looking to do complex multi-track looping, then you should look into the Boss RC-505 MkII, Boss RC-300 or the Boss RC-500. These are bulky units, but offer more features and realtime control.
There are smaller options but they have fewer looping tracks and provide less control.
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The following loopers came off our recommended list when we published the November 2022 Edition:
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Our March 2022 Edition saw the following loopers coming off the recommended list:
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How can the Headrush Looperboard not be on here. Admittedly, it had a rough start with the first version of the firmware, but now? It is incredible. I had the RC300 and there is no comparison whatsoever. The Headrush is an amazing audio interface, amazing preamps, incredibly flexible looper with 4 stereo tracks, backing tracks, up to 9 hours loop lengths, 7″ color touchscreen, complete control on internal routing, amazing fx, USB A x2, SD, midi…etc. BIG MISS not having this on you list. Like leaving Tesla off the best cars list…
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The Headrush Looperboard was not selected for our short-list because there are large numbers of negative reports about the product as you can see at major retailers such as Guitar Center, Musician’s Friend, Amazon or Sweetwater.
If the new firmware has fixed the problems, then that will show up in future reviews and then we may consider taking a closer look at it.
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Publication of our January 2022 Edition resulted in the following loopers coming off the recommended list above:
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We have removed the Boss RC-30 Loop Station from the recommended list above due to it no longer being available.
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As a result of our January 2021 update, the following loopers came off the recommended list above, but you can still see our analysis of them:
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As a result of our June 2020 update, the following loopers came off the recommended list above, but you can still see our analysis of them:
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The expandability of the JamMan system is about the best I can imagine – with three or four different XT pedals, being able to not only sync one player, but many, that’s just excellent.
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I assume you’re referring to the JM4.
It was on our short-list but didn’t have high enough ratings for us to include it in our recommended list above – you can see the current Line 6 JM4 rating here.
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It appears that the specifications for the RC-3 aren’t quite correct… 99 slots, no memory card slot. Probably doesn’t have JamSync feature (Digitech probably wouldn’t license that to Boss).
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As a result of our January 2019 update the following loopers came off our recommended list above but you can still read our analysis of them:
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Can’t believe the boss rc300 is rated higher than the infinity. Sound quality on the rc is was below the infinity which is a huge factor for me.
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Hi,
I would like to clarify that the Boss RC-3 is does not have 24-bit playback; it has 16-bit playback and is commonly regarded for having mediocre sound quality. This is the biggest ( if not only ) reason it is not the number one selling looper in my opinion. The Ditto x2 is probably the highest quality playback. I expect better research from a page dedicated to gear.. If you’re hiring let me know.
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Hi Wolvebird,
Thank you very much for pointing that out – I was the editor for this guide and I missed the mistake, but I’ve fixed it now.
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Disclosure
Author & Contributors
Alexander Briones
I have been writing about and researching music gear for many years, all while serving as a music director at my local church. I engage in guitar playing and singer-songwriter stints, in addition to mentoring young musicians and teaching guitar and bass.
The main looper pedal that Alexander uses is the Boss RC-300 which he's been using for many years now - that thing is built to last!
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