The Best Acoustic Guitar Amps - All Prices

The Highest Rated Acoustic Guitar Amps


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Acoustic amps are designed to better handle the wider frequencies and sonic nuances of acoustic-electric guitars, and do so as transparently as possible. While you can plug an acoustic guitar into a regular electric guitar amp, you will generally end up with unwanted tone coloration and limited high frequencies.

Here we feature the top rated acoustic amps on the market, based on actual user feedback including the most recent reviews and ratings. For this edition, we retained the price based groupings that we previously adapted, to make it easier for you to see which ones fit your planned budget.

Multi-channel amps continue to be the mainstay of this category and all of the amps in this list feature a mic input in addition to the acoustic guitar input. These are obviously well suited for singer / guitarists. Many of these amps come with HF drivers (tweeters) to better handle the high frequencies of acoustic instruments and even vocals. And this "full-range" tweeter plus woofer configuration is the reason why acoustic amps are closer to PA speakers than conventional electric guitar amps.

The Best Acoustic Guitar Amps

Author & Contributors

Alexander BrionesAlexander Briones

I've written about and researched music gear for many years, while also serving as a music director at my local church, in addition to teaching guitar, bass and mentoring young musicians.

The Best Acoustic Amps Under $200

Donner DGA-1


91 out of 100. Incorporating 200+ ratings and reviews.

Street Price: 

Donner DGA-1 15W Acoustic Guitar Amp

The Donner DGA-1 is a portable acoustic amp that gives you a number of good features for literally a fraction of the cost, compared to similarly spec'ed alternatives.

For the price you are getting a 15W combo amp with a 6.5" speaker, that has 2 channels with dedicated inputs for instrument and mic (XLR). Each of the two channels have dedicated volume knobs, making it a good mini-PA system for guitarists who sing.

The guitar channel comes with 3-band EQ for some tone shaping, albeit with limited bass response given its small 6.5" speaker. It also comes with a chorus effect, which you can engage via a button, with a knob that controls modulation speed.


  • Two Channel 15W with Mic Input
  • Compact Profile 6.5" Speaker
  • Built-in Chorus


  • Power Rating: 15 Watts
  • Amplifier Type: Solid State
  • Channels: 2
  • Master Volume: None
  • Inputs: 1/4", XLR
  • Outputs: 1/4" (Headphones)
  • Controls: Ch1 Volume, Ch2 Volume, Bass, Middle, Treble, Chorus, Chorus Speed
  • Speakers: 1 x 6.5"
  • Weight: 10 lbs
  • Dimensions: 13" x 7" x 10"


Being the cheapest acoustic amp to make it into this guide, value for money is its obvious edge. For the price, you are getting a 2-channel amp that can handle a mic and an instrument. Some were even surprised that it doesn't look and feel cheap, given its low price. Many are satisfied with how it sounds, which is described as clean and clear. The addition of chorus effect on the instrument channel is also well received by users.


Given its 15W amp, it won't have much volume. Some users caution this amp is not meant to be driven hard, you may want to look at higher wattage amps if you need one that can go loud.


If you're looking for a budget-friendly and compact acoustic amp with 2-channel capabilities, then this is for you.

Fender Acoustasonic 15


93 out of 100. Incorporating 1450+ ratings and reviews.

Street Price: 

Fender Acoustasonic 15 15-Watt Acoustic Guitar Combo Amp

At publication time this was the Highest Rated Acoustic Amp Under $200.

The Fender Acoustasonic 15 is a portable and affordable acoustic combo amplifier, rated at 15W, with 2-channel operation for plugging in a mic along with an acoustic-electric guitar.

Channel 1 sports an XLR input jack for mic, and a dedicated volume knob. Channel 2 has a 1/4" input for instrument, with volume and 3-band EQ that include bass, middle and treble control knobs. Channel 2 also comes with a chorus knob.

Finally, this compact amp houses a 6" woofer that's voiced to reproduce acoustic-electric tones at low volume levels. If you need to practice even quieter, then you can use its 1/4" headphones out.


  • Two Channel 15W
  • Compact Profile 6" Speaker
  • Built-in Chorus


  • Power Rating: 15 Watts
  • Amplifier Type: Solid State
  • Channels: 2
  • Master Volume: Yes
  • Inputs: 1 x XLR, 1 x 1/4"
  • Outputs: 1/4" (Headphones)
  • Controls: Ch1 - Volume, Ch2 - Volume, Bass, Middle, Treble, Chorus
  • Speakers: 1 x 6"
  • Weight: 10.5 lbs
  • Dimensions: 11.5" x 11.19" x 7.13"


First time amp owners are happy with the Acoustasonic 15, stating that it has good enough volume and sound quality to make them continue to learn playing acoustic. Experienced musicians also have good things to say about its practicality, while others commend its sound quality, describing it as transparent sounding. Many also consider its build quality to be good for the price, especially when considering its big brand backing.


There are some who wish for extra features, like the addition of reverb effect, while others wish that it was made more portable by adding the option of being battery powered. With its limited projection and power rating, this is not a good amp for stage performance.


The Fender Acoustasonic 15 is a great budget friendly acoustic amp that is backed by an established guitar brand, highly recommended in this price range.

The Best Acoustic Amps Under $500

Fishman Loudbox Mini BT


97 out of 100. Incorporating 550+ ratings and reviews.

Street Price: 

Fishman Loudbox Mini BT 60-Watt Acoustic Guitar Combo Amp

At publication time this was the Highest Rated Acoustic Amp.

The Fishman Loudbox Mini BT adds Bluetooth wireless connectivity to its already successful predecessor, while carrying over the same balance of power, tone and portability.

This means that you get the benefit of modern wireless audio streaming on an amp that you can use with your acoustic-electric guitar.

Weighing in at 21 lbs., it sports a 60-Watt amplifier with 2-channels, one of which allows for plugging in microphones.

The amp drives a 6.5" LF woofer, and a 1.1"HF tweeter, both of which work together to give this amp extended frequency range.

Other features include built-in chorus and reverb, and it has an XLR DI output for recording or for plugging into a PA system.


  • Full Range Speaker: 6.5" Woofer and 1.1" Tweeter
  • Dual Channel with 3-Band EQ
  • Built-in Reverb & Chorus
  • Bluetooth Connectivity
  • XLR DI Out


  • Power Rating: 60 Watts
  • Amplifier Type: Solid State
  • Channels: 2
  • Master Volume: Yes
  • Inputs: 1 x 1/4", 1 x XLR (Mic), 1 x 1/8" (Aux), 1 x 1/4" (Aux)
  • Outputs: 3-band EQ (Instrument), 2-band EQ (Mic)
  • Controls: Dedicated Gain, Low, High, Reverb knobs for each channel, Mid and Chorus knobs for Guitar Channel, Master Volume, Phase, Bluetooth Pairing
  • Speakers: 1 x 6.5" LF Woofer, 1 x 1" HF Tweeter
  • Weight: 21 lbs
  • Dimensions: 12" x 13.7" x 9.7"


The Fishman Loudbox Mini BT continues to be the among the best rated acoustic amp in the market, maintaining a close-to-perfect rating from multiple retail and expert review sources. Comments on its tone can be narrowed down to two adjectives, clean and loud, and it is said to work well in majority of situations that acoustic guitarists find themselves in - practice, jam sessions and small venue gigs. Even Guitar Interactive Magazine is pleased with the amp's volume, stating that "It's hard to believe the size of the sound coming out of such a small 6.5 inch woofer and 1-inch soft dome tweeter." Many also appreciate the addition of Bluetooth connectivity, which in this day and age has become more of a necessity than a luxury feature.


There are a few who find the amp's headroom to be lacking in certain situations, especially when the two channels are driven hard.


The Fishman Loudbox Mini BT is a premium sounding multi-channel acoustic amp with wireless Bluetooth convenience and good portability.

Fender Acoustic 100


94 out of 100. Incorporating 325+ ratings and reviews.

Street Price: 

Fender Acoustic 100 - 100 Watt Combo Acoustic Amplifier

The Fender Acoustic 100 is an acoustic amp that combines great sounds with premium looks.

And it's not just about looking sleek because this amp packs quite the punch at 100W, driving an 8" full-range woofer with "whizzer" cone. This Whizzer cone provides increased high frequency response, much like a tweeter, but without taking as much space.

This amp has 2 channels for handling an acoustic guitar and a microphone simultaneously.

And contrasting its classic furniture like appeal, it features modern enhancements which include Bluetooth connectivity, USB output for direct recording, and built-in digital effects which include different reverb, delay and chorus types.


  • Full Range Speaker: 8" Whizzer Cone
  • Dual Channel with 3-Band EQ
  • Built-in Effects: Chorus, Reverb, Delay, Tape Echo, Vibratone
  • USB and Bluetooth Connectivity
  • XLR DI Stereo Out
  • Plywood shell


  • Power Rating: 100 Watts
  • Amplifier Type: Solid State
  • Channels: 2
  • Master Volume: Yes
  • Inputs: 2 x XLR-1/4" combo (mic/instrument), 1 x 1/8" (aux)
  • Outputs: 2 x XLR (line out), 1 x 1/8" Headphones,
  • Controls: Volume, 3-Band EQ, FX Level, FX Select and Phase (Per Channel)
  • Speakers: 1 x 8" speaker with whizzer cone
  • Weight: 17.6 lbs
  • Dimensions: 14" x 18.5" x 9.25"


Sound quality is the obvious strong suit of this amp, with plenty of kudos from reviewers that use different acoustic guitar types and other acoustic instruments. Many are pleased at how natural sounding the amp is, including Mixdown Mag, which stated in their review: "While it is essentially a digital signal processor, the one thing that I noticed upon plugging in is that it does not reduce the natural colour and charisma of your favourite wooden box." Musicians who sing appreciate how this amp reproduces the sound of their voice. Modern conveniences like built-in effects and Bluetooth also get a lot of positive responses.


There are some who feel that the actual projection of this amp is not as loud as they expected for a 100W amp. There are also a few who are not too happy with some of the built-in effects.


The Fender Acoustic 100 is ideal for those who want a good looking and versatile modern acoustic amp.

The Best Acoustic Amps Under $1000

Marshall AS50D


95 out of 100. Incorporating 850+ ratings and reviews.

Street Price: 

Marshall AS50D 50-Watt 2 Channel Acoustic Guitar Combo Amp

At publication time this was the Highest Rated Acoustic Amp from $500 to $1000.

Marshall is known as the backline of many rock guitarists, but they are in no way limited to that, as evidenced by the popularity and high ratings of the AS50D, a 50 watt 2-channel amp that serves both as an acoustic amp and a small PA system.

At 50W and with two 8" Celestion speakers, this amp is more than enough for smaller venues. You can still use it in larger venues as your stage monitor, and send either the line out, or preferably the balanced DI signal, directly to your mixer.

The inclusion of phantom power on the XLR mic input means you can use condenser microphones in addition to dynamic mics. It also comes with acoustic guitar friendly effects that include chorus, reverb and anti-feedback controls.


  • 2 Channels
  • XLR Mic Input w/ Phantom Power
  • Feedback Notch Filter
  • Line Out & DI Output
  • Footswitch Input
  • Effects Loop
  • Built in Reverb & Chorus


  • Power Rating: 50 Watts
  • Amplifier Type: Solid State
  • Channels: 2
  • Master Volume: Yes
  • Inputs: 2 guitar inputs + XLR & Aux
  • Outputs: Line out + Balanced DI
  • Controls: Input volume, Master volume, Bass & Treble (both channels), Speed, Depth, Balance, Reverb Level, Anti feedback frequency
  • Speakers: 2 x 8" Celestion 25W, 1 x Tweeter
  • Weight: 35.3 lbs
  • Dimensions: 21.65" x 16.34" x 10.04"


It's difficult to say which aspect of this amp got the most positive comments in customer reviews because everything from its tone to how well it performs when putting guitar and vocals through it simultaneously, and of course the value for money, are constantly praised in owner reviews. Both steel string and nylon string players love this amp. There are reports of the amp working well in small to medium size venues, as well as in church sanctuaries. It's also worth noting that the AS50D was released back in 2007, but it can still outperform more recent releases.


The second channel is a bit of a mess as it awkwardly combines the second Mic input with the RCA auxiliary input using a single volume control. Some users have had issues with not being able to make the aux loud enough compared to the other inputs. Also note that this amp is a bit on the heavy side.


With its big brand backing, impressive specs, and great overall feedback, the Marshall AS50D is well worth checking out.

Roland AC-60


94 out of 100. Incorporating 475+ ratings and reviews.

Street Price: 

Roland AC-60

This is a 2-channel stereo amp with a total of 60 watts power, one channel is for your instrument and the other is a Mic/Line channel.

While other amps skimp on their Mic channels, the AC-60 packs it with the same 3-band EQ along with a chorus button. This channel has a Mic/Line button and a phantom power switch, which expands your mic options. Other nifty features include reverb/delay, anti-feedback and a mute button.

It has a dedicated subwoofer out which means with the addition of a subwoofer this amp should produce a solid sound with an acoustic bass as well - some people also use subwoofers with this amp for regular guitar because they like the sound of it.

There is also an identical but rosewood colored version with the model number: AC-60RW on

Dual XLR outs let you send a mono or stereo signal to a mixing console prior to the master volume when using the AC-60 as a stage monitor.


  • 2 channels
  • Subwoofer Out
  • Anti feedback controls
  • Built-in Reverb & Chorus
  • Mute switch for silent tuning
  • XLR/Mic input with phantom power
  • Switch between magnetic and piezo pickups


  • Power Rating: 60 Watts (30W + 30W)
  • Amplifier Type: Solid State
  • Channels: 2
  • Master Volume: Yes
  • Inputs: 1 x 1/4" instrument switchable between piezo and magnetic pickups, 1 x combo XLR/1/4" with 48V phantom power, 2 x TRS 1/4" AUX in, 2 x RCA AUX, 2 x 1/4" Footswitch for effects and anti-feedback, 1 x 1/4" effects return
  • Outputs: 1 x 1/4" stereo headphone jack, 1/4" TRS DI/Tuner out, 2 x XLR
  • Controls: Guitar channel - switch between Piezo & Magnetic pickups, Shape switch to boost low & high and cut mid frequencies, Mic/Line channel - 48V phantom power switch, Both channels - Volume, Bass, Mid, Treble, Chorus switch + Chorus control, Reverb control, Anti-feedback, mute button
  • Speakers: 2 x 6.5"
  • Weight: 21 lbs. 10 oz.
  • Dimensions: 10.56" x 15" x 10.69"


Not only do guitarists give this amp positive reviews citing the clarity and tone of the AC-60, but I've also seen violinists using both mics and pickups saying the same. Customer reviews also rate it highly when used both as a primary amp and as a stage monitor. It also received positive citations when also used for vocals. It continues to be a favorite for those looking for an all-around acoustic amp.


A couple of people complained that the Reverb can't be applied to one channel only - it goes on both channels at the same time. Another person complained that the two XLR outs sum both channels meaning that you can't send guitar and vocals separately to a mixer but that is an uncommon setup that few people will need. A few people said it wasn't as loud as they expected - there are similar comments about most acoustic amps.


The combination of features and clarity of the sound make this a good buy at just over $500.

Fishman Loudbox Artist BT


94 out of 100. Incorporating 225+ ratings and reviews.

Street Price: 

Fishman Loudbox Artist BT 120-Watt Acoustic Guitar Combo Amp

The Loudbox Artist BT has 120 Watts of power along with a 1 x 8" woofer and 1 x 1" tweeter, which add up to give this amp more than enough volume for most medium sized venues.

And this iteration improves on its predecessor by adding Bluetooth streaming functionality, while retaining Fishman's signature crisp and clear tones.

Much like most acoustic amps, it follows a 2-channel format, the main difference being the addition of a 24V phantom power, which allows it to work with condenser microphones. This feature expands your miking options and allows for improved miking of various acoustic instruments.

Finally, the Loudbox Artist BT comes packed with various effects, including different types of reverb and delay, along with chorus and flanger.


  • Full Range Speaker: 8" Woofer and 1" Tweeter
  • Dual Channel with 3-Band EQ, Anti-Feedback, Phase
  • Built-in Effects: Chorus, Reverb, Delay, Flanger
  • Bluetooth Connectivity
  • 24-volt Phantom Power for Condenser Mics
  • XLR DI Out and Effects Loop


  • Power Rating: 120 Watts
  • Amplifier Type: Solid State
  • Channels: 2
  • Master Volume: Yes
  • Inputs: 2 x XLR-1/4" combo (mic/instrument), 1 x 1/4" (aux), 1 x 1/8" (aux)
  • Outputs: 1 x XLR (mix DI out), 2 x XLR (pre-EQ DI out)
  • Controls: Gain, Low, Mid, High, Anti-Feedback, Effect Level, Effect, Pad, Phase, Effect B - Per Channel. Master, Effect A Type, Effect B Type, Time, Depth, Aux Level, 24V Phantom, Bluetooth Pairing, Tweeter, Mute
  • Speakers: 1 x 8" woofer, 1 x 1" soft dome tweeter
  • Weight: 25.5 lbs
  • Dimensions: 13.5" x 15.5" x 11.5"


Most of the high ratings that this amp receives are from gigging musicians, from guitarists, to singer songwriters, and even duos. And most, if not all of them, agree that the Loudbox Artist BT sounds really good for both vocals and acoustic-electric guitars. The ability to use condenser mics is also appreciated, especially for those who already have a condenser mic in their tool kit. It also surprises many users with its output volume, which can get really loud.


Speaking of being loud, some users caution that setting the amp too loud is not a good idea, as it can reduce the clarity of the sound and even worry some that it may damage the amp itself when cranked for too long. There are some who aren't impressed with included effects.


This gives you Fishman quality acoustic amplification at 120W, with the ability to power condenser mics.

The Best Acoustic Amps Over $1000

AER Compact 60/4


94 out of 100. Incorporating 80+ ratings and reviews.

Street Price: 

AER Compact 60/4 60-Watt Acoustic Guitar Combo Amp

AER is well known among acoustic guitar instrumentalists for its combination of portability and good quality tone, they also have virtuosos like Tommy Emmanuel to thank for their popularity.

The Compact 60/4 is one of their best seller acoustic amps, featuring a 2-channel 60 Watt amplifier with built-in effects and DI output.

The effects section has 3 knobs which lets you control pan, level, and select rotary switch that lets you choose from 2 different reverb types, delay and chorus.

At the back you'll see its myriad of input and output options, including a stage friendly DI output and an Aux input with level control.


  • 2 Channel
  • Compact Cabinet with 8" Speaker
  • Color switch (Cuts off Mid Range and Boosts Highs)
  • Built-in Reverb, Delay, Chorus
  • Multiple Input and Output options


  • Power Rating: 60 Watts
  • Amplifier Type: Solid State
  • Channels: 2
  • Master Volume: Yes
  • Inputs: x 1/4" Guitar Input, 1 x Combo XLR Mic/Line, 1 x 1/8" Aux In
  • Outputs: 1 x 1/4" Headphones, 1 x 1/4" Line Out, 2 x 1/4" Send/Return, 1 x 1/4" Tuner, 1 x 1/4" Footswitch, 1 x XLR DI Out
  • Controls: Per Channel (Gain), Effects (Pan, Select, Level), 3-Band EQ CH1, High/Low Switch CH1, Color Button CH1, 2-Band EQ CH2, Line/Mic Button CH2
  • Speakers: 8”
  • Weight: 15.6 lbs
  • Dimensions:10.2” x 12.8” x 9.25”


Having a good sounding amp in a small package is every guitarist's dream, and based on reviews - this is exactly what the AER Compact 60/4 delivers. Matt Blackett of Acoustic Guitar Magazine agrees with what most reviewers say, describing his experience, he said: "I plugged in every acoustic-electric I could get my hands on, cranked up the amp, and was very impressed with the results. The Compact 60 is indeed compact and lightweight, but it sounds much bigger than it looks." Even those who rate the amp slightly lower are impressed with its projection given its compact size. Some users describe the sound as high fidelity, and it especially brings out the sound of high-end acoustics. Owners report it working well with various acoustics from Taylor, Gibson, Martin, Collings and more.


Lack of anti-feedback control is mentioned by a few users. There are also some who feel that the price is a bit too steep, especially when compared to cheaper amps with higher power ratings. Some wish for modern features like built-in rechargeable battery, USB and Bluetooth connectivity.


If you're looking for a premium sounding portable amp that even pros rely on, and you have the resources to invest, then check out the AER Compact 60/4.

Mesa/Boogie Rosette Two:Eight


95 out of 100. Incorporating 40+ ratings and reviews.

Street Price: 

Mesa/Boogie Rosette Two:Eight 300

At publication time this was the Highest Rated Acoustic Amp Over $1000.

Mesa/Boogie is well known in electric guitar circles, especially among those who are into rock and instrumental music.

They expanded into acoustic guitar amplification, and thanks to the Rosette Two:Eight, they are raking in plenty of good market feedback.

Rated at 300 Watts, this is a true workhorse amp, with two independent channels with dedicated volume, EQ and other tone shaping controls.

Speaking of EQ, each channel gives you 4-band EQ control along with high pass filters, allowing for in-depth tone shaping.

Channel one has a switchable XLR input, in case you want to plug-in a microphone.

Other features include multiple reverb types, and a built-in parallel effects loop.


  • 2 Channels
  • Dedicated 4-band EQ and Hi-Pass filter Per Channel
  • 3 Types of Reverb
  • 300 watts


  • Power Rating: 300 Watts
  • Amplifier Type: Solid State
  • Channels: 2
  • Master Volume: Yes
  • Inputs: 1 x XLR w/ Phantom Power, 2 x 1/4", 1 x 1/4"
  • Outputs: 3 x XLR, 1 x 1/4" (Headphones), 1 x 1/4" (Speaker out)
  • Controls Per Channel: Gain, FX Send, Hi-Pass Filter, Bass, Low Mid (Gain, Freq), High Mid (Gain, Freq), Treble
  • Other Controls: Param1, Param2, Param3, FX Master, Master
  • Speakers: 2 x 8" Rosette 150 Neodymium speakers, 1 x Neo dome tweeter (3-way level switch)
  • Weight: 30 lbs
  • Dimensions: 18” x 13.25” x 12.25”


"Great", "awesome" and "excellent" are just three of the many positive adjectives that owners use to describe the Mesa/Boogie Rosette Two:Eight. The sound quality gets the bulk of thumbs up, while others are happy with how much control the amp gives. Reliability and volume also come up often in reviews. Adam Perlmutter of Premier Guitar said, "It’s beautifully built in the U.S., it sounds great, and it is highly flexible in real-world performance and detail-oriented sound-shaping situations."


While there aren't that many complaints about its sound and overall performance, there are some who wish that the price was more accessible.


If you are looking to invest in a reliable boutique quality amp, then check out the Mesa/Boogie Rosette Two:Eight.

Things To Consider When Buying An Acoustic Guitar Amplifier

Acoustic guitar amps are quite different in nature to electric guitar amps, so if this is your first venture into getting an amp for your acoustic instrument, please read the following carefully to help ensure you get the best possible amp for your needs.

Tonal Differences Between Electric and Acoustic Guitar Amps

An electric guitar amp is meant to color the sound in pleasing ways and to be a significant part of your tone, whilst an acoustic amp is meant to reproduce the sound of your instrument as accurately as possible with as little coloration as possible - this is referred to as 'transparency'.

Electric amplifiers allow you to really crank them up usually introducing harmonic distortion as they get really loud. Because this is unwanted in an acoustic amp they will typically limit the volume before any significant harmonic distortion is introduced which leads to an acoustic amp of the same power rating as an electric amp not quite sounding as loud. This is why you will sometimes see customer reviews in which a new acoustic amp owners says something to the effect, "it's not as loud as I expected".

Microphone / XLR Input Channels

If you are going to sing through your amp while playing then there are a couple of important issues to consider.

Firstly, if you use condenser mics then you'll need to get an amp that provides phantom power (unless your mic uses batteries). Different amps provide different levels of voltage with the most common being 15V, 24V and 48V. Check to make sure the amp you want is compatible with the condenser mics you intend to use. If you only use dynamic mics like the SM58 then this isn't an issue for you. For more information on microphones see our guide to The Best Live Vocal Mics.

Secondly, some amps have completely independent channels for microphones and instruments whilst others share features between channels such as effects and DI outs. Read the details of each amp carefully to ensure it has the channel configuration you need for simultaneously playing instruments and singing through it.

Feedback Detection / Prevention

The threat of feedback is an ever present concern when using acoustic amps, particularly with acoustic guitars because they resonate so well. You can run into problems at high volumes and sometimes at lower volumes depending on the acoustics of the room you're playing in. The simplest solution is to adjust the EQ but getting an amp with anti-feedback features will make life easier for you in the long run. Different amps take different approaches to the problem but in general Notch Filters are more effective than phase switches.

Full Range Speakers

Acoustic amps often feature full range speakers, meaning they come with a LF driver or Woofer for low to midrange frequencies, and a HF driver or Tweeter for high frequencies. This configuration helps in reproducing the percussiveness of acoustic sound, and its high-end zing. This also makes acoustic amps viable for use with other miked instruments and vocals, which in turn makes them viable mini-PA systems.

PA via a Preamp as an Alternative

Instead of using a dedicated acoustic guitar amp some guitarists plug to PA system via an acoustic preamp. Note that due to the high impedance of pickups you can't plug directly into your mixing console without going through a preamp first, and you should use as short of a cable as possible from your guitar to the preamp. You can learn more about this in our guide to Acoustic Preamps.

Powered PA Speaker as an Alternative

Powered PA speakers are full range speakers that often come with built-in multi-channel controls, making them viable for mics and instruments like acoustic-electric guitars. These speakers are versatile enough to handle different type of electronic instruments, they also provide good sound and ample projection, but their main downside is lack of anti-feedback control and effects.

Best Acoustic Guitar Amp Selection Methodology

The first Edition was published in 2016 and the current Edition was published on May 11, 2022.

We looked at all of the acoustic amps specifically designed for guitar that were available at major online music gear retailers in the USA. Note that we did not include modeling amps that provide models of acoustic amps despite the fact that some retailers include modeling amps in their acoustic amp category pages.

For this 2022 edition, we ended up with 47 of the most popular acoustic amps on our short-list (most of them are available to see in our public database). Then we collected and analyzed over 8,900 of the most relevant forum discussions, reviews, recommendations and ratings. These data were then analyzed and processed by the Gearank Algorithm to produce rating scores out of 100, which allowed us to narrow down the list to what the market considers to be the best.

For this edition, we divided the resulting list into brackets according to price bracket:

For more information about our methods see How Gearank Works.

About the Author and Contributors

Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.

Lead Author & Researcher

Alexander BrionesAlexander Briones

I've written about and researched music gear for many years, while also serving as a music director at my local church, in addition to teaching guitar, bass and mentoring young musicians.

Here are some of the acoustic guitars and related gear I own: Martin OMCPA4, Martin DCX1E, Takamine GY11ME, Ibanez AEL20E, Yamaha C40, Boss RC-300 Loop Station, Laney LA35C Acoustic Amp.


Alden Acosta: Product research.
Daniel Barnett: Editing.
Jason Horton: Illustrating.


Main/Top Image: Produced by using photographs of the Fishman Loudbox Mini BT, Fender Acoustic 100 and Mesa/Boogie Rosette Two:Eight.

The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers.


I have the fishman loudbox

I have the fishman loudbox artist. It's okay sounding but the build quality is so bad I will never buy another fishman product. It's made in China. And generally that should be okay. But after a couple of weeks of use the volume knob started making all sort of hiss and noise, and then after a couple of months the exterior of the cabinet starting peeling and crumbling. It's made from some soft or spongy synthetic material. I'm getting rid of this and going for the Mesa Boogie.

What about the Mesa Boogie

What about the Mesa Boogie Rosette? How does it compare to the Fishman Loudbox Pro & AER?

The Mesa/Boogie Rosette Two

The Mesa/Boogie Rosette Two:Eight made it onto our recommended list this year and it is currently the equal 2nd highest rated amp in the over 100 watt category along side the Fishman Loudbox Performer.

I'm not sure which one of the AER amps you're referring to but you can see our ratings for their amps here.

what about the Crate

What about the Crate Acoustics? i have seen used ones- how do they rate?

They didn't make the short

They didn't make the short-list the last time we updated this guide, but if they are widely available in the USA when we next update then they might make the list.

Regarding schertler dealers

Regarding schertler dealers in the USA. Django books in Seattle sells them and offers a 45 day return policy and free shipping. Generally when you call you'll get the owner, Michael Horowitz, who always has impressed me as very intelligent and also knowledgeable about the products he sells

Sir... When I watching

Sir... When I watching YouTube l was inspired by a TED x guy doing percussive guitar...Usman Riaz...he played guitar just only fingering on Fred board without striking strings... How can we amplify acoustic guitars like that...what are the effect pedals you preferred...can you please help me...I have no idea about it...please send me a email:

I'm not sure exactly which

I'm not sure exactly which gear Usman Riaz uses, but a few years ago I asked a similar artist, Jon Gomm, what gear he used and he gave me a complete rundown in this article I wrote for Jon Gomm Rig.

I hope that helps.

You've missed quite a lot of

You've missed quite a lot of quality acoustic amps and the biggest speaker size you've reviewed is 8". An 8" speaker is never going to be enough for a large venue without DI no matter what your review says. An 8" speaker imo is a practice amp! You'll need a 12" or a 15" to play a big venue without DI. You simply can't get a proper bass response out of an 8" speaker. If you could then PA systems in clubs would have 8" speakers!

What about:

• SWR Acoustic Amps (California, Strawberry, Natural, Baja)
• Genz Benz - Shen 150LT and Shen 300LT - much more than 100W!!
• Acoustic Image TEN2
• Trace Elliot/Acoustic TA100 / TA200
• Carvin AG300

Saying that, all of those amps above are quite expensive. How about a Trace acoustic TA50R 'slaved' to a Carlbro Sherwood Classic 100w (15" speaker) - that rocks!

Or simply buy an acoustic preamp (pedal or rack) and plug it into a Mackie SRM450. That will blow away any amp in your review list......

In all the large venues I've

Thanks for your feedback JazzyJ.

In all the large venues I've worked in from indoor halls to outdoor amphitheaters, either as a performer or in the tech crew, no acoustic amp would have been sufficient on it's own. The standard practice in these situations is to either take a line-out (DI out preferably) or to mic the amp. In other words, in large venues the amp serves as an on-stage monitor where the PA and its Front of House stacks with large 15" and sometimes bigger cones being used to provide most of the amplified sound for the audience.

I'm pretty sure that most of the amps you mentioned were included in our survey, but didn't meet our availability criterion as mentioned in the Methodology section above or didn't have high enough ratings to be short-listed. We've since relaxed the availability rule a bit to include manufacturers like Carvin which mostly sell direct so they will be included in our short-list when we next update this guide. Some of the other amps you mentioned are mostly available second hand and people can look for them on reverb or ebay, but I'll make sure we check out the latest from those brands when we next update this guide.

Your idea about using an acoustic preamp in combination with a powered PA speaker is a good one - I see many acts in my area doing that or using a preamp and going direct to the PA these days.

Mesa Boogie is the only maker

Mesa Boogie is the only maker to post on there website the fact there acoustic amp is class d. This is a big deal for old school players who prefer transformer power. Shame on the other manufacturers for making it so hard to find out what’s inside.

We didn't rate the Rivera

We didn't rate the Rivera Sedona dual electric/acoustic amps back when we first published this guide because there was only limited availability of them from US retailers at the time - possibly because they're significantly more expensive than standard acoustic amps.

But thanks for asking the question - we'll make sure to include Rivera Sedona in our music gear database when this guide is next updated - that may result in them being included in this guide given how highly they are spoken of by people that review or comment about their experiences using them.

It is very useful, but in my

It is very useful, but in my opinion would be better to have more precise gradation. If I can suggest groups could be divide to up to 30W, up to 80W, up to 120W and more than 120W.

Thank you dodo - we will take

Thank you dodo - we will take your suggestion into account when we update this guide - this kind of feedback is quite useful!

Hi Darrel,

Hi Darrel,

The above report was not based upon personal preferences as your comment would seem to imply, rather it was based upon the criteria set out in the Methodology section above.

One of the criteria was that an amp had to be available at major online music gear retailers in the USA. At the time of publishing both this guide and this comment, Schertler amplifiers were not available at Guitar Center, Musicians Friend, zZounds, AMS, Sam Ash, B&H, or our sponsor Sweetwater.

It seems that in order to buy a Schertler amp online from within the USA you currently either have to go to an overseas music gear specialist such as Thonmann (31Kg/~68lbs shipping weight limit), or to a 3rd party seller via services such as Reverb, Amazon or eBay.

Before buying through any non-standard process, I would check with the manufacturer to see if I would get a valid warranty and where I would have to send the amp if it ever needed to be repaired.

BTW - if anyone does know of an authorized Schertler dealer in the USA, please leave a comment about them here.

Where is the ZT Lunchbox

Where is the ZT Lunchbox Acoustic? Much more natural sound than the Fishman Mini, which it compares to in size, cost, and performance but not wattage. Wattage is subjective - it doesn't always correlate to volume.

The ZT Amplifiers Lunchbox

Thank you very much for asking about that Steve because you've given me the opportunity to explain what some people might have thought was an accidental omission on our part - it was not.

The ZT Amplifiers Lunchbox Acoustic failed to get past the first phase of our screening process because it had too many negative customer reviews, many of which complained about it not being loud enough for a 200 watt amp.

ZT Amplifiers chose to market the Lunchbox Acoustic using the higher Peak Musical Power rating of 200 watts instead of using the industry standard for guitar amps which is Root Mean Square (RMS). Had they chosen to promote it using a lower RMS power rating then it's reasonable to think that it wouldn't have attracted so many complaints about the lack of volume.

The net result was that the Gearank algorithm was only able to give the Lunchbox Acoustic a Gearank score of 78.

In the interests of transparency I have included the Lunchbox Acoustic in our public gear database so everyone can see its Gearank score along with all the other amps.

Hi John - at the current time

Hi John - at the current time we are only providing overall ratings with the Gearank algorithm, for now you'll have to evaluate the Lunchbox Acoustic amp the old fashioned way by reading what users have to say in the comments here or on websites such as Harmony Central and Gearslutz.