7 Best PA Speakers - September 2023

The Best Powered PA Speakers


We recommend all products independently of 3rd parties including advertisers. We earn advertising fees from:
• • • • •
• • • • •


As an Amazon Associate we earn from qualifying purchases.
• • • • •

PA System Guides

We have a range of guides related to PA systems which you will find helpful:

Gone are the days when powered PA speakers, with their built-in amplification, were heavy and hard to transport. The best PA speakers now have tech advancements that enable them to be built smaller and more efficiently than ever.

No more need for loud fans or large heat sinks. This means that today's powered PA speakers are easier to transport and mount and more reliable than their earlier incarnations.

Powered PA speakers are also more versatile than a passive setup. They can be used as a Main FOH speaker, floor wedge, delayed speaker, or even as an instrument speaker for keyboards, synths and e-drums.

Guitarists using effects with amp and pedal modeling also use PA powered speakers as a substitute for guitar amps. Note that they use a multi-fx pedal with amp modelling for this task.

Author & Contributors

Raphael PulgarRaphael Pulgar

I've been an audio engineer for 20 years specializing in rock and metal recordings. I also play guitar and produce original music for my band and other content creators.

Best Budget PA Speaker

Behringer Eurolive B210D - 10" - 200W


90 out of 100. Incorporating 1100+ ratings and reviews.

Street Price: 

Behringer Eurolive B210D Powered PA Speaker - 200W
At publication time this was the Best Powered Speaker Under $250.


  • Grille is easily dented - doesn't affect performance but can be unsightly over time


  • Great volume for the price
  • Easily portable
  • Surprisingly reliable

The Behringer Eurolive B210D is an active speaker used in Front of House or as a floor monitor. It packs 200W of peak power split into 180W for the LF and 42W for the HF drivers. All while being under 20lbs per speaker.

It also has an integrated DSP that filters out lows progressively as you go louder to keep the signal clean. An internal limiter keeps the signal from overloading your drivers, extending their long-term reliability.

One thing the B201D powered speaker is known for is its good power-to-weight ratio. This might mean little for static setups, but traveling weight is essential for equipment rentals, touring musicians, and street performers.

Having a lighter speaker without compromising power is always welcome in these situations. It doesn't boast of having the best sound quality, but it sounds quite good.

A gripe I have with this powered pa speaker is that the front grille gets dented easily. This is commonly seen when it's used as a floor wedge. It doesn't technically affect performance, but it looks unsightly and reflects poorly on the venue's upkeep.

I've also encountered units that hiss, but when I checked, it has more to do with the venue's electrical system. This could be avoided with better internal component shielding, which would raise the price.

Fortunately, this issue is primarily cosmetic, and the venues I've performed and teched for reported that it took years before the powered speakers needed servicing.

The B210D isn't perfect, but it's still the best powered speaker in its price range, with good power output and decent features. Just hope that the overenthusiastic guitar players that perform at your venue don't step on it during their solos, and this powered pa speaker will last you a surprising amount of time.


  • LF Driver: 1 x 10"
  • HF Driver: 1.35" Aluminum diaphragm compression driver
  • Amplifier: Bi-amped
  • Output Power Peak: 220W (180W LF, 42W HF)
  • Frequency Response: 65Hz-20kHz
  • Maximum Peak SPL: 113dB
  • Crossover Frequency: 2.4kHz
  • Enclosure: Molded Plastic
  • Mounting: Pole Mount with 1.37" socket, Floor Wedge
  • Inputs:1 x 1/4", 1 x XLR
  • Outputs: 1 x XLR
  • Controls: Power Switch, 1 x Level Knob, High EQ, Low EQ
  • Dimensions: 18.3" x 11.5" x 9.6"
  • Weight: 18.8 lbs.

Rating Source Highlight

Website Source *Rating Value
Gearspace kodebode 90/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

The Best Active PA Speakers under $500

Yamaha DBR10 - 10" - 700W


97 out of 100. Incorporating 350+ ratings and reviews.

Street Price: 

Yamaha DBR10 10" 700 Watt Powered PA Speaker


  • Only one Mic level input available
  • Could use a proper side handle
  • Enclosure can be prone to scratching


  • Super lightweight speaker
  • Great all-rounder - handles FOH, Stage Monitoring and Subwoofers well
  • Reliable and comes with a 7 Year Warranty
  • It's also a good 'FRFR' instrument amp - works well with guitar and amp modeling
  • Professional appearance suitable for weddings and corporate gigs

For a powered speaker that weighs under 25 pounds, the Yamaha DBR10 is one loud PA speaker, putting out a massive 129 SPL with good clarity and at an agreeable price.

With a 10" main speaker, you might expect it would be a bit lacking in the bass department, but it performs reasonably well there, too, with a frequency range down to 55Hz. The combination of portability, power, and price makes this a compelling option, and is why it's been so popular and well-regarded since its release in 2014.

And it's very versatile. I have used the DBR10 as an 'FRFR' (Full Range Full Response) amp with guitar modeling, a PA / FOH powered speaker, and a stage monitor. It is one of the best powered speaker to pair with guitar processors.

Yamaha DBR10 with a PRS SE Custom Semihollow to give you an idea of the size
Yamaha DBR10 with a PRS SE Custom Semihollow to give you an idea of the size.
If you're interested in the FRFR aspect of the DBR10, we go into much more detail in this extended review.

This powered PA speaker has a mixer and two channels, each with an XLR/TRS combo input and volume controls, but keep in mind that only one of the channels can accept a mic-level input (switchable between Mic/Line).

The second channel also has stereo RCA phono connectors for adding program music. I can confirm that you can use these simultaneously as the line input. There are better ways to do it, but if you can balance the volumes of these inputs, you could call it a 3-channel mixer.

Yamaha DBR10 Rear Mixer Panel
Yamaha DBR10 Rear Mixer Panel

As standalone FOH speakers, they work well in smaller venues and medium-sized venues for styles that aren't loud or bass-heavy. Their sound is best described as clean, loud, and surprisingly full. They are viable concert speakers.

They provide reasonable bass for many styles, but if you want some real 'thump' or are in a larger venue, you'll want to pair them with subwoofers. I have yet to do this, but they have an excellent reputation for combining well with subwoofers, and the HPF switch works well for this purpose.

Although others say that this powered speaker is easy to scratch, I've only experienced a few minor ones. It's a good idea to at least get a 'Speaker Tote Bag' for a 10" speaker enclosure like this one made by Gator to keep those classy looks. That particular bag has worked well for me.

The Yamaha DBR series has been around since 2014 when they brought some of the DSP magic from their higher-priced DXR series to this more affordable range, and they've been quite popular and well-regarded ever since.

This fantastic, affordable, lightweight powered speaker sounds great and offers excellent versatility. It looks good and has been a reliable workhorse for many (including me), backed by Yamaha's 7 year warranty.

It's suitable for use everywhere from practice at home, on stage as a monitor or an instrument amp, as main powered speakers for smaller venues, or coupled with subwoofers in larger venues. I find it to be one of the best pa speakers when it comes to versatility and portability.

The power at such a light weight is the standout feature, making it suitable for a broader range of situations. There may be bigger, better, more expensive powered speakers out there, but at this weight, the DBR10 is in a class of its own.

This is one of the best PA speakers for those who need something portable.


  • LF Driver: 10" Cone, 2" Voice Coil Ferrite Magnet
  • HF Driver: 1" Throat Compression
  • Amplifier: Bi-amplified Class D
  • Output Power Peak: 700W (500W LF, 200W HF)
  • Output Power Continuous: 325W (260W LF, 65W HF)
  • Frequency Response: 55Hz-20kHz (-10dB)
  • Maximum Peak SPL: 129dB
  • Crossover Frequency: 2.1kHz
  • Enclosure: Plastic
  • Mounting: Pole, Floor, Wedge
  • Inputs: 1 x XLR/TRS Combo (Mic/Line) , 1 x XLR/TRS Combo (line only), 1 x Stereo
  • Outputs: 1 x XLR
  • Controls: Power Switch, 3 x Level Knobs, Mic/Line Switch, D-Contour (FOH, Off, Monitor), HPF Switch (120Hz, 100Hz, Off)
  • Dimensions: 19.4" x 12.1" x 11.4"
  • Weight: 23.2 lbs.

Rating Source Highlights

Website Source *Rating Value
Gearank Daniel Barnett 98/100
Sound On Sound Paul White 98/100
YouTube Gear It First 96/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

QSC CP8 - 8" - 1000W


98 out of 100. Incorporating 225+ ratings and reviews.

Street Price: 

QSC CP8 Powered PA Speaker
At publication time this was the Highest Rated Powered PA Speaker Under $500.


  • A bit lacking on the bottom end - see the CP12 for more bass


QSC is a brand known for premium sound and build quality. Their speakers are widely considered among the best powered speakers for PA systems.

The CP8 lets you experience its brand of quality in a compact and affordably priced package.

QSC's renowned DSP lets you pick between presets for various applications and venues for ease of use.

Despite its smaller 8" LF driver compared to most in this price range, the bass is present enough to have a full-range sound. The selectable contour with bass roll-off makes it ideal for use with subwoofers.

Note that there have been instances of it being erroneously listed at some retailers as having a 3-channel mixer. It has two inputs plus an AUX, with only one of the XLR inputs capable of being used for Mic-level signals.

Sound output is surprisingly loud for an 8" speaker and it has a nice crispy sparkle. But it does lack a little on the bottom end. But that's not a problem because it pairs nicely with sub-woofers, so for those occasions where you need to go deeper, you can. When properly implemented the CP8 gives you great sound quality and incredible clarity.

If you want to avoid dealing with subs, consider getting the CP12 instead, which, although having identical amplifiers, is noticeably louder at the bottom end.

The polypropylene enclosure is solid; in fact, I expect them to be still working just fine years from now, and it seems QSC does, too, which is probably why they provide such a long-lasting warranty, but don't forget to register with QSC straight away so you get the extra 5 years added on.

The CP8 is a great entry point into QSC's premium pro audio sound reinforcement brand. If versatility and projection are your priorities at this price point, the QSC CP8 is tough to beat.


  • LF Driver: 8"
  • HF Driver: 1.4" Compression Driver
  • Amplifier: Class-D
  • Output Power Peak: 1000W (800W LF + 200W HF)
  • Frequency Response: 56Hz-20kHz (-6dB)
  • Maximum Peak SPL: 124 dB SPL @ 1m
  • Enclosure: Polypropylene
  • Mounting: 35mm Pole Socket, M8 Threaded Insert, Floor Wedge
  • Inputs: 1 x XLR-1/4" combo (mic/line), 1 x XLR-1/4" combo (line only), 1 x 1/8" (aux)
  • Outputs: 1 x XLR (mix out)
  • Controls: Power, 2 x Gain, MIC BOOST Push Switch, 6-way Contour Selection Switch
  • Dimensions: 16.2" x 10.7" x 10.1"
  • Weight: 25.5 lbs.

Rating Source Highlights

Website Source *Rating Value
Sound On Sound Mike Crofts 94/100
Production Partner Anselm Goertz 97/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

The Best Active PA Speakers under $1000

QSC CP12 - 12" - 1000W


97 out of 100. Incorporating 275+ ratings and reviews.

Street Price: 

QSC CP12 Powered PA Speaker - Front & Back


  • I have no complaints


  • Excellent clarity
  • Versatile - good for either FOH or stage monitors

The QSC CP12 is a compact powered loudspeaker designed with portability in mind. It has a peak wattage of 1000 W and a Max SPL of 126 dB, making it loud enough for small venues or medium-sized conference halls.

It also features a built-in 2-channel mixer for single-box operation. This makes it an equally capable floor monitor or keyboard amplifier. Only one channel can run at mic level gain, and the aux channel gain is shared with line level at input 1.

Note that there have been instances of it being erroneously listed by some retailers as having a 3-channel mixer. It has two XLR/Line inputs, with only one being capable of being used as an input for Mic-level signals.

My experience with these 12 inch PA powered speakers is from a local venue I set up sound for. The speakers can handle a packed small venue with just two units. The versatility allowed the venue to use the same unit for their monitors. Calibration was a breeze, and the volume and clarity were good, even during rock gigs.

If you're looking for a compact but capable speaker with multiple uses like mains, monitors, or instrument amplification, the QSC CP12 is a good, versatile choice. I recommend these for small to medium venues that need a clear-sounding speaker with good headroom and can handle more aggressive styles of vocals.


  • LF Driver: 12"
  • HF Driver: 1.4"
  • Amplifier: Class D Amplifier
  • Output Power Peak: 1000 W peak, 800 W (LF), 200 W (HF)
  • Frequency Response: 47 - 20 kHz(-10dB)
  • Maximum Peak SPL: 126 dB
  • Enclosure: Polypropylene
  • Mounting: Wedge, Pole, Floor, Yoke Suspension
  • Inputs: 1 x XLR-1/4" combo (mic/line), 1 x XLR-1/4" combo (line only), 1 x 1/8" (aux)
  • Outputs: 1 x XLR (mix out)
  • Controls: Power, 2 x Gain, MIC BOOST Push Switch, 6-way Contour Selection Switch
  • Dimensions: 20.3" x 13.8" x 12.7"
  • Weight: 30.3 lb.

Rating Source Highlights

Website Source *Rating Value
Sound On Sound Mike Crofts 94/100
Music Connection Barry Rudolph 92/100
Church Production Loren Alldrin 95/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

QSC K8.2 - 8" - 2000W


96 out of 100. Incorporating 300+ ratings and reviews.

Street Price: 

QSC K8.2 2000 Watt Powered PA Speaker


  • Limited projection due to the small woofer
  • Also limited low end as well


  • Highly detailed sound particularly in the midrange
  • Versatile - performs great for both FOH and stage monitoring duties

QSC is the brand to beat when it comes to quality speakers, reflected by the almost perfect ratings many of their products are getting. The K8.2 is among their highest rated speakers, sporting an 8" speaker and a 2000W power amplifier with a built-in 3-channel mixer.

Compared to the CP series, The K series adds premium speakers, DSP, and cooling. QSC also adds more power to the LF driver, which means a bit more low-end emphasis, which helps its tiny 8" speaker to sound fuller. These all add up to a tight and clear sound and even help improve long-term reliability.

I am impressed by its detailed sound, especially in the midrange. It is easily one of the best active speakers for small ensemble setups like acoustic guitar with vocals - soloists and duos. Although the low end is limited due to the 8" woofer, it pairs well with subs. I don't do DJ work, but I've seen reports from DJs who like the sound when paired with a good sub.

If you're looking for an excellent speaker that sounds amazing - and viable for both FOH and as a stage monitor, then get the QSC K8.2. It shines brightest at acoustic performance venues where detail is favored over loudness.


  • LF Driver: 8" Cone
  • HF Driver: 1.75" Titanium Compression
  • Amplifier: Bi-amplified Class D
  • Output Power Peak: 2000W (1800W LF, 225W HF)
  • Output Power Continuous: 1000W (900W LF, 100W HF)
  • Frequency Response: 59 Hz - 20 kHz (-6dB) | 55 Hz - 20 kHz (-10dB)
  • Maximum Peak SPL: 128dB
  • Crossover Frequency: User Adjustable
  • Enclosure: ABS Thermoplastic with 18 AWG Steel Grille
  • Mounting: Pole, Floor Wedge, Flown
  • Inputs: 1 x XLR-1/4" combo (mic/line), 1 x XLR-1/4" combo (line/Hi-Z), 1 x 1/8" (Aux Stereo-in)
  • Outputs: 2 x XLR (Thru), 1 x XLR (Mix out)
  • Controls: 3 x Gain Knobs, DSP Controls, Power Switch
  • Dimensions: 17.7" × 11" × 10.6"
  • Weight: 27 lbs.

Rating Source Highlights

Website Source *Rating Value
ProSoundWeb Craig Leerman 97/100
Bonedo (German) Axel Erbstösser 90/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

The Best Active PA Speakers under $2000

Electro-Voice EKX-15P 2-way 15" - 1500W


96 out of 100. Incorporating 275+ ratings and reviews.

Street Price: 

Electro-Voice EKX-15P 2-way 15" Powered PA Speaker - 1500W
At publication time this was the Highest Rated Powered PA Speaker Under $2000.


  • Fan can get noisy
  • Power cable a bit flimsy


  • Smooth, high-quality sound
  • Great sound and build quality
  • Can fill big venues with ease

The EKX-15p was designed to project low frequencies. Pairing a 15" woofer with a 1500W Class D Power amp, The EKX-15p can go loud and distortion-free.

This low frequency reproduction makes it great for DJs and musicians. It's clear enough for speech. It also does a great job of filling larger venues.

Electro Voice opted for a cleverly designed wood cabinet similar to classic speaker designs but with lighter materials to keep weight down.

You can choose between 3 presets: music, live, and club. You also have the option to save five user-programmable presets.

The variable speed fan keeps the speaker from overheating and potential burnouts. It can sense internal temperatures and automatically adjust the fan speed.

It's a simple speaker to set up and works well with different speaker stands and other mounting options.

The power cable may be fragile. This is reflected in other reports by owners but it can be easily replaced with a sturdier one. Another con is the fan. It gets loud at higher speeds.

It's a big speaker with big wattage and a great wooden baffle cabinet. At this price, it's among the best active speakers in terms of value. You can't go wrong with the brand and its reputation for sound AND build quality.


  • LF Driver: 15"
  • HF Driver: 1.5"
  • Amplifier: Bi-amplified Class D
  • Output Power Peak: 1500W
  • Output Power Continuous: Not Specified
  • Frequency Response: 55Hz - 18KHz (-3 DB) | 44Hz - 20kHz (-10 DB)
  • Maximum Peak SPL: 134 dB
  • Crossover Frequency: 1.7 kHz
  • Enclosure: 15 mm plywood with EVCoat
  • Mounting: Pole
  • Inputs: 2 x XLR-1/4" combo, RCA Input
  • Outputs: 1 x XLR
  • Controls: Master Volume, Input 1, Input 2
  • Dimensions: 27" × 17" × 17"
  • Weight: 53.9 lbs.

Rating Source Highlights

Website Source *Rating Value
Sound On Sound Mike Crofts 85/100
Pro Sound Strother Bullins 94/100
*Displayed values are prior to adjustments made by the Gearank Algorithm when evaluating the source.

QSC KW153 3-way 15" - 2000W


99 out of 100. Incorporating 150+ ratings and reviews.

Street Price: 

QSC KW153 3-way 1000W 15" Powered PA Speaker
At publication time this was the Highest Rated Powered PA Speaker Under $2000.


  • Too big and heavy for typical band setups


  • Brilliantly suited to medium to large venue installation
  • Very good at all styles of music

The KW153 is another of QSC's top rated PA powered speakers, enjoying perfect ratings at almost all major retailers.

This high-output PA powered speaker has a three-way speaker design that can generate serious volume, sporting a 15" LF driver, a 6.6" MF driver, and a 1.75" tweeter.

Unlike the JBL SRX835P this is only bi-amped; however, the crossovers do their job, and there isn't any lack of mid or high-end response; even at high volume, you still get a great deal of detail and nuance.

I'm happy using these 15-inch 3 way powered speakers for any style of music, and I've seen reports of other audio engineers using them for orchestra and classical-style music, which shows just how versatile they are. This is one of the reasons the QSC KW53 is considered the best PA system for outdoor events.

This powered speaker is highly recommended if you want premium quality 3-way 15" house speakers for permanent installation or large venues.


  • LF Driver: 15" Cone
  • MF Driver: 6.5" Mid Range Cone
  • HF Driver: 1.75" Titanium Diaphragm Compression
  • Amplifier: Bi-amplified Class D
  • Output Power Peak: 2000W (1000W LF, 1000W HF)
  • Output Power Continuous: 1000W (500W LF, 500W MF/HF)
  • Frequency Response: 35 Hz – 18 kHz (-6dB) | 33 Hz – 20 kHz (-10dB)
  • Maximum Peak SPL: 134dB
  • Crossover Frequency: DSP Controlled
  • Enclosure: 15mm Painted Birch Plywood
  • Mounting: Pole, Fly
  • Inputs: 1 x XLR/TRS Combo (Mic/Line), 1 x XLR/TRS Combo (Line), 2 x RCA
  • Outputs: 1 x XLR (Line), 2 x XLR (Direct)
  • Controls: Power, Gain A & B, Input Gain (0 dB / 12 dB / 24 dB / 36 dB), LF Mode (Ext Sub /Norm/DEEP), HF Mode (Flat/ Vocal Boost), Front LED (On /Off/Limit)
  • Dimensions: 43.1" × 18.5" × 16.8"
  • Weight: 87 lbs.

Rating Source Highlight

Website Source *Rating Value
Audiofanzine stompboxjon 100/100
*Displayed values are prior to the Gearank Algorithm's adjustments it makes when evaluating the source.

Things To Consider Before Buying Powered PA Speakers

What is the ideal LF Driver / Speaker Cone Size?

The speaker cone size refers to the size of the LF (Low Frequency) Driver - AKA Woofer. Generally, smaller woofers tend to emphasize the mids, while bigger ones offer more bass response. Compact 8" loudspeakers work particularly well with sound sources that are not bass-heavy, like vocals and guitars.

You'll need bigger speaker sizes for deep bass, especially if you're plugging in bass-heavy instruments into the signal chain, like keyboards, bass guitars, and drums. 10" to 12" PA speakers should be enough for most small group/band settings. The 12-inch powered speaker is the go-to size for most live performance venues.

On the other hand, DJs and Electronic Music enthusiasts prefer bigger 15" speakers for the extra low-end they provide. If you want more low-end, consider getting a PA subwoofer.

What Output Power Rating and Max SPL do I need?

Since powered PA speakers have built-in amplifiers, you don't have to worry about properly matching the speaker to the amp like you would if you opted for passive speakers. So, the focus is on output power, a numerical representation of the headroom and projection capabilities of the built-in amplifier and speaker combination.

Manufacturers and retailers commonly list two types of power output ratings: Continuous (RMS) and Peak (Dynamic).

Continuous (sometimes interchanged with RMS) is a better representation of how powerful a speaker is because it specifies the wattage in which it can operate safely for long periods.

Peak (sometimes interchanged with Dynamic) refers to short volume/power bursts that speakers can handle. It points to the upper limit of what speakers can do and, as such, is not a good standard to use. 200 to 500 Watts of Continuous power should be enough for most small venues, while upwards of 500W are meant for medium to large venues.

Max SPL ((Sound Pressure Level) is also essential when matching speakers with venue size. The general rule is that the higher the max SPL rating, the more space the speaker covers. With these information, you can implement multiple speakers strategically to cover larger venues.

What about portability?

The integrated amplifier inside powered speakers adds weight and some bulk; as such, they are generally heavier than passive speakers.. So it's important to consider weight and portability features, especially when you change venues regularly. Important features like handle location and size should be considered; you want to avoid buying a great sounding speaker that you can't carry around, or you can't fit inside your vehicle.

While self-powered speakers are heavy, your overall rig will be lighter because you don't have standalone amplifiers. Considering the cables and Speaker Connector Types that you need is also important when using portable powered PA speakers.

What is DSP and do I need it?

Many powered speakers have built-in DSP (Digital Signal Processors), providing various advantages, including smart limiters to protect the speaker from overload/clipping. Some even use DSP to tweak the sound to match the acoustics of rooms, allowing for more versatile placements. While it's better to do EQ adjustments on the mixing console, making adjustments at the speakers can be handy in certain situations and venues. Note that cheap powered speakers won't have this type of feature. Other features that are good to have include wireless audio streaming (convenient bluetooth audio streaming compatibility), deep bass and more.

Do I need a built-in mixer?

Some powered speakers can handle two or more inputs and have dedicated gain/volume controls, much like a Mixing Board. These speakers can double as a basic PA System for solo performers and singer-songwriters who play in smaller venues. While many of these mixers include two XLR/Line combo-sized inputs, one is usually only a line-level input, so check this carefully if you're looking to connect two microphones.

How do I know if a Powered PA Speaker is reliable?

The more components a device has, the risk of problems increases; in that sense, Passive Speakers are more durable. Still, modern build quality continues to improve, so much so that reliability is not much of a concern regarding powered speakers. Even Line Array Speakers are now excellent and reliable. Still, regardless of how solid the exterior is, there's no substitute for careful handling and transport. No matter how reliable your speakers are, don't use them above their specifications, this way you can prevent speaker damage and Crackling from Speakers.

Best PA Speaker Selection Methodology

The first edition was published in 2016, and the current edition was updated on Sept 25, 2023.

For this edition, we conducted an initial survey of major retailers in the USA and placed 85 active speakers on our short-list for closer examination - you can see them in the Music Gear Database. We only included models priced below $2,000.

Next, we gathered relevant store ratings, written reviews, video reviews, and forum discussions about each one - including the latest market feedback. We processed over 15,900 of these data sources using the Gearank Algorithm, which gave us the rating scores out of 100 that we used to rank the powered speakers appropriately. The highest rated of them are featured in this guide divided into three main categories: Sub $500, Sub $1000, and Sub $2000, along with a budget-friendly option. As always, we've included detailed descriptions and specifications for each powered speaker and their strengths and weaknesses as reported by users. For more information about our methods, see How Gearank Works.

For further discussions or to recommend your favorite powered PA speaker to other readers, scroll down to the comments section.

About the Author and Contributors

Here are the key people and sources involved in this guide's production - click on linked names for information about their music industry backgrounds.

Lead Author & Researcher

Raphael PulgarRaphael Pulgar

I've been an audio engineer for 20 years specializing in rock and metal recordings. I also play guitar and produce original music for my band and other content creators.

Although I'm more of a studio engineer, I have years of technical and creative experience with live sound. I have setup and used some of the best PA speakers and systems, and I've also taught seminars on how to set them up for live performances.


Daniel Barnett: Yamaha DBR10 Review.
Alexander Briones: Editing.
Jerry Borillo: Research.
Jason Horton: Editing and Illustrating.


Main/Top Image: Created by Gearank.com using photographs of the Mackie Thump15A, QSC K12.2 Powered PA Speaker and Electro-Voice ZLX-15BT Powered PA Speaker.

The individual product images were sourced from websites, promotional materials or supporting documentation provided by their respective manufacturers except for the additional Yamaha DBR10 photos which were taken by Daniel Barnett.


Hello Raphael, thanks for

Hello Raphael, thanks for your post
please, can you say to me which activ full range cab is good for an upright bass ? I have two differents preamp to play : minnow trickfish and lehle basswitch iq di.
In 12 or 10 "

Hello Laurent,

Hello Laurent,

The QSC KW153 - 15" is my recommendation for upright bass. The speaker size is perfect for reaching lower frequencies and making most of the depth of the upright's sound without flubbing out. 10" and 12" can work if you're after the lower midrange tonality but they might not have enough excursion to push the air needed to sit the bass in the mix.


I am currently using a pair

I am currently using a pair of Harbinger 2312 speakers and an S12 subwoofer for my electronic drum kit. It’s plenty loud but thinking of upgrading for more low end and clarity. Would it it better to use two 15” and ditch the subwoofer? Budget is an issue, I am trying to keep it around $1,200.00. I don’t know if it matters but I use a Yamaha MG16XU mixer. I was thinking of getting a pair of the Yamaha DBR15’s, what do you think?

For a Electric Drum kit, I

For a Electric Drum kit, I think your setup is fine. Just add another S12 to your 2312's and you should have have plenty of low end bass for your kit. Especially if your on a budget. If not QSC. IMHO.

Things to consider- Do they

Things to consider- Do they sound good. I am really surprised that electrovoice speakers are not on this list while some clearly inferior products are. I have four electrovoice Elx 112ps for monitors and two Elx 115ps for mains coupled with a Yamaha digital mixer. Nirvana! If you run everything flat using Shute mic’s you will have zero feedback and it Weill sound fine. If you know what you are doing it will sound great. The electrovoice powered speakers are really good. For the price they are hard to beat. I am puzzled why they don’t show up often on the best of reviews.

I thought J read where you

I thought J read where you had Martin XP12 as top speaker but I see here it did not make your list. How do the Martin speakers rate?

Have you guys run into the

Have you guys run into the "Protect Mode 4" issue on newer QSC K's?

There seems to be a lot of people experiencing an issue with the newest QSC firmware (; failures are mostly in K10.2s, for some reason). Users report that with properly staged gains and output levels (and with speaker gain at noon in reasonable room temperatures) they're going into a failure mode, mid-gig, that turns them off and runs a test (which passes) until they're reset.

Users who've spoken to QSC say they will not roll back to earlier firmware, and some are saying that firmware will be updated to the troublesome version when any repairs are done.

I have some workhouse K12.2s and was considering a pair of K10.2s until I read about this.

Have you guys into the

Have you guys into the "Protect Mode 4" problem that seems to be plaguing a lot of newer K10.2s (and supposedly some K12.2s)? This is a real problem for a lot of people... with appropriate signal in, gain at noon and ambient room temps, these things randomly turn off and require a reset procedure (that involves letting it play a 100Hz tone). Not what you want to happen on gigs.

Just curious as to how/why

Just curious as to how/why EAW (Eastern Acoustic Works) speakers never seem to make it into your ratings.

Hi Robert,

Hi Robert,

I was wondering when someone would ask us about EAW - it looks like you're the first!

Although many of their speakers are priced above the current limit of $2000 for this guide, they do have some like the JF Series which do technically qualify.

The reason they have not appeared to date, and haven't even made it onto any of our short-lists, is because they're not widely available from US based retailers so they don't have enough people rating and reviewing them for us to confidently rate and recommend them.

Although Full Compass does sell them, you can't get them at Sweetwater, Amazon, Musicians Friend, Guitar Center, AMS, zZounds, Sam Ash etc.

EAW is on our radar, and if they become more popular they will definitely make it onto our short-lists and possibly even get recommended in one or more of our guides.


Absolutely love my Yamaha

Absolutely love my Yamaha DBR10s. I use them for monitors, or mains. They just are great sounding.

Hi. David here.

Hi. David here.
After about a 2.5+ decade hiatus of music involvement (bands & sound engineering), recently been helping some old friends; so, kinda getting back into it.
Back in the day, usually used some sort of tri'amp system, in stereo. Usually consisting of either: 2" high horns, 12" speaker mids, & 18" lows/subs(or some similar combo), w/a separate rack of amps to push the spkrs.

So, with no stores in my area to compare pa systems, I'm curious...
with these newer 'Powered' Pole systems, which make & model is the Best Bang for the Buck, that will compete, meet, or, if possible, exceed the Full Wall of Sound produced from the older Passive Spkr systems ? This would most likely be used for smaller to mid sized venues, gigs, parties, etc; say, from 100's to 1,000's of peeps.

I'm seriously considering something for my own future endeavors, &, could see the plus of not having to lug around a separate amp rack & saving some time from all the connections thereof. So..
TIA, in letting me know if there's a Powered Pole System that will meet the above needs shared.

Peace !
David W

Hello David Williams

Hello David Williams
As someone who has been on both sides of the speakers (musician & Sound Man) for almost 45 years, I can tell you, you're in for a VERY pleasant surprise. Yes, for many years I too worked with the big "wall of sound" (as you put it) systems (and the truck required to move those beasts!). The newer "modular?" systems now (powered mains matched with one or two powered subs/mixing board) are not only a million times easier to pack and move, but believe it or not, also actually also SOUND much better!! Speaker and amplifier technology has come an incredibly long way in the past 30 years. You're going to have a much better sound field, much cleaner and tighter sound, both bottom end and top. And even a good quality 16 channel board is going to be half the size and weight on the old ones (and also better sound quality). Just make sure you have your reading glasses and a pen light ready for working on those :-)

Hi David,

Hi David,

It seems that times have indeed changed over the last few decades as many sound system providers have made the jump towards powered (active) speakers and subwoofers. Venues have also changed as larger open air venues utilize larger, mostly active line array systems in conjuction with delayed auxilliary speakers in other parts of the venue to fill in the sound and utilizing powered subwoofers in optimally placed locations (sometimes floated/suspended).

In my brief experience working with a sound system rental service, a 1,000 capacity indoor venue used a combination of line array system speakers, tripod mounted delayed auxilliary speakers at the halfway mark of the venue and two to three subwoofers. Smaller events only need as much as 2 powered 12"/15" Main speakers and 1 subwoofer. This smaller setup has worked for me even with louder modern metal bands (believe me they can get loud!)

So if you're looking to invest, I suggest you focus on getting good speakers as your top priority as these influence the overall quality of your rig. Having powered speakers also allows for better scaling should you want to expand to having line arrays, multiple subs and monitors, etc.

So a good starter system for a small venue would be 2 powered mains, 2 powered floor wedges, a subwoofer and a mixing console. The great thing about this system is that because the speakers are powered, you wouldn't have to worry too much about impedances and amplifier-speaker matching (though you do have to be aware of your system's current draw on your electrical line!).

To get you started, here are some of our published guides:

Powered speakers (This guide. Just reposting this for reference)

Powered floor monitors


For mixers, any mixing console can do. What's important is you have enough channels for all input sources. If you plan on eventually expanding your setup, go for a mixer with more inputs than what you currently need.

There's still so much more from this though such as speaker cables, mics and whatnot but I think this is enough information to get you up to speed for now.


Noticed that the Mackie SRM V

Noticed that the Mackie SRM V-Class speakers have not been rated yet. Recently purchased one of these (SRM210) and have been very impressed with the sound and functionality.

We only have preliminary

We only have preliminary ratings for each of the 10", 12" and 15" versions which we haven't published yet.

Bringing them out in January this year was unfortunate timing for Mackie and review and rating sources are limited at the current time, but we hope to publish something on the series before the end of the year.

So far only their PS15P 15

So far only their PS15P has made it onto our shortlist, but it does have decent ratings which you can see here.

Boycott speaker/amp companies

Boycott speaker/amp companies that refuse to publish their continuous/RMS ratings!! In the past 2 weeks of digging into PA systems I've found peak:continuous ratios of 2:1 4:1 5:1, even 10:1!! Yup, one company rated their speaker as 2,000 watts peak and 200 continuous!

Knowing what a speaker or amp can handle for a millisecond is absolutely useless.

The negative comments about

The negative comments about JBL are hilarious. The 5" and 8" series are widely regarded among the best if not the best in their class.

Speaking of which, why aren't 5" speakers included here?

I was hoping to see something

I was hoping to see something about the Peavey RBN-112's with the ribbon tweeters. I did not find them in the database either, just the Dark Matter 112. Does anyone have experience with these?

The Peavey RBN 112 has never

The Peavey RBN 112 has never made it onto our short-list for this guide over several major updates, mainly due to a lack of popularity rather than its ratings, however I've published our rating of it today for all to see: Peavey RBN 112.

I have some real nice powered

I have some real nice powered speakers but am not seeing the samson brand is that not good in ratings?

Samson are a good brand for

Samson are a good brand for many things however they haven't yet had high enough ratings to make it onto our short-lists for powered speakers although their Auro X15D is a candidate that might make it onto our recommended list at the next update of this guide.

BTW you can look up all Samson products we've rated by going to the Music Gear Database.

So in conclusion which ones

So in conclusion which ones are better for a 400 ppl venue. The Bose F1 or the QSC 12K2 or the RCF evox 12?

I have no idea why RCF didn't

I have no idea why RCF didn't make the cut! I demoed the 12"Hd32amk4 against the qsc12k.2 Qsc got whooped!!I bought 2 RCF and get compliments from QSC owners!!

A pair of any of those aught

A pair of any of those aught to be fine however I think you'd get the best value out of the QSC K12.2 based on all the research we've done.

With so many factors to

With so many factors to consider, there's really no set standard for determining specific size category.

These factors include actual venue size, audience headcount, open air or enclosed, environmental noise, venue acoustics and many more.

But to answer your question, most will agree that small venues include coffee shops, bars, small restaurants and conference rooms. On the other hand, medium sized venues include enclosed auditoriums, churches, small gardens, and other venues that have a head count of less than 500.

You missed all the Cerwin

You missed all the Cerwin Vega models. In particular, the CVA-28, the CV P1000X and CV P1500X. I also agree with the other posts, you did not even consider JBL and they have the best Mids and Highs, plus value.

I have Yamaha dbr10 and it is

I have Yamaha dbr10 and it is brilliant. But looking at behringer b112d, and not too concerned about quality of sound, don't really know how much potential loudness would suffer (quoted EPL only 113db, much lower than the others on the list).

Alto TS215 Active 15" Speaker

Alto TS215 Active 15" Speaker VS.
Studiomaster Drive 15A/6A 15" Active

Hi - I'm looking for an upgrade from my Alto TX15 range to either of the above without breaking the bank tooo much. Can you possibly give me a rating and a recommendation if at all possible?


has to be sponsored by qsc or

Has to be sponsored by qsc or something, because the jbl prx are a great speaker, I have been abusing the heck out of some eon g2s for over 10 years! 2 gigs a week, never flinched, never had to repair, all original drivers, that says something, just get protective bags, whichever speaker you decide on.

As has been pointed out

As has been pointed out previously in this discussion, no manufacturers, including QSC, have paid any money or provided any benefit of any kind to us for anything we have done on Gearank.com.

In fact last year we removed all banner and display advertising (we were using AdSense) from this website. That means there is no possibility of us receiving money even indirectly from those companies via Google/AdSense.

At the current time our only source of revenue is from the retailers we link to - at the moment that includes Sweetwater and Amazon.

All of our product recommendations are guided by a scientific process involving statistical analysis of market sentiment using our proprietary Gearank Algorithm.

An overview of this is explained in How Gearank Works.

JBL SRX & FBT speakers will

JBL SRX & FBT speakers will blow most of this tip 10 list out of water for Power & bottom end . Try before you buy.

wow no love for the Alto

Wow no love for the Alto Blacks OR TrueSounds? both of those series rank up there with QSCs ang EVs and mop the floor with JBL. I did a H2H in store with 5 jazz musicians with total over 175 years playing experience and they were hands down the winner playing anything with real instruments in it... ESPECIALLY in price/performance comparison!

If you would like the results

If you would like the results of your Head to Head comparison to be included in the data set we use when we next update this guide, then write a report/review detailing your results on one of the popular music gear review sites or forums.

To get an understanding of our methods please read How Gearank Works.

You should be advised to

You should be advised to include some of the concentric speaker enclosures out there, as powered speakers. Don't know if they'll fit in that range. RCF may be out of bounce, but there are others more affordable. I wished that Tannoy would release a full live PA powered speaker system. Germans DB may be price worthy though, you don't need super expensive T&W and the like.

Is there a gearrank

Is there a Gearank comparison of 3 way powered pa speakers? If there is not you guys should do one, thanks.